Drawing and painting realistic flowers is achievable! Create a wide variety of blooms and greenery using an easy step-by-step method, then add watercolor for gorgeous effects. In Drawing and Painting Beautiful Flowers, discover how to draw flowers such as cosmos, hibiscus, canola, lily of the valley, hydrangea, foxglove, and more from various angles, and learn about perspective and shading. Once you have the skills to draw a single flower, learn how to draw groupings and wreaths. Mix in leaves and smaller flowers to create a variety of looks. Then, learn simple techniques to add luscious watercolor, using shading, blending, and gradient techniques for eye-catching results. Popular Instagram artist Kyehyun Park shares her secrets for capturing realistic flower, leaf, and plant shapes. Artists of all levels love drawing and painting nature, and with these techniques they'll confidently render lifelike botanicals in an array of lovely palettes. The book also includes: Ideas and techniques for drawing and painting charming potted plants Instructions for drawing and painting smaller flowers, buds, and branches Watercolor techniques showing how to expertly blend colors, use brush strokes and brush pressure to create various shapes, and how to use color to shade and highlight Warm-up exercises that help develop skills Simple methods for understanding perspective and composition, making it effortless to draw flowers from different angles Add these striking florals to sketchbooks, stationery, journals, and more. With Drawing and Painting Beautiful Flowers, creating true-to-life florals and plants is within your reach!

Winifred Knights (1899-1947) is one of the outstanding, but until recently neglected, British women painters of the first half of the 20th century. Copiously illustrated in colour throughout, this book provides the first full account of her life and work, examining Knights' art in the context of interwar Modernism and assessing her contribution to the revival in this period of both Decorative Painting and religious imagery.Author Sacha Llewellyn traces the artist's career from her years at the Slade School of Art and her First World War evacuation to rural Worcestershire through to the time she spent at the British School at Rome in the early 1920s and the many commissions she completed between 1926 and 1939. Presenting the artist as the central protagonist, and with models selected from her inner circle, Knights' paintings were deeply autobiographical. She consistently re-wrote fairy-tale and legend, Biblical narrative and Pagan mythology to explore women's relationship to war, the natural world, working communities, marriage, motherhood and death. Drawing on previously unpublished documentary material, including letters, diaries, sketchbooks and photographs, Sacha Llewellyn makes a strong case for recognising Knights as one of the most talented artists of her generation. The book reproduces all of Knights' major works, including her masterpiece, The Deluge, which is among the most remarked upon works at Tate Britain, having been on almost permanent display there since 1995.

In Creative Watercolor and Mixed Media, popular watercolor artist, instructor, and author Ana Victoria Calderon shares her simple step-by-step techniques for painting exciting and colorful motifs by combining watercolor with a variety of other user-friendly materials. Start with the essentials-paint, paper, and brushes-then learn about the featured mediums for mixing, including masking fluid, gold leaf, bleach, salt, and alcohol Take a step-by-step look at fundamental watercolor techniques Learn to paint a variety of striking organic motifs and surface effects, including stirring skies and clouds, sparkling galaxies, flowing oceans, and dazzling crystals Find great project ideas for stylish gifts and stationery Whether you're new to the medium or are looking to add new techniques to your watercolor practice, go grab a brush, paints, and some easy-to-use materials and take a beautiful creative journey with watercolor! Perfect for all skill levels, the books in the Art for Modern Makers series take a fun, practical approach to learning about and working with paints and other art mediums to create beautiful DIY projects and crafts.

Classification and qualification seem almost to be the enemy of artistic endeavour. Yet in The Natural History of Vedovamazzei, the curator Mirta D'Argenzio has produced an elliptical collation of the artists' ideas and hopes that offers a remarkable insight into a rarely defined world, that of Vedovamazzei's creative process. Simeone and Stella were lovers, from Naples. They were, and are, artists, painters, sculptors. As a matter of course they sketched out ideas in drawings and watercolors, produced cartoons for future projects, dallied with line and colour for experimental concepts. Some of them didn't work or were put away for another day. These sketches, sometimes no more than doodles or jokes, were also their means of communication when one was away, so that at any moment, on their return, they would find a scrap with an illustration to muse over pinned to the wall. Mirta D'Argenzio, the art historian and curator, came across these fleeting memoranda and resolved to make sense of them, like an Egyptologist deciphering hieroglyphs or an entomologist ordering the development of the Wing-tailed Cabbage White. She set about classifying them into an almost scientific order, from their larval forms through the pupae to the first spread of wings. She has produced a collection of the sketches in eight sections that makes up a visual record of the nascent ideas of Vedova and Mazzei, even in the 21st century cognisant of the traditions of Leonardo. The result of her work is as if one were treading the hallowed halls of the Natural History Museum, with its polished cases of botanical and insect collections, minutely marked and classified by the scientist's copperplate hand. It is a dazzlingdisplay.

