0
Your cart

Your cart is empty

Browse All Departments
Price
  • R0 - R50 (2)
  • R50 - R100 (5)
  • R100 - R250 (1,129)
  • R250 - R500 (919)
  • R500+ (2,375)
  • -
Status
Format
Author / Contributor
Publisher

Books > Arts & Architecture > Music > Other types of music

A Conductor's Guide to Choral-Orchestral Works, Twentieth Century - Part II: The Music of Rachmaninov through Penderecki... A Conductor's Guide to Choral-Orchestral Works, Twentieth Century - Part II: The Music of Rachmaninov through Penderecki (Hardcover, New)
Jonathan D. Green
R2,317 Discovery Miles 23 170 Ships in 12 - 19 working days

This innovative survey of large choral-orchestral works is a continuation of the author's previous study of twentieth century works with English texts. Green examines nearly one hundred works, from Rachmaninov's Vesna to Penderecki's Song of Songs. For each work, he provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliography of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both the choir and orchestra. When present, solo roles are described. The composers represented in this work include Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Durufe, Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gyorgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a field guide for conductors and others involved in programming concerts for choir and orchestra, this text will prove a useful source of new repertoire ideas and an invaluable aid to rehearsal preparation.

Becoming a Choral Music Teacher - A Field Experience Workbook (Paperback, 2nd edition): Patrice Madura Ward-Steinman Becoming a Choral Music Teacher - A Field Experience Workbook (Paperback, 2nd edition)
Patrice Madura Ward-Steinman
R1,592 Discovery Miles 15 920 Ships in 12 - 19 working days

Becoming a Choral Music Teacher: A Field Experience Workbook, Second Edition is a choral methods textbook that prepares students in Music Education to become middle school and high school choral music teachers. It emphasizes important musical skills, vocal pedagogy and repertoire suitable for secondary school choirs in order to provide future teachers with the critical experiences to be effective. Focusing equally on rehearsal strategies, auditions and classroom management, the book is also a "workbook" that requires the students' active learning through participation in fieldwork. Students learn in a sequential and practical manner, beginning with the study of the middle school voice and progressing to the high school voice, through practice of theory with adolescents, followed by class reflection on common problems and solutions, and then continued practice. NEW to this Edition Updated references to NAfME, and new national and state standards and licensing rules More on the needs of Special Learners in the choral classroom Latest resources on classroom management theories and practice Expanded vocal warm-ups that incorporate body movement and aural skills training More on gender issues (including LGBT awareness), sociological impact and meanings of choral singing, and emerging knowledge of multicultural choral music Becoming a Choral Music Teacher: A Field Experience Workbook, Second Edition fully integrates the choral field experience for hands-on learning and reflection and allows the student to observe and teach the book's principles.

The Bible in Music - A Dictionary of Songs, Works, and More (Hardcover): Siobhan Dowling Long, John F. A. Sawyer The Bible in Music - A Dictionary of Songs, Works, and More (Hardcover)
Siobhan Dowling Long, John F. A. Sawyer
R2,948 Discovery Miles 29 480 Ships in 12 - 19 working days

There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhan Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible's impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.

French Vocal Literature - Repertoire in Context (Hardcover): Georgine Resick French Vocal Literature - Repertoire in Context (Hardcover)
Georgine Resick
R2,545 Discovery Miles 25 450 Ships in 12 - 19 working days

French Vocal Literature: Repertoire in Context introduces singers to the history and performance concerns of a vast body of French songs from the twelfth century to the present, focusing on works for solo voice or small vocal ensembles with piano or organ accompaniment, suitable for recitals, concerts, and church performances. Georgine Resick presents vocal repertoire within the context of trends and movements of other artistic disciplines, such as poetry, literature, dance, painting, and decorative arts, as well as political and social currents pertinent to musical evolution. Developments in French style and genre-and comparisons among individual composers and national styles-are traced through a network of musical influence. French Vocal Literature is ideally suited for voice teachers and coaches as well as student and professional performers. The companion website, frenchvocalliterature.com, provides publication information, a discography, links to online recordings and scores, a chronology of events pertinent to music, a genealogy of royal dynasties, and a list of governmental regimes.

