A close examination of the rivalry between two printing presses at the time of the divorce crisis shows how the new learning could be employed to influence even the king himself. During the period of Henry VIII's divorce crisis, a political and literary rivalry developed between Thomas Berthelet, the king's printer, and the Rastell family, kinsmen of the Lord Chancellor Sir Thomas More and quasi-official printers in their own right. This study recounts the text-by-text progress of the feud. It describes how Berthelet represented Henry as a prudent philosopher-king, taking the advice of scholars and theologians on anulling his marriage, and on limiting the Church's power (texts include A Glass of the Truth, rumoured to be by Henry himself, and the works of Sir Thomas Elyot). In response to the king's press campaign, the Rastells' dialogues and dramasstaged the kind of wise counsel that Henry ostensibly welcomed (John Rastell's A New Book of Purgatory, Skelton's Magnificenceamong them), observing the rules dictated by the king's public image and urging him towards greater conformity with that image than divorce or declaration of royal supremacy would allow. J. CHRISTOPHER WARNER is Associate Professor of English at Le Moyne College.

This book is written for contemporary students, translating difficult theoretical and empirical insights into language they can understand. It clearly demonstrates the application of theory to the analysis of contemporary digital media and politics. Suitable for both undergraduate and graduate courses and modules in media and communication studies, cultural studies, sociology, and political science. Clear two part structure with chapters first addressing 'Theories' of fascism, followed by 'Applications', which includes case studies on Trump's Twitter use and far-right digital media communication.

Extremely well written and organized in an accessible way without talking down to the reader, drawing the reader in with its conversational, exploratory style. Provides a unique, brief set of conceptual tools (the five principles) that is pulled through the entire text to help make sense of the broader field of political communication. Excellent use of examples and case studies that illustrate major concepts, including framing and media effects. A multi-perspective approach (political elites, journalists, etc.), valuable for analyzing power dynamics in various media environments. Deals extensively with the role of media in war, peace, and terrorism, adding important international coverage alongside domestic media politics in elections. Integrates discussion of new media alongside coverage of traditional media for a comprehensive understanding of contemporary political communication. * Puts forth a balanced argument that prompts students to stay focused on the political context in which the media is operating. New to the Second Edition Up-to-date coverage of major political events in the last decade, including the landmark US elections of 2016 and 2020. Devotes more attention to the "hybrid media system" that has developed over the last decade, providing a greater balance between traditional "news" and social media in particular. Includes more cross-national research, especially in non-Western and non-democratic countries. Refines the five principles of political communication to better reflect contemporary media trends. Covers key emerging topics including misinformation and threats to democratic institutions, new forms of political engagement, and the economic base of the various forms of media.

This book is written for contemporary students, translating difficult theoretical and empirical insights into language they can understand. It clearly demonstrates the application of theory to the analysis of contemporary digital media and politics. Suitable for both undergraduate and graduate courses and modules in media and communication studies, cultural studies, sociology, and political science. Clear two part structure with chapters first addressing 'Theories' of fascism, followed by 'Applications', which includes case studies on Trump's Twitter use and far-right digital media communication.

Continuing a R&L tradition now entering its fourth decade, this book provides the most comprehensive and authoritative account of the national 2020 election, including the presidential nomination process and general election, and congressional and state elections. Andrew E. Busch and John J. Pitney Jr. revisit the campaigns and results through the short lens of politics today and the long lens of American political history. With its keen insights into the issues and events that drove the 2020 elections, Divided We Stand: The 2020 Elections and American Politics will be an invaluable resource for students and all political observers seeking to understand a historic election that will continue to resonate throughout American politics for many years to come.

In Discursive Disruption, Populist Communication and Democracy, Elena Block explores the links between declining democratic discourses, populist communication, and reflects on the communicative and moral dimensions of populism. Block proposes the concept of discursive disruption to help to identify, analyze and understand the disruptive power of populist speech, turning to the communicative styles of Venezuela's late President Hugo Chavez and the US's President Donald J. Trump to illustrate and support this new conceptual and analytical tool. While the mainstream political class and media traditionally sought to manage the processes of political communication, the book contends that they have now been displaced and their role has been undermined. Middle ground politics and journalism have been substituted by the adversarial rhetorical styles of populists, multiplied through multi-fragmented channels, texts and voices. With this book, Block continues her introspection in the conceptual, communicative and mediatic dimensions of populism by adding a perspective that draws on democratic and discursive theories. Discursive Disruption, Populist Communication and Democracy is ideally designed for scholars and professional communicators in political science and communication studies eager to understand the connection between weakening discourses of modern democracy and the pervasiness of confrontational styles of populist communication in contemporary political exchanges.

