Through her selection of fourteen essays, Tess Cosslett charts the rediscovery by feminist critics of the Victorian Women Poets such as Emily Bronte, Elizabeth Barrett Browning and Christina Rossetti, and the subsequent developments as critics use a range of modern theoretical approaches to understand and promote the work of these non-canonical and marginalised poets. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism, investigating such questions as, how feminist are these poems, and does a women s tradition really exist? The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored.

Alongside Spenser, Sidney and the early Donne, Shakespeare is the major poet of the 16th century, largely because of the status of his remarkable sequence of sonnets. Professor Cousins' new book is the first comprehensive study of the Sonnets and narrative poems for over a decade. He focuses in particular on their exploration of self-knowledge, sexuality, and death, as well as on their ambiguous figuring of gender. Throughout he provides a comparative context, looking at the work of Shakespeare's contemporaries. The relation between Shakespeare's non-dramatic verse and his plays is also explored.

One of the world's favourite poets, Kahlil Gibran was never more profound than when he wrote about love. He believed it was the raison d'etre of the universe. With the simplicity and lyrical beauty of The Prophet, his reflections on love and friendship have been gathered together in one volume and illustrated with the poet's own paintings. Compiled by the world's leading expert on Gibran, this beautiful collection is a timeless celebration of humanity's most enduring force, and a perfect gift for those tired of cliched romantic verse.

Part of the bestselling Capstone Classics Series edited by Tom Butler-Bowdon, this collectible, hard-back edition of The Prophet provides an accessible and insightful introduction to this timeless spiritual work The Prophet is an inspirational book of 26 poetry fables written in English by Lebanese-American poet and writer Kahlil Gibran. One of the most translated books in history, Gibran's famous work has been translated into over 100 different languages since its first publication in 1923. The book provides timeless spiritual wisdom on universally-shared aspects of life, such as giving, buying and selling, beauty and friendship, eating and drinking, crime and punishment and spirituality and religion. The book follows Almustafa, a man who has waited for twelve years for a ship to take him from the island of Orphalese back to his home. He has come to know the people on the island, who consider him a wise and insightful man. On the day Almustafa's ship finally arrives, he feels a deep sadness. The local elders ask him not to leave. Almustafa speaks of his philosophy of life and the truths he has discovered to the gathered crowd. His words have an almost magical quality to them. As he prepares to board his ship, it becomes clear that Almustafa's words do not refer to his journey home, but rather to the world he came from before he was born. The Prophet is a metaphor for the mystery of life and an exploration of the human condition. Inspirational and extremely readable for modern audiences, this classic text teaches us: We should be glad of the experience of coming into the world The separation you feel from other people is not real True marriage gives both people space to develop their individuality Enjoying your work is expressing your love for whoever benefits from it Sorrow makes space for more joy in another season of life Featuring an insightful introduction from the editor, The Prophet: The Spirituality Classic is a must-read book for anyone interested in exploring the undeniable truths of life we all share.

This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.

In pursuit of his brother, a man traverses the fantastical and grotesque landscape of Hell, pondering their now fractured relationship. The poems in Dustin Pearson's A Season in Hell with Rimbaud form an allegorical travelogue that chronicles two brothers' mutual descent into hell. When the older brother runs off by himself, the younger brother begins roaming Hell's different landscapes in search of him. As he searches, the younger brother ruminates on their now fractured relationship: what brought them here? Can they find each other? Will their bonds ever be repaired? In the tradition of Virgil, Dante, Milton, Swift, Shelley, Joyce, Sarte, and especially Arthur Rimbaud, Pearson leads his speakers on a speculative, epistolary journey through the nether realm inspired by Christian beliefs and tradition. Drawing on the works of French Symbolists and the literary traditions of the American South, A Season in Hell with Rimbaud guides readers through an intimate rendering of one brother's journey to find his lost and estranged brother, perhaps recovering a part of himself in the process.