Popular Music in Evangelical Youth Culture (Paperback): Stella Lau Popular Music in Evangelical Youth Culture (Paperback)
Stella Lau
R1,521 Discovery Miles 15 210 Ships in 12 - 19 working days

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians' discourses, and how the discourses challenge the divide between the 'secular' and the 'sacred' in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of 'spirituality' in contemporary popular electronic dance music. Lau's emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music - Bristol, Ibiza and New York - the monograph can also be used as a guidebook for ethnographic research in popular music.

The Renaissance Ethics of Music - Singing, Contemplation and Musica Humana (Paperback): Hyun-Ah Kim The Renaissance Ethics of Music - Singing, Contemplation and Musica Humana (Paperback)
Hyun-Ah Kim
R1,407 Discovery Miles 14 070 Ships in 12 - 19 working days

In early modern Europe, music - particularly singing - was the arena where body and soul came together, embodied in the notion of musica humana. Kim uses this concept to examine the framework within which music and song were used to promote moral education and addresses Renaissance ideas of religion, education and music.

More Than Words Can Say - The Ink Spots and Their Music (Hardcover, New): Marv Goldberg More Than Words Can Say - The Ink Spots and Their Music (Hardcover, New)
Marv Goldberg
R2,052 Discovery Miles 20 520 Ships in 12 - 19 working days

The story of the Ink Spots is a rags-to-riches story beloved in American mythology. The success of the Ink Spots inspired many others to attempt (some merely mimicking) their popular and musical success. They were, without question, the most influential black vocal group of the 1940s, and one of the earliest to sing "sweet ballads," which they elevated to an art form (although an increasingly formulaic one). Goldberg gets behind the streamers and glitter of the Ink Spots and the publicity machines of record labels, and provides the story of the group's creation, its music, and its monumental impact on the course of American music. More Than Words Can Say uncovers the mythos and origins of the Ink Spots, from the dramatic stories of finding the band name, to the dozens of individuals who still claim to be original members of the group. Goldberg interviews some of the singers, musicians, and arrangers associated with the original Ink Spots who provide invaluable first-hand accounts of the group. The book discusses the musical environment of the Ink Spots, including the ASCAP/BMI War, gas rationing, War of the Record Speeds, vinyl shortages, and all the lawsuits. Additionally, Goldberg has searched tirelessly through Billboard magazine and theater reviews to get a sense of the Ink Spots' contemporary reception. Also included is a bibliography of sources and a complete alphabetical listing of Ink Spots recordings released on Decca or Victor labels. A fascinating story filled with excellently researched information and exciting anecdotes, Goldberg's text brings out the "authentic" story of the Ink Spots, from their origins in the early 1930s through the tumultuous recording world of 1940s and 1950s America.

Christmas Eve (Sheet music, Vocal score): Gabriel Jackson Christmas Eve (Sheet music, Vocal score)
Gabriel Jackson
R145 Discovery Miles 1 450 Ships in 12 - 19 working days

for SATB (with divisions) unaccompanied In this atmospheric piece Gabriel Jackson sets a text by the Victorian poet Christina Rossetti. The first stanza is sung by sopranos only, with expressive chromatic lines evoking the 'darkness' and 'chillness' referred to in the text. The music flowers into four parts for the contrasting second stanza, with rich harmonies and flowing melismas creating a sumptuous texture.

Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of... Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of the Thirty Years' War (Paperback)
Andrew H Weaver
R1,723 Discovery Miles 17 230 Ships in 12 - 19 working days

Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.

Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making (Paperback): Suzel Ana Reily, Katherine Brucher Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making (Paperback)
Suzel Ana Reily, Katherine Brucher
R1,764 Discovery Miles 17 640 Ships in 12 - 19 working days

Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.