A comprehensive reference book on the life and works of Diego Valazquez, the most important painter in the Spanish Habsburg court of King Phillip IV. Featuring a wonderful gallery of his paintings, accompanied by an expert analysis of each work, and a description of his style and technique. This beautifully illustrated book is essential reading for anyone who would like to learn more about this master of painting, who influenced so many later artists.

Water-mixable oil paints offer all the qualities of traditional oils – rich pigments, buttery consistency, long drying times – but with one remarkable difference, there is no need for solvents! This book will encourage and inspire beginners and provide them with all the skills and knowledge they need to produce successful oil paintings. It starts with an introduction to the medium, and explains what water-mixable oils are. This introduction is followed by several sections on materials, preparation (how to care for your brushes, storing your paints, and so on), colour (selecting your basic, or capsule, palette), mixing the paints and preparing your surfaces. The first project explains how to explore colour in order to paint in the style of Vincent van Gogh. There are then five longer projects that touch upon the themes of abstraction, still life, landscapes, buildings, and working from a photograph, all of which capitalize on the rich qualities of the paints.  Each project is accompanied by a clear list of materials needed as well as top tips and skills practised; Sarah also interjects with useful anecdotes and words of wisdom garnered from her experience working in this vibrant and exciting medium. At the end of the book, the reader discovers how best to store and transport finished paintings, especially if the paint is still tacky to the touch, and how to frame a painting for impact.

Florilingua accompanies Shani Rhys James' new touring exhibition of paintings and an installation which distills the motifs of her recent work into a three dimensional audio experience. Here are Rhys James' characteristic wild wallpapers, menacing chandeliers and other domestic items in a specially created room, in which poems appear from amidst flowers. Seven poets respond to the situations in the paintings to create a compelling dialogue between paint and word on issues of domesticity, the relationship of women and home, rootlessness and what the places in which we live say about us. The responding poets are: Poet Laureate Carol Ann Duffy, National Poet of Wales Gillian Clarke, Menna Elfyn, Jasmine Donahaye, Amy Wack, Pele Cox and Patrick Christopher Kavanagh.

Personal symbols and motifs can be explored endlessly when there are a solid number of painting techniques to draw from. In this workshop approach, the reader will be encouraged to explore a chosen theme in as many forms as possible. After learning where to find inspiration (past experiences, memories, intentions, cultural themes, etc.) and how to develop a personal library of symbols, colors and marks, the reader will be guided through 15 techniques to use in her paintings and will also see two or three complete painting projects come together start-to-finish. Notebook Prompts will offer the reader ideas for developing her own new series, showing her how to collect ideas that reflect her personal voice.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. Aimee Stewart is a self-taught artist who is strongly influenced by music and literature. Her special focus is in eclectic digital painting and photomanipulation. She describes herself as a champion of daydreams; she loses thoughts of reality and becomes immersed in fantasy creations.

Absolutely the most thorough guide to pastel materials and techniques ever assembled in a single volume, this is the book for anyone working with pastels, from beginners to experienced artists looking to develop more professional skills. Defining the pastel medium broadly-color in stick form to be used for drawing and painting simultaneously-the author creates works of sensuous textures and colors, ranging from subtle to intense. He uses traditional soft and hard pastels, as well as oil pastels and oil sticks, showing the effects produced by each in step-by-step demonstrations. Included are sophisticated ways to combine pastels with water, acrylic, alkyd gels, and oil paint for stunning mixed-media results.

