In exploring the social background of early Jewish mysticism, "Scholastic Magic" tells the story of how imagination and magic were made to serve memory and scholasticism. In the visionary literature that circulated between the fifth and ninth centuries, there are strange tales of ancient rabbis conjuring the angel known as "Sar-Torah," the "Prince of the Torah." This angel endowed the rabbis themselves with spectacular memory and skill in learning, and then taught them the formulas for giving others these gifts. This literature, according to Michael Swartz, gives us rare glimpses of how ancient and medieval Jews who stood outside the mainstream of rabbinic leadership viewed Torah and ritual. Through close readings of the texts, he uncovers unfamiliar dimensions of the classical Judaic idea of Torah and the rabbinic civilization that forged them.

Swartz sets the stage for his analysis with a discussion of the place of memory and orality in ancient and medieval Judaism and how early educational and physiological theories were marshaled for the cultivation of memory. He then examines the unusual magical rituals for conjuring angels and ascending to heaven as well as the authors' attitudes to authority and tradition, showing them to have subverted essential rabbinic values even as they remained beholden to them. The result is a ground-breaking analysis of the social and conceptual background of rabbinic Judaism and ancient Mediterranean religions. Offering complete translations of the principal "Sar-Torah" texts, "Scholastic Magic" will become essential reading for those interested in religions in the ancient and medieval world, ritual studies, and popular religion.

Originally published in 1996.

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In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the Zohar story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the intersections of literary and religious studies.

Every culture makes a distinction between what it perceives as `true religion' and `magic'. These essays explore the history of this tradition in Judaism and Christianity.

"The heart is where the human soul and God meet. This is what teachings from Scripture and the mystics reveal: the heart is the temple of God within us and within the heart we hold the power to live a truly divine life. But how do we harness the tremendous love the heart is capable of generating? In Eternal Heart, Carl McColman, author of The Big Book of Christian Mysticism, invites us to create an optimistic, visionary, and imaginative path to personal happiness and fulfillment. Weaving together teachings from the biblical tradition, literature of the mystics, and Buddhism, McColman engages us in profound, practical exercises for cultivating fuller, more abundant, and more satisfying lives. The path of Christian Mysticism is a path of action. By unlocking the mysteries in our hearts, we discover a source of power deep within us: a power for spiritual growth, and for creating meaningful relationships and working together to change the world for the better."