This book is a study of the role of cultural and heritage networks and how they can help institutions and their host societies manage the tensions and realise the opportunities arising from migration. In looking at past and emerging challenges of social inclusion and cultural dialogue, hybrid models of cultural identity, citizenship and national belonging, the study also sets out to answer the questions 'how'. How can cultural institutions leverage the power of cross-border networks in a contested place such as Europe today? How could they elaborate approaches and strategies based on cultural practices? How can the actions of the European Commission and relevant cultural bodies be strengthened, adapted or extended to meet these goals? Cultural Networks in Migrating Heritage will be of interest to scholars and students in museum and cultural heritage studies, visual arts, sociology of organisations and information studies. It will also be relevant to practitioners and policymakers from museums, libraries, NGOs and cultural institutions at large.

Exhibitions as Research contends that museums would be more attractive to both researchers and audiences if we consider exhibitions as knowledge-in-the-making rather than platforms for disseminating already-established insights. Analysing the theoretical underpinnings and practical challenges of such an approach, the book questions whether it is possible to exhibit knowledge that is still in the making, whilst also considering which concepts of "knowledge" apply to such a format. The book also considers what the role of audience might be if research is extended into the exhibition itself. Providing concrete case studies of projects where museum professionals have approached exhibition making as a knowledge-generating process, the book considers tools of application and the challenges that might emerge from pursuing such an approach. Theoretically, the volume analyses the emergence of exhibitions as research as part of recent developments within materiality theories, object-oriented ontology and participatory approaches to exhibition-making. Exhibitions as Research will be of interest to academics and students engaged in the study of museology, material culture, anthropology and archaeology. It will also appeal to museum professionals with an interest in current trends in exhibition-making.

Museums and Centers of Contemporary Art in Central Europe is a comprehensive study of the ecosystem of art museums and centers in the Czech Republic, Hungary, Poland and Slovakia. Focusing on institutions founded after 1989, the book analyses a thirty-year boom in art exhibition space in these regions, as well as a range of socio-political influences and curatorial debates that had a significant impact upon their development. Tracing the inspiration for the increase in art institutions and the models upon which these new spaces were based, Jagodzinska offers a unique insight into the history of museums in Central Europe. Providing analysis of a range of issues, including private and public patronage, architecture, and changing visions of national museums of art, the book situates these newly-founded institutions within their historical, political and museological contexts. Considering whether - and in what ways - they can be said to have a shared regional identity that is distinct from institutions elsewhere, this valuable contribution paints a picture of the region in its entirety from the perspective of new institutions of art. Offering the first comprehensive study on the topic, Museums and Centers of Contemporary Art in Central Europe should be of great interest to academics, researchers and postgraduate students engaged in the study of museums, art, history and architecture.

UnDoing Buildings: Adaptive Reuse and Cultural Memory discusses one of the greatest challenges for twenty-first-century society: what is to be done with the huge stock of existing buildings that have outlived the function for which they were built? Their worth is well recognised and the importance of retaining them has been long debated, but if they are to be saved, what is to be done with these redundant buildings? This book argues that remodelling is a healthy and environmentally friendly approach. Issues of heritage, conservation, sustainability and smartness are at the forefront of many discussions about architecture today and adaptive reuse offers the opportunity to reinforce the particular character of an area using up-to-date digital and construction techniques for a contemporary population. Issues of collective memory and identity combined with ideas of tradition, history and culture mean that it is possible to retain a sense of continuity with the past as a way of creating the future. UnDoing Buildings: Adaptive Reuse and Cultural Memory has an international perspective and will be of interest to upper level students and professionals working on the fields of Interior Design, Interior Architecture, Architecture, Conservation, Urban Design and Development.

Recent decades have seen migration history and issues increasingly featured in museums. Museums and Migration explores the ways in which museum spaces - local, regional, national - have engaged with the history of migration, including internal migration, emigration and immigration. It presents the latest innovative research from academics and museum practitioners and offers a comparative perspective on a global scale bringing to light geo- and socio-political specificities. It includes an extensive range of international contributions from Europe, Asia, South America as well as settler societies such as Canada and Australia. Museums and Migration charts and enlarges the developing body of research which concentrates on the analysis of the representation of migration in relation to the changing character of museums within society, examining their civic role and their function as key public arenas within civil society. It also aims to inform debates focusing on the way museums interact with processes of political and societal changes, and examining their agency and relationship to identity construction, community involvement, policy positions and discourses, but also ethics and moralities.

