Electronic imaging and digital applications have brought numerous benefits for museums, galleries, archives and other organizations in the arts, culture and heritage sectors. Bringing together leading international practitioners from different disciplines, the EVA (Electronic Imaging and the Visual Arts) conferences help those working in the field to gain the most from developments in multimedia technology. This accessible volume collects recent papers from EVA conferences, covering case studies from the world's greatest institutions, as well as from some of the smallest and most innovative. Topics covered include virtual reconstruction of destroyed buildings, digital image archiving, 2D and 3D digitization projects, website evaluation, virtual archaeology, handheld interactive visitor support, exploiting digital cultural heritage and electronic aids for non-speaking people, as well as summaries of international research and technology development. The volume presents in convenient form the wealth of experience of a great variety of international specialists, allowing readers to further enhance the visitor experience of their collections.

Registration Methods for the Small Museum has been the definitive guide to registration methodology for small museums since 1978. The book covers all aspects of the registration process and provides practical solutions for the small museum professional in a concise, readable manner. This step-by-step guide begins with developing policy and takes the reader through acquisition, numbering, accessioning, documentation, loans, and deaccessioning. It is a great introduction to both manual and computer systems and can help those that are unfamiliar with museum registration systems learn more about their collections. The fifth edition updates the handbook to fit the registration systems in today's small museums and provides additional forms that weren't in previous additions of the book. Features include: oEasy to understand forms and templates oOverviews of both manual and computer registration systems oOverview of the acquisition process oOverview of the cataloging process oOverviews of museum loans oExamples of a collections policy and registration manual for a small museum oGuidance for small museums on how to create a new registration system or interpret the one they have

Written over a thirty-five year career, the essays in "Civilizing the Museum" introduce students to the powerful, sometimes contested, and often unrealized notion that museums should welcome all because they house the collective memory of all.
Drawing on her experience working in and with museums in the US and throughout the world, Author Elaine Heumann Gurian explores the possibilities for making museums more central and relevant to society.
The twenty-two essays are organized around five main themes:
* museum definitions
* civic responsibility and social service
* architectural spaces
* exhibitions
* spirituality and rationality.
And these themes address the elements that would make museums more inclusive such as:
* exhibition technique
* space configurations
* the personality of the director
* the role of social service
* power sharing
* types of museums
* the need for emotion humor and spirituality.
Without abandoning the traditional museum processes, Gurian shows how museums can honor tradition whilst embracing the new.
Enriched by her experience in groundbreaking museums, Gurian has provided a book that provokes thought, dialogue and action for students and professionals in the field to realize the inclusive potential of museums.

This book provides a glimpse of what has happened in the preservation movement in 130 years, from the lawns of Mount Vernon to the row houses of Mount Auburn. It discusses the need to continue refining standards, identifying weaknesses, and extolling excellence in the marketplace of preservation.

Sustainability and Historic Preservation: Towards a Holistic View broadens the horizons of the mushrooming drive to correlate the objectives of these two spheres. To date, discussions of the relationship between historic preservation and sustainability have generally focused on the energy consumption of buildings. The nine chapters in this book show how that agenda can and should be expanded by examining many other facets of the environment, including agricultural lands, urban waterworks, irrigation systems, natural settings, an arboretum, and post-World War II suburbs. Written by specialists from a variety of disciplines anthropology, architecture, landscape architecture, and urban history among them the contents explore new realms in which historic preservation and sustainability can have common purpose. This book addresses subjects of concern to many persons engaged in both fields and argues the case for creating a greater spectrum of common ground between them.

Organizing a traveling exhibition for the first time or the tenth time? On the Road Again: Creating and Managing Traveling Exhibitions, Second Edition, covers all one needs to know about putting together an exhibition that travels to multiple venues. This authoritative handbook examines production and management of an exhibition in great detail, beginning with the initial concept and assembly of exhibition materials. It covers: assigning duties to staff, establishing a budget, determining fees, negotiating contracts, providing insurance, crating and shipping, and much more. The book features sample documents, including contracts, RFPs, receipts, and loan agreements, and includes a bibliography. This second edition has up-to-date information on government Indemnity, terrorism insurance, digital condition reporting, and much more. Appropriate for staff of all types of museums, particularly those at small and midsize institutions, this title is a must for every museum bookshelf.

Reshaping Museum Space pulls together the views of an international group of museum professionals, architects, designers and academics highlights the complexity, significance and malleability of museum space, and provides reflections upon recent developments in museum architecture and exhibition design.