The Crucifixion in Music - An Analytical Survey of Settings of the Crucifixus between 1680 and 1800 (Paperback): Jasmin Melissa... The Crucifixion in Music - An Analytical Survey of Settings of the Crucifixus between 1680 and 1800 (Paperback)
Jasmin Melissa Cameron
R2,060 Discovery Miles 20 600 Ships in 12 - 19 working days

Unique yet diverse in its approach, The Crucifixion in Music examines how text is set in music through the specific musicological period from 1680 to 1800. The treatise focuses specifically on the literary text of the Crucifixus from the Credo of the Ordinary of the Roman Catholic Mass. Combining analytical theory and method to address musical rhetoric, semiotics, and theory, author Jasmin Cameron follows the Crucifixion through many settings in Baroque and Classical music. In this first title in Scarecrow Press's new series, Contextual Bach Studies, Cameron studies musical representations of the text, first through a discussion that establishes a theoretical framework, then by applying the framework to individual case studies, such as Johann Sebastian Bach's B Minor Mass. By studying the musical representation of the text, and the concepts and contexts to which the words refer, Cameron examines the way the treatment of a literary text fuses into a recognizable musical tradition that composers can follow, develop, modify, or ignore. With equal time given to the settings of the Crucifixus by composers before and after Bach's time, the reader is provided with a fuller historical context for Bach's genius. Cameron also combines the beliefs of past theorists with those of today, reaching a common ground among them, and providing a basis and analytical framework for further study.

Opera From the Greek - Studies in the Poetics of Appropriation (Paperback): Michael Ewans Opera From the Greek - Studies in the Poetics of Appropriation (Paperback)
Michael Ewans
R1,827 Discovery Miles 18 270 Ships in 12 - 19 working days

Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. These range from Monteverdi's Il ritorno d'Ulisse in patria, drawn from Homer's Odyssey, to Mark-Antony Turnage's Greek, based on Sophocles's Oedipus the King. Choices have been based on an understanding that the relationship between each of the operas and their Greek source texts raise significant issues, involving an examination of the process by which the librettist creates a new text for the opera, and the crucial insights into the nature of the drama that are bestowed by the composer's musical setting. Ewans examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.

Choral Conducting and the Construction of Meaning - Gesture, Voice, Identity (Paperback): Liz Garnett Choral Conducting and the Construction of Meaning - Gesture, Voice, Identity (Paperback)
Liz Garnett
R1,827 Discovery Miles 18 270 Ships in 12 - 19 working days

It is a truism in teaching choral conducting that the director should look like s/he wishes the choir to sound. The conductor's physical demeanour has a direct effect on how the choir sings, at a level that is largely unconscious and involuntary. It is also a matter of simple observation that different choral traditions exhibit not only different styles of vocal production and delivery, but also different gestural vocabularies which are shared not only between conductors within that tradition, but also with the singers. It is as possible to distinguish a gospel choir from a barbershop chorus or a cathedral choir by visual cues alone as it is simply by listening. But how can these forms of physical communication be explained? Do they belong to a pre-cultural realm of primate social bonding, or do they rely on the context and conventions of a particular choral culture? Is body language an inherent part of musical performance styles, or does it come afterwards, in response to music? At a practical level, to what extent can a practitioner from one tradition mandate an approach as 'good practice', and to what extent can another refuse it on the grounds that 'we don't do it that way'? This book explores these questions at both theoretical and practical levels. It examines textual and ethnographic sources, and draws on theories from critical musicology and nonverbal communication studies to analyse them. By comparing a variety of choral traditions, it investigates the extent to which the connections between conductor demeanour and choral sound operate at a general level, and in what ways they are constructed within a specific idiom. Its findings will be of interest both to those engaged in the study of music as a cultural practice, and to practitioners involved in a choral conducting context that increasingly demands fluency in a variety of styles.

