"Deleuze, Whitehead, Bergson: Rhizomatic Connections" is the first book length collection of essays exploring the relations between the work of Gilles Deleuze, Alfred North Whitehead and Henri Bergson. With contributions by established international scholars from cultural studies, philosophy and theology, "Deleuze, Whitehead, Bergson" examines the articulation between their concepts, methods and modes of doing philosophy and how their thought relates to different disciplines. Organized thematically, each essay examines the section themes in the context of the contrasts, differences and conjunctions--the rhizomatic connections--between their shared concepts. "Deleuze, Whitehead, Bergson" will make a significant impact upon and contribution to the scholarship on these philosophers, challenging many of the preconceptions, the "images of thought," through which they are all too often read and interpreted.

Rasmussen offers a novel interpretation of the relationship between religious concern and artistic creativity in the works of the self-styled "Christian poet and thinker" Soren Kierkegaard (1813-1855). Although Kierkegaard articulated neither a "Christology" in the sense that the term has for systematic theology, nor a generic "theory of poetry" in the sense that phrase has for literary criticism, this study makes the case that Kierkegaard's writings nevertheless do advance a "Christomorphic poetics," a tertium quid that resists conventional distinctions between theology and literature. The term "Christomorphic" signals that Kierkegaard's Christian view of the incarnation of God in Christ shapes his poetics in a fundamental way and that, therefore, Kierkegaard's authorship and his incarnational view of God in Christ should be understood together. Arguing that Kierkegaard's poetics takes shape in conversation with many of the major themes of early German Romanticism (irony, imaginative creativity, paradox, the relativization of imitation [mimesis], and erotic love), this book offers a fresh appreciation of the depth of Kierkegaard's engagement with Romanticism, and of the contours of his alternative to that literary movement. Chapter one analyzes Kierkegaard's reception of romantic irony, and demonstrates that the romantic tendency to fantasize subjective existence (at least on Kierkegaard's reading) motivates the critique of romantic poetry in Kierkegaard's early works. Chapters two and three identify and explicate Kierkegaard's alternative to romantic poetics, elucidating his distinctive Christomorphic poetics in terms of his view of God as divine poet. The fourth chapter demonstrates the way Kierkegaard's emphasis on the "imitation of Christ" challenges the romantic relativization of "mimesis," and signals a reversal of the romantic celebration of the ironic imagination. Finally, chapter five constructs a typology of Kierkegaard's three senses of the term "poet." By showing how these different senses of the one term function within Kierkegaard's larger poetics, this chapter makes clear the manner in which Kierkegaard as a "religious poet" distinguishes himself from the "secular poet" of romantic irony by fostering what he considers authentic Christian "witness" in the world according to the "Word" of the divine poet embodied in Christ.

Usually Husserl's analysis of time-constitution is thought of in terms of three phases that are roughly bound up with the central publications, the Lectures, the Bernau Manuscripts and the C-Manuscripts. Today, after the publication of the central texts incorporating the last two phases, the discussion of Husserl's analysis of time-constitution has entered a new phase. This is true for the interpretation of the latter two texts but it also affects out reading of the Lectures. Today, in the aftermath of the recent publication of the C-Manuscipts, it seems more likely that the seemingly separated first two phases are more close to each other than expected. The new and broader context allows for more thorough interpretation of the whole enterprise of time-constitution.

By publishing this collection of contributions of the best international experts in this field, entailing some refreshing approaches of new coming researchers, this collection gives an overview of the most contemporary interpretations of this fundamental phenomenological theme.

