For many people the greatest artist, and the quintessential Renaissance man, Leonardo da Vinci (1452-1519) was a painter, architect, theatre designer, engineer, sculptor, anatomist, geometer, naturalist, poet and musician. His Last Supper in Milan has been called the greatest painting in Western art. Illegitimate, left-handed and homosexual, Leonardo never made a straightforward career. But from his earliest apprenticeship with the Florentine painter and sculptor Andrea Verrochio, his astonishing gifts were recognised. His life led him from Florence to militaristic Milan and back, to Rome and eventually to France, where he died in the arms of the King, Francis I. As one of the greatest exponents of painting of his time, Leonardo was celebrated by his fellow Florentine Vasari (who was nevertheless responsible for covering over the great fresco of the Battle of Anghiari with his own painting). Vasari's carefully researched life of Leonardo remains one of the main sources of our knowledge, and is printed here together with the three other early biographies, and the major account by his French editor Du Fresne. Personal reminiscences by the novelist Bandello, and humanist Saba di Castiglione, round out the picture, and for the first time the extremely revealing imagined dialogue between Leonardo and the Greek sculptor Phidias, by the painter and theorist Lomazzo, is published in English. An introduction by the scholar Charles Robertson places these writings and the career of Leonardo in context. Approximately 50 pages of colour illustrations, including the major paintings and many of the astonishing drawings, give a rich overview of Leonardo's work and mind.

Discover a unique approach to creating art on location: start with a loose, colorful watercolor sketch, let that layer dry, then add details in ink. The result? Sketches that are more vibrant, dynamic, and fun! Designer, urban sketcher, and author of The Urban Sketching Handbook: Sketch Now, Think Later, Mike Daikubara is your guide to this exciting method in The Urban Sketching Handbook: Color First, Ink Later: Start with a detailed overview of the process, from optional light pencil sketch to finishing touches Follow along several step-by-step demonstrations that apply the approach to a range of subjects, from still life to figures to architecture Get inspired by an extensive gallery of on-location sketches You'll learn how to let watercolor do the hard work of urban sketching and enjoy the spontaneous effects and delightful surprises you'll see in your artwork. The Urban Sketching Handbooks series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format-perfect to toss in your backpack or artist's tote. Also available from the Urban Sketching Handbooks series: Understanding Light; Panoramas and Vertical Vistas; Drawing Expressive People; Techniques for Beginners; Complete Urban Sketching Companion; Drawing with a Tablet; 101 Sketching Tips; Working with Color; Sketch Now, Think Later; Understanding Perspective; People and Motion; and Architecture and Cityscapes.

This book enables any amateur artist to explore confidently the most popular painting medium the world has ever known: watercolour. Richly illustrated in colour throughout with well-known works of art, photographs of materials and step-by-step examples, the author shows how to achieve various effects and provides an insight into the art of watercolour. By reconstructing in practice the methods of great watercolourists, Stephenson reveals new ideas on how artists as diverse as Durer, Cezanne, Turner and Sargent actually worked. Using examples of the most popular subjects - landscapes, portraits, still-life paintings and figures - Stephenson employs a series of demonstrations to show how to re-create the methods of the watercolour masters. From the initial sketch to the final painting, he guides us expertly through every brushstroke. This highly practical book will appeal both to beginners and to more experienced artists alike.

Afterlives sees John Barnie engaging with images once again, as he did in his book A Year of Flowers. Here, Barnie deploys his skills of perception to respond to a group of paintings in Peter Lord's art collection. These are images that have been familiar to Barnie for years, yet he approaches them with characteristic freshness and humanity. There are no mere descriptions here. Rather, Barnie inhabits the images, speaking from within or engaging with their subjects as a persona just outside the frame. And as he does so, we are taken on a narrative journey, gaining insight into not only how poetry and art interrogate one another, but how each image, peered at 'through thick cracking varnish', reveals layers of history and the mores that accrete into hierarchies, prejudices, injustices and the inability to read one another across cultural gaps. The poems in Afterlives reverberate with the ghosts from the pictures, whose roles are still being played out in the divisive echo-chambers of today's insiders and outsiders. Rich with social commentary, delivered with wit, and sometimes a hint of mischief, there is a serious intent at work here: the voice of those who know 'whose tragedy they are in'-'their own'. And who know also that they: 'will defy anything / that gets in their way'.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Based in Columbus, Ohio, Jenny Zemanek is a lifelong lover of all things creative. What started with happy scribbles at a young age grew into a pursuit of photography and graphic design before she found a home with illustration and hand-lettering. Jenny revels in the joys of small decorative details, finding ways to add personality to her work. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

A new direction in art criticism is laid out in this striking program for realigning the relationship between painting and criticism. Putting forth the idea that painting evolves and encounters new territory through a constant tension between art and criticism, this treatise draws on the work of philosophers Immanuel Kant and Walter Benjamin as well as critics Arthur Danto and Rosalind Krauss. Each argument is accompanied by a detailed analysis of a wide range of classical, modern, and postmodern art pieces.