Testament is an imaginative improvisation on the Bible that engages with the intensities, the ups and downs, of existence in our complex and fragmented world. Psalter, the first part, comprises 150 psalm-like poems that sound the depths and heights of life lived in the presence of God. Here, shaped into powerful, accessible poetry, is the wisdom of a mature and practical faith that knows love, grief, doubt, fear, disappointment, and overwhelming delight and joy. Micheal O'Siadhail stretches heart, mind, and imagination to open up profound questions of God, suffering and aging, truth and trust, freedom and surprise, desire and love. There are passionate exchanges with God and daring leaps of insight. Through them all runs a gripping conversational relationship expressed in praise, thanks, lament, and distilled wisdom, embracing a dazzling variety of forms and rhythms. Gospel, the second part, retells in poetry stories from the four Gospels of Matthew, Mark, Luke, and John. The emphasis is on the plain sense of the stories, newly imagined. We are invited to reread them, to discover insights and nuances, angles and depths, and above all to encounter afresh the familiar yet endlessly mysterious central character-Jesus. The world's bestselling book shows yet again its capacity to excite and inspire. O'Siadhail's acclaimed The Five Quintets engaged with the ways in which the arts, economics, politics, the sciences, philosophy, and theology have shaped our twenty-first-century world. Here in Testament is an imaginative faith and wise spirituality that can inspire day-to-day living in that world, revealed through the inner life and penetrating discernment of a great poet.

From New York Times bestselling authors r.h. Sin and Robert M. Drake with bestselling poet Samantha King Holmes comes an ode for all women. This is the time to look into the mirror and see everything you've been fighting for. Yourself, a peace of mind, and everything your heart deserves. You fit inside these words.

This is a book of meditative reading. Each of the sixty-one aphoristic entries aims to interpret Rilke's poetry as a musician might play Debussy's Clair de lune, to transpose into the key of language the song, the melody, and the refrain of Rilke's gentle disposition: his recognition of the transience of things; his acknowledgment of the vulnerability and fragility of people, animals, and flowers; his empathy toward those who suffer. The cut flowers gently laid out on the garden table "recovering from their death already begun" in one of theSonnets to Orpheus form a thread now visible now faint through most of this book. And because of the flowers, the concept of gentleness forms another thread, and because of gentleness, hands-agents of gentleness throughout Rilke's poetry-enfold these pages. The German word leise (gentle, tender, quiet) weaves the first thread; the second is woven by flowers, then by girls' hands, then by angels, the beloved, the poor, the dying and the dead, animals, birds, dogs, fountains, things, vanishings. The purpose of this essay is to experience and to examine gentleness, how it shapes and pervades Rilke's work, how his poetry might gently inspire us to become more gentle people.

This is Desmond Graham's sixth book of poetry since 1993, which has already won a Poetry Book Society recommendation.A single poem sequence, it begins in the Second World War and advances in diverse and unforeseen directions as the poet attempts to understand the nature of the heart. Historical and public events blend with the private life of the poet as he learns about the world around him. The poem is driven by a strong narrative that involves the reader in the poet's quest to discover what is it full of/the heart? It builds, as an oratorio builds, through motif and counterpoint, through dramatic changes of pace and tone, to its surprising finale.

Robert Hass demonstrates once again the unmistakable intelligence and original voice that have won him both literary acclaim and the affection of a broad general readership. Here Hass extends and deepens his ongoing explorations of nature and human history, solitude, and the bonds of children, parents, and lovers. Here his passion for apprehending experience with language--for creating experience with language--finds supple form in poems that embrace all that is alive and full of joy. Sun Under Wood is the most impressive collection yet from one of our most accomplished poets.

A selection of sharp, witty, and impeccably crafted poems from A. E. Stallings, the award-winning poet and translator.

This Afterlife: Selected Poems brings together poetry from A. E. Stallings’s four acclaimed collections, Archaic Smile, Hapax, Olives, and Like, as well as a lagniappe of outlier poems. Over time, themes and characters reappear, speaking to one another across years and experience, creating a complex music of harmony, dissonance, and counterpoint. The Underworld and the Afterlife, ancient history and the archaeology of the here and now, all slant rhyme with one another. Many of these poems unfold in the mytho-domestic sphere, through the eyes of Penelope or Pandora, Alice in Wonderland or the poet herself. Fulfilling the promise of the energy and sprezzatura of Stallings’s earliest collection, her later technical accomplishments rise to meet the richness of lived experience: of marriage and motherhood, of a life lived in another language and country, of aging and mortality. Her chosen home of Greece adds layers of urgency to her fascination with Greek mythology; living in an epicenter of contemporary crises means current events and ancient history are always rubbing shoulders in her poems.

