WHY PUBLISH: - Challenges familiar assumptions about investigative journalism, and the field's relatives status in the fast-chaning news industry today. - Includes topical content, such as the role investigative journalism has performed in Australia's mediated Indigenous settler-relations. - Contains interviews with key industry and research professionals, including award winning journalist who is the editor of Brisbane Times, Danielle Cronin.

This book demands that we question what we are told about security, using tools we have had for thousands of years. The work considers the history of security rhetoric in a number of distinct but related contexts, including the United States' security strategy, the "war" on Big Tech, and current concerns such as cybersecurity. Focusing on the language of security discourse, it draws common threads from the ancient world to the present day and the near future. The book grounds recent comparisons of Donald Trump to the Emperor Nero in a linguistic evidence base. It examines the potential impact on society of policy-makers' emphasis on the novelty of cybercrime, their likening of the internet to the Wild West, and their claims that criminals have "gone dark". It questions governments' descriptions of technology companies in words normally reserved for terrorists, and asks who might benefit. Interdisciplinary in approach, the book builds on existing literature in the Humanities and Social Sciences, most notably studies on rhetoric in Greco-Roman texts, and on the articulation of security concerns in law, international relations, and public policy contexts. It adds value to this body of research by offering new points of comparison, and a fresh but tried and tested way of looking at problems that are often presented as unprecedented. It will be essential to legal and policy practitioners, students of Law, Politics, Media, and Classics, and all those interested in employing critical thinking.

Currently no work which focuses exclusively on the migrant voice in cultural or literary responses to Brexit. Engages with several overlapping socio-political and cultural issues, and approaches Brexit from an ambitious and diverse range of academic disciplines and perspectives. Chapters from a variety of European countries/voices, not previously compiled into one book. Provides an important cultural account of British-European relations.

This book comprehensively describes the impact of modern technologies on political leadership by providing a new paradigm of the phenomenon of neo-leadership, that is political leadership oriented on creating both the image and political influence on the Internet. It examines its functioning in the new media environment and identifies the most important transforming trends, taking into account their impact on political and social relations in an era of dynamic technological development. Systematically exploring various dimensions of leadership, it presents new notions relevant in a networked world where leaders are created and conduct themselves against the backdrop of a technological revolution, including the development of AI, automation, algorithms and ultrafast networks, all of which strengthen or disrupt their impact and create a new set of virtual authorities exerting an increasing impact on society, ethical considerations and political life and requiring new methods for study. This book will be of key interest to scholars, students and practitioners of leadership and elite studies, media and communication studies, political marketing, political science, international relations; public policy, and sociology.

This book provides readers with the first comprehensive study of South Africa's foreign policy conducted in a multilateral setting, by placing on record over 1000 of South Africa's votes at the United Nations over a 20 year period. The study investigates consistency in terms of South Africa's declared foreign policy and its actual voting practices at the United Nations. Democratic South Africa's Foreign Policy: Voting Behaviour in the United Nations offers a compendium of South Africa's United Nations behaviour during a poignant transitional period in the country's recent history. In setting out a framework for analysing the conduct of other countries' voting behaviour in parallel with this study, it can be used to advance the field as a useful comparative tool. This book presents the material needed for International Relations scholars and practitioners in the field to make a reasoned and reflective assessment of this dimension of South Africa's foreign policy.

This study is an inquiry into the fortunes, in both theory and practice, of the idea of history painting during the Napoleonic period. Its main argument is that under Napoleon, French history painting, especially battle painting, encountered a series of questions as to its nature and function. These questions arose in part from the (often contradictory) demand of a propaganda-machine operating within a postrevolutionary crisis of political legitimation, but also from changes in artistic taste which both retained and re-directed an earlier notion of the civic responsibilities of the history painter. This is a resolutely interdisciplinary book: drawing on perspectives from political thought and history, military theory and practice and art history, which centres on the work of the painter, Antoine-Jean Gros, and his controversial painting, La Bataille d'Eylau. `Detailed and highly intelligent . . . this book is a significant addition to the literature on French art of the early nineteenth century.' Times Literary Supplement

Drawing on a unique interdisciplinary perspective, integrating work from translation studies and linguistics with political science and economics, and applying it to English and French versions of the same documents, this book calls attention to stark ideological differences across versions. This book sheds light on our increasingly globalized world by demonstrating the ways in which globalized discourse undergoes processes of depoliticization and marketization, in turn producing a trickle-down effect on individuals' personal identities.

