B-1-5 was a unique company in the Korean War. The Baker Bandits fought at Inchon, Naktong, Chosin Reservoir, Guerrilla Hunts and the many numbered hills. Theyinspired one B Company Commander, Gen. Charlie Cooper to the extent that when he became Commanding General of the Marines First Division in 1977, his time with B-1-5 inspired his "Band Of Brothers Leadership Principles" used widely in the Corps for many years. Emmett Shelton was a 19-year-old Marine Reservist in 1950. He was called to duty after graduating Austin High School and, within six months, he was a rifleman in Korea. The Korean winter of 1950 was brutal and Emmett was evacuated shortly after Chosin due to frostbite. After the war, Emmett got on with life, then in the 1980s he attended a Chosin Few Reunion. He was overwhelmed by a need to reconnect with his old Company, his Baker Bandits. Emmett tracked down B Company members one-by-one and started a newsletter, The Guidon, to share stories and reconnect. For 20 years Emmett published The Guidon, monthly. The contributing readership grew to a high of 300, including a number of young B Company Marines fighting in Afghanistan. Chosin Brothers brings together first-hand accounts from The Guidon, written by the men of B-1-5 about their time in Korea: their battles, their fallen commanders, deathin the foxhole, lost platoons, injuries and what happened to them after the war.

As the first book to call for an immediate withdrawal from Vietnam, Howard Zinn's 'Vietnam' includes a powerful speech which he believed President Lyndon Johnson should have delivered to lay out the case for ending the war. Of the many books that challenged the Vietnam War, Howard Zinn's 'Vietnam' stands out as one of the greatest - and indeed the most influential. The writings in this book helped spark a national debate on the war; few aside from Zinn could reach so many with such passion and such conciseness.

Nikolai Vasil'evich Sutiagin, the top-scoring Soviet air ace of the Korean War, flew his MiG-15 in lethal dogfights against American Sabres and Australian Meteors throughout the conflict. He is credited with at 22 'kills'. Yet the full story of his extraordinary achievements - and the story of the Red Air Force in Korea - has never been told. Only now, with the opening of Russian archives, can an authoritative account of his wartime exploits be written. The authors use official records, the reminiscences of Sutiagin's comrades and his wife's diary to reconstruct in vivid detail the career of one of the great fighter pilots. Nikolai Vasilevich Sutiagin was born in central Russia in 1923 and joined the Red Air Force in 1941\. He fought with the 17th IAP (Fighter Aviation Regiment) throughout the Korean War and is credited with destroying at least 22 enemy aircraft. Sutiagin won the Order of Lenin, three Orders of the Red Banner and the Order of the Patriotic War First Class, and he became a Hero of the Soviet Union in 1952\. He retired from the Red Air Force as a major general in 1978 and died in 1986.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

This book delivers on two analytical levels. First, it is a broad study of Sweden as an international actor, an actor that at least for a brief period tried to play a different international role than that to which it was accustomed. Second, the book problematizes the role of international military missions as drivers for change in the security and defence field. Several perspectives and levels of analysis are covered, from the macro level of strategic discourse to the micro level of the experiences of individual commanders. The book focuses upon Sweden and its participation in the international military mission in Afghanistan during 2002-2012 and also contributes to the growing literature evaluating the mission in Afghanistan, the security practice which has dominated the security and defence discourse of Western Europe for the last decade.

By now the world knows well the exploits of World War II admirals Ernest King, Chester Nimitz, and "Bull" Halsey. These brilliant strategists and combat commanders--backed by a powerful Allied coalition, a nation united, gifted civilian leaders, and abundant war-making resources--led U.S. and allied naval forces to victory against the Axis powers. Leadership during the Vietnam War was another story. The Vietnam War and its aftermath sorely tested the professional skill of four-star admirals Harry D. Felt, Ulysses S. Grant Sharp, Thomas H. Moorer, Elmo R. Zumwalt Jr., and James L. Holloway III. Unlike their World War II predecessors, these equally battle-tested leaders had to cope with a flawed American understanding of U.S. and Vietnamese Communist strengths and weaknesses, distrustful and ill-focused Washington leaders, an increasingly discontented American populace, and an ultimately failing war effort. Like millions of other Americans, these five admirals had to come to terms with America's first lost war, and what that loss meant for the future of the nation and the U.S. armed forces. The challenges were both internal and external. A destabilized U.S. Navy was troubled by racial discord, drug abuse, anti-war and anti-establishment sentiment, and a host of personnel and material ills. At the same time, increasingly serious global threats to US interests, such as the rise of Soviet nuclear-missile and naval power, were shaping confrontations on the postwar stage. Critical to the story is how these naval leaders managed their relationships with Presidents Kennedy, Johnson, Nixon, Ford, and Carter, and Secretaries of Defense McNamara, Laird, and Schlesinger. Based on prodigious research into many formerly classified sources, Edward J. Marolda relates in dramatic detail how America's top naval leaders tackled their responsibilities, their successes, and their failures. This is a story of dedication to duty, professionalism, and service by America's top admirals during a time of great national and international adversity.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America's engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