Creating beautiful botanical paintings has never been easier with these template outlines and art-quality watercolour paper. Perfect for absolute beginners in botanical art, the ready-to-use outlines allow you to focus on the painting and avoid the accuracy of composition drawings. Each outline includes a finished painting by artist Rachel Padder-Smith and a recommended colour palette, so all you have to worry about is enjoying the process! Included are step-by-step tutorials on all the essential tips and techniques you need to know, from painting different parts of the flower and shiny surfaces to perfecting the fine veins on leaves, as well as advice on how to correctly capture light. Rachel's stunning illustrations also include fruit and vegetables, so whether you're a lover of autumn leaves, spring daffodils, or even an onion or two, she has you covered. This detailed and visual art book is the perfect start for anyone looking to take up botanical art, refresh their skills, or simply appreciate the beauty of nature.

FRANK STELLA

A study of the American abstract artist Frank Stella (b. 1936), surveying his career from the famous Black Paintings of the late 1950s up to the present.

Frank Stella has become become among America's premier contemporary artists. Unlike many 20th century artists, Stella has always worked in abstraction. His art is irrepressible, daring, hugely enjoyable, and refreshingly angst-free. This book begins with the celebrated Black Paintings of 1959, moves on through the Minimalist Copper and Aluminium paintings of the early Sixties, to the exuberant Protractor series, the expansion into three dimensions in the 1970s, and closing with the 3-dimensional Polish Village, Exotic Birds and Brazilian 'maximalist' works of the 1980s and 1990s.

Employing the most up-to-date art criticism of Frank Stella, James Pearson also looks at Stella's contemporaries: Jasper Johns, Robert Rauschenberg, Kenneth Noland, Jules Olitski, Morris Louis, Robert Ryman, Brice Marden, Mark Rothko and Barnett Newman among others.

Includes new illustrations. EXTRACT FROM CHAPTER 5

There does not seem to be much going on in some of Frank Stella's 1960s Minimal paintings. But there is, in fact, a lot going on. Stella limits himself to a narrow set of rules. Like Brice Marden, Barnett Newman, Morris Louis and Mark Rothko, Stella sets himself to explore a few configurations of painting. But these things - the shape of the canvas, internal organization of the stripes, colour of the bands - offer up endless permutations.

Frank Stella's paintings are lean, but leanness does not necessarily mean unfeelingness. This is the problem that monochrome painting creates, and Minimal art in general. Certainly Stella is intense: his Black Stripe Paintings, his Protractor series, his copper paintings, his India Birds, are intense works of art.

The Stella exhibitions of the late 1980s and early 1990s were affairs, in which one was impressed by a sense of colour and light, a spaciousness to the works, and a huge scale, so that each work dominated the gallery rooms. Stella is in no way a quiet, unobtrusive artist: his paintings are domineering, self-confident, assured of their own effects. Stella has always been an artist who knows what he's doing. His paintings do not lurk in gallery corners, shyly. His paintings announce themselves instantly and powerfully. Stella's June-July 1985 show at the ICA in London was typical: massive multi-media works were squeezed into the ubiquitous sparse white rooms, completely taking over the sedate spaces.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Nel Whatmore is a fine artist, well known for her floral paintings, landscapes and abstracts. As a contemporary colourist, her paintings are both expressionist and evocative. Nel is a regular exhibitor at Chelsea Flower Show where her stand has won multiple awards including a Five Star Award this year. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Met die bundel beeldgedigte stel Marlene van Niekerk op ’n oorspronklike en toeganklike manier die minder bekende Nederlandse skilder Jan Mankes (1889-1920) bekend. Sy lewer daarmee nogeens ’n bewys van die vernuwende aard van haar werk. Die bundel bevat ’n dosyn of wat skilderye, in kleur afgedruk, telkens vergesel van ’n beeldgedig in Afrikaans met die Nederlandse vertaling daarvan op die volgende bladsy. Beskryf as “’n poetiese kragtoer”.

In her second book, botanical artist Harriet de Winton shows you how to paint modern watercolour artworks to treasure and share. Picking up where New Botanical Painting left off, this books aims to expand readers' repertoires into fauna as well as flora, with easy-to-follow instructions for a variety of difficulty levels. Through more than 30 step-by-step projects, you'll discover how to paint beautiful butterflies, bumblebees, birds and botanicals from around the world. In the final chapter, you'll find a guide to composing stunning patterns and scenes with your own botanical watercolour creations. Use your new skills to make art for your wall, unique cards, invitations, or simply paint for pleasure. Projects include: Bengal Tiger Chilean Flamingo Prickly Pear Zebra Bumblebee Garden Tiger Moth Peacock White-tailed Deer Polar Bear Arctic Poppy And many more!

The elegant Matisse retrospective at New York's Museum of Modern Art in the fall of 1992 was the first king-sized retrospective of Matisse's work anywhere in the world for more than twenty years. Appropriately labelled "the most beautiful show in the world," this giant new look at Matisse and his pursuit of pleasure was a consummate success. Henri Matisse: A Bio-Bibliography provides the scholar, student, artist, and layperson with an extended primary and secondary bibliography with which to study and enjoy this great artist. These works cover his life, career, oeuvre, and influence on other artists. Though many of the entries are annotated, this is not meant to be a critical guide; rather, it is a way to get to know a great artist through the literature surrounding him and his art.