This book provides a comparative study of people's mask-wearing behaviour in response to government policies between European-Northern America and Asian countries. Examining citizens' attitudes towards their state during the COVID-19 pandemic from the perspectives of history, linguistics, politics, economics and sociology, the contributors in this volume explore to what extent people accept the wearing of masks in countries where governments have made it mandatory as compared to countries where people wear masks voluntarily. The book thus looks at mask-wearing from a political dichotomy between authoritarianism and liberalism and posits the extent to which political divisions could have existed in public opinion over the measures taken against COVID-19. Filled with invaluable insights through research in 13 countries, this book will appeal to readers in policy making and influencing public opinion via the Europe-Asia comparative study.

This book documents the unique reporting practices of humanitarian journalists - an influential group of journalists defying conventional approaches to covering humanitarian crises. Based on a 5-year study, involving over 150 in-depth interviews, this book examines the political, economic and social forces that sustain and influence humanitarian journalists. The authors argue that - by amplifying marginalised voices and providing critical, in-depth explanations of neglected crises - these journalists show us that another kind of humanitarian journalism is possible. However, the authors also reveal the heavy price these reporters pay for deviating from conventional journalistic norms. Their peripheral position at the 'boundary zone' between the journalistic and humanitarian fields means that a humanitarian journalist's job is often precarious - with direct implications for their work, especially as 'watchdogs' for the aid sector. As a result, they urgently need more support if they are to continue to do this work and promote more effective and accountable humanitarian action. A rigorous study of how unique professional practices can be produced at the 'boundary zone' between fields, this book will interest students and scholars of journalism and communication studies, sociology and humanitarian studies. It will also appeal to those interested in studies of news and media work as occupational identities.

Contributing to a rethink of Public Service Media, this book combines theoretical insights and legal frameworks with practice, examining theory and policy development in a bottom-up manner. It explores the practices of Public Service Media across Europe, assessing the rules that govern Public Service Media at both the EU and the National Member State level, identifying common trends, initiated by both the European Commission and individual countries, illustrating the context-dependent development of Public Service Media and challenging the theories of Public Service Broadcasting which have developed an ideal-type public broadcaster based on the well-funded BBC in an atypical media market. Seeking to further explore the actual practices of Public Service Media and make recommendations for the development of more sustainable policies, this book offers case studies of rules and practices from across a variety of EU Member States to consider the extent to which public broadcasters are making the transition to public media organisations, and how public broadcasters and governments are shaping Public Service Media together. This book is a must-read for all scholars who take an interest in Public Service Media, media policy and media systems literature at large. It will also be of interest to practitioners working in government, Public Service Media and commercial media.

Partners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D'Arcy, partners in writing and cultural and political campaigns. Beginning in the 1950s, Arden and D'Arcy created a series of hugely admired plays performed at Britain's major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland 'Troubles', during which D'Arcy was gaoled. She is also a veteran of the Greenham Common Women's Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D'Arcy founded and ran a Woman's Pirate Radio station. Raymond Williams described Arden as 'the most genuinely innovative' of the playwrights of his generation, and Chambers and Prior claimed that 'The Non-Stop Connolly Show', D'Arcy and Arden's six-play epic, 'has fair claim to being one of the finest pieces of post-war drama in the English language'. This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right. This work is a landmark examination of two hugely respected radical writers.

This is a comprehensive, detailed and humane account of the thousands who came into custody during the years of the Northern Ireland conflict and how they lived out the months, years and decades in Irish and English maximum security prisons. Erupting in 1969, the Northern Ireland troubles continued with terrible intensity until 1998. The most enduring civil conflict in Western Europe since the Second World War cost almost 4,000 lives, inflicted a vast toll of injuries and wrought much destruction. Based on extensive archival research and numerous interviews, this book covers the jurisdictions of Northern Ireland, the Republic of Ireland and England, providing an account of riots, escapes, strip and dirty protests and hunger strikes. It paints a picture of coming to terms with sentences, some of which lasted for two decades and more. Republicans and loyalists, male and female prisoners, officials and staff, families, supporters, clergy and politicians all played a part - and all were changed. The narrative includes some of the most remarkable events in prison history anywhere - mass breakouts, organised cell-fouling and prolonged nakedness, and hunger striking to the death; there are also accounts of the prisoners' very effective parallel command structure. The book shows how Anglo-Irish and intra-Irish relations were profoundly affected and how the prisoners' involvement and consent were critical to the Good Friday Agreement that ended the long war. The final part of a trilogy dealing with Irish political prisoners from 1848 to 2000 by renowned expert Sean McConville, this is an essential resource for students and scholars of Irish history and Irish political prisoners; it is also a major contribution to the study of imprisonment.

Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means. It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and how are they constrained by them? They discuss violence in the everyday and at state level: the Watts' Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio. Asking how public debates can be shaped through the visual and performing arts and setting taboos about violence to one side, the volume provides an innovative approach to a perennial issue of interest to scholars of international politics, art and cultural studies.

The author plans to compare the gender gap in Palestine with that in other MENA countries, making this a unique contribution to the existing literature. Expands knowledge of this field beyond the Western context.

With its focus on the popular television genre of Nordic noir, this book examines subtle and explicit manifestations of geopolitics in crime series from Scandinavia and Finland, as well as the impact of such programmes on how northern Europe is viewed around the world. Drawing on a diverse set of literature, from screen studies to critical International Relations, Geopolitics, Northern Europe, and Nordic Noir addresses the fraught geopolitical content of Nordic television series, as well as how Nordic noir as a genre travels the globe. With empirical chapters focusing on the interlinked concepts of the body, the border, and the nation-state, this book interrogates the various ways in which northern European states grapple with challenges wrought by globalisation, neoliberalism, and climate change. Reflecting the current global fascination with all things Nordic, this text examines the light and dark sides of the region as seen through the television screen, demonstrating that series such as Occupied, Trapped, and The Bridge have much to teach us about world politics. This book will be of interest to those interested in geopolitics, national identity, and the politics of popular culture in: Scandinavian studies, media/screen studies, IR/political science, human/cultural geography, sociology, anthropology, cultural studies, and communication.

This book reflects on the rapid rise of social media across the African continent and the legal and extra-legal efforts governments have invented to try to contain it. The relentless growth of social media platforms in Africa has provided the means of resistance, self-expression, and national self-fashioning for the continent's restlessly energetic and contagiously creative youth. This has provided a profound challenge to the African "gatekeeper state", which has often responded with strategies to constrict and constrain the rhetorical luxuriance of the social media and digital sphere. Drawing on cases from across the continent, contributors explore the form and nature of social media and government censorship, often via antisocial media laws, or less overt tactics such as state cybersurveillance, spyware attacks on social media activists, or the artful deployment of the rhetoric of "fake news" as a smokescreen to muzzle critical voices. The book also reflects on the Chinese influence in African governments' clampdown on social media and the role of Israeli NSO Group Technologies, as well as the tactics and technologies which activists and users are deploying to resist or circumvent social media censorship. Drawing on a range of methodologies and disciplinary approaches, this book will be an important contribution to researchers with an interest in social media activism, digital rebellion, discursive democracy in transitional societies, censorship on the Internet, and Africa more broadly.

Digital space offers new avenues, opportunities, and platforms in the fight for gender equality, and for the social, economic, and political participation of women and marginalised communities. However, the very same space plays host to gender inequalities and security threats with gendered implications. This edited volume ventures into complexities at the intersection of gender, security, and digital space, with a particular focus on the persistent problems of access, harassment, and disinformation. Scholars and practitioners in this volume tackle various facets of the issue, presenting an array of research, experiences, and case studies that span the globe. This knowledge lends itself to potential policy considerations in tackling inequalities and threats with gendered implications in cyber space towards digital spaces that are safe and equal. This book is a must-read for students, scholars, and practitioners seeking to expand their knowledge on the gendered threats in digital space and potential remedies against them.

This is a social biography of Deng Tuo (1912-66), journalist, editor, and theorist, who is variously seen as a dissident and a propagandist for Mao. Its broader purpose is to re-examine the role of intellectuals in China's communist revolution.