How presidents spark and sustain support for wars remains an enduring and significant problem. Korea was the first limited war the U.S. experienced in the contemporary period - the first recent war fought for something less than total victory. In Selling the Korean War, Steven Casey explores how President Truman and then Eisenhower tried to sell it to the American public.
Based on a massive array of primary sources, Casey subtly explores the government's selling activities from all angles. He looks at the halting and sometimes chaotic efforts of Harry Truman and Dean Acheson, Dwight Eisenhower and John Foster Dulles. He examines the relationships that they and their subordinates developed with a host of other institutions, from Congress and the press to Hollywood and labor. And he assesses the complex and fraught interactions between the military and war correspondents in the battlefield theater itself.
From high politics to bitter media spats, Casey guides the reader through the domestic debates of this messy, costly war. He highlights the actions and calculations of colorful figures, including Senators Robert Taft and JHoseph McCarthy, and General Douglas MacArthur. He details how the culture and work routines of Congress and the media influenced political tactics and daily news stories. And he explores how different phases of the war threw up different problems - from the initial disasters in the summer of 1950 to the giddy prospects of victory in October 1950, from the massive defeats in the wake of China's massive intervention to the lengthy period of stalemate fighting in 1952 and 1953.

The Korean War in Britain explores the social and cultural impact of the Korean War (1950-53) on Britain. Coming just five years after the ravages of the Second World War, Korea was a deeply unsettling moment in post-war British history. From allegations about American use of 'germ' warfare to anxiety over Communist use of 'brainwashing' and treachery at home, the Korean War precipitated a series of short-lived panics in 1950s Britain. But by the time of its uneasy ceasefire in 1953, the war was becoming increasingly forgotten. Using Mass Observation surveys, letters, diaries and a wide range of under-explored contemporary material, this book charts the war's changing position in British popular imagination and asks how it became known as the 'Forgotten War'. It explores the war in a variety of viewpoints - conscript, POW, protester and veteran - and is essential reading for anyone interested in Britain's Cold War past. -- .

Harry S. Truman Book Award In The War for Korea, 1945-1950: A House Burning, one of our most distinguished military historians argued that the conflict on the Korean peninsula in the middle of the twentieth century was first and foremost a war between Koreans that began in 1948. In the second volume of a monumental trilogy, Allan R. Millett now shifts his focus to the twelve-month period from North Korea's invasion of South Korea on June 25, 1950, through the end of June 1951-the most active phase of the internationalized "Korean War." Moving deftly between the battlefield and the halls of power, Millett weaves together military operations and tactics without losing sight of Cold War geopolitics, strategy, and civil-military relations. Filled with new insights on the conflict, his book is the first to give combined arms its due, looking at the contributions and challenges of integrating naval and air power with the ground forces of United Nations Command and showing the importance of Korean support services. He also provides the most complete, and sympathetic, account of the role of South Korea's armed forces, drawing heavily on ROK and Korea Military Advisory Group sources. Millett integrates non-American perspectives into the narrative-especially those of Mao Zedong, Chinese military commander Peng Dehuai, Josef Stalin, Kim Il-sung, and Syngman Rhee. And he portrays Walton Walker and Matthew Ridgway as the heroes of Korea, both of whom had a more profound understanding of the situation than Douglas MacArthur, whose greatest flaw was not his politics but his strategic and operational incompetence. Researched in South Korean, Chinese, and Soviet as well as American and UN sources, Millett has exploited previously ignored or neglected oral history collections-including interviews with American and South Korean officers-and has made extensive use of reports based on interrogations of North Korean and Chinese POWs. The end result is masterful work that provides both a gripping narrative and a greater understanding of this key conflict in international and American history.

As the recent presidential campaign revealed, the Vietnam War remains a political lightning rod. In the 1980s, even as a Gallup poll listed Fonda as one of the most admired women in the country, "Hanoi Jane" had become a reviled figure among conservatives for her highly publicized trip to North Vietnam in 1972. Today, according to a recent poll, millions of Americans continue to link Fonda's name to Vietnam--yet the true history of her antiwar work has been largely obscured.

One of the most popular movie actresses of the 1960s and 1970s, Fonda was also among the most committed and visible antiwar activists of the era. Coming on the heels of Jane Fonda's own memoir, this is the first book to document one of the most interesting (and least known) chapters in Fonda's life--including the first comprehensive account of her controversial trips to Hanoi, as well as her extensive efforts on behalf of American GIs.

Based on unprecedented access to Fonda's twenty-foot-thick FBI files, interviews with the former POWs Fonda met with in Hanoi in 1972, and a broad range of contemporary press reports, "Jane Fonda's War" is a fascinating and little-understood chapter in the extraordinary life of an American icon.