The work of Alex Colville, O.C. (1920-2013), one of the great modern realist painters, combines the Flemish detail of Andrew Wyeth, the eerie foreboding of George Tooker and the anguished confrontations of Lucian Freud. Behind the North Americans stands their common master, Edward Hopper. Colville's works are in many museums in Canada and Germany. He has affinities with Max Beckmann and appeals to the German "secondary virtues": cleanliness, punctuality, love of order. In a long life he resolutely opposed the fashionable currents of abstract and expressionistic art. In contrast to Jackson Pollock's wild action painting, Colville created paintings of contemplation and reflection. As Jeffrey Meyers writes: I spent several days with Colville on each of three visits from California to Wolfville. I received seventy letters from him between August 1998 and April 2010, and kept thirty-six of my letters to him. He sent me photographs and slides of his work and, in his eighties, discussed the progress and meaning of the paintings he completed during the last decade of his life. His handwritten letters, precisely explaining his thoughts and feelings, provide a rare and enlightening opportunity to compare my insights and interpretations with his own intentions and ideas. He also discussed his family, health, sexuality, politics, reading, travels, literary interests, our mutual friend Iris Murdoch, response to my writing, his work, exhibitions, sales of his pictures and of course the meaning of his art. His letters reveal the challenges he faced during aging and illness, and his determination to keep painting as health difficulties mounted. He stopped writing to me when he became seriously ill two years before his death. In this context the late paintings, presented in colour in this book, take on a new poignancy.

This study presents the Tondo Doni to the new Florentine republic as a model of the 'great sacrament' of marriage from the New Testament book of Ephesians. Following fifteenth-century theology, Michelangelo portrayed Mary as a humble wife dominated and possessed by a virile guardian Joseph, the couple united as if 'two in one flesh'. To compensate for their symbolic propinquity, the painter cast her as a paragon of virginity, a muscular mulier fortis. In order to keep this virago in her place, Michelangelo coupled the Virgin in spiritual union with Christ, maenad-Psyche to bacchic Eros, attempting to mystify her social subordination into self-sacrificing love via Ficinian commentary and Saint Paul. Then, firing the Doni infant's vehemence with a distinctly violent strain of Christian love, the painter turned to Dante's rime petrose to continue the implied action and authorize a new painterly style, a sculptural stile aspro. Brill's Studies on Art, Art History, and Intellectual History, vol. 1

Get nose to bloom with one of the most beloved subjects of painters for generations of artists with Expressive Flower Painting and master pedals, stems, colors, and more. It's almost always one of the first things someone tries to paint--center, petals, stem, voila! Expressive Flower Painting's exercises have a loose, free, contemporary style the likes of which you'd see in galleries, in shops, and even on clothing and home design goods. It's not intimidating, and yet the paintings are colorful, immediate, and joyful and speak to the artist's desire to play, be loose, and to create freely. Lynn Whipple paints wildly and in small to large formats with a combination of acrylic paint, charcoal, and colorful soft pastel. Expressive Flower Painting presents a range of creative painting exercises that help readers develop vibrant nature paintings. This exciting book is an in-depth expansion of Lynn's class called Big Bold Bloom Wild Painting, with additional content. Expressive Flower Painting covers mark making, layering techniques, how to do "spin drawings," color methods, painted backgrounds, working from life, and how to successfully combine a wide variety of media for the maximum effect.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Very little is known of Charlotte Cowan Pearson's life but it is known that she was admitted as a lady member of the Botanical Society of Edinburgh (now Botanical Society of Scotland) in 1894 and that she was an enthusiastic botanical artist. An album of Charlotte's beautiful botanical paintings of British plants is held in the Library of the Royal Botanic Garden Edinburgh and pays witness to her talents as an artist. The artwork on this journal shows 'Stellaria nemorum, Lepidium campestre, Asperula odorata, Stellaria holostea' painted in 1871. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Instagram star Jeannie Dickson has created a modern and inviting introduction to watercolor painting that aspiring artists will turn to again and again on their creative journey. Hello, Watercolor! offers a fresh approach to painting watercolors with concise and accessible information. Aspiring artists and journalers will immediately be able to apply the techniques they learn on these pages--including brush lettering--to more than 15 exciting step-by-step projects, from painting origami animals, sparkling glass shards, and beautiful alphabets to producing luscious florals and fanciful unicorns. Among the features that make this handbook both a valuable learning tool and source of inspiration: Projects include a list of techniques with cross-references Each project includes watercolors used with swatches so readers can make substitutions easily Popular color palettes and color "recipes" for foolproof mixing 12 monthly challenges with daily or weekly prompts to inspire painting all year long Templates to trace and paint for some projects Ideas to share work and connect with others (e.g., Instagram)