First published in 1935, this book was intended to provide westerners with a more definite and comprehensive understanding of Chinese Art and its achievements. Newly available opportunities to study authentic examples, such as the Royal Academy exhibition that provided the impetus for this volume, allowed for greater opportunities to conduct in-depth examination than had previously been possible. Following an introduction giving an overview of Chinese art and its history in the west, six chapters cover painting and calligraphy, sculpture and lacquer, 'the potter's art', bronzes and cloisonne enamel, jades, and textiles - supplemented by a chronology of Chinese epochs, a selected bibliography and 25 images.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This beautiful box is designed by lesser-known artist Uematsu Hobi. It was decorated with blossoming chrysanthemums and the poem, tsuyu no ma ni, the letters of which are embedded in silver. The background and edges are sprinkled with gold powder and portions of the blossoms and leaves on the top of the box are repeated on the sides.

"In this admirable work, at once passionately argued and lucidly written, Professor Garrard effectively considers the social, psychological, and formal complexity of the shaping and reshaping not only of the artist's feminine and feminist identity in the misogynistic society of the seventeenth century, but also of that identity in the discipline of art history today."--Steven Z. Levine, author of "Monet, Narcissus, and Self-Reflection

"Mary Garrard's detailed investigation into attribution problems in two Artemisia Gentileschi paintings brilliantly interweaves connoisseurship, constructions of gender and artistic identity, and historical analysis. The result is a richer and more nuanced vision of the best-known female artist in western history before the modern era, and an important contribution to feminist studies." --Whitney Chadwick, author of "Women, Art, and Society

"In her new book, Garrard has taken two bold steps that challenge much received opinion in the 'discipline' of art history. Analyzing two of Gentileschi's least violent but most moving images, Garrard argues that the painter's personality is discernible no less in the subjects and their interpretation than in the 'style' of the works; consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and her authorship. Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a 'good woman painter, ' was one of the major visual thinkers of her time."--Irving Lavin, co-author with Marilyn Aronberg Lavin, of "La Liturgia d'Amore: Immagini dal Canto dei Cantici nell'arte di Cimabue, Michelangelo, e Rembrandt (Modena, 2000)

"Developing herearlier methodologies and revising some conclusions, Garrard clarifies her distinct theoretical approach and voice among feminist critiques of art history. In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history."--Hilary Robinson, editor of "Visibly Female: Feminism and Art Today

"One of our most distinguished feminist art historians brings contemporary gender studies to bear on traditional paintings connoisseurship to show how attributions to female artists have often been governed by tacit cultural assumptions about the limitations of women. Her case makes compelling reading for anyone interested in early modern society, culture, women and art in Italy, and in the problematics of feminism and art history."--Kathleen Weil-Garris Brandt, author of "Leonardo e la Scultura

"By revealing a great woman painter's ways of expressing uniqueness while negotiating expectations, Mary Garrard helps each of us with the subtleties of remaining authentic while living in the world. Artemisia Gentileschi around 1622 is art history to live by."--Gloria Steinem

This stunning book is the long-awaited result of an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. Although you may recognize the names and works of many, this company of 100 painters also features works by artists less celebrated, though no less deserving of attention. Expect to find recent works, as well as paintings from an earlier period of an artist's oeuvre -- as near as Kelynn Alder's "Coney Island," painted specifically for this book, and as distant as George Tooker's iconic allegory, "Subway," painted in 1950. Brief biographical sketches accompany each artist's work, providing insight into their emotional and philosophical connection with art as well as their schooling and accomplishments. Experience for yourself this visual feast showcasing the unique works of 100 gifted New York painters. This book is a must-have addition for the library of any art connoisseur and/or collector.

A guide to the primary and secondary resources on women in Victorian painting in the WOMENS HISTORY AND CULTURE series. Contemporary reviews, books, articles, essays and dissertations are included, along with general studies of women painters and images of women.

In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.
The first part of the book, "Some Notes on Reception," contains overviews of texts about specific works such as "The Dead Christ, The Solothurn Madonna, " and "The Meyer Madonna." Other themes addressed include the perception of Holbein's character and his place among other Renaissance masters, his work as a portraitist, his use of illusion, authenticity controversies, and a brief chronicle of Holbein collectors. Previously unaddressed topics include Holbein's influence on later artists, and his impact on fiction, including his influence seen in the works of writers such as Dostoevsky, Henry James and Edith Wharton. This part of the book also contains synopses of the most significant and recent Holbein scholarship. These vignettes constitute a multi-dimensional approach to Holbein reception, sharpened by selected quotations from his critics.
The second part of the book is a comprehensive listing of over 2,500 bibliographic citations for works dealing with Holbein and his oeuvre, each accompanied by an annotation outlining the authors' principal contributions. The range of material covered includes not only books and scholarly journals but also newspapers and other popular publications. Individual sections include texts dealing with primary sources, monographs, compendia, and exhibition catalogues. Others are devoted to texts about Holbein's paintings, drawings and prints, as well as to iconography, technical studies, patronage, collections, influences on Holbein, and Holbein reception. General Index. Author Index.

