Edited by Lilias Fraser, Jane Cooper and Kate Hendry, To Learn the Future is a selection of poems that will grip at first reading - perfect if the only time you have is five minutes in a rushed lunch break. The choice of poems includes insight for days when teachers need to find extra courage, compassion and commitment, as well as celebration of the inspirational, the funny and the reflective. This is a pocket-sized reminder of the integrity, passion and commitment that inspires people to become teachers, and the wealth of experience and voices in classrooms and staffrooms. With these poems to hand, for the good days and the tough moments, no teacher is ever alone.

Imperfect Beginnings lays its poems out to rest on uncertain terrain. Visa paperwork deadlines hang in the air. New-borns, torn too early from their mother's breast, learn to adapt to harsh guardianship. Belonging and exile are mirrored in the stories of having to leave one's birthmother-or motherland. From narrative poems such as 'My Father Sold Cigarettes To The Nazis', Fogel takes us on a journey throughout history, spanning ancestry, wartime, adoption and peacetime, as life settles. Family, work, love and the natural world provide purpose, meaning and a sense of coming 'home'.

Deeply involved with Irish culture and history, W. B. Yeats (1865-1939) is one of the greatest poets writing in the last two centuries. This Routledge Literary Sourcebook provides essential help for readers who wish to learn more about his powerful, haunting poems.
Considering Yeats's early, dreamily evocative poems as well as his passionate, tension-ridden later work, Michael O'Neill offers a refreshingly clear discussion of:
*contexts - through an invaluable, accessible overview, a detailed chronology and contemporary documents revealing Yeats's understanding of his vocation as a poet;
*interpretations - through helpfully introduced extracts from criticism of Yeats's work, ranging from early responses through to modern critical texts;
*key poems - in a section where insightful commentary accompanies the full annotated text of many of Yeats's major poems;
*further reading - to guide those interested in additional study.
The Sourcebook is ideal for those new to Yeats's poetry or those who wish to look deeper into its workings, its reception and the contexts from which it emerged.

Poems that underscore how we commune with those long loved and long gone. In Far Company, we hear Cindy Hunter Morgan thinking about the many ways we carry the natural world inside of us as a kind of embedded cartography. Many of these poems commune not only with lost ancestors but also past poets. We hear conversations with Emily Dickinson, James Wright, Walt Whitman, and W. S. Merwin. These poets, who are part of Hunter Morgan's poetic lineage, are beloved figures in the far company she keeps, but the poems she writes are distinctly hers. Poet Larissa Szporluk remarked, "The poems in this collection are quiet and deceptively simple. My first response was to be amazed by a seeming innocence in delivery-straightforward, picturesque, and compassionate-that then matured like a crystal into something precious and masterful. We are left with the whole forest having met all the trees one by one. There is so much respect in this collection-respect for natural processes that include intergenerational relationships, shared territories, and myths. The poems in Far Company reveal a mind and a heart negotiating both self and world with compassion and invention. They are cinematic in the way they navigate loss, memory, dislocation, hope, and love-abstractions evoked in deeply specific and nuanced ways. There is the drone that flies over Hunter Morgan's grandparents'farm before the house burns and the stag-handled knife in a pocket, its single blade "folded inside like a secret" on a train in Greece. But this collection is full of quieter cinema, too-a grandfather bending to cinch the girth of a horse, days "green / with snap peas and wild tendrils," and "raindrops beading like sweat/ on the lips of snapdragons." The root of this book is Hunter Morgan's love for family and her love for the land her family has shared. These poems map a journey to many places, inward and outward, and engage with the natural world and the built world, moving between both of those environments in ways that acknowledge the complexities of such crossings. Often melancholic but never sentimental, this collection belongs with any reader who seeks out literature in the organic world.

In Ryan Pedro se debuutbundel kom ’n sterk nuwe stem aan die woord in roerende gedigte wat dikwels uit die oogpunt van ’n bruin seun op ’n plattelandse dorp aangebied word. Die kompleksiteite van identiteit, ras, klas en opvoeding word ondersoek deur dié seun se beweging tussen verskillende wêrelde binne sy eie familie en binne die kleindorpse opset. Dit word in die taalgebruik in die bundel weerspieël deur ’n wisseling tussen variëteite. ’n Onderverteenwoordigde ervaringswêreld word oopgeskryf.

