A new direction in art criticism is laid out in this striking
program for realigning the relationship between painting and
criticism. Putting forth the idea that painting evolves and
encounters new territory through a constant tension between art and
criticism, this treatise draws on the work of philosophers Immanuel
Kant and Walter Benjamin as well as critics Arthur Danto and
Rosalind Krauss. Each argument is accompanied by a detailed
analysis of a wide range of classical, modern, and postmodern art
pieces.
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