This is a study of the social, political, economic and public health aspects of the Second World War in South Asia, with particular attention being accorded to colonial Eastern India, which was treated as a single administrative unit during the course of the conflict for strategic purposes. The conclusion deals with the long term effects of the war: its effects on political formations, bureaucratic re-negotiation and the de-colonisation of the British Indian empire.

Alexandra Kitty's vital new book is a guide to the stratagems and techniques of war propaganda. When nations go to war, governments need reliable and effective methods of rallying public opinion to support their actions, regardless of the political leanings or educational background of citizens. The Mind Under Siege explores real life case studies and research in human motivation to show why propaganda is more powerful, potent, and effective than other types of persuasive messages. Reliance on primal phobias, and the threat to reproduction, well-being, and life itself make propaganda a reliable and powerful tool. For journalists and other news producers, Kitty's book shows how to ask the right questions and avoid spreading misinformation and propaganda and how to see more insidious forms of manipulation and narrative through psychological research and case studies.

This book explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium It offers a ground-breaking investigation of the impactful role of genre cinema in the modern era The book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films It places one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, Brings together an international team of authors Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, culture and media studies, as well as anyone interested in science fiction and speculative film

How and why does a catastrophic disaster change public discourse and social narratives? This is the first book to comprehensively investigate how Japanese newspapers, TV, documentary films, independent journalists, scientists, and intellectuals from the humanities and social sciences have critically responded to the Fukushima nuclear disaster over the last decade. In Japan, nuclear power consistently had more than 70% support in opinion polls. However, the Fukushima disaster of 2011 has caused a shift in public opinion, and the majority of the population now desires an end to nuclear power in Japan. Alternative energy and countermeasures against climate change have thus become hot-button issues in public discourse. Moreover, topics previously left undiscussed have become common talking points among journalists and intellectuals: Concealed power structural dynamics that work upon Japan's politics, bureaucracy, industry, academia, and media; Japan's peculiar, strong support for nuclear power, despite being a nation subjected to the atomic bombing of Hiroshima and Nagasaki, and its latent ability to develop nuclear weapons by utilizing the plutonium generated by its power plants; and Japan's dependence on the US' nuclear umbrella. These discussions have often evolved into macro-level controversies over 'Japan' and its 'modernity'. In this book, Hidaka critically evaluates how the Fukushima disaster has shaken hegemonic public discourse and compares it to the impact of previous moments of 'disaster culture' in modern Japanese history, such as The Great Kanto Earthquake and the Pacific War. Offers vital insights into contemporary Japanese culture and social discourse for students and scholars alike.

In an age defined by divisive discourse and disinformation, democracy hangs in the balance. Let's Agree to Disagree seeks to reverse these trends by fostering constructive dialogue through critical thinking and critical media literacy. This transformative text introduces readers to useful theories, powerful case studies, and easily adoptable strategies for becoming sharper critical thinkers, more effective communicators, and critically media literate citizens.

Introduces the basic theories and analyses the cultural construction of populism regarding radical democratic theory and empirical studies. The author builds a bridge between radical democratic and ideational approaches on populism with examples and studies that emphasise European radical right populism, alongside US, Latin American and Asian cases. The future of populism is discussed in regard to Covid-19 pandemic and Donald Trump's fall in the US presidential elections in 2020 that together with above-mentioned global megatrends and with the development of media and communication environment set conditions for the 2020s populism.

Bob Woodward’s second global bestseller on the Trump presidency, Rage, is an unprecedented and intimate tour de force of original reporting. Rage goes behind the scenes like never before, with stunning new details about early national security decisions and operations and Trump’s moves as he faces a global pandemic, economic disaster and racial unrest.

Woodward, the #1 internationally bestselling author of 13 #1 bestsellers, including Fear: Trump in the White House, shows Trump up close in his entirety before the 2020 presidential election. President Trump has said publicly that Woodward has interviewed him. What is not known is that Trump provided Woodward a window into his mind through a series of exclusive interviews.