Various chapters concentrate on the process of architectural and spatial reshaping, and the problems of navigating the often contradictory agendas and aspirations of the broad range of professionals and stakeholders involved in any new project.

Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the twenty-first century and highlighting a range of possibilities for creative museum design.

Essential reading for anyone involved in creating, designing and project managing the development of museum exhibits, and vital reading for students of the discipline.

Reshaping Museum Space pulls together the views of an international group of museum professionals, architects, designers and academics highlights the complexity, significance and malleability of museum space, and provides reflections upon recent developments in museum architecture and exhibition design.

Various chapters concentrate on the process of architectural and spatial reshaping, and the problems of navigating the often contradictory agendas and aspirations of the broad range of professionals and stakeholders involved in any new project.

Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the twenty-first century and highlighting a range of possibilities for creative museum design.

Essential reading for anyone involved in creating, designing and project managing the development of museum exhibits, and vital reading for students of the discipline.

In this important book, the authors unpack the theoretical and practical issues around the development of heritage sites, critically dissecting key conservation benchmarks such as the ICOMOS guidelines, BS 7913 and the RIBA Conservation Plan of Work to reveal the mechanics of heritage guidance, its advantages and conceptual limitations. Underpinned by an active understanding of the conservation philosophy of William Morris, the book presents five case studies from the UK and North and South America that speak about different facets of heritage value, such as urban identity, commodification, authenticity, materiality and heritage as an intellectual and ethical framework. Heritage is never neutral; its definition is privileged yet its influence is political. Art, landscape and archaeology all offer examples of how the operational ideas of adjacent disciplines can influence an integrated idea of heritage conservation, and how this is communicated in order to determine significance and share in its custodianship. This book provides insights into how to identify and challenge these limitations, expanding inclusion by describing tactics for changing how people can relate to and build on the past. Clearly written for all levels of readership within the conservation professions and community custodians of heritage buildings and places, the book provides strategies and tactics for understanding the heritage significance of materials, their fabrication, detail and use. The narratives that historic fabric contains can help shape the meaningful involvement of local people, providing a roadmap for those navigating the double-bind of using the past to underpin the future.

It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture.

Creating the V&A tells the definitive story of the formative years of London's world-renowned Victoria and Albert Museum and the gathering of its early collections in the decade between the Great Exhibition of 1851 and the death of Prince Albert in 1861. The story of the V&A's genesis is often centred on the first director and first curator (Henry Cole and J. C. Robinson), and their competing agendas for design reform and connoisseurship. And yet there is an untold story of how the young royal couple for whom it is named were highly instrumental in the establishment of the museum, as public supporters and large-scale lenders before a permanent collection was in place. The book is also full of fascinating and colourful stories of the strategies deployed to harvest treasures on the market as the young museum sought to fill its rapidly expanding buildings and compete with the British Museum and the Crystal Palace. For anyone interested in the history of collecting and curating, and for all fans of this legendary London museum, Creating the V&A explains how the foundational collections established parameters which still inform the museum's collecting policies, role and identity today.

Cultural Diplomacy and the Heritage of Empire analyzes the history of the negotiations that led to the atypical return of colonial-era cultural property from the Netherlands to Indonesia in the 1970s. By doing so, the book shows that competing visions of post-colonial redress were contested throughout the era of post-World War II decolonization. Considering the danger this precedent posed to other countries, the book looks beyond the Dutch-Indonesian case to the "Elgin (Parthenon) Marbles" and "Benin Bronzes" controversies, as well as recent developments relating to returns in France and the Netherlands. Setting aside the "universalism versus nationalism" debate, Scott asserts that the deeper meaning of post-colonial cultural property disputes in European history has more to do with how officials of former colonial powers negotiated decolonization, while also creating contemporary understandings of their nations' pasts. As a whole, the book expands the field of cultural restitution studies and offers a more nuanced understanding of the connections drawn between postcolonial national identity making and the extension of cultural diplomacy. Cultural Diplomacy and the Heritage of Empire offers a new perspective on the international influence of the UNGA and UNESCO on the return debate. As such, the book will be of interest to scholars, students and practitioners engaged in the study of cultural property diplomacy and law, museum and heritage studies, modern European history, post-colonial studies and historical anthropology.

What can public art do for a community? How can city governments and others that create public art develop projects that build community and engage civil society? Creating Civic Engagement in Urban Public Art addresses these and other critical questions. It demonstrates how public art can build community unity, identity and cohesiveness. The focus of this original work is how cities engage their citizens through public art. What has been successful and what has failed? Through case studies of cities that have public art programs - some successful at citizen engagement others less so - the reader will learn how to design public art programs that build community.

