Abstract landscape painting expresses emotion while still capturing the essence of a landscape. This compelling book explores this suggestive style first developed by Turner. Using the hauntingly-beautiful paintings of Gareth Edwards, it explores the technical, historical and psychological dimensions of abstract landscape painting to help you develop your own skilful and intensely personal approach. Through this new book you can learn about how to begin an abstract landscape painting, using chance application; understand how to 'manage accidents' to create innovative pieces of work; discover the importance of effective composition and how this navigates the viewer's journey; determine the importance of the 'invisible' elements of painting: the unspoken value of the viewer and the influence of 'looking'. It also reveals how to utilize a convergence of linear and atmospheric perspective to help your viewer traverse the picture plane and helps you understand the importance of light, space, colour, and tone in generating evocative paintings. Finally, it encourages you to be more demanding of your surface, using textural techniques and glazing to achieve professional production values. It is a unique and exciting book into this under-documented genre.

Figure to Ground publishes a collection of studies from the nodel made between 2010 and 2014. These include works in pencil and watercolour, and oil on canvas of positions taken between five and fifteen minutes. They come to represent a conversation between artist and sitter, confirming the easy and natural grace of the human figure in focus.

Watercolour painting is an absorbing, meditative art-from that many people would like to enjoy but don't attempt to because they believe they can't paint or simply don't know where to begin. An encouraging voice and a clear, easy-to-follow approach is often all that's needed to give people the confidence to get started and keep going. That's exactly what this book provides. Paul Clark, an enthusiastic and accomplished painter who runs his own art school, explains the fundamentals in a friendly and accessible way. He shows readers what they really need in terms of tools and materials - starting with a limited colour palette that can be mixed to create the vast majority of colours required. He then explains and illustrates the basic techniques, before presenting ten of his paintings that put those techniques into action. Each painting is broken down into stages, with clear instructions and photographs for readers to follow, plus plenty of helpful tips. In addition, there are three feature spreads that focus on particular areas of interest for beginners, including special effects, painting trees and painting skies.

The nude has inspired artists for centuries and continues to inspire us today. Alongside a historical study of the nude in painting, this book introduces oil paint and gives advice on techniques when using this challenging and rewarding medium. Capturing the beauty of form and the delicate colours of the figure, it celebrates the powerful images that examine human relationships, personality and psychology. Some of the topics included in this book are instructions on materials, the colour palette and stretching your own canvas; the practicalities of working with a model in the studio; colour-mixing exercises that explore colour relationships and temperature, and finally step-by-step examples that demonstrate the progression of a painting.

A group of primarily Scottish artists (mainly William York Macgregor, Joseph Crawhall, George Henry, Edward Atkinson Hornel, Sir John Lavery and Arthur Melville), the Glasgow Boys were active around the turn of the 20th Century. Though they painted in a number of different styles, they are connected by their rejection of classic Victorian painting. Inspired by the luminous techniques of James McNeil Whistler, they harnessed Impressionistic brushwork and livid realism in their work, trying new methods and everyday settings to create stunning works of art. With over 100 images, and broad introduction, this is a fine addition to Flame Tree's ever-increasing series on painting and illustration, Masterpieces of Art.

The Lammermuir Hills have been an important trade route between Scotland and England for generations, as well as an effective barrier when necessary. Drawn by the long history of south-eastern Scotland and the many conflicting elements in play in its natural environment - among them wind farms, pylons, forestry plantations, grouse moors and sheep - the distinguished Scottish painter and printmaker Barbara Rae CBE RA has made numerous studies of these wild expanses. This handsome volume reproduces a wide selection of her intensely colourful images with accompanying photographs and maps, and texts by the art critic Duncan Macmillan, Emeritus Professor of the History of Scottish Art at the University of Edinburgh, and Maureen Barrie, who worked for many years at National Museums Scotland.