A place of incarceration and liberation, political debate and historical denial, the H Block cell units of Long Kesh/Maze prison in Northern Ireland housed members of both Republican and Loyalist military groups during 'The Troubles' and are now considered 'icons' of that conflict. The H Block's dual status as an articulation of and resistance against power mean that the area is still one of the most contested sites of conflict in Europe. Based on a long-standing site-specific investigation, and drawing on a range of sources from architectural plans to photographs of street protests, H Blocks explores the material relationship between the prison as a built articulation of power and its inhabitants, highlighting the ethical and political roles that architecture can play in situations of conflict. It also addresses the afterlife of such sites after the end of conflict and how they can adapt to the changing cultural meanings of their space. The book demonstrates how the conflicted histories of the prison are configured in its design and destruction, and the inhabitation and attempted preservation of the site itself, revealing how its architecture is bound up with questions of power and resistance, embodiment and attachment, witnessing and remembering, the materiality of history and its commodification.

Examines the social, cultural and ethical dimensions of heritage research and practice, and the underlying international politics of protecting cultural and natural resources around the globe. * Focuses on ethnographic and embedded perspectives, as well as a commitment to ethical engagement * Appeals to a broad audience, from archaeologists to heritage professionals, museum curators to the general public * The contributors comprise an outstanding team, representing some of the most prominent scholars in this broad field, with a combination of senior and emerging scholars, and an emphasis on international contributions

International Handbooks of Museum Studies ist ein mehrbandiges Referenzwerk, das die aktuellen Entwicklungen im Fachbereich Museumsstudien beleuchtet. Essays international fuhrender etablierter und neuer Museumsexperten betrachten samtliche relevante Aspekte, wie Museumstheorie, Umsetzung in der Praxis, kontroverse Themen, Debatten und Auswirkung neuer Technologien. Die vier thematisch gegliederten Bande behandeln ausfuhrlich alle Themen rund um die Museumstheorie, die historische und heutige Umsetzung der verschiedenen Ansatze, das Zusammenspiel von Kunst, Design und Architektur sowie die Herausforderungen von Museen vor dem Hintergrund von Transformationsprozessen. Neben wertvollen Studien zur heutigen wissenschaftlichen Forschung enthalt das Referenzwerk unzahlige Beispiele und Fallstudien, die die verschiedenen Ansatze veranschaulichen. Das mehrbandige Werk International Handbooks of Museum Studies ist ein Muss fur alle, die sich mit der Entwicklung, Rolle und Bedeutung von Museen in der heutigen Gesellschaft beschaftigen.

Equal parts autobiography, cautionary tale, and actionable recommendations, this book is as candid and vulnerable as the author insists all seekers of justice be when they embark on a full-scale DEAI initiative anchored in anti-oppression. Since the beginning of her professional museum journey, Cecile Shellman--like many who have been marginalized by systems ill-prepared to support them--has had to engage in cultural realms in which she was not fully represented and where she was sometimes misrepresented or understood. It's difficult being the "only one in the room," while trying to build relations and succeed in your chosen career. Ms. Shellman shares personal relatable stories that explain how harmful inattention to Diversity, Equity, Accessibility, and Inclusion can be to individuals and to the group dynamic. This rare peek behind the curtain of museum culture leaves no holds barred. The telling is done in an entirely approachable, if humbling way. Poignant illustrations and vivid verbal descriptions are designed to take you further into the author's experience as well as providing moments of reflection and humor. Tales from the field--anonymized stories describing microagressions, discrimination, barriers, and roadblocks in the field--are accompanied by questions to spark dialogue and engender empathetic responses. These anecdotes refer to those who share the author's identity and circumstance as well as those who don't. As with all stories, lessons and messages about culture and patterns are told as a point of caution. What might you do if you were participants in these events? How can you build your emotional intelligence to a desired level for your current museum and personal needs? Finally, there are calls to action at the personal, interpersonal, organizational, and systemic levels. True transformation requires complete reassessment of norms bolstered by a broken society. This book provides strategies for implementing change.