The scientific and technological advances that influence the protection of cultural heritage are developing at an ever-increasing pace. Systems to explore, research and analyse their materiality, to control the different scopes, or to represent and model them have reached an unprecedented dimension in recent decades. The Network of Science and Technology for the Conservation of Cultural Heritage aims to promote collaboration between the agents of these systems, in order to facilitate the sharing of experiences and to foster technology transfer, with the common goal of contributing to the conservation of Cultural Heritage. In the context of the TechnoHeritage Network, the fourth edition of the International Congress on Science and Technology for the Conservation of Cultural Heritage was held March 26-30, 2019, in Seville, Spain. This Congress was an international meeting of researchers and specialists from multiple areas, whose line of work is the knowledge and conservation of Cultural Heritage. Among all the topics discussed, the role and impact of digital technologies for the knowledge, maintenance, management and dissemination of cultural heritage should be highlighted. Digital media modify the way of understanding this heritage, of perceiving it and transmitting it, and offer a new horizon of strategies to make decision-making more sustainable over time.

Especially in the last several decades, Museum Studies has expanded enormously to become an internationally recognized and highly interdisciplinary academic field. It draws on subjects from across the humanities and social sciences, including Art History, Cultural Studies, Ethnography, Cultural Geography, History, Sociology, Economics, Business, Marketing, and Tourism Studies. (And, beyond the academy, it has also benefited from significant contributions made by cultural policy-makers.) While intellectual diversity is a great strength of Museum Studies, its complex heritage makes it extremely challenging for the uninitiated to navigate and comprehend the subject's major works. Indeed, even those who are very familiar with particular disciplinary domains may be unaware of other important parallel debates taking place elsewhere. This new five-volume collection from Routledge, edited by Rhiannon Mason of the International Centre for Cultural and Heritage Studies, Newcastle University, responds to that challenge by making readily available in one panoptical 'mini library' the foundational and the very best cutting-edge research from the entire range of disciplines and subjects that contribute towards Museum Studies. In five volumes, the collection addresses the philosophical, theoretical, and ethical concerns of museums-alongside the equally important practical, organizational, and operational issues-to understand how they operate today. The collection also reflects the fact that many of the issues faced by contemporary institutions can only be understood in the context of the philosophy and history of museums as they have developed since the earliest collections of the European Renaissance. The major works brought together in Volume I ('Museums: Histories and Theories') provide a historical and philosophical context for the development of museums. They furnish a comprehensive introduction to the ideas of 'the new museology', which are so crucial to current trends in anglophone Museum Studies, and provide a conceptual framework for a fuller understanding of the following volumes. The scholarship gathered in Volume II ('Museums: Economics and Management') situates museums in the everyday context within which they operate, and investigates the different purposes that museums are said to possess by their various stakeholders, for example, as engines of economic regeneration, tourism, or 'place branding'. Volume II also focuses on the financial costs and practicalities of making museums work, enabling readers to grasp the day-to-day realities of museum work alongside the more philosophical and ethical issues raised in Volume I. Volume III ('Museums: Materiality and Practice'), meanwhile, explores the specifics of museum practice to address questions such as: how are exhibitions and displays produced? How is interpretation understood? How are collections managed? And how are objects deployed and architectural spaces navigated? The pieces collected here also tackle other areas of museum practice, including institutional context and staffing. Issues around how institutions behave and develop an ethos, and how museum staff nurture their professional skills and careers, are vital to understanding the broader museum world. As are new trends in curation, such as community co-production, and the increasing range of ways in which museums are being reconceptualized beyond their physical walls, for example, as performance spaces or platforms for user-generated digital content. Volume IV ('Museums: Visitors, Audiences, Communities, and Publics') assembles vital research on our interactions with museums. The materials collected here introduce users to the many different ways in which a museum's public can be understood, imagined, and addressed across the whole gamut of a museum's activities, from its programming and interpretation to marketing. The volume also takes full cognizance of recent attempts to expand and diversify museum audiences. The final volume in the collection ('Museums: Identities, Controversies, and Difficult Histories') brings together landmark and contemporary studies to interrogate many of the concerns which have repeatedly drawn museums into controversy over recent years. Ways in which museums find themselves caught up in public outrage and censorship include dealing with thorny issues around identity politics and sensitive historical events, such as the Holocaust, colonialism, and slavery. With a detailed and comprehensive introduction and commentary to each volume, Museum Studies is destined to be welcomed as an essential work of reference and a crucial research tool.