Fighting History is the first book to engage with the story of British history painting and its survival into contemporary practice today. Beautifully illustrated with works from the Tate collection, as well as a number of paintings from other institutions and from practicing artists, the book traces the tradition of history painting from the baroque allegory of the seventeenth-century court to contemporary works by Dexter Dalwood, Jeremy Deller, Michael Fullerton, and others. Three short essays address themes in history painting, from the question of the shifting meanings of 'history painting' to an account of the great radical artists in the genre. In an interview with Dexter Dalwood, one of Britain's most celebrated contemporary painters, the artist explains the enduring significance of history painting in twentieth-century art and in his own practice. Includes contributions from Mark Salber Phillips, Dexter Dalwood, Clare Barlow and M. G. Sullivan.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Mabel Allington Royds (1874-1941) was born in Bedford. At age 15 she won a scholarship to London's Royal Academy but opted to study at the Slade. She is famed for her colourful woodcuts of flowers, along with Biblical and Indian scenes, her technique was indebted to Japanese woodcuts. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. Vincent van Gogh is considered one of the world's greatest painters, his work having had a huge and far-reaching influence on 20th-century art as well as remaining visually and emotionally powerful to this day. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradeable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. This example features Hokusai's The Great Wave. The most notable period in Hokusai's artistic life was the latter part of his career, beginning in 1830 when he was 70 years old. He began the series of landscapes he is most famous for: 'Thirty-six Views of Mount Fuji', which included The Great Wave, off Kanagawa, probably his most iconic image.

This is a wonderful book that enables the reader to understand the sad situation of Tibet through the eyes of the Tibetan school children. Many of these children suffer from the separation and loss of their families in Chinese-occupied Tibet. The book brings to life their childhood memories, the Tibetan spirit and culture and the future aspiration of these unfortunate children who now in exile have the opportunity for education like their counterparts in the free world.

World-renowned visionary artist John Harris' unique concept paintings capture the Universe on a massive scale, featuring everything from epic landscapes and towering cities to out-of-this-world science fiction vistas.
This collection focuses on his wide variety of futuristic art, as well as his striking covers for a variety of esteemed SF authors, including Arthur C Clarke, John Scalzi, Ben Bova, Hal Clement, Jack McDevitt, Frederik Pohl, Orson Scott Card's Enders books and many more.

The work of Alex Colville, O.C. (1920-2013), one of the great modern realist painters, combines the Flemish detail of Andrew Wyeth, the eerie foreboding of George Tooker and the anguished confrontations of Lucian Freud. Behind the North Americans stands their common master, Edward Hopper. Colville's works are in many museums in Canada and Germany. He has affinities with Max Beckmann and appeals to the German "secondary virtues": cleanliness, punctuality, love of order. In a long life he resolutely opposed the fashionable currents of abstract and expressionistic art. In contrast to Jackson Pollock's wild action painting, Colville created paintings of contemplation and reflection. As Jeffrey Meyers writes: I spent several days with Colville on each of three visits from California to Wolfville. I received seventy letters from him between August 1998 and April 2010, and kept thirty-six of my letters to him. He sent me photographs and slides of his work and, in his eighties, discussed the progress and meaning of the paintings he completed during the last decade of his life. His handwritten letters, precisely explaining his thoughts and feelings, provide a rare and enlightening opportunity to compare my insights and interpretations with his own intentions and ideas. He also discussed his family, health, sexuality, politics, reading, travels, literary interests, our mutual friend Iris Murdoch, response to my writing, his work, exhibitions, sales of his pictures and of course the meaning of his art. His letters reveal the challenges he faced during aging and illness, and his determination to keep painting as health difficulties mounted. He stopped writing to me when he became seriously ill two years before his death. In this context the late paintings, presented in colour in this book, take on a new poignancy.

Degas was a celebrity in Britain in his lifetime, thanks originally to George Moore's pioneering essay, The Painter of Modern Life. When Degas died Moore reprised the essay with some further recollections, in part as a riposte to the memoir published by Degas's great admirer and follower, Walter Sickert. Sickert's essay, sparkling, engaged, witty and occasionally combative, is amongst the best of his writings. Together these memoirs represent some of the most vivid responses to Impressionism in English - as well as painting an intimate picture of arguably the most important and most influential - and the most humane - of the painters of the later 19th century. Hitherto difficult to find, these essays are reprinted here with an introduction by Anna Gruetzner Robins and are illustrated with 30 pages of colour plates covering the span of Degas's dazzling career.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Based in Columbus, Ohio, Jenny Zemanek is a lifelong lover of all things creative. What started with happy scribbles at a young age grew into a pursuit of photography and graphic design before she found a home with illustration and hand-lettering. Jenny revels in the joys of small decorative details, finding ways to add personality to her work. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

A new direction in art criticism is laid out in this striking program for realigning the relationship between painting and criticism. Putting forth the idea that painting evolves and encounters new territory through a constant tension between art and criticism, this treatise draws on the work of philosophers Immanuel Kant and Walter Benjamin as well as critics Arthur Danto and Rosalind Krauss. Each argument is accompanied by a detailed analysis of a wide range of classical, modern, and postmodern art pieces.