Expert at traditional received forms, Stallings is also a poet of restless experiment, in cat’s-cradle rhyme schemes, nonce stanzas, supple free verse, thematic variation, and metaphysical conceits. The pleasure of these poems, fierce and witty, melancholy and wise, lies in a timeless precision that will outlast the fickleness of fashion.

Boasian Verse explores the understudied poetic output of three major twentieth-century anthropologists: Edward Sapir, Ruth Benedict, and Margaret Mead. Providing a comparative analysis of their anthropological and poetic works, this volume explores the divergent representations of cultural others and the uses of ethnographic studies for cultural critique. This volume aims to illuminate central questions, including: Why did they choose to write poetry about their ethnographic endeavors? Why did they choose to write the way they wrote? Was poetry used to approach the objects of their research in different, perhaps ethically more viable ways? Did poetry allow them to transcend their own primitivist, even evolutionist tendencies, or did it much rather refashion or even amplify those tendencies? This in-depth examination of these ethnographic poems invites both cultural anthropologists and students of literature to reevaluate the Boasian legacy of cultural relativism, primitivism, and residual evolutionism for the twenty-first century. This volume offers a fresh perspective on some of the key texts that have shaped twentieth- and twenty-first-century discussions of culture and cultural relativism, and a unique contribution to readers interested in the dynamic area of multimodal anthropologies.

Deborah Harvey's debut is Communion and receives a testimonial from Hugo Williams. Deborah is the winner of the 2010 Wells International Poetry Competition and the 2011 Dor Kemmyn Poetry Competition and the book is an accomplished and thought-provoking exploration of the bonds that link us to each other and our ancestors and landscape. Inspired by folklore and mythology, and by the hills, shores and stories of her native West Country, and with a cast of characters ranging from Persephone and Samuel Coleridge to a distressed stranger on a Bristol bus.

Circle Time is a volume of contemporary poetry. A collection of sketches: simple and honest, these poems seek to placate experience and depict the eternity beyond our landscape.

Turtlemen... a myth born from the loss of myth. A book of prose, poem and play arising from generations of a people who were isolated on the mid-Atlantic island of Bermuda, a people torn from their continent and severed from their ancestral stories. In a language often raw and heartbreaking, Turtlemen is composed to take you to the deepest recesses of sex, oppression, intimacy and ultimately what it means to survive - it is for speaking out loud.

In The Empty Bowl: Poems of the Holocaust and After, Holocaust survivor Judith H. Sherman strives to make art from trauma. Her poems, written largely in the words of a fifteen-year-old survivor, provide historical entry into the Holocaust. Put simply, the poems explore the reality of the events experienced by Sherman in her determination to survive--from first leaving home to illegal border crossings, hiding, capture, imprisonment by the Gestapo, the horrors of the Ravensbruck concentration camp, liberation, and, finally, a full life of joys and challenges that came after, including the unyielding intrusions of the past and hopeful celebration of a compassionate future.

When a dark storm settled upon the earth, you lost many things-your hope, your strength, yourself. One day, in the middle of the darkness, you meet a spirit, washed from the ocean onto the shore. The spirit hands you a key. It is time to find the way back home. Returning with her newest poetry book, beloved poet Courtney Peppernell combines storytelling, poetry, and prose in a uniquely inspirational way. Filled with heartfelt anecdotes and insightful messages, The Way Back Home is a tribute to rebuilding our lives after loss. Divided into sections that draw on themes of courage, resilience, purpose, and hope, the collection has Peppernell once again walking us through a redemptive journey of the heart, mind, and soul. Discover what it means to continue forward in life, despite all the challenges we face, to find the way back home.