Contemporary Music and Spirituality (Hardcover, New Ed): Robert Sholl, Sander Van Maas Contemporary Music and Spirituality (Hardcover, New Ed)
Robert Sholl, Sander Van Maas
R4,798 Discovery Miles 47 980 Ships in 12 - 19 working days

The flourishing of religious or spiritually-inspired music in the late twentieth and early twenty-first centuries remains largely unexplored. The engagement and tensions between modernism and tradition, and institutionalized religion and spirituality are inherent issues for many composers who have sought to invoke spirituality and Otherness through contemporary music. Contemporary Music and Spirituality provides a detailed exploration of the recent and current state of contemporary spiritual music in its religious, musical, cultural and conceptual-philosophical aspects. At the heart of the book are issues that consider the role of secularization, the claims of modernity concerning the status of art, and subjective responses such as faith and experience. The contributors provide a new critical lens through which it is possible to see the music and thought of Cage, Ligeti, Messiaen, Stockhausen as spiritual music. The book surrounds these composers with studies of and by other composers directly associated with the idea of spiritual music (Harvey, Gubaidulina, MacMillan, Part, Pott, and Tavener), and others (Adams, Birtwistle, Ton de Leeuw, Ferneyhough, Ustvolskaya, and Vivier) who have created original engagements with the idea of spirituality. Contemporary Music and Spirituality is essential reading for humanities scholars and students working in the areas of musicology, music theory, theology, religious studies, philosophy of culture, and the history of twentieth-century culture.

Catch and Glee Culture in Eighteenth-Century England (Hardcover): Brian Robins Catch and Glee Culture in Eighteenth-Century England (Hardcover)
Brian Robins
R2,623 Discovery Miles 26 230 Ships in 12 - 19 working days

A ground-breaking study of the rise of the catch and glee in Georgian England. The rise of the catch and glee in Georgian England represents a rare example of indigenous forms establishing themselves within a wide musical and social context. This study examines a phenomenon that has to date been largely overlooked by historians. Taking the 17th-century background as a starting point, it moves on to a detailed account of the clubs formed to propagate the two genres, placing them within the ambiance of the thriving club life of Londonand the provinces. The success of the London Catch Club and its emulators in encouraging the creation of a large and popular repertoire that would come to assume nationalistic significance is reflected by the incursion of the catch and glee into mainstream concert life and the theatre. The volume concludes with a discussion of the glee in relation to the aesthetics of the period and a brief survey of its subsequent reputation among musicians and historians.

Choral Masterpieces - Major and Minor (Paperback): Nicholas Tarling Choral Masterpieces - Major and Minor (Paperback)
Nicholas Tarling
R1,690 Discovery Miles 16 900 Ships in 12 - 19 working days

In Choral Masterpieces: Major and Minor, historian Nicholas Tarling surveys the landscape of choral works, some standard masterpieces that are commonly performed by choruses around the world, others deserving a second, closer look. As noted in the foreword by Uwe Grodd , music director of the Auckland Choral Society, this work "is a collection of essays about a number of outstanding works, including Beethoven's Miss Solemnis and Britten's War Requiem, but he also invites attention to lesser masterpieces. If the choral movement, which includes both singers and listeners, is to survive, new works must be created and repertory expanded. The book is an easy and captivating read even if you are not a chorister." Choral Masterpieces: Major and Minor features short essays on over 28 works, from major masterpieces such as Handel's Messiah and Bach's St. Matthew's Passion to off-the-beaten path choral works such as Samuel Coleridge-Taylor's Hiawatha and Frederick Delius' A Mass of Life. Throughout, Tarling offers assessments that sparkle with unique insights and at the same time ground listener's in the historical contexts of the work's production and performance. Each work is transformed in Tarling's able hands from musical work into a window into the mind and milieu of the composer. Choral Masterpieces: Major and Minor mixes choral mainstays with works that demand revisiting. Choral singers and their audiences, as well as choral societies and their directions and promoters, will find ample food for thoughts in these meditations on the choral tradition.

