In the summer of 2008, nearly fifty thousand people traveled to Nevada's Black Rock Desert to participate in the countercultural arts event Burning Man. Founded on a commitment to expression and community, the annual weeklong festival presents unique challenges to its organizers. Over four years Katherine K. Chen regularly participated in organizing efforts to safely and successfully create a temporary community in the middle of the desert under the hot August sun.

"Enabling Creative Chaos" tracks how a small, underfunded group of organizers transformed into an unconventional corporation with a ten-million-dollar budget and two thousand volunteers. Over the years, Burning Man's organizers have experimented with different management models; learned how to recruit, motivate, and retain volunteers; and developed strategies to handle regulatory agencies and respond to media coverage. This remarkable evolution, Chen reveals, offers important lessons for managers in any organization, particularly in uncertain times.

How do Egyptian Muslims celebrate Ramadan? How do Copts - Egyptian Christians - celebrate Easter? What should you expect to find on the table when invited to eat in an Egyptian home? What do you say when an Egyptian colleague sneezes? Exactly what do Egyptians do with a mortar and pestle, a sieve, and a bag of nuts seven days after the birth of a baby? Samia Abdennour, once an outsider from Palestine, now thoroughly at home in Egypt, is here to tell you all about these matters - and many more. In a book that aims to introduce the unfamiliar newcomer or interested foreign reader to the hows, whats, and whys of Egyptians life, the author covers such diverse topics as birth, marriage, and death; religious festivals and fasting; food in the home and on the street; business etiquette and terms of politeness. She describes how some traditions differ between the two religious communities, the Muslims and the Copts, and how some customs are shared by all Egyptians - like the spring festival of Shamm al-Nisim ('smelling the breezes') that goes back to pharaonic times. With "Egyptian Customs and Festivals", you need never be at a loss in a social situation in Egypt - or fail to understand what your neighbors are up to. Illustrated throughout with color photographs of daily life and special occasions, this fascinating and informative book is a must-have for anyone new to Egyptian culture.

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

Mardi Gras Indians explores how sacred and secular expressions of Carnival throughout the African diaspora came together in a gumbo-sized melting pot to birth one of the most unique traditions celebrating African culture, Indigenous peoples, and Black Americans. Williams ties together the fragments of the ancient traditions with the expressed experiences of the contemporary. From the sangamentos of the Kongolese and the calumets of the various tribes of the lower Mississippi River valley to one-on-one interviews with today's Black masking tribe members, this book highlights the spirit of resistance and rebellion upon which this culture was built.

Since its inception in 1946, the Cannes Film Festival has embraced the high-brow and the high-glam - new cinema from Iran or China and red carpet parades from Madonna or Nicole Kidman. Who is not familiar with Cannes' famous paparazzi scrums, beachfront happenings and world premieres? But the history of Cannes is also famous for scandals and controversies, where the great nations of the world have gathered and clashed. The history of Cannes is littered with key moments, flashpoints that changed international culture. This vivid and beguiling history reveals the best and most revelatory tales from this festival's spectacular history through previously untold first-hand accounts from key players.

Every culture likes to party. Traditional celebrations, whether the Hindu Holi Festival or the Japanese Cherry Blossom Festival, have travelled beyond their origins to become international phenomena. Whether seasonal or religious, such holidays represent the human need for authentic experience, direct encounter, and a sense of time or the spiritual. This volume leads readers back to the roots of these annual events and festivals, exploring their history, meanings, and evolutions. With vibrant photographs as well as practical information on each featured event, it's a captivating journey of cultural exploration and joie de vivre. Text in English and German.

During the week before Labor Day every year, 35,000 people gather in Nevada's Black Rock Desert and build Black Rock City. At the center of Black Rock City is a 40-foot wooden effigy of a man, an icon around which art, performance, and community revolve. Since 1986, the Burning Man Festival named for this effigy has evolved from founder Larry Harvey's personal healing ritual into a cultural movement where ceremony, religion, visual art, and performance converge on an epic scale.