It is usually assumed that Wittgenstein's philosophical development is determined either by one dramatic or one subtle change of mind. This book challenges the one-change view. Wittgenstein had many changes of mind and they are so substantial that he can be understood as holding several different philosophies in the late twenties and early thirties. Early in 1929, Wittgenstein envisages a complementary (phenomenological) symbolism in order to carry out the Tractarian task of giving the limits of language and thought. The symbolism failed and he then developed a comprehensive notion of 'grammar' that, he hoped, would fulfill the task. This notion of 'grammar' leads in 1930-1 to the calculus conception of language, which is still defended in the Big Typescript (1932-3). As a complementary tool of the calculus conception, Wittgenstein invents the genetic method, which aims at dissolving philosophical puzzles by the understanding of how they come about. After the Big Typescript, Wittgenstein assimilates an anthropological perspective and puts the genetic method at the center of the stage of his philosophy. The use of the genetic method (associated with an anthropological perspective) develops gradually, taking various forms of application: in the Blue Book, in the versions of the Brown Book (1934-6), and in the Philosophical Investigations.

'The best introduction to Deleuze, and to the collective writings of Deleuze and Guattari, available yet! Claire Colebrook has produced a truly accessible pathway into the labyrinthine enchantments offered for contemporary thought by Deleuzianism, making concepts clear, showing their political and theoretical complexity, elaborating their social and artistic relevance. A wonderful, lucid opening onto the new worlds of Deleuze.'Elizabeth Grosz, Rutgers University'A wonderfully clear introduction to key Deleuzian concepts and to their effectiveness in fields ranging from ethics and politics to cinema, literary and cultural studies. Claire Colebrook provides a series of effortless transitions from Deleuze's philosophical concerns (eg: difference, representation, desire and affect) to concrete problems in a variety of fields. This book is an excellent guide to an important body of critical thought.'Paul Patton, Professor of Philosophy, University of NSWA genuine attempt to think differently, Gilles Deleuze's work challenges, provokes and frustrates. Surprisingly practical as well as innovative, it is now being seen as a 'must read' for students and scholars across the humanities and social sciences. Claire Colebrook's Understanding Deleuze offers a comprehensive and very accessible introduction to his work. hink differently. It is built on the notion of an immanent ethics: how can we have a political and ethical theory without some external foundation such as the subject or morality? He argues that the only way we can do this is with a theory of the virtual, and he sees all life (not just cyberculture) as virtual. Deleuze goes further than Foucault or Derrida in questioning the boundaries of the subject and knowledge. For Deleuze perception extends beyond the human, to animals, machines and microorganisms.Deleuze's writing is challenging and hard to read, and so far there is no introduction to his work. Claire Colebrook's primer offers an accessible introduction to the whole Deleuzian oeuvre, including the work he did with Guattari.

This volume brings together distinguished Wittgenstein scholars and renowned philosophers of language in order to examine what Wittgenstein has to say about language and to assess its significance for contemporary philosophy.

Kant, in the Critique of pure reason, only dedicates a few pages to the principle of Anticipations of Perception and only a few critical studies are outspokenly dedicated to this issue in recent critical literature. But if one considers the history of post-Kantian philosophy, one can immediately perceive the great importance of the new definition of the relationship between reality and negation, which Kant's principle proposes. Critical philosophy is here radically opposed to the pre-critical metaphysical tradition: "Reality" no longer appears as absolutely positive being, which excludes all negativity from itself, and "negation" is not reduced to being a simple removal, the mere absence of being. Instead, reality and negation behave as an equally positive something in respect to one another such that negation is itself a reality that is actively opposed to another reality. Such a definition of the relation between reality and negation became indispensible for post-Kantian Philosophy and represents a central aspect of Kantian-inspired philosophy in respect to Leibnizian metaphysics. The present work therefore departs from the hypothesis that the essential philosophical importance of the Anticipations of Perception can only be fully measured by exploring its impact in the Post-Kantian debate.

The book shows that Heidegger's Aristotle interpretation of the 1920s is integral to his thinking as an attempt to lead metaphysics back to its own presuppositions, and that his reflection on art in the 1930s necessitates a revision of this interpretation itself. It argues that it is only in tracing this movement of Heidegger's Aristotle interpretation that we can adequately engage with the historical significance of his thinking, and with the fate of metaphysics and aesthetics in the present age.

