How do Egyptian Muslims celebrate Ramadan? How do Copts - Egyptian Christians - celebrate Easter? What should you expect to find on the table when invited to eat in an Egyptian home? What do you say when an Egyptian colleague sneezes? Exactly what do Egyptians do with a mortar and pestle, a sieve, and a bag of nuts seven days after the birth of a baby? Samia Abdennour, once an outsider from Palestine, now thoroughly at home in Egypt, is here to tell you all about these matters - and many more. In a book that aims to introduce the unfamiliar newcomer or interested foreign reader to the hows, whats, and whys of Egyptians life, the author covers such diverse topics as birth, marriage, and death; religious festivals and fasting; food in the home and on the street; business etiquette and terms of politeness. She describes how some traditions differ between the two religious communities, the Muslims and the Copts, and how some customs are shared by all Egyptians - like the spring festival of Shamm al-Nisim ('smelling the breezes') that goes back to pharaonic times. With "Egyptian Customs and Festivals", you need never be at a loss in a social situation in Egypt - or fail to understand what your neighbors are up to. Illustrated throughout with color photographs of daily life and special occasions, this fascinating and informative book is a must-have for anyone new to Egyptian culture.

Explosions in November tells the story of one of Europes leading cultural institutions, Huddersfield Contemporary Music Festival (hcmf), through the eyes of its founder and former artistic director, Professor Richard Steinitz. From its modest beginnings in 1978, when winter fog nearly sabotaged the inaugural programme, to todays internationally renowned event, hcmf has been a pioneering champion of the best in contemporary music.Now Richard Steinitz brings his insider view on the people behind the festival and how they made each year a success. He recalls his encounters with some true giants of music, including Boulez, Berio, Cage, Ligeti, Stockhausen and Xenakis. Discover how the author survived mushroom-hunting with John Cage, how the festival engineered a historic reconciliation between Cage and Pierre Boulez and how a ceiling fitting nearly brought Stockhausens career to a premature end. It is a compelling, inspiring and often entertaining story. Explosions in November reveals the full picture of a festival that continues to surprise, delight and provoke its audiences to this day.

One of Us Is Lying meets Lord of the Flies meets Fyre Fest in this wickedly addictive and funny YA thriller. Rafi Francisco needs something really special to put her true crime podcast on the map. She sets her sights on River Stone, the hearthrob musician who rose to stardom after the mysterious disappearance of his girlfriend. Rafi lands herself a ticket to the exclusive Fly Fest, where River will be the headliner. But when Rafi arrives on the Caribbean island location of Fly Fest with hundreds of other influencers and (very minor) celebrities, they quickly discover that the dream trip is more of a nightmare. And it's not just confronting beauty gurus-gone-wild and spotty WiFi. Soon, Rafi goes from fighting for an interview to fighting for her life. And, as she gets closer to River, she discovers that he might be hiding even darker secrets than she suspected . . .

In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun.

"Enabling Creative Chaos" tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

During the week before Labor Day every year, 35,000 people gather in Nevada's Black Rock Desert and build Black Rock City. At the center of Black Rock City is a 40-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival named for this effigy has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale.

In "On the Edge of Utopia," Rachel Bowditch-- performer, theatre director, scholar, and Burning Man participant--explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century.

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

The importance of citywide festivals like Mardi Gras and Fiesta for the LGBTQ community Festivals like Mardi Gras and Fiesta have come to be annual events in which entire cities participate, and LGBTQ people are a visible part of these celebrations. In other words, the party is on, the party is queer, and everyone is invited. In Queer Carnival, Amy Stone takes us inside these colorful, eye-catching, and often raucous events, highlighting their importance to queer life in America's urban South and Southwest. Drawing on five years of research, and over a hundred days at LGBTQ events in cities such as San Antonio, Santa Fe, Baton Rouge, and Mobile, Stone gives readers a front-row seat to festivals, carnivals, and Mardi Gras celebrations, vividly bringing these queer cultural spaces and the people that create and participate in them to life. Stone shows how these events serve a larger fundamental purpose, helping LGBTQ people to cultivate a sense of belonging in cities that may be otherwise hostile. Queer Carnival provides an important new perspective on queer life in the South and Southwest, showing us the ways that LGBTQ communities not only survive, but thrive, even in the most unexpected places.