In "On the Edge of Utopia," Rachel Bowditch-- performer, theatre director, scholar, and Burning Man participant--explores the spectrum of performance and ritual practices within Black Rock City from the everyday to wild spectacle, the profane to the sublime. Bowditch argues that Burning Man can be understood as a contemporary galaxy of happenings, a revival of the ancient Roman Saturnalia, a site for rehearsals of utopia, and a secular pilgrimage. As Burning Man continues to grow, it will create new paradigms for performance, installation art, community, and invented rituals that bridge ancient traditions to the twenty-first century.

Staging the World is an illustrated study of the Roman triumphal procession in its capacity as spectacle and performance. Ida Ostenberg analyses how Rome presented and perceived the defeated on parade. Spoils, captives, and representations are the objects, and the basic questions to be asked concern both contents and context: What was displayed? How was it paraded? What was the response? The triumph was a crowded civic celebration, when spectators met with coins from Spain and Asia, Jewish temple treasures, silver plate and furniture from opulent royal feasts, trees from eastern gardens, Punic elephants appearing as in battle, kings, long known by name only, and ferocious barbarians dressed in outlandish costumes. Ostenberg aims to show what stories the Roman triumph told about the defeated and what ideas it transmitted about Rome itself.

In recent times, festivals around the world have grown in number due to the increased recognition of their importance for tourism, branding and economic development. Festivals hold multifaceted roles in society and can be staged to bring positive economic impact, for the competitive advantage they lend a destination or to address social objectives. Studies on festivals have appeared in a wide range of disciplines, and consequently, much of the research available is highly fragmented. This handbook brings this knowledge together in one volume, offering a comprehensive evaluation of the most current research, debates and controversies surrounding festivals. It is divided into nine sections that cover a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals and their future. Featuring a variety of disciplinary, cultural and national perspectives from an international team of authors, this book will be an invaluable resource for students and researchers of event management and will be of interest to scholars in the fields of anthropology, sociology, geography, marketing, management, psychology and economics.

Featuring a wide array of iconic rock posters, period photographs, music memorabilia and light shows, "out-of-this-world" clothing, and avant-garde films, this catalogue celebrates San Francisco's rebellious and colorful counterculture that blossomed in the years surrounding the 1967 Summer of Love. This book explores, through essays and a succession of thematic plates, the visual and material cultures of a generation searching for personal fulfillment and social change. Presenting key cultural artifacts of the time, Summer of Love introduces and explores the events and experiences that today define this dynamic era. With essays by Victoria Binder, Dennis McNally, and Joel Selvin. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco: April 8-August 20, 2017

Main Street America is kicking up its heels—and you're invited to the party!

Goodbye sprawl-and-mall—hello downtown! Long-neglected town centers are coming to life once again, and the buzz is back on main streets all across the country. Come celebrate their rebirth with this one-of-a-kind guide to over 700 local festivals and events nationwide. From the weird and wacky to the wild and wonderful, the fun starts with Main Street Festivals. Which will you do first?

Enter a rubber duck race . . . Join a "walk of art" scavenger hunt . . .

Find hot-rod heaven . . . Play cow patty bingo . . .

See antiques and heirloom displays . . .

Discover "bullistic" bull riding . . . Go to a hog slopping contest . . .

Eat black dirt cake . . . Hear blues, bluegrass, and brass bands . . .

Watch a Little Miss National Peanut Pageant . . .

Inside you'll also learn where to find: an onion rodeo, cornstalk shooting, a beautiful baby bagel contest, arts and crafts demonstrations, the perfect-pierogie cookoff, a slugburger fest, quilting exhibitions, farmer olympics, and more. . . . There's something for everyone in Main Street Festivals.