In the summer of 1967, the Marines in I Corps, South Vietnam's northernmost military region, were doing everything they could to lighten the pressure on the besieged Con Thien Combat Base. Still fresh after months of relatively light action around Khe Sanh, the 3d Battalion, 26th Marines, was sent to the Con Thien region to secure the combat bases' endangered main supply route. On 7 September 1967, its first full day in the new area of operations, separate elements of the battalion were attacked by at least two battalions of North Vietnamese infantry, and both were nearly overrun in night-long battles. On 10 September, while advancing to a new sector near Con Thien, the 3d Battalion, 26th Marines, was attacked by at least a full North Vietnamese regiment, the same NVA unit that had attacked it two days earlier. Divided into two separate defensive perimeters, the Marines battled through the afternoon and evening against repeated assaults by waves of NVA regulars intent upon achieving a major victory. In a battle described as 'Custer's Last Stand-With Air Support', the Americans prevailed by the narrowest of margins. Ambush Valley is an unforgettable account of bravery and survival under impossible conditions. It is told entirely in the words of the men who faced the ordeal together - an unprecedented mosaic of action and emotion woven into an incredibly clear and vivid combat narrative by one of today's most effective military historians. Ambush Valley achieves a new standard for oral history. It is a war story not to be missed.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

Hailed as a "pithy and compelling account of an intensely relevant topic" (Kirkus Reviews), this wide-ranging volume offers a superb account of a key moment in modern U.S. and world history. Drawing upon the latest research in archives in China, Russia, and Vietnam, Mark Lawrence creates an extraordinary, panoramic view of all sides of the war. His narrative begins well before American forces set foot in Vietnam, delving into French colonialism's contribution to the 1945 Vietnamese revolution, and revealing how the Cold War concerns of the 1950s led the United States to back the French. The heart of the book covers the "American war," ranging from the overthrow of Ngo Dinh Diem and the impact of the Tet Offensive to Nixon's expansion of the war into Cambodia and Laos, and the final peace agreement of 1973. Finally, Lawrence examines the aftermath of the war, from the momentous liberalization-"Doi Moi"-in Vietnam to the enduring legacy of this infamous war in American books, films, and political debate.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

Modern warfare is almost always multilateral to one degree or another, requiring countries to cooperate as allies or coalition partners. Yet as the war in Afghanistan has made abundantly clear, multilateral cooperation is neither straightforward nor guaranteed. Countries differ significantly in what they are willing to do and how and where they are willing to do it. Some refuse to participate in dangerous or offensive missions. Others change tactical objectives with each new commander. Some countries defer to their commanders while others hold them to strict account.

"NATO in Afghanistan" explores how government structures and party politics in NATO countries shape how battles are waged in the field. Drawing on more than 250 interviews with senior officials from around the world, David Auerswald and Stephen Saideman find that domestic constraints in presidential and single-party parliamentary systems--in countries such as the United States and Britain respectively--differ from those in countries with coalition governments, such as Germany and the Netherlands. As a result, different countries craft different guidelines for their forces overseas, most notably in the form of military caveats, the often-controversial limits placed on deployed troops.

Providing critical insights into the realities of alliance and coalition warfare, "NATO in Afghanistan" also looks at non-NATO partners such as Australia, and assesses NATO's performance in the 2011 Libyan campaign to show how these domestic political dynamics are by no means unique to Afghanistan.

The Iraq War is a visual record of the American-led Operation Iraqi Freedom of 2003, which resulted in the dramatic overthrow of dictator Saddam Hussein. In a striking sequence of photographs Anthony Tucker-Jones shows how this was achieved by the American and British armed forces in a lightning campaign of just two weeks. But the photographs also show the disastrous aftermath when the swift victory was undermined by the outbreak of the Iraqi insurgency - in the Shia south, in Baghdad and the Sunni Triangle, and in Fallujah where two ferocious battles were fought. The author, who is an expert on the Iraqi armed forces and has written extensively on the Iran-Iraq War and the Gulf War, gives a fascinating insight into the Iraqi army and air force and into the multitude of weapons systems Saddam purchased from around the world. He also looks at the failures on the American and British side - the flaws in the tactics that were used, the poor performance of some of the armoured fighting vehicles - and at the reformed Iraqi armed forces who have now taken responsibility for security in the country. The Iraq War is a vivid photographic introduction to a conflict that has only just passed into history.

In Helmand province in July 2006, Major Adam Jowett was given command of Easy Company, a hastily assembled and under-strength unit of Paras and Royal Irish rangers. Their mission was to hold the District Centre of Musa Qala at any cost. Easy Company found themselves in a ramshackle compound, cut off and heavily outnumbered by the Taliban in the town.

In No Way Out, Adam evokes the heat and chaos of battle as the Taliban hit Easy Company with wave after wave of brutal attack. He describes what it was like to have responsibility for the lives of his men as they fought back heroically over twenty-one days and nights of relentless, nerve-shredding combat. Finally, as they came down to their last rounds and death stared Easy Company in the face, the siege took an extraordinary turn . . .

Powerful, highly-charged and moving, No Way Out is Adam’s tribute to the men of Easy Company who paid a heavy price for serving their country.

International lawyers and distinguished scholars consider the question: Is it legally justifiable to treat the Vietnam War as a civil war or as a peculiar modern species of international law? Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.