This book examines the nation's outdoor arts festivals and identifies their shared and divergent traits, considering factors such as event programming, staffing, finances and audience demographics. This book examines a cross-section of U.S. festivals, self-identified as predominantly "outdoors" and featuring "arts and cultural" programming, and hopes to establish a basis for future exploration into their significance for artists, audiences, and communities. Ideally, the survey and case study results will prompt other arts organizations to ask: what are festivals doing right and how can we replicate it?

Staging the World is an illustrated study of the Roman triumphal procession in its capacity as spectacle and performance. Ida Ostenberg analyses how Rome presented and perceived the defeated on parade. Spoils, captives, and representations are the objects, and the basic questions to be asked concern both contents and context: What was displayed? How was it paraded? What was the response? The triumph was a crowded civic celebration, when spectators met with coins from Spain and Asia, Jewish temple treasures, silver plate and furniture from opulent royal feasts, trees from eastern gardens, Punic elephants appearing as in battle, kings, long known by name only, and ferocious barbarians dressed in outlandish costumes. Ostenberg aims to show what stories the Roman triumph told about the defeated and what ideas it transmitted about Rome itself.

In recent times, festivals around the world have grown in number due to the increased recognition of their importance for tourism, branding and economic development. Festivals hold multifaceted roles in society and can be staged to bring positive economic impact, for the competitive advantage they lend a destination or to address social objectives. Studies on festivals have appeared in a wide range of disciplines, and consequently, much of the research available is highly fragmented. This handbook brings this knowledge together in one volume, offering a comprehensive evaluation of the most current research, debates and controversies surrounding festivals. It is divided into nine sections that cover a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals and their future. Featuring a variety of disciplinary, cultural and national perspectives from an international team of authors, this book will be an invaluable resource for students and researchers of event management and will be of interest to scholars in the fields of anthropology, sociology, geography, marketing, management, psychology and economics.

Human Resource Management for Events is the first text to cover management of human resources in the event environment. Linking theory, research and application it covers the differing and various types of event in which human resource management is key, such as:
* Business Events - a vast sector including events people who manage conferences, exhibitions, incentive trips and individual business travel.
* Sporting Events - this sector includes sporting events ranging from the Olympic Games, Rugby World Cup, Soccer World Cup, Tour de France, Grand Prix to many smaller, local sporting events.
* Arts and Entertainment - the logistics, risk and financial issues facing entertainment events are leading to the development of more sophisticated operational skills for this sector. Music festivals are increasingly popular.
* Public Events - civic ceremonies, parades, celebrations, festivals and protests all fall within the scope of public events. Planning, approval and risk management are increasingly on the agenda for all levels of government.
The particular challenges provided by such events are varied. The size of the workforce explodes at the time of the event to include the event management team, many paid staff, hundreds of volunteers and multiple contractors, such as food vendors and cleaning teams. Everyone working on the site comes into the scope of the event workforce. Little time is available for training and motivation plays a key role in retention and customer service. Decision making occurs on the run and the event is over before anyone can think about performance appraisal. The environment is further characterised by a fast pace, high stress levels and manyworkers are fatigued by the bump in period before the event audience pours through the gates to add yet another level of pressure. These features of the human resources environment are quite different to those of the traditional workforce.
Human Resource Management for Events is vital reading for both students and practitioners involved in this crucially important aspect of event management.
* The first book to cover management of human resources in the event environment
* Links theory, research and application in event HRM in the context of both mega events and smaller scale events
* Considers HRM in each of the major event areas - business, sporting, arts & entertainment and public.

The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.

It started as a donkey derby, a small local charity event, but when plans for the 1971 Isle of Wight Festival fell through, Clacton Round Table decided to hold a pop concert of their own - a small gig for 5,000 locals. Little did they know that it would become one of the biggest music festivals ever seen in the UK, drawing a crowd of over 150,000 people. The Weeley Festival of Progressive Music has since become part of British popular music folklore. Overwhelmed by the sheer number of those attending, the experience of Weeley would change how outdoor events like this were organised. Rock stars including Rod Stewart and The Faces, Status Quo and T.Rex, accompanied by Hell's Angels, a rural police force, local volunteers and a complete lack of proper planning, culminated in one of the most legendary festivals of all time. In The Great British Woodstock, this one-off event is remembered by those who were there in both unpublished interviews and photographs.

While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBTQ festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on the author's experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.

