The Seven Seas is a celebration of the sea, and of the seven oceans on earth, in poetry and painting. The land, the seven continents of our planet, usually takes centre stage with its diverse populations of flora and fauna, and humanity - ourselves. But this book gives first place to the water, the element that covers some seventy per cent of the earth's surface, and the life above and within it. The volume is organised to reveal the nature and character of the seven oceans ('the seven seas', as poets have traditionally called them) and the principal ports that link them as one vast waterway. It contains a series of seven voyages which together comprise one extensive and imaginary tour of the world, encircling the globe three times at different latitudes and visiting both the Arctic and Antarctic Oceans at the northern and southern extremes. After a lively Foreword and a learned Introduction, describing the ocean today and its history, the sea-routes and landfalls of the voyage - and also providing a short account of the arts of poetry and painting - the book is arranged in seven chapters representing each of 'the seven seas' in turn, beginning and ending at Greenwich. The imaginary voyage explores the North Atlantic first, followed by the Mediterranean Sea and the Indian Ocean, then the Antarctic, before turning northwards again to tour the South Atlantic, passing through the Panama Canal to reach the South and North Pacific, and finally the Arctic Ocean, the Baltic and North Sea, before returning home. Each port of call is characterised in Sandra Lello's delightful illustrations and thoughtful verses from the pen of John Elinger, who are each experienced travellers and cruise-lecturers.

This Norton Critical Edition includes: An expanded translation from the Akkadian by Benjamin R. Foster based on new discoveries, adding lines throughout the world's oldest epic masterpiece. Benjamin R. Foster's full introduction and expanded explanatory annotations. Eleven illustrations. Analogues from the Sumerian and Hittite narrative traditions along with "The Gilgamesh Letter," a parody of the epic enjoyed by Mesopotamian schoolchildren during the first millennium BCE. Essays by Thorkild Jacobsen, William L. Moran, Susan Ackerman, and Andrew R. George, and a poem by Hillary Major. A Glossary of Proper Names and a Selected Bibliography.

In Martyn Crucefix's bold new sequence of poems, A Hatfield Mass, the sensuous shapes of Henry Moore's work interweave with the fluid, observant voices of the verse. From curves and spaces, words and silence, Crucefix constructs a secular Mass that explores a variety of forms of love, our relationships with people and the world around us. In part a journey from innocence to experience, these are poems marvellously open to the beauty of landscape, the shared intimacies of our bodies, the passage of time through which we are endlessly becoming: "if not more beautiful we grow more rich"

Early/Late: New and Selected Poems draws from Philip Fried's previous four collections of poetry. These highly praised books explored such themes as the tribulations of a vulnerable deity and the intersection of personal myth and historical moment. The new poems, in a section titled "The Emanation Crunch," are haunted by the current financial turmoil and possessed by the disembodied voices that multiply in our world of simulacra.

Winner of a 2022 Palestine Book Award "Written from his native Gaza, Abu Toha's accomplished debut contrasts scenes of political violence with natural beauty."-The New York Times In this poetry debut Mosab Abu Toha writes about his life under siege in Gaza, first as a child, and then as a young father. A survivor of four brutal military attacks, he bears witness to a grinding cycle of destruction and assault, and yet, his poetry is inspired by a profound humanity. These poems emerge directly from the experience of growing up and living in constant lockdown, and often under direct attack. Like Gaza itself, they are filled with rubble and the ever-present menace of surveillance drones policing a people unwelcome in their own land, and they are also suffused with the smell of tea, roses in bloom, and the view of the sea at sunset. Children are born, families continue traditions, students attend university, and libraries rise from the ruins as Palestinians go on about their lives, creating beauty and finding new ways to survive. Accompanied by an in-depth interview (conducted by Ammiel Alcalay) in which Abu Toha discusses life in Gaza, his family origins, and how he came to poetry. Praise for Things You May Find Hidden in My Ear: "Mosab Abu Toha is an astonishingly gifted young poet from Gaza, almost a seer with his eloquent lyrical vernacular ... His poems break my heart and awaken it, at the same time. I feel I have been waiting for his work all my life."-Naomi Shihab Nye "Though forged in the bleak landscape of Gaza, he conjures a radiance that echoes Milosz and Kabir. These poems are like flowers that grow out of bomb craters and Mosab Abu Toha is an astonishing talent to celebrate."-Mary Karr "Mosab Abu Toha's Things You May Find Hidden in My Ear arrives with such refreshing clarity and voice amidst a sea of immobilizing self-consciousness. It is no great feat to say a complicated thing in a complicated way, but here is a poet who says it plain: 'In Gaza, some of us cannot completely die.' Later, 'This is how we survived.' It's remarkable. This is poetry of the highest order."-Kaveh Akbar