Museum Informatics explores the sociotechnical issues that arise when people, information, and technology interact in museums. It is designed specifically to address the many challenges faced by museums, museum professionals, and museum visitors in the information society. It examines not only applications of new technologies in museums, but how advances in information science and technology have changed the very nature of museums, both what it is to work in one, and what it is to visit one.

To explore these issues, Museum Informatics offers a selection of contributed chapters, written by leading museum researchers and practitioners, each covering significant themes or concepts fundamental to the study of museum informatics and providing practical examples and detailed case studies useful for museum researchers and professionals. In this way, Museum Informatics offers a fresh perspective on the sociotechnical interactions that occur between people, information, and technology in museums, presented in a format accessible to multiple audiences, including researchers, students, museum professionals, and museum visitors.

This volume provides an unparalleled exploration of ethics and museum practice, considering the controversies and debates which surround key issues such as provenance, ownership, cultural identity, environmental sustainability and social engagement. Using a variety of case studies which reflect the internal realities and daily activities of museums as they address these issues, from exhibition content and museum research to education, accountability and new technologies, Museums, Ethics and Cultural Heritage enables a greater understanding of the role of museums as complex and multifaceted institutions of cultural production, identity-formation and heritage preservation. Benefitting from ICOM's unique position in the museum world, this collection brings a global range of academics and professionals together to examine museums ethics from multiple perspectives. Providing a more complete picture of the diverse activities now carried out by museums, Museums, Ethics and Cultural Heritage will appeal to practitioners, academics and students alike.

Preservation of Archaeological Remains In-Situ: A Reader reveals to the heritage practitioner (archaeologist, conservator, inspector of ancient monuments, conservation officer) and archaeology and heritage studies student, the issues surrounding the preservation of archaeological remains in-situ. Offering contemporary and classic readings, it provides professionals and students alike with a strong understanding of contemporary preservation practice. The book illustrates the wide variety of threats to in-situ archaeological remains, develops the concept of a holistic appreciation of the threats, and appreciates the need to prioritise the appropriate forms of response and to developing appropriation mitigation strategies. Using a careful balance of sources, some technical, some theoretical, some practical as well as case studies to explore the threats and their mitigation, it provides a holistic statement on preserving archaeological remains in-situ.

Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum's relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.

"Andrew McClellan's well-conceived, thoughtfully argued book provides a much-needed history of the art museum as well as an astute assessment of critical issues facing museums today. There has been a pressing need for a synthetic, even-handed overview like this one. It will find a large readership among those concerned with museums, art history, and cultural policy, and I predict it will be widely used in courses in museum and curatorial studies."--Martha Ward, author of "Pissarro, Neo-impressionism and the Spaces of the Avant-Garde"
""The Art Museum from Boullee to Bilbao" is extremely important to the growing field of museum studies. It will make an excellent text and will also be important to museum professionals, who must be aware of the complexity of the critical issues it covers. It is the only book that addresses museum architecture, ideals and missions, collecting and display, restitution and repatriation, commercialism, and the public."--Harriet F. Senie, author of "The Tilted Arc Controversy: Dangerous Precedent?"
"The increasing number of people interested in the history of museums have benefited greatly from Andrew McClellan's contributions over the past two decades. In this exemplary volume, McClellan summarizes and extends his perspectives on museums as institutions 'of hope and aspiration' as he establishes a much needed context for the rhetoric of celebration and critique emanating from within and without these organizations. It is a useful as well as an important book and one that will be read by many--students and lay public alike--as they attempt to make sense of these institutions and the sometimes conflicting accounts of their purpose and programs."--MichaelConforti, Director of the Sterling and Francine Clark Art Institute
"Combining powerful critique with a grounded utopianism, Andrew McClellan dissects the art museum's past in order to identify its emancipatory potential for the future. The result is a tour de force that reinvigorates our sense of why art museums matter. This is a book that will leave its mark on debates about the social role of museums for some time to come."--Tony Bennett, Director, ESRC Centre for Research on Socio-cultural Change
"With its long historical view of ongoing controversies and debates, "The Art Museum from Boullee to Bilbao" represents a much-needed contribution to the discussion of the role of museums in contemporary society. Museum professionals, scholars, and lay readers alike will find much to ponder in its pages.--Alan Wallach, author of "Exhibiting Contradiction: Essays on the Art Museum in the United States"
"Timely and topical, "The Art Museum from Boullee to Bilbao" is a comprehensive study of the evolution of the art museum as a social institution. Andrew McClellan's clear-eyed and insightful analysis places key issues faced by museums today in historical perspective and gives us a better understanding of current debates about museums and their place in society. Combining a deep knowledge of history and critical theory with an understanding of practice, this text makes a significant contribution to museum studies and should be required reading for museum professionals and academics alike."--Christa Clarke, Curator, The Newark Museum