By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the 'black' radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of 'black' leaflets - perfect forgeries of German documents, with subtly altered texts - were produced, their aim to encourage malingering, desertion and sabotage. Black Propaganda looks at the variety of propaganda used in the Second World War and explains how British and Polish intelligence worked together on a number of key security issues, including the 'Enigma' machine and the German V-weapons programme.

This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people's understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions Offering an important contribution to understanding the historical trajectory and recent developments of East Asian media, this book will interest students and scholars of media, communication, popular culture, cultural studies, Asian studies, politics and sociology

This book presents securitization as a communication issue, and addresses security framing as a question of identity, a relevant and timely topic, especially considering the invasion of Ukraine in 2022 This book combines media framing with the theory of securitization to explain how the discourse of security informs media content, and what happens to policy and public understanding when it does It brings together distinct fields within communication studies to reflect on the pressing issue of securitization It will be a key resource for scholars and students working in the fields of mass communication, policy studies, critical linguistics, and international relations, as well as risk and crisis communication

This book examines the visual-sexual turn in social media discourses in the field of online activism with a particular focus on the extraordinary protest years of 2018-2020. Presenting a socially engaged theory of "tit-for-tat media" and including case-studies on activist movements such as the Euro-American alt-right, the pro-democracy movement in Hong Kong, and revolutionary artists in China, this study reveals how visual cultures, including gendered or sexualized imagery, are utilized to influence public perception. By presenting in-depth explorations of online ethnography, interviews with activists and studies of the political histories and urban protests-environments, the volume uncovers how local artists, netizens and citizens are using media and digital imagery in contemporary activism. Covering a broad spectrum of social media content, from hyper-cute manga and cartoons to satirical pornography and sexualized hate-speech, it will be of huge interest to students and scholars of media and communication studies, political communication, sexuality and gender studies.

This book explores the forms, patterns, and trends in political communication in India in the twenty-first century. It underlies the influence of context in political messaging laying bare its complex, overlapping, and multidimensional structures. The volume: Examines how political decision-making is shaped by media - through political speeches, community opinion leaders, and formal and informal public conversations. Explores a range of political communication channels- from community radio to social media. Presents an overview of the problems associated with message designing and message dissemination through communication channels in a political setting. Highlights how political communication impacts critical aspects of democracy and governance and goes beyond mere rhetoric. A comprehensive work on the production, diffusion, transmission, and impact of information in a political environment, this book will be of great interest to scholars and researchers of politics, governance, democracy, media and communication studies, journalism, cultural studies, and South Asian studies.

How do precarious workers employed in call-centres, universities, the fashion industry and many other labour markets organise, struggle and communicate to become recognised, influential political subjects? "Media Practices and Protest Politics; How Precarious Workers Mobilise" reveals the process by which individuals at the margins of the labour market and excluded from the welfare state communicate and struggle outside the realm of institutional politics to gain recognition in the political sphere. In this important and thought provoking work Alice Mattoni suggests an all-encompassing approach to understanding grassroots political communication in contemporary societies. Using original examples from precarious workers mobilizations in Italy she explores a range of activist media practices and compares different categories of media technologies, organizations and outlets from the printed press to web application and from mainstream to alternative media. Explaining how activists perceive and understand the media environment in which they are embedded the book discusses how they must interact with a diverse range of media professionals and technologies and considers how mainstream, radical left-wing and alternative media represent protests. Media Practices and Protest Politics offers important insights for understanding mechanisms and patterns of visibility in struggles for recognition and redistribution in post-democratic societies and provides a valuable contribution to the field of political communication and social movement studies.

This book provides a comparative analysis and a systemic categorization of the Populist Radical Left Parties (PRLPs) in Western Europe. Institutional and socio-economic aspects have transformed the political culture of many modern democracies, leading to the creation of radical left-wing parties who, by combining a strongly populist political offer with the historical demands of the traditional left wing, are capable of electoral success. This book analyzes a range of different Populist Radical Left Parties (PRLPs) in Western Europe through in-depth case studies. The author uses statutes, internal documents, programs, election results, membership data, and international political literature combined with interviews with executives and national secretaries to describe and interpret the main features of PRLPs, their paths of formation and political transformation. This volume will appeal to scholars and students of political science and political sociology, media studies and anyone interested in trying to better understand European populism and the distinctions among its different forms.