The poet Cas Vos has already established a reputation with his previous collections of love poetry. In Intimately absent he touched on the themes of love and loss. In this collection, of his poems are fed from ancient times, the religious as well as the mythological, but also at the same time reaching out to the modern era. The poet searches for new links, connecting with other times, other texts and other art forms. The poem is palimpsest where other times and texts are constantly evident, where nothing is final. He involves artists, artworks, ancient history, the mythology, eroticism and music. Opposite the powers of silence and death, he poses that of sound, language and music. The poems in Duskant die donker/Before it darkens are accessible and should be appreciated by a variety of readers.

Posthumously launched as the "electric-age Blake", Mina Loy's futurist techniques were unlike anything British critics had seen before; her subjects - sex, parturitiion, prostitution, suicide, addiction, retardation - were considered shocking even by some modernists. Updating and correcting the earlier book, this edition features previously unknown works by Loy rescued from Dada archives and avant-garde magazines. All of Loy's futurist and feminist satires are included, as are the poems from her Paris and New York periods, the cycle of "Love Songs", and her portraits-in-verse which define the trajectory of her favoured company and geography - from fellow modernist Joyce and Brancusi in Paris in the 1920s to fellow destitutes in New York's Lower East Side in the 1940s.

America's Kim Addonizio has been called 'one of the nation's most provocative and edgy poets'. Her poetry is renowned both for its gritty, street-wise narrators and for a wicked sense of wit. With passion, precision and irreverent honesty, her poems explore life's dual nature: good and evil, light and dark, joy and suffering, exposing raw emotions often only visible when truly confronting ourselves - jealousy, self-pity, fear, lust.

I am the Rage is not just a poetry book. It is a call-to-action. This evocative collection of thirty poems puts readers in the position of feeling, reflecting, and empathizing with what it means to be Black in America today. Dr. Martina McGowan, a doctor and grandmother who has been a victim of and an advocate against social, racial, and sexual injustices, uses powerful free verse poetry to express the range of emotions, thoughts, and grief she had following the deaths of Breonna Taylor and George Floyd, the subsequent Black Lives Matter protests, and the ongoing attacks against the Black community. For those who are moved by the poetry of Amanda Gorman and Maya Angelou, Dr. McGowan's poems are a glimpse into the Black experience and will stay with you long after you've read them. Her unforgettable words are brought to life through powerful illustrations by Diana Ejaita, whose work has been featured in Vanity Fair, The New Yorker, and The New York Times, making it a beautiful poetry gift book for women and men. Praise for I am the Rage: "I am The Rage is a timely look at generations of trauma and inaction."-Bustle "A raw and searing examination of America's reckoning with racism."-POPSUGAR "These poems reverberate with the powerful grief of a woman who speaks the vulnerability of living in a world where being black makes you a target."-Pamala A. Thiede, Amazon customer review

Maggie Millner's seductive debut is a novel-in-verse about a woman in her late twenties who leaves a long-term relationship with a boyfriend for another woman. The affair thrusts her from an outwardly conventional life into queerness, polyamory, kink, and unalloyed, consuming desire. What ensues is an exploration of obsession, gender, identity-making, sexual experiment, and the art and act of literary transformation. Couplets is a dazzling fusion of form and content, chronicling the strictures, structures and pitfalls of relationships - the mirroring, the pleasing, the small jealousies and disappointments. Playful, clever, lovestruck, griefstruck, its narrator dances a tightrope of her own invention with captivating passion and skill. Advance Praise: 'Couplets compelled me like a love affair-I didn't want to eat, didn't want to go to bed, didn't want to get off the subway, I just wanted to hear the story it was telling, which was, ultimately, a story about form-what are the forms (of intimacy, vocation, domesticity, verse, pleasure) we want to be held by, and to break free from? I cannot remember the last time I was this gripped by a voice or its questions. Reading it was a thrill, a rearrangement of my psychic molecules.' Leslie Jamison, author of Make It Scream, Make It Burn 'A dazzling, feather-light tour de force-witty and effervescent and insightful, and so sexy, and so real.' Elif Batuman, author of Either/Or 'In this riveting debut, Maggie Millner makes the rhyming couplet-that supposedly staid, outmoded vehicle of 18th century moralism-an engine of radical metamorphosis and scorching sex. Couplets plunges us into desire so fierce it overwrites existence, exiling us from the lives we know. This is an endlessly inventive, wise, exhilarating book.' Garth Greenwell, author of Cleanness and What Belongs to You