Featuring a wide array of iconic rock posters, period photographs, music memorabilia and light shows, "out-of-this-world" clothing, and avant-garde films, this catalogue celebrates San Francisco's rebellious and colorful counterculture that blossomed in the years surrounding the 1967 Summer of Love. This book explores, through essays and a succession of thematic plates, the visual and material cultures of a generation searching for personal fulfillment and social change. Presenting key cultural artifacts of the time, Summer of Love introduces and explores the events and experiences that today define this dynamic era. With essays by Victoria Binder, Dennis McNally, and Joel Selvin. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco: April 8-August 20, 2017

Ho-Chunk powwows are the oldest powwows in the Midwest and among the oldest in the nation, beginning in 1902 outside Black River Falls in west-central Wisconsin. Grant Arndt examines Wisconsin Ho-Chunk powwow traditions and the meanings of cultural performances and rituals in the wake of North American settler colonialism. As early as 1908 the Ho-Chunk people began to experiment with the commercial potential of the powwows by charging white spectators an admission fee. During the 1940s the Ho-Chunk people decided to de-commercialize their powwows and rededicate dancing culture to honor their soldiers and veterans. Powwows today exist within, on the one hand, a wider commercialization of and conflict between intertribal "dance contests" and, on the other, efforts to emphasize traditional powwow culture through a focus on community values such as veteran recognition, warrior songs, and gift exchange. In Ho-Chunk Powwows and the Politics of Tradition Arndt shows that over the past two centuries the dynamism of powwows within Ho-Chunk life has changed greatly, as has the balance of tradition and modernity within community life. His book is a groundbreaking study of powwow culture that investigates how the Ho-Chunk people create cultural value through their public ceremonial performances, the significance that dance culture provides for the acquisition of power and recognition inside and outside their communities, and how the Ho-Chunk people generate concepts of the self and their society through dancing.

Pageantry and power is the first full and in-depth cultural history of the Lord Mayor's Show in the early modern period. It provides new insight into the culture and history of the London of Shakespeare's time and beyond. Central to the cultural life of London, the Lord Mayor's Shows were high-profile and lavish entertainments produced by some of the most talented writers of the time. Employing an interdisciplinary approach, Pageantry and power explores various important factors, including the relationship between the printed texts of the Shows and actual events. This full-scale study of the civic works of important writers enhances our understanding of their other, often better-known, dramatic works contributing to a fuller estimation of their literary careers. This book is an invaluable resource for scholars and students of early modern literature, drama, history, civic culture, pageantry, urban studies, cultural geography, book history, as well as the interested general reader. Pageantry and power won the 2011 David Bevington Award for the Best New Book in Early Drama Studies. -- .

One of the most distinctive features of Chinese culture is the great variety of unique festivals that has evolved over the course of China's long history. Chinese festivals are deeply rooted in popular tradition and despite China's many changes they remain firmly established as part of the country's vibrant culture. Chinese Festivals introduces a representative selection of these celebrated traditions with full color illustrations, providing a flavor of the diversity and development of traditional Chinese culture.

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to out-perform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan. The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motor cycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, but Dylan left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years.

By 1912 the large-scale cowboy ranches of the Old West had been disappearing for years and the Calgary Stampede -- along with other exhibitions, like Buffalo Bill's Wild West Show -- was set-up to commemorate a fading way of life for younger generations and for those who still remembered the mythic era. The Canadian Northwest shared in that grand tradition, and the time was right for a great Canadian cowboy showcase. After a century of international acclaim, the western dream continues and to commemorate the early days of the great Calgary Stampede, a collection of post cards from its enthusiastic youthful years illustrates the look and feel of those exciting times. Taken from the vast post card collection held by the University of Alberta Libraries, these classic views capture all the excitement, from the championship cowboys, cowgirls, and horses, to the tragedies of defeat and injuries. The parades, the aboriginal camps, and all the lively hoopla are recalled in these images, with historical text to add context to those days of dust, sweat and glory.

Crossing Central Europe is a pioneering volume that focuses on the complex networks of transcultural interrelations in Central Europe from 1900 to 2000. Scholars from Canada, the United States, and Europe identify the motifs, topics, and ways of artistic creation that define this cross-cultural region. This interdisciplinary volume is divided into two historical periods and includes analyses of literature, film, music, architecture, and media. By focusing first on the interrelations in the nineteenth and early twentieth-century, the contributors reveal a complex trans-ethnic network at play that disseminated aesthetic ideals. This network continued to be a force of aesthetic influence leading into the twenty-first century despite globalization and the influence of mass media. Helga Mitterbauer and Carrie Smith-Prei have embarked on a study of the overlapping artistic influences that have outlasted both the National Socialist regime and the Cold War.