The brilliance of Peter Paul Rubens' career changed forever the perceptions of painting and painters. Here was a man whose astonishing gifts were allied to a personality so cosmopolitan, engaging, and virtuous that he could mingle as easily with kings as with fellow painters. Rubens' character and achievements fascinated his contemporaries, and these three biographies of the artist show the impact of his life and art on three very different observers. Baglione, an Italian painter and art historian, records the remarkable success of Rubens visits to Rome; Sandrart, a German painter, writes on the later years of his career; and de Piles, one of the greatest early art critics, offers an evaluation of Rubens style that remains one of the most influential ever written.

Memoir of a provocative Parisian art dealer at the heart of the 20th-century art world, available in English for the first time. Berthe Weill, a formidable Parisian dealer, was born into a Jewish family of very modest means. One of the first female gallerists in the business, she first opened the Galerie B. Weill in the heart of Paris's art gallery district in 1901, holding innumerable exhibitions over nearly forty years. Written out of art history for decades, Weill has only recently regained the recognition she deserves. Under five feet tall and bespectacled, Weill was beloved by the artists she supported, and she rejected the exploitative business practices common among art dealers. Despite being a self-proclaimed "terrible businesswoman," Weill kept her gallery open for four decades, defying the rising tide of antisemitism before Germany's occupation of France. By the time of her death in 1951, Weill had promoted more than three hundred artists-including Henri Matisse, Pablo Picasso, Amedeo Modigliani, Diego Rivera, and Suzanne Valadon-many of whom were women and nearly all young and unknown when she first exhibited them. Pow! Right in the Eye! makes Weill's provocative 1933 memoir finally available to English readers, offering rare insights into the Parisian avant-garde and a lively inside account of the development of the modern art market.

A complete course on acrylic painting, covering classic approaches and new innovations for a medium that's widely embraced by both beginners and experienced artists for its versatility, quick-drying properties and non- toxicity. Noted artist and School of Visual Arts instructor James Van Patten shows how acrylics can provide all painters with a vast range of possibilities for producing highly expressive art. Readers will learn how to use acrylics to create a wide variety of effects in everything from non-representational works to painterly realism to photorealism. Van Patten offers guidance on materials, tools, processes, balance, and composition and focuses on effectively using colour in painting. Replete with detailed step-by-step technical demonstrations and a catalogue of inspiring works by notable past and contemporary artists, as well as the author and his students, The Acrylic Painter provides a classic art instruction manual for painters of all abilities.

The experience of colour underwent a significant change in the second half of the nineteenth century, as new coal tar-based synthetic dyes were devised for the expanding textile industry. These new, artificial colours were often despised in artistic circles who favoured ancient and more authentic forms of polychromy, whether antique, medieval, Renaissance or Japanese. However faded, ancient hues were embraced as rich, chromatic alternatives to the bleakness of industrial modernity, fostering fantasized recreations of an idealized past. The interdisciplinary essays in this collection focus on the complex reception of the colours of the past in the works of major Victorian writers and artists. Drawing on close analyses of artworks and literary texts, the contributors to this volume explore the multiple facets of the chromatic nostalgia of the Victorians, as well as the contrast between ancient colouring practices and the new sciences and techniques of colour.

One of the most visible, popular, and significant artists of his generation, William Hogarth (1697-1764) is best known for his acerbic, strongly moralising works, which were mass-produced and widely disseminated as prints during his lifetime. This volume is a fascinating look into the notorious English satirical artist's life, presenting Anecdotes of William Hogarth, Written by Himself-a collection of autobiographical vignettes supplemented with short texts and essays written by his contemporaries, first published in 1785.