The poems in Gun/Shy deal with the emotional weight of making do. Tinged with both the regrets and wisdom of aging, Jim Daniels's poems measure the wages of love in a changing world with its vanishing currency. He explores the effects of family work-putting children to bed, leading parents to their final resting places-and what is lost and gained in those exertions. Childhood and adolescence are examined, through both looking back on his own childhood and on that of his children. While his personal death count rises, Daniels reflects on his own mortality. He finds solace in small miracles-his mother stretching the budget to feed five children with ""hamburger surprise"" and potato skins, his children collecting stones and crabapples as if they were gold coins. Daniels, as he always has, carries the anchor of Detroit with him, the weight both a comfort and a burden. He explores race, white privilege, and factory work. Eight Mile Road, a fraught border, pulses with division, and the echoes of music, singing through Detroit's soiled but solid heart, resonate in these poems. His first long poem in many years, ""Gun/Shy,"" centers the book. Through the personas of several characters, Daniels dives into America's gun culture and the violent gulf between the fearful and the feared. Throughout, he seeks connection in likely and unlikely places: a river rising after spring rain and searchlights crossing the night sky. Comets and cloudy skies. Cement ponds and the Garden of Eden. Adolescence and death. Wounds physical and psychic. Disguises and more disguises. These are the myths we memorize to help us sleep at night, those that keep us awake and trembling. Daniels's accessible language, subtlety, and deftness make this collection one that belongs on every poetry reader's shelf.

Longlisted for the 2021 Kate Greenaway Medal'A quiet masterpiece . . . a love story, a hope story, a story out of time, out of stricture, out of the narrow artificial bounds by which we try to contain the wild wonderland of reality because we are too frightened to live wonder-stricken' Maria Popova, Brain Pickings'The tales feel like half-remembered dreams, peopled with fairytale characters and magnificent creatures' Rebecca Armstrong, i Paper Best Books of 2020'A powerful spell book to make the sleepless fall into slumber and the agitated calm' i Paper'A lyrical and enchanting collection' ScotsmanThis book is not meant to be read from cover to cover. It is a book for dreamers. Slight of word, rich of image, its purpose is to ease the soul. The paintings between these covers were worked in the between times, an unwinding of the soul, when the pressures of work were too much. Dreams and wishes are the inspiration at times like this. Threaded through the curious world of The Unwinding are words, slight and lyrical. Their aim is to set the reader's mind adrift from the troubles of our times, into peaceful harbours where imagination can stretch, where quiet reflection can bring peace. The Unwinding is designed to be a companion, a talisman to be turned to again and again and a place of respite from an increasingly frantic and complex world.

Testament is an imaginative improvisation on the Bible that engages with the intensities, the ups and downs, of existence in our complex and fragmented world. Psalter, the first part, comprises 150 psalm-like poems that sound the depths and heights of life lived in the presence of God. Here, shaped into powerful, accessible poetry, is the wisdom of a mature and practical faith that knows love, grief, doubt, fear, disappointment, and overwhelming delight and joy. Micheal O'Siadhail stretches heart, mind, and imagination to open up profound questions of God, suffering and aging, truth and trust, freedom and surprise, desire and love. There are passionate exchanges with God and daring leaps of insight. Through them all runs a gripping conversational relationship expressed in praise, thanks, lament, and distilled wisdom, embracing a dazzling variety of forms and rhythms. Gospel, the second part, retells in poetry stories from the four Gospels of Matthew, Mark, Luke, and John. The emphasis is on the plain sense of the stories, newly imagined. We are invited to reread them, to discover insights and nuances, angles and depths, and above all to encounter afresh the familiar yet endlessly mysterious central character-Jesus. The world's bestselling book shows yet again its capacity to excite and inspire. O'Siadhail's acclaimed The Five Quintets engaged with the ways in which the arts, economics, politics, the sciences, philosophy, and theology have shaped our twenty-first-century world. Here in Testament is an imaginative faith and wise spirituality that can inspire day-to-day living in that world, revealed through the inner life and penetrating discernment of a great poet.