Readers have called her work "life changing," "pandemic medicine," and "part of my daily ritual." Oprah Magazine and the Today Show have featured her work for its timely, uplifting wisdom. Now, Self Love Philosopher Melody Godfred shares her first poetry book, Self Love Poetry: For Thinkers & Feelers, a collection of 200 thought-provoking and heart-opening self love poems. In Self Love Poetry, Godfred explores concepts like authenticity, surrender, resilience, gratitude, believing in yourself, and of course, love, through 100 pairs of poems, each dedicated to a central theme. On the left side of the book are "thinker" poems that light up the analytical, more literal, left side of the brain, and on the right side are companion "feeler" poems that speak to the creative, more emotional right side of the brain. Combined, the poems electrify the mind, body and soul through a completely unique poetry experience that inspires each of us to embrace all parts of ourselves. This empowering poetry book will not only engage you to think and feel, but will make you feel seen, show you how to love yourself, and encourage you to seek out the hope and beauty in the world ... and in yourself. It's the perfect gift for yourself or someone you love, especially after a most difficult year.

This Norton Critical Edition includes: The Eversley Edition text of the poem, accompanied by Erik Gray's preface, full introduction and detailed explanatory footnotes. One illustration. A generous selection (new to the Third Edition) of background materials on In Memoriam's subject, Arthur Henry Hallam, as well as its literary and scientific contexts. Twelve contemporary reviews spanning 1850-55 (also new to this Third Edition) that suggest In Memoriam's initial reception. Eleven critical essays, five of them new to the Third Edition. A chronology, a selected bibliography and an index of first lines. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

For half a century of ever-broadening vision, award-winning poet Harry Clifton has addressed what the Irish Times calls 'his large concerns and his angular relationship to Ireland, one that produces extraordinary verbal and emotional effects'. His latest book is a quest, through origin and migration, South America to the North of Ireland, Khao I Dang refugee camp to Glasnevin graveyard, for a lost maternal ground. Harry Clifton has published ten other books of poetry, most recently The Winter Sleep of Captain Lemass (2012), The Holding Centre: Selected Poems 1974-2004 (2014), Portobello Sonnets (2017) and Herod's Dispensations (2019).

If you can imagine William Blake playing Scrabble with Joni Mitchell, Catherine of Aragon booking into the Holiday Inn, or Cassius Clay meeting the apostle Paul on the road to Damascus, you're ready for the dreamworld created by Aidan Semmens in The Jazz Age. After five books of intense - some would say difficult - poetry, he has produced something more accessible, surprising, and fun. In a series of prose vignettes he casts an array of historical figures into times and places other than their own, playing on anachronism and dislocation to surreal, witty, frequently comic, occasionally poignant or disturbing effect. Each brief episode is crystalline, the whole piece theatrical, enjoyably absurd. You might identify a questioning of belief systems, of social hierarchy, of human individuality and inter-relationship - but essentially this is, as it is billed, entertainment.

Annemarie Austin's vividly imaginative poems explore other worlds and other lives, drawing upon her own memories and experiences, as well as on art, travel, dream, myth, history and literature. The first poem in her new collection asks 'Shall we go on the shiny?', the last one ends 'being altogether gone this time'. In between there's the tightrope, 'The Walking Shot', the report on the pilgrimage in progress, the marquise going out at five o'clock. The eye moves left to right along with the poems' movement. Though there are stops from time to time, for problems of the unidentified, the location of waterholes, whether or not those birds are oystercatchers, for the interior of a pocket and Nijinsky jumping. Then on, maybe to the beach again. Shall We Go? is Annemarie Austin's eighth book of poetry, following her Bloodaxe retrospective, Very: New & Selected Poems (2008) and later collection Track (2014).

An introductory text that is both an anthology of over 200 poems and a comprehensive exploration of the form. Over 100 poets featured; those most widely represented include Blake, Byron, cummings, Dickinson, Donne, Alan Dugan, Frost, Louise Gluck, George Herbert, Keats, Pope, Pound, Shakespeare, Wordsworth, and Yeats.