The volume is dedicated to the Sacri Monti, the 'Sacred Mountains', of Piedmont and Lombardy - Varallo, Orta, Crea, Varese, Oropa, Ossuccio, Ghiffa, Domodossola and Belmonte - which have all been included in the UNESCO World Heritage List since 2003. Made up of a complex of chapels in which episodes of sacred history are represented through paintings and life-size sculptures, the Sacri Monti are a complete expression of the Counter-Reformation age. Built between the end of the sixteenth and the beginning of the seventeenth century with the intent to educate and strengthen the religious sentiment of the faithful, they still fascinate for the decorative richness and the remarkable realism of the setting, as well as for the way in which they have been integrated into their surroundings. The texts and the rich iconographic collection highlight the extraordinary beauty and value of these jewels of history, art and nature. Text in English and Italian.

Heritage stones are those stones that have been used for many years, even centuries, to build the historic buildings and monuments of places around the world. Some of these stones are still being used for construction, but others are no longer used, either because quarries were exhausted or closed or because architects and constructors do not know about their particularities and importance. Several scientific papers discuss many of these stones, and a number of papers are currently being prepared, but this book is the first to emphasize the importance and significance of natural stone in the construction of a city, Salamanca, recognized as a World Heritage Site by UNESCO since 1988. In light of this recognition, Salamanca has a duty to preserve all historic buildings that make up the city by restoring those that are starting to deteriorate centuries after their construction. This book describes the buildings, the stones (all quarried centuries ago in the surrounding area), and the stone quarries, some of them inactive for many years, but that should still allow extraction of blocks on demand to restore and replace damaged specimens in the buildings, preserving the very character that saw the city receive recognition by UNESCO in the first place. There are many other places around the world that should follow this initiative and disseminate the importance of their heritage stones. This book will be of interest to professionals and academics in Geology, Engineering, architectural and artistic work in stone, both construction and conservation, but also to the general public.

Cultural institutions must reimagine their roles as education facilities for their communities and address the public need for conversations in safe and fair places, thereby renewing their essential place in democratic society. This book explains how. Open Conversations: Public Learning in Libraries and Museums is a provocative book, one that is designed to offer courage to cultural institution administrators and staff even as it opens their eyes to the possibility that their facilities can offer more than they are. Rather than offering prescriptive answers, the author invites readers to consider museums and libraries in fresh ways. Author David Carr believes professionals in libraries and museums need to think more broadly. He challenges them to address communities, national social change, psychology, and learning, and to think about ways to frame their institutions, not as repositories or research chambers, but as instruments for human thinking. Now is the time for these institutions to recover their integrity and purpose as fundamental, informing structures in a struggling democracy. Based on lectures and previously published writings by the author, and drawing on new scholarship and research, the essays here will inspire professionals to understand their collections and institutions as instruments of personal, social, and cultural change. An annotated bibliography of key works A standard bibliography

'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition, now in paperback, follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. This is an essential purchase for all practising and student conservators, restorers, museum scientists, curators and organic chemists.

More than half of the world's population now live in urban areas, and cities provide the setting for contemporary challenges such as population growth, mass tourism and unequal access to socio-economic opportunities. Urban Heritage, Development and Sustainability examines the impact of these issues on urban heritage, considering innovative approaches to managing developmental pressures and focusing on how taking an ethical, inclusive and holistic approach to urban planning and heritage conservation may create a stronger basis for the sustainable growth of cities in the future. This volume is a timely analysis of current theories and practises in urban heritage, with particular reference to the conflict between, and potential reconciliation of, conservation and development goals. A global range of case studies detail a number of distinct practical approaches to heritage on international, national and local scales. Chapters reveal the disjunctions between international frameworks and national implementation and assess how internationally agreed concepts can be misused to justify unsustainable practices or to further economic globalisation and political nationalism. The exclusion of many local communities from development policies, and the subsequent erosion of their cultural heritage, is also discussed, with the collection emphasising the importance of 'grass roots' heritage and exploring more inclusive and culturally responsive conservation strategies. Contributions from an international group of authors, including practitioners as well as leading academics, deliver a broad and balanced coverage of this topic. Addressing the interests of both urban planners and heritage specialists, Urban Heritage, Development and Sustainability is an important addition to the field that will encourage further discourse.

