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Books > Humanities > Religion & beliefs > Myths & mythology
An essential companion to the Harry Potter books, The Tales of
Beedle the Bard is a collection of fairytales from the wizarding
world, via the enchanted pen of J.K. Rowling. Rich with allusions
and symbols from the Harry Potter stories, and enhanced with
fascinating commentary from beloved sage Professor Albus
Dumbledore, this is a Hogwarts Library book to treasure and enjoy
for years to come. All of the gorgeous, grim and gothic detail of
the Bard's five bewitching tales has been brought to life by Chris
Riddell, thrice winner of the Kate Greenaway Medal. Much loved by
generations of witches and wizards, and translated from the
original runes by Hermione Granger, this beautiful edition is the
perfect gift for Harry Potter fans. Mischievous and witty, Beedle
the Bard's stories are a deeply satisfying read in the tradition of
all great fables and fairytales. Kindnesses are rewarded and
selfishness shown to be the ruin of many a wizard. Burping
cauldrons, hairy hearts and cackling stumps are met along the way.
Each tale is brought vividly to life with Riddell's trademark wry
humour and elegance, including 'The Tale of the Three Brothers',
familiar to readers of Harry Potter from the crucial role it plays
in Harry Potter and the Deathly Hallows. Now available in a
paperback format featuring a brand new cover by Chris Riddell, this
edition contains all of the mesmerising illustrations from the
original hardback plus an exclusive additional art print of Harry,
Ron and Hermione for readers to take out and keep. Prepare to be
spellbound! The Tales of Beedle the Bard is published in aid of
Lumos, an international children's charity founded in 2005 by J.K.
Rowling.
This is not a book of facts; it's a book of 'facts'. Should you
finish it believing we became the planet's dominant species because
predators found us too smelly to eat; or that the living bloodline
of Christ is a family of Japanese garlic farmers - well, that's on
you. Why are we here? Do ghosts exist? Did life on Earth begin
after a badly tidied-up picnic? Was it just an iceberg that sank
the Titanic? Are authors stealing their plotlines from the future?
Will we ever talk to animals? And why, when you're in the shower,
does the shower curtain always billow in towards you? We don't know
the answers to any of these questions. But don't worry, no matter
what questions you have, you can bet on the fact that there is
someone (or something) out there, investigating it on your behalf.
From the sports stars who use cosmic energy to office plants
investigating murders, The Theory of Everything Else will act as a
handbook for those who want to think differently.
Against the methodological backdrop of historical and comparative
folk narrative research, 101 Middle Eastern Tales and Their Impact
on Western Oral Tradition surveys the history, dissemination, and
characteristics of over one hundred narratives transmitted to
Western tradition from or by the Middle Eastern Muslim literatures
(i.e., authored written works in Arabic, Persian, and Ottoman
Turkish). For a tale to be included, Ulrich Marzolph considered two
criteria: that the tale originates from or at least was transmitted
by a Middle Eastern source, and that it was recorded from a Western
narrator's oral performance in the course of the nineteenth or
twentieth century. The rationale behind these restrictive
definitions is predicated on Marzolph's main concern with the
long-lasting effect that some of the "Oriental" narratives
exercised in Western popular tradition-those tales that have
withstood the test of time. Marzolph focuses on the originally
"Oriental" tales that became part and parcel of modern Western oral
tradition. Since antiquity, the "Orient" constitutes the
quintessential Other vis-a-vis the European cultures. While
delineation against this Other served to define and reassure the
Self, the "Orient" also constituted a constant source of
fascination, attraction, and inspiration. Through oral retellings,
numerous tales from Muslim tradition became an integral part of
European oral and written tradition in the form of learned
treatises, medieval sermons, late medieval fabliaux, early modern
chapbooks, contemporary magazines, and more. In present times, when
national narcissisms often acquire the status of strongholds
delineating the Us against the Other, it is imperative to
distinguish, document, visualize, and discuss the extent to which
the West is not only indebted to the Muslim world but also shares
common features with Muslim narrative tradition. 101 Middle Eastern
Tales and Their Impact on Western Oral Tradition is an important
contribution to this debate and a vital work for scholars,
students, and readers of folklore and fairy tales.
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