for SSA and piano This work for upper voices with a text by the composer was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate piano accompaniment, and the opening performance direction, 'contentedly rocking', describes the overall nature of the piece: peaceful, content, and easy-going.

for SSATB unaccompanied This simple and exquisite miniature keeps the text, the fourth-century Latin Hymn to the Virgin Mary, at the fore, with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new, with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. Tota pulchra est was recorded by The Epiphoni Consort on the CD David Bednall: Sudden Light (Delphian, DCD34189)

for SATB unaccompanied Aspire to God, my soul sets a macaronic text by Canon John Dilnot, with the titular words recurring throughout the setting as an emphatic refrain. This short anthem is optimistic and uplifting in tone, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility to follow the declamation of the words.

for SATB and organ Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, while the central section is still, soft, and reflective.

for SATB and organ or piano Chilcott's setting of St Benedict's sixth-century prayer begins with a gentle recurring figure in the keyboard, graduallly building to a rousing climax. The primarily homophonic texture allows the timeless text to shine through, while the expansive vocal writing and expressive use of harmony create a sense of awe towards the Almighty God.

for SATB and organ Francis Jackson's spirited setting of Psalm 150 is steeped in the English choral tradition. With contrapuntal writing, engaging interplay between choir and organ, effective word painting, and virtuosic organ writing, O praise God in his sanctuary is a welcome addition to the service repertory.

for SATB unaccompanied This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of Mack Wilberg Anthems and is also available in a version for TTBB unaccompanied.

for SATB unaccompanied A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld (about whom no more than his surname is known), and Rupert Brooke. Bednall's settings are slow, expansive, and expressive, giving space for the listener to reflect on the profoundly moving texts. Brooke's 'The Soldier' brings a particularly poignant conclusion to the set, with melismas employed for dramatic effect.

for SATB unaccompanied This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that passes between parts creates a sense of motion and drive that is fitting for this uplifting and joyous hymn of praise.

for SSA and piano Grow is a warm and heartfelt setting of words by the composer that celebrate human personal growth, comparing this to the season change from winter to spring. A rocking piano part underpins the eminently singable vocal lines, and a scat section draws the piece to a reflective close.

for SATB (with divisions) unaccompanied Ethan McGrath's setting of this well-known fourteenth-century macaronic text is expressive and rich, both harmonically and emotionally. The melodies have a chant-like quality and the metrical changes create a compelling ebb and flow. This carol is evocative of an ancient choral tradition, while at the same time offering a fresh choral sound.

for SATB (with divisions) and piano This dramatic and majestic anthem sets verses from Isaiah, starting with an appeal to God to show himself and his power, followed by an admission of human sin, finishing with an affirmation that we are all God's people. The choral parts are largely homophonic, except for an effective unaccompanied fugal central section, and optional high soprano notes are included towards the end for added dramatic effect. The piano part makes full use of the instrument's range and features vibrant scalic and arpeggiated flourishes, tremolos, and rhythmic, accented chords.

for SATB unaccompanied This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both the gentle hope and the profound joy contained in the text. Also including moments of tenderness and reflection, the piece comes to a rousing close with an energy that engages singers and audience alike. Also available in a version for SSA unaccompanied.

The archconfraternity of SS. TrinitA was one of the less well-known institutions for musical patronage in sixteenth-century Rome. Yet in focusing on its activities in the period 1550-1650, this book sheds light on networks of urban patronage that were equally important in commissioning the sacred music of the period as the Cappella Pontificia and the Cappella Giulia at St Peter's. Not only did SS. TrinitA provide Palestrina with his only known major involvement in sacred music outside the Cappella Giulia after 1571 it also employed at some time or another every major composer active in the city. Noel O'Regan discusses the importance of SS. TrinitA in the sphere of Roman sacred music during this period and the ways in which this music was affected by social and religious factors in the play for power and prestige in post-tridentine Rome.

for SATB and piano or orchestra This setting of Adolphe Adam's beloved Christmas carol employs rich choral textures and a flowing piano accompaniment to create a rousing overall effect. Opening gently, the intensity builds gradually towards a stirring, powerful ending. Also in the anthology, An American Christmas.

for SSA and piano This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style, with catchy melodies and jazz-inspired harmonies.

for SATB and piano or organ This light-hearted arrangement of Sussex Carol is a guaranteed crowd-pleaser and perfect encore. The familiar tune comes with a modern twist, with a driving rock beat, innovative harmonisations, and playful imitation. Accessible for choir and accompanist alike, Crawford's arrangement is suitable for all types of ensemble.

for SATB and organ This lively piece sets the first six verses of Psalm 105 in a song of praise packed with energy and fervour. A dazzling and spirited organ part is present throughout, featuring spritely triplet figurations set against long, melodic lines in the voices. Suitable for both church and concert use, this piece will inject joyful vigour into any programme.

for SATB, flute, clarinet, and piano The snow is fled is a beautiful setting of an English translation of one of Horace's Odes. Chilcott employs a variety of choral textures, crunchy harmonies, and a rippling triplet piano accompaniment to complement the imagery of Horace's ode to nature and the cycle of the seasons. Mellifluous countermelodies from the flute and clarinet add further colour to the overall picture.