Medieval Europe is known for its sense of ceremony and drama. Knightings, tournaments, coronations, religious processions, and even private celebrations such as baptisms, weddings and funerals were occasions for ritual, feasting and public display. This volume takes a comprehensive look at the many types of city spectacles that entertained the masses and confirmed various messages of power in late medieval Europe. Bringing together leading scholars in history, art history, and literature, this interdisciplinary collection aims to set new standards for the study of medieval popular culture. Drawing examples from Spain, England, France, Italy, and the Netherlands, most of them in the 15th century, the authors explore the uses of ceremony as statements of political power, as pleas for divine intercession, and as expressions of popular culture. Their essays show us spectacles meant to confirm events such as victories, the signing of a city charter, the coronation of a king. In other circumstances, the spectacle acted as a battleground where a struggle for the control of the metaphors of power is played out between factions within cities, or between cities and kings. Yet other ceremonies called upon divine spiritual powers in the hope that their intervention might save the urban inhabitants. We see here a public cognizant of the power of symbols to express its goals and achievements, a society reaching the height of sophistication in its manipulation of popular and elite culture for grand shows.

For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to out-perform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan. The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motor cycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, but Dylan left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years.

While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBTQ festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on the author's experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.

Universities are unlikely venues for grading, branding, and marketing beauty, bodies, poise, and style. Nonetheless, thousands of college women have sought not only college diplomas but campus beauty titles and tiaras throughout the twentieth century. The cultural power of beauty pageants continues today as campus beauty pageants, especially racial and ethnic pageants and pageants for men, have soared in popularity. In Queens of Academe, Karen W. Tice asks how, and why, does higher education remain in the beauty and body business and with what effects on student bodies and identities. She explores why students compete in and attend pageants such as "Miss Pride" and "Best Bodies on Campus" as well as why websites such as "Campus Chic" and campus-based etiquette and charm schools are flourishing. Based on archival research and interviews with contemporary campus queens and university sponsors as well as hundreds of hours observing college pageants on predominantly black and white campuses, Tice examines how campus pageant contestants express personal ambitions, desires, and, sometimes, racial and political agendas to resolve the incongruities of performing in evening gowns and bathing suits on stage while seeking their degrees. Tice argues the pageants help to illuminate the shifting terrain of class, race, religion, sexuality, and gender braided in campus rituals and student life. Moving beyond a binary of objectification versus empowerment, Tice offers a nuanced analysis of the contradictory politics of education, feminism, empowerment, consumerism, race and ethnicity, class, and popular culture have on students, idealized masculinities and femininities, and the stylization of higher education itself.

THE SUNDAY TIMES BESTSELLER A BOOK OF THE YEAR PICK IN THE TIMES: 'Captivating' A ROUGH TRADE BOOK OF THE YEAR: 'In-depth and inspiring' 'Beautifully compiled ... the perfect festival experience' SUNDAY TIMES Glastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are GBP1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world. In their own words, Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams. Together they bring you the magic that makes Glastonbury, Glastonbury.

The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.

By 1912 the large-scale cowboy ranches of the Old West had been disappearing for years and the Calgary Stampede -- along with other exhibitions, like Buffalo Bill's Wild West Show -- was set-up to commemorate a fading way of life for younger generations and for those who still remembered the mythic era. The Canadian Northwest shared in that grand tradition, and the time was right for a great Canadian cowboy showcase. After a century of international acclaim, the western dream continues and to commemorate the early days of the great Calgary Stampede, a collection of post cards from its enthusiastic youthful years illustrates the look and feel of those exciting times. Taken from the vast post card collection held by the University of Alberta Libraries, these classic views capture all the excitement, from the championship cowboys, cowgirls, and horses, to the tragedies of defeat and injuries. The parades, the aboriginal camps, and all the lively hoopla are recalled in these images, with historical text to add context to those days of dust, sweat and glory.

