Although Stuart Cumberland (1857 1922) was renowned for his mind-reading skills, he was a staunch critic of related spiritualist practices. He claimed that many s ances and other events that he had seen confirmed his suspicions that 'the chief basis of the movement was money-making'. So he decided to launch his own campaign to uncover the truth about the methods of spirit-mediums, and in this work, published in 1918, he explains many mediums' tricks, such as making tables move using special silk thread, not spiritual aid. He lectured about the subject in places ranging from Cambridge University to Lambeth Palace, and attributed his own success to his ability to read muscle movement, rather than any supernatural communication. Providing a fascinating picture of the changing spiritualist movement, this work illustrates the extent of the social and political influence of some spiritualists, but also how credibility about their practices was being challenged.

"The Origins of Jewish Mysticism" offers the first in-depth look at the history of Jewish mysticism from the book of Ezekiel to the Merkavah mysticism of late antiquity. The Merkavah movement is widely recognized as the first full-fledged expression of Jewish mysticism, one that had important ramifications for classical rabbinic Judaism and the emergence of the Kabbalah in twelfth-century Europe. Yet until now, the origins and development of still earlier forms of Jewish mysticism have been largely overlooked.

In this book, Peter Schafer sheds new light on Ezekiel's tantalizing vision, the apocalyptic literature of Enoch, the Dead Sea Scrolls, the writings of the Hellenistic Jewish philosopher Philo, the rabbinical writings of the Talmudic period, and the esotericism of the Merkavah mystics. Schafer questions whether we can accurately speak of Jewish mysticism as a uniform, coherent phenomenon with origins in Judaism's mythical past. Rather than imposing preconceived notions about "mysticism" on a great variety of writings that arose from different cultural, religious, and historical settings, he reveals what these writings seek to tell us about the age-old human desire to get close to and communicate with God."

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the Zohar story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the intersections of literary and religious studies.

The Sufi Orders in Islam is one of the earliest modern examinations of the historical development of Sufism. Trimingham offers a clear and detailed account of the formation and development of the Sufi schools and orders (tariqahs) from the second century of Islam up until modern times.