In this volume, Baz offers a wide-ranging discussion of Wittgenstein's remarks on aspect-perception, with special focus on Wittgenstein's method. Baz starts out with an interpretation of Wittgenstein's remarks on aspects and continues with attempts to characterize and defend Wittgenstein's approach to the understanding and dissolution of philosophical difficulties. Baz ends with attempts to articulate-under the inspiration of Merleau-Ponty's phenomenology-certain dissatisfactions, both with Wittgenstein's remarks on aspect perception, and with his philosophical approach more generally. On the way, Baz explores connections between Wittgenstein's remarks on aspects and Kant's aesthetics. He examines ways in which the remarks on aspects may be brought to bear on contemporary philosophical work on perception. He discusses some of the implications of Wittgenstein's work on aspect perception for issues in moral philosophy and the philosophy of action.

This lecture, given by Michel Foucault at the College de France, launches an inquiry into the notion of parresia and continues his rereading of ancient philosophy. Through the study of this notion of truth-telling, of speaking out freely, Foucault re-examines Greek citizenship, showing how the courage of the truth forms the forgotten ethical basis of Athenian democracy. The figure of the philosopher king, the condemnation of writing, and Socrates' rejection of political involvement are some of the many topics of ancient philosophy revisited here.

In this biographical study of the German philosopher Johann Gottlieb Fichte from his birth in 1762 to the crisis in his university career in 1799, Professor La Vopa uses Fichte's life and thought to deepen our understanding of German society, culture, and politics in the age of the French Revolution. This is the first biography to explain thoroughly how Fichte's philosophy relates to his life experiences as reconstructed from the abundant material in his published and unpublished writings and papers. The approach is primarily historical, but should be of interest to philosophers.

Knowing that we are finite, how can we live to the fullest? Philosopher George Santayana suggested 'spirituality' enables us to enjoy what we have. This book clarifies and extends Santayana's account of spirituality, while suggesting how the detachment of spirituality can relieve human suffering, enrich our lives, and make us better human beings.

After 9/11/2001, gendered narratives of humiliation and revenge proliferated in the U.S. national imaginary. How is it that gender, which we commonly take to be a structure at the heart of individual identity, is also at stake in the life of the nation? What do we learn about gender when we pay attention to how it moves and circulates between the lived experience of the subject and the aspirations of the nation in war? What is the relation between national sovereignty and sovereign masculinity? Through examining practices of torture, extra-judicial assassination, and first person accounts of soldiers on the ground, Bonnie Mann develops a new theory of gender. It is neither a natural essence nor merely a social construct. Gender is first and foremost an operation of justification which binds the lived existence of the individual subject to the aspirations of the regime. Inspired by a reexamination of the work of Simone de Beauvoir, the author exposes how sovereign masculinity hinges on the nation's ability to tap into and mobilize the structure of self-justification at the heart of masculine identity. At the national level, shame is repeatedly converted to power in the War on Terror through hyperbolic displays of agency including massive aerial bombardment and practices of torture. This is why, as Mann demonstrates, the phenomenon of gender itself demands a four-dimensional analysis that moves from the phenomenological level of lived experience, through the collective life of a people expressed in the social imaginary and the operations of language, to the material relations that prevail in our times.

The human body is not simply a physical, anatomical, or physiological object; in an important sense we are our bodies. In this collection, Sartre scholars and others engage with the French philosopher Jean-Paul Sartre's brilliant but neglected descriptions of our experience of human bodies. The authors bring a wide variety of perspectives to bear on Sartre's thinking about the body, and, alongside in-depth scholarly historical and critical investigations, bring him into dialogue with feminists, sociologists, psychologists and historians, addressing such questions as: Why have philosophers found it so difficult to conceptualize the relationship between consciousness and the body? Do men and women experience their own bodies in fundamentally different ways? What is pain? What is sexual desire? What is it like to live as a racially marked body in a racist society? How do society and culture shape our bodies, and can we re-shape them?