Fiesta: Branding and Identity of Festivals is a compilation of remarkable branding designs and campaigns for a variety of renowned festivals from around the world. The festivals examined span the worlds of music, cinema, design, gastronomy, culture, and art. These topics, and the freedom of creativity that come with them, allow to explore the limits of design, without the restraints that come with commercial projects. The identity and communication campaign strategies deployed by festivals encompass an endless array of design techniques, from graphic elements such as logos, posters, web pages, advertisements, mobile apps, tickets, and wristbands to collectible items like T- shirts, bags, and cups. This volume will inspire and serve as a useful tool for graphic designers and branding agencies that seek to handle challenging and wide-ranging festival projects with the highest degree of creativity and imagination, as well as for festival organizers and anyone interested in visual culture in general and eager to learn about new trends. The events featured show that the success of a festival has a close connection to its tailor- made branding and design and that no matter what the subject of the festival is, it is essential to have a coherent identity strategy.

The Edible Monument considers the elaborate architecture, sculpture, and floats designed for court and civic celebrations in early modern Europe, including popular festivals such as Carnival and the Italian Cuccagna. Like illuminations and fireworks, ephemeral artworks made of food were not well documented and were difficult to describe because they were perishable and thus quickly consumed or destroyed. In times before photography and cookbooks, there were neither literary models nor iconography for how food and its preparation should be explained or depicted. Drawing on books, prints, and scrolls that document festival arts, elaborate banquets, and street feasts, the essays in this volume examine the mythic themes and personas employed to honor and celebrate rulers; the methods, materials, and wares used to prepare, depict, and serve food; and how foods such as sugar were transformed to express political goals or accomplishments. Although made for consumption, food could also be a work of art, both a special attraction and an expression of power. Formal occasions and spontaneous celebrations drew communities together, while special foods and seasonal menus revived ancient legends, evoking memories and recalling shared histories, values, and tastes. This book is published on the occasion of an exhibition at the Getty Research Center from October 13, 2015, to March 23, 2016.

America's Favorite Holidays explores how five of America's culturally important holidays - Christmas, Valentine's Day, Easter, Halloween, and Thanksgiving - came to be what they are today, seasonal and religious celebrations heavily influenced by modern popular culture. Deftly distilling information from a wide range of sources, Bruce David Forbes reveals often-surprising answers to questions about each holiday's traditions. Was Christmas always as commercialized as it is today? Is Thanksgiving a religious or secular holiday? When did we begin trick-or-treating on Halloween? Appealing and insightful, America's Favorite Holidays satisfies our curiosity about the origins of our holidays and the fascinating ways in which religion and culture mix.

!Viva Mexico! !Viva la Independencia! Celebrations of September 16 examines the Independence holiday, exploring how this most important public festival in the civic calendar has given Mexicans a rich tradition of national celebration that is part creation myth, part official pomp, and part popular merrymaking. The editors examine how Independence Day festivities have provided a medium for informal education, sketching on the canvas of the public sphere national values, glorifying specific historical events and individuals, and celebrating government plans and achievements. Since 1823, this festival has served as an essential contribution to the conversion of Mexicans to common ideals, as people across the country express their national identity with the cry, '!Viva Mexico! !Viva la Independencia!'

The importance of citywide festivals like Mardi Gras and Fiesta for the LGBTQ community Festivals like Mardi Gras and Fiesta have come to be annual events in which entire cities participate, and LGBTQ people are a visible part of these celebrations. In other words, the party is on, the party is queer, and everyone is invited. In Queer Carnival, Amy Stone takes us inside these colorful, eye-catching, and often raucous events, highlighting their importance to queer life in America's urban South and Southwest. Drawing on five years of research, and over a hundred days at LGBTQ events in cities such as San Antonio, Santa Fe, Baton Rouge, and Mobile, Stone gives readers a front-row seat to festivals, carnivals, and Mardi Gras celebrations, vividly bringing these queer cultural spaces and the people that create and participate in them to life. Stone shows how these events serve a larger fundamental purpose, helping LGBTQ people to cultivate a sense of belonging in cities that may be otherwise hostile. Queer Carnival provides an important new perspective on queer life in the South and Southwest, showing us the ways that LGBTQ communities not only survive, but thrive, even in the most unexpected places.