Although Stuart Cumberland (1857 1922) was renowned for his mind-reading skills, he was a staunch critic of related spiritualist practices. He claimed that many s ances and other events that he had seen confirmed his suspicions that 'the chief basis of the movement was money-making'. So he decided to launch his own campaign to uncover the truth about the methods of spirit-mediums, and in this work, published in 1918, he explains many mediums' tricks, such as making tables move using special silk thread, not spiritual aid. He lectured about the subject in places ranging from Cambridge University to Lambeth Palace, and attributed his own success to his ability to read muscle movement, rather than any supernatural communication. Providing a fascinating picture of the changing spiritualist movement, this work illustrates the extent of the social and political influence of some spiritualists, but also how credibility about their practices was being challenged.

This is the fourth in an influential series of volumes on mysticism edited by Steven T. Katz, presenting a basic revaluation of the nature of mysticism. Each presents a collection of solicited papers by noted experts in the study of religion. This new volume explores how the great mystics and mystical traditions use, interpret, and reconstruct the sacred scriptures of their traditions.

The Sufi Orders in Islam is one of the earliest modern examinations of the historical development of Sufism. Trimingham offers a clear and detailed account of the formation and development of the Sufi schools and orders (tariqahs) from the second century of Islam up until modern times.

In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in the modern day. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the Zohar story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the intersections of literary and religious studies.