The protection and security of cultural properties is of primary concern to the thousands of federal, state, county, city, and private institutions entrusted with housing and displaying our national heritage and history of our society. Cultural property security is of global importance as well, with tens of thousands of institutions internationally tasked with protecting and maintaining relics and artifacts of social, cultural, and historical significance. Cultural Property Security offers powerful protection guidelines to security departments tasked with safeguarding popular historical sites, museums, and libraries and the historical artifacts they house. Presenting practical, ready-to-implement solutions in a clear writing style, the book: Provides a working definition of cultural properties Identifies the threats against cultural properties from crime and terrorism, particularly in regions with political or civil unrest Offers guidance in threat assessment Identifies the physical security measures and technology that can be used to protect such institutions Presents guidelines for establishing a protective service department for cultural properties Describes proper arrest and post-arrest protocols Includes a list of online resources for further information related to the protection of cultural properties Complete with dozens of photos, the book establishes leading industry best practices to identify the various threats to cultural properties and protect them. Dr. Daniel J. Benny has more than 35 years of security management experience and has served as a Director of Protective Services for the state of Pennsylvania's Historic and Museum Commission. His insight is invaluable to those responsible for securing these institutions from internal and external threats.

Cultural Heritage is a systematic, interdisciplinary examination of cultural heritage, which provides an up-to-date view of the field by drawing on various disciplines. The book offers a thorough, structured review of extant literature on heritage in tourism and pertinent challenges for cultural heritage. This book offers new ways of looking at cultural heritage assets against a backdrop of increasing economic and environmental pressures. It comprises a number of sections that each examine cultural heritage from the perspective of ethics and values, community relations and development, cultural entrepreneurship, economic viability and conservation, methodologies, impacts of tourism research, consumption, and urban and immaterial heritage. Encompassing global research perspectives from public management, visual culture, environmental management, and cultural entrepreneurship, Cultural Heritage is a crucial text for those working or interested in the heritage field.

For cultural and heritage institutions around the world, sustainability is the major challenge of the twenty-first century. In the first major work to analyze this critical issue, Barthel-Bouchier argues that programmatic commitments to sustainability arose both from direct environmental threats to tangible and intangible heritage, and from social and economic contradictions as heritage developed into a truly global organizational field. Drawing on extensive fieldwork and interviews over many years, as well as detailed coverage of primary documents and secondary literature, she examines key international organizations including UNESCO, ICOMOS, and the World Monuments Fund, and national trust organizations of Great Britain, the United States, and Australia, and many others. This wide-ranging study establishes a foundation for critical analysis and programmatic advances as heritage professionals encounter the growing challenge of sustainability.

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East. Drawing upon a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator. Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

Current discourse on Indigenous engagement in museum studies is often dominated by curatorial and academic perspectives, in which community voice, viewpoints, and reflections on their collaborations can be under-represented. This book provides a unique look at Indigenous perspectives on museum community engagement and the process of self-representation, specifically how the First Nations Elders of the Blackfoot Confederacy have worked with museums and heritage sites in Alberta, Canada, to represent their own culture and history. Situated in a post-colonial context, the case-study sites are places of contention, a politicized environment that highlights commonly hidden issues and naturalized inequalities built into current approaches to community engagement. Data from participant observation, archives, and in-depth interviewing with participants brings Blackfoot community voice into the text and provides an alternative understanding of self and cross-cultural representation. Focusing on the experiences of museum professionals and Blackfoot Elders who have worked with a number of museums and heritage sites, Indigenous Voices in Cultural Institutions unpicks the power and politics of engagement on a micro level and how it can be applied more broadly, by exposing the limits and challenges of cross-cultural engagement and community self-representation. The result is a volume that provides readers with an in-depth understanding of the nuances of self-representation and decolonization.