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Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings
This beautiful and inspirational book written by a doyenne of
British textile design explores the art of painting and making
patterns on cloth. Fabrics bring colour and vibrance to our lives,
adding inventiveness and charm to both our clothes and our domestic
interiors. In this book, lifelong textile designer Sarah Campbell
takes you through her world of pattern and colour to uncover the
joys of design from dots, stripes and checks to more surprising
decorative solutions. Beautifully illustrated with Sarah's
colourful and internationally acclaimed work, her fabric designs
show the comforting rhythm and universal language of pattern. -
Learn how to create your own unique designs using a range of tools
and techniques including brushes and potato-cuts, stencils and
simple 'kitchen cupboard' resists. - Explore the delights of
painting on different fabrics such as cotton, linen, silk and
calico/muslin. - Develop your understanding of scale, colour,
tonality and the organisation of pattern ideas, alongside
suggestions on how to use your finished fabrics.
A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine
high-quality production with magnificent art. Perfect as a gift,
and an essential personal choice for writers, notetakers,
travellers, students, poets and diarists. Features a wide range of
well-known and modern artists, with new artworks published
throughout the year. BEAUTIFULLY DESIGNED. The highly crafted
covers are printed on foil paper, embossed then foil stamped,
complemented by the luxury binding and rose red end-papers. The
covers are created by our artists and designers who spend many
hours transforming original artwork into gorgeous 3d masterpieces
that feel good in the hand, and look wonderful on a desk or table.
PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical
features too: a pocket at the back for scraps and receipts; two
ribbon markers to help keep track of more than just a to-do list;
robust ivory text paper, printed with lines; and when you need to
collect other notes or scraps of paper the magnetic side flap keeps
everything neat and tidy. THE ARTIST. Ambrosius Bosschaert the
Elder was a Dutch Golden Age painter. The flowers in this
arrangement, which include lilies, tulips, roses, and carnations,
are painted with almost scientific precision. Bosschaert's choice
of a smooth copper support enhances the extraordinary detail of his
brushwork. The bouquet itself, however, is a fiction: these flowers
do not bloom at the same time, and would have been far too precious
to cut for temporary display. THE FINAL WORD. As William Morris
said, "Have nothing in your houses that you do not know to be
useful, or believe to be beautiful."
"There were no pictures on the walls of the rented rooms my mother
and I lived in when I was a child. But there were pictures on the
school walls, details of exhibitions and the lives of great
painters in Everybody's Weekly, and, when we could afford it, we
would treat ourselves to a trip to the nearest city and its
travelling exhibitions of prints, which was how I saw most of Van
Gogh that wasn't at school."For Duffy, pictures were and still are
magical creations and recreations of the visible world - of
history, mythologies, landscape, love and death - where the artists
who make them attempt risk-taking feats analogous to a poet's with
words. Pictures abound in this collection, ushering the reader from
canvas to screen via x-rays and iPhone snapshots, the latter
inspiring the closing sequence 'Burdsong'. Above all, Pictures from
an Exhibition celebrates the mind's eye, which is its own
exhibition gallery: transforming Darlington Station into an
upturned ship's hull or a mauled pigeon into a still life, and
glorying in the lives, loves and creations of painters from
Veronese to Anselm Kiefer.
Take your plein air artwork to the next level through
easy-to-understand workshop-style lessons and skill-building
exercises. In Plein Air Techniques for Artists, award-winning
artist and respected workshop instructor Aimee Erickson demystifies
how to capture a variety of light effects and guides you in
strengthening your plein air skills through practice. This
accessible book covers: Materials and gear. Gain a basic knowledge
of the possibilities so you can keep your options open and your
plein air process fresh. Composition and value. Explore the impact
of proportion, color, value, line, edges, shape, and texture.
Color. Consider how knowledge and intention, your color palette,
and what you see-your perspective-take turns being in charge of the
color game, inventing rules and finding solutions. Light effects.
Learn how conditions of the day-how much light there is, and
whether it's soft, diffuse, golden, harsh, pale, or dusky-affect
everything we see and how we paint. Design and the visual idea.
Discover strategies for developing a visual idea, from creating
serial studies to working with a camera to improvisation. Featuring
exceptional still lifes, figures, and landscapes by other noted
artists working in a range of mediums, Plein Air Techniques for
Artists gives artists at all levels of experience the guidance they
need to grow as a plein air artist. The For Artists series expertly
guides and instructs artists at all skill levels who want to
develop their classical drawing and painting skills and create
realistic and representational art.
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