The incomparable play of light and color in Paul Cezanne's work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his romantic, baroque, impressionist, and finally classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker's family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne's life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author-and established connoisseur-succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

F.C.B. Cadell was born in Edinburgh, where he lived for most of his life, and studied in Paris and Munich. This book illustrates many of the works for which Cadell is celebrated, including stylish portrayals of Edinburgh New Town interiors, vibrantly coloured, daringly simplified still lives of the 1920s, and evocative landscapes of the Scottish west coast and the south of France. Based on new research, a special section concentrates on Cadell's relationship with Iona, where he painted nearly every year from 1912 until 1935. The book accompanies a major exhibition at the Scottish National Gallery of Modern Art, the first retrospective exhibition of Cadell's work held at a public gallery since 1942.

Gustav Klimt's ornate art expresses the apocalyptic atmosphere of Vienna's upper middle-class society around the turn of the 20th century - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. His drawings in particular, which have been widely admired for their artistic excellence, are dominated by the sensual portrayal of women.

Visually stunning, informative, and broad in scope, this comprehensive overview gathers the works of renowned still-life painter Scott Fraser. Beautiful full color images of his body of work are accompanied by companion drawings and detailed close-ups, demonstrating the artist's approach to painting. A summary of his work, an interview of Fraser by artist Robert C. Jackson, and an extensive chronology of works allow the reader to explore the path of growth and development that took him from a landscape painter in the 1980s to the nationally renowned still-life painter that Fraser is today. His intense scrutiny of objects is revealed in full-page details of several important works. The over 200 drawings and paintings included here also reveal how Fraser's passion for art history is a strongly recurring theme, often demonstrating itself in surprising ways. This book offers valuable insights for collectors, museums, students, academics, artists, and everyone interested in contemporary still life painting.

During the Victorian period there developed a new anxiety about male-female relations and roles in modern society, as described by a member of the Athenaeum in 1858, 'the distinction of man and woman, their separate as well as their joint rights, begins to occupy the attention of our whole community, and with no small effect'. These essays examine Victorian painting in the light of this 'woman question' by analysing the change in representation of the family, romance, social issues such as emigration and colonialism, the use of the female nude and the traditions of portraiture, history-painting and still life. The art and artists are considered in a socio-political context, and the connections between Victorian sexism, racism and classism are examined. These essays bring to light much previously unknown work (especially by women) and reappraise many well-known paintings.

Anyone studying a Van Gogh painting with its heavily articulated brushstrokes, dazzling color, and hypnotic perspective will wonder about the artist who created such masterpieces. Although some details of the Dutch artist's brief and tragic life have been mythologized into popular culture, this book takes a deeper look at Van Gogh's personal history and oeuvre. Drawing on Van Gogh's personal correspondence, this book allows readers to experience the artist's life and work simultaneously, with brilliant reproductions of his most famous and lesser-known works. In addition, it provides valuable information about where readers can view Van Gogh's work in museums throughout the world. Art lovers will find much to discover in this appealing and accessible overview of one of the world's most compelling figures.

Largely self-taught as an artist, Francis Bacon (1909-1992) developed a unique ability to transform interior and unconscious impulses into figurative forms and intensely claustrophobic compositions. Emerging into notoriety in the period following World War II, Bacon took the human body as his nominal subject, but a subject ravaged, distorted, and dismembered so as to writhe with intense emotional content. With flailing limbs, hollow voids, and tumurous growths, his gripping, often grotesque, portraits are as much reflections on the trials and the traumas of the human condition as they are character studies. These haunting forms were also among the first in art history to depict overtly homosexual themes. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Beginning with a dissertation on Raphael's drawings, Oskar Fischel made it his endeavor, with an ever growing knowledge of Raphael, to arrive at a comprehensive representation, and this he has left behind this book. The illustrations gathered together by him over a period of many years are intended, in the selection here provided, to induce the reader to seek out the works of the artist. The book speaks of Raphael's influential manner on society.