for SATB, organ, and second organ or piano or harp Taken from Rutter's edition of Faure's Requiem, this angelic and widely beloved Sanctus features both the original French words and an optional English text, translated and adapted for singing by John Rutter himself. Although ideal for funerals and All Souls Day services due to it being composed as part of the Requiem, the more general message of praise in the Sanctus makes it equally suitable for a range of other worship services. Its second keyboard part may be performed on an additional organ, piano, or harp. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press.

for SATB & piano/organ & brass/orchestra In keeping with its title, this Christmas carol is bursting with joyous energy. Taking Lowell Mason's melody, which was based on an earlier melody by Handel, Rutter adds a virtuosic accompaniment which can be played by either piano, organ, orchestra, or brass ensemble and plays a prominent role in the carol. Scores and parts for the accompaniment are available on sale or on hire/rental from Oxford University Press. This carol forms part of the Christmas collection Joy to the World.

for SATB and organ Written for the 20th Anniversary of Norwich Cathedral Girls' Choir, this setting of the well-known All Saints Day text juxtaposes flowing melodic lines in the sopranos with rich homophonic passages, each bringing the text to the fore. The organ plays a prominent role, providing gentle undulating accompaniment, as well as fanfare-like exclamations.

for CCBar and piano This imaginative setting of Burns to an original tune by Pascoe is a masterful display of vocal textures and writing for male voices. It was a run-away success at the Cornwall International Male Voice Choral Festival. Founder of the Cornwall Youth Chamber Choir, Pascoe is Head of Music at Richard Lander School, Cornwall.

for cambiata 1, cambiata 2, baritone, and piano An original composition on a traditional and well-loved text, this is a pulsating, rhythmic piece that displays Tarney's keen sense of texture and lines that appeal to young singers. The harmonic language is folk-inspired but with exciting chromatic shifts that are part of the composer's accomplished style.

for SATB (with divisions) and piano or chamber orchestra Rutter's charming piece sets a secular text by the composer that emphasises the significance of music and harmony in an ephemeral world. A simple accompaniment figure in the piano provides the backdrop to alternating unison and polyphonic verses that manage to capture both nostalgia for what was and optimism for what is to come.

for SATB (with divisions) and two soloists unaccompanied In this beautiful setting, Latvian composer Laura Jekabsone presents a modern, popular take on the familiar carol text by Henry John Gauntlett. The piece is led by two soloists (one upper voice, one lower voice), who the choir underpin with a rich harmonic cushion of a cappella-style scats. The melodies are instantly memorable, and the choir's move from an accompanying role to presenting the final chorus gives a powerful lift and emphatic conclusion to this effective Christmas work.

for SSA and piano In The Three Kings Chilcott sets verses from Henry Wadsworth Longfellow's Christmas poem telling the story of the three kings' journey to Bethlehem. A sense of travel is created by the stately 6/8 time signature, and syncopations bring an air of excitement and wonder to the tale.

for SSATB with divisions, unaccompanied Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs' and first performed by the BBC Singers. In total, six Shakespeare texts are used, and McDowall's response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSAA.

for SATB and piano or chamber ensemble Written in 1978 for the choir of Clare College, Cambridge, this gentle, dreamy lullaby has gone on to become one of John Rutter's most popular carols. Full scores and instrumental parts (flute, oboe, harp, and strings) are available on hire and on sale. Also available in a version for SSAA.

for SATB with optional piano Inspired by the simple directness of William Chatterton Dix's vivid, pictorial text, the composer explores the breadth of the choral canvas in this expressive and artful carol. The piece has a straightforward verse-chorus structure, with gentle development of the verse material and an effective motif to close each verse, making it accessible to and rewarding for choirs of all abilities. Also available in a version for upper voices.

for SSA and piano Inspired by the simple directness of William Chatterton Dix's vivid, pictorial text, the composer explores the breadth of the choral canvas in this expressive and artful carol. The piece has a straightforward verse-chorus structure, with gentle development of the verse material and an effective motif to close each verse, making it accessible to and rewarding for choirs of all abilities. Also available in a version for mixed voices.

for SSAA (with divisions) unaccompanied Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSATB.

for SATB and organ or small orchestra Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor, Sir David Willcocks. The haunting melody of the verses and the reflective refrain of 'Ave Maria' have made this an immensely popular carol. The orchestral accompaniment is available on sale and on hire/rental. A version for upper voices is also available.

for SATB (with divisions) and piano or orchestra This joyful, sprightly carol has been offprinted, by popular request, from Sir David Willcocks: A Celebration in Carols. With its uplifting 7/8 time signature, memorable melody, rich and diverse textures, and delightful orchestral accompaniment, this carol is a fitting tribute to one of the great names synonymous with Christmas: David Willcocks.