While the relationship between Kant and other major figures in early analytic philosophy, such as Russell, G. E. Moore, and Rudolf Carnap, has been the subject of full length studies, no such work yet exists on the relationship between Kant and Frege. The Origins of Analytic Philosophy Kant and Frege addresses this gap in our understanding of the origins of early analytic philosophy. Its concern is to chart the nature and significance of Frege's break with Kant over the question of whether arithmetic is a synthetic a priori or an analytic a priori science. In rejecting Kant's claim that arithmetic is an a priori synthetic science, Frege returns to a conception of the scope and power of pure reason that shows important similarities to the philosophical outlook of Kant's great predecessor and philosophical opponent Gottfried Leibniz.Delbert Reed shows how, in his attempts to establish the foundations of arithmetic on analytic principles, Frege developed many of the tools, concerns and problems that would dominate the development of analytic philosophy in the 20th century.

Jean-Jacques Rousseau has a claim to be ranked above even Karl Marx as the political philosopher who has most influenced everyday life. His much-read philosophy of education alone would qualify him for a high place, but his political theory is even more important: decisions affecting millions of people were made based on the reading of certain lines of the Social Contract. Yet while politicians and scholars have studied this book for 250 years, almost no agreement exists on how to interpret its central concept: freedom. Rousseau's theory of freedom has led him to be called everything from the greatest prophet of individual liberty to the designer of the first totalitarian state. This book offers a new, unifying interpretation of the theory of freedom in the Social Contract. Simpson gives a careful analysis of Rousseau's theory of the social pact, and then examines the kinds of freedom that it brings about, showing how Rousseau's individualist and collectivist aspects fit into a larger and logically coherent theory of human liberty. Simpson's book not only helps us to understand one of the pre-eminent political minds of the 18th century, but also brings us into closer conversation with those he influenced, who have done so much to shape our world. And in light of the interest in contemporary contractualist philosophers like Rawls, Scanlon, and Gauthier, readers will find it worthwhile to return to the thinker who offers one of the most radical, profound, and insightful theories of the social contract ever devised.

Addressing the perennial question: why should we be moral? this book argues that we can only give a truly and morally satisfying answer to that question by radically reconfiguring our conception of the self and the way it relates to others.

This collection of essays by scholars from Europe, Asia, North America, and Latin America offers new perspectives of the phenomenological investigation of experiential life on the basis of Husserl's phenomenology. Not only well-known works of Husserl are interpreted from new angles, but also the latest volumes of the Husserliana are closely examined. In a variety of ways, the contributors explore the emergence of reason in experience that is disclosed in the very regions that are traditionally considered to be "irrational" or "pre-rational." The leading idea of such explorations is Husserl's view that perception, affectivity, and volition are regarded as the three aspects of reason. Without affectivity, which is supposedly irrational, no rationality can be established in the spheres of representation and volition, whereas volitional and representational acts consistently structure the process of affective experience. In such a framework, it is also shown that theoretical and practical reason are inseparably intertwined. Thus, the papers collected here can be regarded as a collaborative phenomenological investigation into the entanglement and mutual dependency of the supposedly "rational" and the "irrational" as well as that of the "practical" and the "theoretical."

This volume brings out the varieties of forms of philosophical skepticism that have continued to preoccupy philosophers for the past of couple of centuries, as well as the specific varieties of philosophical response that these have engendered - above all, in the work of those who have sought to take their cue from Kant, Wittgenstein, or Cavell - and to illuminate how these philosophical approaches are related to and bear upon one another. The philosophers brought together in this volume are united by the thought that a proper appreciation of the depth of the skeptical challenge must reveal it to be deeply disquieting, in the sense that skepticism threatens not just some set of theoretical commitments, but also-and fundamentally-our very sense of self, world, and other. Second, that skepticism is the proper starting point for any serious attempt to make sense of what philosophy is, and to gauge the prospects of philosophical progress.