Silent Night (Sheet music, Full score): John Rutter Silent Night (Sheet music, Full score)
John Rutter
R825 Discovery Miles 8 250 Ships in 12 - 19 working days
Silent Night (Sheet music, Set of parts): John Rutter Silent Night (Sheet music, Set of parts)
John Rutter
R1,711 Discovery Miles 17 110 Ships in 12 - 19 working days
The Singing of the Strasbourg Protestants, 1523-1541 (Hardcover, New Ed): Daniel Trocme-Latter The Singing of the Strasbourg Protestants, 1523-1541 (Hardcover, New Ed)
Daniel Trocme-Latter
R4,805 Discovery Miles 48 050 Ships in 12 - 19 working days

This book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and 'popular' songs in the city, how both genres fitted into people's lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement.

Rejoice, the Lord is King (Sheet music, SATB vocal score): John Rutter Rejoice, the Lord is King (Sheet music, SATB vocal score)
John Rutter
R177 Discovery Miles 1 770 Ships in 12 - 19 working days
Christmas Bells (Sheet music, Vocal score): John Rutter Christmas Bells (Sheet music, Vocal score)
John Rutter
R145 Discovery Miles 1 450 Ships in 12 - 19 working days
The Colors of Christmas (Sheet music, Set of parts): John Rutter The Colors of Christmas (Sheet music, Set of parts)
John Rutter
R1,712 Discovery Miles 17 120 Ships in 12 - 19 working days

for SA and piano or orchestra With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season. An accompaniment for orchestra is available on hire/rental.

How Can I Keep from Singing? (Sheet music, Vocal score): Howard HELVEY How Can I Keep from Singing? (Sheet music, Vocal score)
Howard HELVEY
R129 Discovery Miles 1 290 Ships in 12 - 19 working days

for SATB (with divisions) unaccompanied Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. The anthem is suitable for performance throughout the liturgical year, and the sweeping melodies, contrasting textures, and rich harmonies complement the celebratory nature of the text.

Congregational Music-Making and Community in a Mediated Age (Hardcover, New Ed): Anna E Nekola, Tom Wagner Congregational Music-Making and Community in a Mediated Age (Hardcover, New Ed)
Anna E Nekola, Tom Wagner
R4,486 Discovery Miles 44 860 Ships in 12 - 19 working days

Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her own perspective, facilitating cross-disciplinary connections while also showcasing a diversity of outlooks on the roles that music and media play in Christian experience. The authors break important new ground in understanding the ways that music, media and religious belief and praxis become 'lived theology' in our media age, revealing the rich and diverse ways that people are living, experiencing and negotiating faith and community through music.

Directory of Choral-Orchestral Music (Paperback): Michael Rosewall Directory of Choral-Orchestral Music (Paperback)
Michael Rosewall
R1,625 Discovery Miles 16 250 Ships in 12 - 19 working days

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
Matheuristics - Algorithms and…
Vittorio Maniezzo, Marco Antonio Boschetti, … Hardcover R3,208 Discovery Miles 32 080
Introduction to Fourier Analysis and…
Mark A. Pinsky Hardcover R3,363 Discovery Miles 33 630
Biosensors
Tran Minh Cahn Hardcover R4,481 Discovery Miles 44 810
Advances in Research and Development…
Maurice H. Francombe, John L. Vossen Hardcover R1,288 Discovery Miles 12 880
Laser Additive Manufacturing of…
Dongdong Gu Hardcover R6,099 Discovery Miles 60 990
Artificial Mathematical Intelligence…
Danny A.J. Gomez Ramirez Hardcover R1,549 Discovery Miles 15 490
The Height of the Storm
Florian Zeller Paperback R415 Discovery Miles 4 150
The Quartz Operator's Hand-Book
P. M. Randall Paperback R487 Discovery Miles 4 870
Elements of Style
William Strunk Hardcover R479 Discovery Miles 4 790
Engine Modeling and Control - Modeling…
Rolf Isermann Hardcover R5,216 Discovery Miles 52 160

 

Partners