At key decision points, Rage shows how Trump’s responses to the crises of 2020 were rooted in the instincts, habits and style he developed during his first three years as president. Rage draws from hundreds of hours of interviews with firsthand witnesses, as well as participants’ notes, emails, diaries, calendars and confidential documents. Woodward obtained 25 personal letters exchanged between Trump and North Korean leader Kim Jong Un that have not been public before. Kim describes the bond between the two leaders as out of a “fantasy film,” as the two leaders engage in an extraordinary diplomatic minuet.

Rage will be the foundational account of the Trump presidency, its turmoil, contradictions and risks. It is an essential document for any voter seeking an accurate inside view of the Trump years — volatile and vivid.

The autonomous province of Vojvodina in Serbia is little-known in the English-speaking world, even though it is a territory of high significance for the development of Serbian national identity. Vojvodina's multi-ethnic composition and historical experience has also encouraged the formation of a distinct regional identity. This book analyses the evolution of Vojvodina's identity over time and the unique pattern of ethnic relations in the province. Although approximately 25 ethnic communities live in Vojvodina, it is by no means a divided society. Intercultural cohabitation has been a living reality in the province for centuries and this largely accounts for the lack of ethnic conflict. Vassilis Petsinis explores Vojvodina's intercultural society and shows how this has facilitated the introduction of flexible and regionalized legal models for the management of ethnic relations in Serbia since the 2000s. He also discusses recent developments in the region, most notably the arrival of refugees from Syria and Iraq, and measures the impact that these changes have had on social stability and inter-group relations in the province.

Politicised Cinema demonstrates how taking a collection of seemingly apolitical films and using them as an instrument for serving explicit political aims can be used as a force for good. Through an analysis of Orient: A Survey of Films Produced in Countries of Arab and Asian Culture, a film catalogue published by UNESCO and the BFI in 1959 to promote intercultural understanding between the East and the West, this book argues for the importance of studying the ways the interpretation of films can be guided to serve a specific political agenda, even when the films themselves were originally produced with very different aims in mind. The author focuses on how the catalogue positions culture and its cinematic representations as a marker of difference between the Eastern and Western worlds, and shows that even major cultural conflicts such as the Cold War and the decolonisation process can be reframed in service of UNESCO's cultural diplomatic agenda. The book explores the ways in which the catalogue of Eastern films deemed suitable for Western audiences became a weapon to fight against prejudice, intolerance, and bigotry in a politicised battle over dismantling the proclaimed link between difference and conflict. This book will be of interest to students, researchers, and academics in visual politics, cinematic international relations, cultural diplomacy, global governance, and international cultural politics, as well as film studies, Asian studies, and cultural studies. In addition, policymakers and practitioners in the fields of cultural diplomacy and cultural policy will find the empirical case study to be of use in practical work.

Journalism Research in Practice: Perspectives on Change, Challenges, and Solutions is a unique collection of research on journalism written for journalists and wider audiences. Based on scholarship previously published in Journalism Practice, Journalism Studies, and Digital Journalism, authors have updated and rewritten their works to make connections to contemporary issues. These 28 studies include perspectives on modern-day freelancing, digitization, and partisan influences on the press. They appear in four distinct sections: * Addressing Journalism in Times of Social Conflict * Advancements in New Media and Audience Participation * Challenges and Solutions in a Changing Profession * Possibilities for Journalism and Social Change This book is a collection by leading scholars from the field of Journalism Studies who have revisited their previous work with the intent of asking more questions about how journalism looks, works, and is preparing for the future. From coverage on Donald Trump and alt-right media to media trust, verification, and social media, this volume is relevant for practicing journalists today who are planning for tomorrow, students learning about the field and its debates, and scholars and educators looking for approachable texts about complex issues.

This book presents a new perspective on how Russia projects itself to the world. Distancing itself from familiar, agency-driven International Relations accounts that focus on what 'the Kremlin' is up to and why, it argues for the need to pay attention to deeper, trans-state processes over which the Kremlin exerts much less control. Especially important in this context is mediatization, defined as the process by which contemporary social and political practices adopt a media form and follow media-driven logics. In particular, the book emphasizes the logic of the feedback loop or 'recursion', showing how it drives multiple Russian performances of national belonging and nation projection in the digital era. It applies this theory to recent issues, events, and scandals that have played out in international arenas ranging from television, through theatre, film, and performance art, to warfare.