Creative force or creative shaping?

This unprecedented effort to plumb the workings of the ontopoiesis of life by disentangling its primordial forces and shaping devices as they enter into the originary matrixes of life yields fascinating insights.

Prepared by the investigation of the first two matrixes (the womb of life' and sharing-in-life', Analecta Husserliana Volume 74) the present collection of essays focuses upon the third and crowning creative matrix, Imaginatio Creatrix here proves itself to be the source and driving force which brings us to the origins of the human mind - human life.
Studies by: Elof Axel Carlson, A-T. Tymieniecka, N. Milkov, Eldon C. Wait, K. Rokstad, M. Golaszewska, M. Kule, W. Kim Rogers, Piotr Mroz, R. Pinilla Burgos, A. Carrillo Canan, G.R. Ronsivalle, J.E. Smith, A. Pawliszyn, A. Rizzacasa, L. Galzigna and M. Galzigna, Jiro Watanabe, M. Jakubczak, K. Tarnowski, M. Durst, W. Pawliszyn, R.A. Kurenkova, Carmen Cozma, E. Supinska-Polit, I.S. Fiut, Gerald Nyenhuis, Osvaldo Rossi, R.D. Sweeney, and D. Ulicka. "

Ludwig Wittgenstein's writings inspired contemporary philosophical thinking and advanced many issues that had been addressed by traditional philosophy. The questions raised by the Viennese philosopher initiated debates on a reconsideration of philosophical terminology. This is especially true for a term that has generated at least three significant controversies since its creation and will probably generate more disputes in the following years. It is the expression "form(s) of life" which translates into German as "Lebensform(en)" and "Form des Lebens". The present volume contains contributions on forms of life, language games and the influence of Wittgenstein's philosophy on other scholears.

This Dictionary offers points of entry into Derrida's complex and extensive works.
This Dictionary offers points of entry into Derrida's complex and extensive works.
From 'aporia' to 'yes', the Dictionary suggests ways into Derrida that show what is at stake in his work.
Demonstrates that Derrida is not just about philosophy, but also about politics and pop music.
Explains why deconstruction matters, and how Derrida can change the way you think.
The A-Z entries are framed by essays on the inherent interdisciplinarity of Derrida's work and on Derrida's relationship to a range of other thinkers.

Friedrich Wilhelm Joseph Von Schelling (1775GCo1854) was a colleague of Hegel, Holderlin, Fichte, Goethe, Schlegel, and Schiller. Always a champion of Romanticism, Schelling advocated a philosophy which emphasized intuition over reason, which maintained aesthetics and the creative imagination to be of the highest value. At the same time, SchellingGCOs concerns for the self and the rational make him a major precursor to existentialism and phenomenology. The New Schelling brings together a wide-ranging set of essays which elaborate the connections between Schelling and other thinkersGCosuch as Marx, Nietzsche, Freud, Sartre, Deleuze, and LacanGCoand argue for the unexpected modernity of SchellingGCOs work. Contributors: Manfred Frank, J++rgen Habermas, Iain Hamilton Grant, Joseph Lawrence, Odo Marquand, Judith Norman, Alberto Toscano, Michael Vater, Alistair Welchman, Slavoj +a Zi+azek.

Does scepticism threaten our common sense picture of the world? Does it really undermine our deep-rooted certainties? Answers to these questions are offered through a comparative study of the epistemological work of two key figures in the history of analytic philosophy, G. E. Moore and Ludwig Wittgenstein.

What is the je-ne-sais-quoi? How-if at all-can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realm of the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major figures of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to capture first-person encounters with a 'certain something' that is as difficult to explain as its effects are intense. When early modern writers use the expression in this way, he suggests, they give literary form to an experience that twenty-first-century readers may recognize as something like their own.