-- Stunning watercolour paintings by one of Sweden's best-loved artists -- Fascinating insight into Swedish rural and artistic life in the late nineteenth century -- Accompanied by an explanatory text giving more detail about his life and techniques Carl Larsson is one of Sweden's best-loved artists. His stunning watercolours of his home and family from the end of the nineteenth century are acclaimed as one of the richest records of life at that time. The paintings in this book are a combined collection which depict Larsson's family -- his wife Karin and their eight children -- his home in the village of Sundborn, and his farm, Spadarvet. The accompanying text provides a fascinating insight into Larsson family and farm life, and his painting techniques. Today, over 60,000 tourists a year visit Sundborn to admire Larsson's home and work. Also published as three separate volumes: A Home, A Family, and A Farm.

Botanical Illustration is an introduction to the marrying of art and science in the aesthetic and accurate portrayal of plant material. This book builds on the work of illustrators of the past, ranging from Elizabeth Blackwell, whose drawings helped to release her husband from debtors' prison, through to the exceptional scientific drawings of Beatrix Potter. It deals with the practical art and the related botany of the subject. Topics covered include an introduction to basic botany; preparation of plant material for drawing; use of pencil, watercolour, coloured pencil and pen and ink; suggested topics for further study and, finally, correcting mistakes and finishing touches.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ART. One of the most iconic artists of the 20th century, Frida Kahlo's bold, carefully crafted visual identity is in many respects an extension of her art, celebrating her Mexican heritage and countercultural ideals while defying traditional notions of female beauty. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Gauguin's great diary from Tahiti almost never saw the light of day in its original form. The manuscript was sent by the artist from his island refuge to his friend Charles Morice in Paris, and published in 1901 with immediate success, under the two names of Paul Gauguin and Charles Morice. Morice, with Gauguin's permission, had 'edited' and enlarged it to make it more readable. How much of the charm and crispness of the manuscript had been lost in the process was anyone's guess. It was to be 40 years before Gauguin's original version came to light, and it is published here in a translation by the poet Jonathan Griffin, together with a detailed description by the art historian Jean Loize, who re-discovered the manuscript. Loize shows that Morice had in parts altered Gauguin's text beyond recognition - a startling discovery that entirely changed ideas about Gauguin's style and intentions. This genuine version of Noa-Noa is not only an important document, it is also a beautiful piece of writing: amusing, acid, wide-eyed, moving. Gauguin feared that, unedited, it would seem absurdly crude; and no doubt it would have, to most readers in his day. Today we can appreciate its sketch form, jerky directness, authentic freshness. This edition is illustrated with the watercolours, wood-engravings and drawings that Gauguin assembled for the book.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps and two bookmarks. These are perfect for personal use and make a dazzling gift. This example is based on Claude Monet's Bridge over a Pond of Water Lilies. 'All of a sudden,' Monet would one day recall, 'I had the revelation of the enchantment of my pond. I took up my palette...' And the rest is art-history. Again and again - well over 200 times, and often working on an enormous scale - Claude Monet would return to water lilies as his subject.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps and two bookmarks. These are perfect for personal use and make a dazzling gift. This example is based on Vincent van Gogh's Wheat Field with Cypresses. Vincent Van Gogh composed this painting while he was in the Saint-Remy mental asylum, near Arles. The bold use of impasto and the beauty of the towering trees have made this one of his most recognisable works. There are various other versions of the painting, one of which features a closer view of the cypresses painted vertically, as well as a replica of this version that Van Gogh painted for his mother and sister.

Painting buildings is an exciting and versatile genre - it allows you to enjoy the lines of architecture but also to add feeling and context to a picture. This practical book explains the full depth of the subject, from first sketches to final presentation. Using a range of examples, it is packed with advice and information, and follows the riches of painting the built landscape. Not just a handy reference, this is a beautiful and inspirational guide for every artist who wants to capture and interpret a scene. Topics covered include: Drawing - practise observation and sketching to identify the principal lines of view. Perspective - understand three-dimensional structures and their position to each other and in space. Oils - use the versatility of the paint to express and experiment with your ideas. Location - develop your paintings outdoors and in the studio. Style - add figures, weather and atmosphere to your work to give it character and mood. Finally, Inspiration - learn new ideas and themes from finished examples by a number of leading artists.