The concept of risk is an outgrowth of our society's great concern about coping with the dangers of modern life. The Perception of Risk brings together the work of Paul Slovic, one of the world's leading analysts of risk, risk perception and risk management, to examine the gap between expert views of risk and public perceptions. Ordered chronologically, it allows the reader to see the evolution of our understanding of such perceptions, from early studies identifying public misconceptions of risk to recent work that recognizes the importance and legitimacy of equity, trust, power and other value-laden issues underlying public concern.

This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India, Sri Lanka and Bangladesh, this volume discusses many crucial historical and contemporary themes, including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens' anxieties; civic participation through social media memes in Sri Lanka; media, politics and humorous public in Bangladesh; the politics of performance in India; and the influence of humour and satire as political commentaries. The volume explores the impact of humour in South Asian folklore, ritual performances, media and journalism, and online technologies. This topical and interdisciplinary book will be essential for scholars and researchers of cultural studies, political science, sociology and social anthropology, media and communication studies, theatre and performance studies, and South Asian studies.

This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India, Sri Lanka and Bangladesh, this volume discusses many crucial historical and contemporary themes, including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens' anxieties; civic participation through social media memes in Sri Lanka; media, politics and humorous public in Bangladesh; the politics of performance in India; and the influence of humour and satire as political commentaries. The volume explores the impact of humour in South Asian folklore, ritual performances, media and journalism, and online technologies. This topical and interdisciplinary book will be essential for scholars and researchers of cultural studies, political science, sociology and social anthropology, media and communication studies, theatre and performance studies, and South Asian studies.

This book brings together in a systematic manner three discrete areas of interest pertaining to refugees. Asylum is explored through studies on the evolution of legal instruments in Europe, the harmonisation process of European policies, and the broader spectrum of factors underpinning decisions on asylum. Reception and settlement of refugees are analysed through a comparative study of national programmes in France and Britain and in addition a survey of local authority policies. A typology for refugees is developed and tested by a comparison between Chilean and Vietnamese associations in France and Britain.

Up close, Inauguration Day 2021 looked like any other-the chief justice of the US Supreme Court administering the oath of office to the new president on the steps of the U.S. Capitol. But pull the lens back and this was anything but a typical election and transition of power. In A Return to Normalcy?, Larry Sabato, Kyle Kondik, and J. Miles Coleman bring together respected journalists, analysts, and scholars to examine every facet of the stunning 2020 election and its aftermath, and how these events will impact American politics moving forward. In frank, accessible prose, each author offers insight that goes beyond the headlines and dives into the underlying forces and shifts that drove the election from its earliest developments to its chaotic conclusion. A Return to Normalcy? will be an indispensable read for political junkies and all students of American politics.

Provides both students and researchers with an inclusive survey of environmental communication research from around the world, featuring scholars from Africa, Latin American and Asian countries. Includes theoretical, methodological, and practical chapters for a comprehensive introduction to the field. Uniquely, each chapter brings together authors from various countries to develop a truly international overview of the issue covered in the chapter. This novel approach opens up a conversation across countries and breaks geographic and disciplinary boundaries.

Provides both students and researchers with an inclusive survey of environmental communication research from around the world, featuring scholars from Africa, Latin American and Asian countries. Includes theoretical, methodological, and practical chapters for a comprehensive introduction to the field. Uniquely, each chapter brings together authors from various countries to develop a truly international overview of the issue covered in the chapter. This novel approach opens up a conversation across countries and breaks geographic and disciplinary boundaries.

Rhetoric, Media, and the Narratives of US Foreign Policy: Making Enemies studies the process of communicating threats to the US public and explores when and why the American public believes another country or regime is a threat. Through a comparative and historical study, the author focuses on how the media environment enables and constrains rhetorical strategies deployed to construct, reproduce, and change narratives about a threat. Recent literature on threat inflation, securitization, and critical security studies returned to the concept of "threat." Building on this renewed conceptual attention, this book examines why and how policy makers and other public figures, in particular the President, convince the public about a threat and will be of interest to students and academics in the disciplines of political science, international relations, foreign policy, security studies, and contemporary history.