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Books > Arts & Architecture > Architecture > Residential buildings, domestic buildings > Palaces, chateaux, country houses
Chambord occupies a special place among French Renaissance chateaux. Designed by Francis I as a hunting lodge for his friends and family and subsequently transformed into an immense residence, Chambord is an astonishingly bold architectural creation. To mark the 500th anniversary of this prestigious piece of French heritage, Jean-Michel Turpin invites us into the chateau, and especially into lesser-known and mysterious wings of Chambord, and throughout its beautiful grounds in the Loire Valley. The story spans five centuries and is illustrated by archival and contemporary photographs, many never before published.
Combines evidence from archaeology, standing structures, and literary sources to provide a thorough treatment of one of the dominant architectural forms of Britain and continental Europe from Anglo-Saxon times to the Renaissance. Concerned mostly with architectural features, but also explores the so
Die kompromisslose klare Bauweise macht die 1931 fertig gestellte Villa Savoye von Le Corbusier zu einer unverwechselbaren Ikone in der Architektur des 20. Jahrhunderts. Andre Malraux stellte sie denn auch 1964 unter Denkmalschutz. In diesem Guide wird sie anhand historischer Dokumente und neuer Aufnahmen sowohl dem Besucher vor Ort als auch dem architekturinteressierten Leser zuhause umfassend vorgestellt.
The Crace family were the most important firm of interior decorators working in Britain in the 19th century. They earned this title by the sheer number and importance of their commissions, working for every British monarch from George III to Queen Victoria and on a range of buildings that includes royal palaces, Leeds Town Hall and the Great Exhibition building of 1862. This book examines the history of the Craces, from their humble origins as coach decorators to interior decorators of the Royal Pavilion, Buckingham Palace and Windsor Castle. The text also analyzes the artistic styles of the period and discusses the conservative nature of the Craces' work. |
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