A seminar conducted by Nicholas Wegner in June 1995 for the MA History of Art course at Kingston University explores in depth Francis Bacon, his emergence and influence both in the spheres of art and business. His early life in London and Berlin, analysis of key works, his social milieu. Compares Bacon with predecessors Goya, Egon Schiele, Pablo Picasso, and contemporaries Frank Auerbach and Lucian Freud. There is also a review of Francis Bacon at The Hayward Gallery London in 1998.

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Jean and Ron Henry's Moon Maiden. The vogue for fairy painting grew out of the Romantic movement, when there was a revival of interest in the nation's cultural heritage, including such mythological beings as fairies. The magic of these creatures continues to inspire artists to this day and Jean and Ron Henry's Moon Maiden is a charming, modern slant on the fairy world.

"I recall the long hours I sat for him... From time to time, as I posed, half-asleep, I looked at the artist standing at his easel, with features drawn, clear-eyed, engrossed in his work. He had forgotten me, he no longer knew I was there, he simply copied me, as if I were some kind of human beast, with a concentration and artistic integrity that I have seen nowhere else." Zola's writings on Manet, the most important of which are presented in this volume, were the first to identify the painter's seminal role in the emergence of modern art.

Glasgow Museums has the finest collection of Italian paintings of any civic museums service in the UK. It includes some 150 paintings ranging from the late 14th century to the late 19th century. This catalogue begins with an historical introduction to the collection and its donors, and includes 192 colour reproductions.

Reference materials on European painting of the seventeenth century are generally restricted to a roster of a few dozen great masters such as Rembrandt, Rubens, Caravaggio, and Velazquez, but this Golden Age produced hundreds of prodigiously talented painters. Almost 300--mainly Dutch, Flemish, Italian, and Spanish--are here given biographical coverage based on an extensive bibliography of contemporaneous, later, and recent scholarship. Attention is focused on training, travel, commissions, stylistic influences and legacy, and pupils. For each artist, the oeuvre is analyzed with reference to major works, and a detailed list of additional works with museum holdings is appended. References are keyed to the backmatter bibliography, and museum citations refer to a list of 183 collections around the world. An appendix groups the featured artists by nationality, and an index completes the volume.

Learn how use oil paints with this clear and simple guide. Accomplished artist and teacher Norman Long explains all the basics and shows you how to master this versatile, vibrant medium so you can produce beautiful paintings full of life and color. Oils has a handy front section covering all the practical stuff, from choosing the right materials to essential techniques. 10 step-by-step tutorials each broken down into key stages range of subject matter from still life to landscapes to figures clear step-by-step photography and instructions includes special features on painting people, painting outdoors and composition tips and practical advice to help make the most of your paints

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. Vincent van Gogh is considered one of the world's greatest painters, his work having had a huge and far-reaching influence on 20th-century art as well as remaining visually and emotionally powerful to this day. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Anselm Kiefer, born in 1945, is one of the most important and controversial artists at work in the world today. Through such diverse mediums as painting, photography, artists books, installations, and sculpture, he has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections between memory, history, and mythology; war; the Holocaust; and ethnic and national identity. In this extensively illustrated, thoughtful survey of his work, available again in a new and compact format, author Daniel Arasse analyzes Kiefer s education, influences, philosophy, and art, while demonstrating the unity and continuity of his work. Arasse takes as his starting point the 1980 Venice Biennale, a key moment in Kiefer s career that marked the birth of both his international reputation and the controversy over the strong focus on German civilization that characterized much of his work. Equal parts eloquent tribute and respected monograph, Anselm Kiefer is organized both chronologically and to reflect the artist s recurrent motifs, including Nordic and Germanic mythologies, Jewish mysticism, the cosmos, the legends of the ancient world, and many more. Approximately 250 full-color images reproduce his art at the highest possible quality, to trace Kiefer s creative evolution and reveal as fully as possible his works scope and power."