Interpreting Immigration at Museums and Historic Sites draws from the collective learning of the forty museums and historic sites that make up the Immigration and Civil Rights Network of the International Coalition of Sites of Conscience. Members of the Network have developed interpretive approaches that tap the power of place and history to open new dialogue on difficult subjects in a wide variety of contexts. The title considers the questions: How can museums use their collections and key stories as starting points for audience engagement around immigration past and present? How can museums move beyond the "we are a nation of immigrants" narrative - a narrative that does not resonate for all audiences? How can museums make opportunities for safe, open dialogue on immigration accessible to all stakeholders including both new immigrants and receiving communities? Interpreting Immigration includes strategies for the design, implementation, marketing and sustaining of programs that help visitors use the lens of history to address contemporary immigration issues and provides: *Case studies from eight regionally diverse institutions including ethnic identity museums, immigration museums and local history sites *Piloted and evaluated immigration program designs including models for exhibit development, art-based interpretation, school programs, adult programs and neighborhood walking tours *Audience building strategies *A tested evaluation toolkit for measuring institutional success *Lessons learned through the National Dialogues on Immigration Project, a cross-regional series of public programs designed to spark a national conversation on critical immigration topics like citizenship, American identity, border control, freedom of movement, and civil liberties.

Systems Thinking in Museums explores systems thinking and the practical implication of it using real-life museum examples to illuminate various entry points and stages of implementation and their challenges and opportunities. Its premise is that museums can be better off when they operate as open, dynamic, and learning systems as a whole as opposed to closed, stagnant, and status quo systems that are compartmentalized and hierarchical. This book also suggests ways to incorporate systems thinking based on reflective questions and steps with hopes to encourage museum professionals to employ systems thinking in their own museum. Few books explore theory in practice in meaningful and applicable ways; this book offers to unravel complex theories as applied in everyday practice through examples from national and international museums.

Collecting is a key function of museums. Its apparent simplicity belies a complexity of questions and issues which make all collecting imprecise and unrepresentative. This book exposes the many meanings of collections, the different perspectives taken by different cultures, and the institutional response to the collecting problem. One major concern is omission, whether this be determined by politics, professional ethics, the law or social agenda. How did curators collect during the war in Croatia? What were the problems of trying to collect the 'old' South Africa when the new one was born? Can museums collect from groups which seem to 'deviate' from society's norms? How has the function of museums affected the practices of international trade? Can museums collect successfully if collecting agenda are being set externally? Museums and the Future of Collecting encourages museums to move away from the collecting of isolated tokens; to move beyond the collecting policy and to understand more clearly the intellectual function of what they do. Here examples are given from Australia, Sweden, Canada, Spain, Britain and Croatia which provide this intellectual understanding and many practical tools for evaluating a future collecting strategy.

In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China-the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan-and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays-especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musee Chinois at the Chateau of Fontainebleau-tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.

This book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings. This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.

This book examines the complex interplay between industrial heritage and tourism. It serves to stimulate meaningful dialogue about the socioeconomic values of industrial sites and the use of tourism for the growth of the creative economy, and to better understand how the collective social memory and local identity connected to these sites have been shaped by different social groups over time. The volume presents a conceptual framework underpinned by case studies drawn from Asia, North America, Australasia and Europe and advocates the creation of mixed-use spaces and stakeholder collaboration to develop tourism at industrial heritage sites. These theoretical and practical perspectives will be of use to researchers and students of heritage tourism, urban and regional planning and tourism marketing.

Using examples of indigenous models from Indonesia, the Pacific, Africa and Native North America, Kreps illustrates how the growing recognition of indigenous curation and concepts of cultural heritage preservation is transforming conventional museum practice. She explores the similarities and differences between Western and non-Western approaches to objects, museums, and curation, revealing how what is culturally appropriate in one context may not be in another. The book also undermines the argument that non-Western people are not concerned with preserving their cultural property - an argument that has been used to justify its collection and retention in museums.

Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case- studies, including studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. The book analyses links between museums and the media, looks at the role of museums in cities and discusses the effects on museums of cultural policies.

Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case- studies, including studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. The book analyses links between museums and the media, looks at the role of museums in cities and discusses the effects on museums of cultural policies.

Author Biography:
Pierre Lemonnier is a research director at the Centre National de la Recherche Scientifique. His research team is the Centre de Recherche et de Documentation sur l'Océanie, in Marseille.