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Books > Social sciences > Warfare & defence > Other warfare & defence issues > Prisoners of war
Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war. A San Francisco Chronicle Best Book of 2006.
Soon after the end of World War II, a majority of the nearly 7 million Japanese civilians and serviceman who had been posted overseas returned home. Heeding the call to rebuild, these veterans helped remake Japan and enjoyed popularized accounts of their service. For those who took longer to be repatriated, such as the POWs detained in labor camps in Siberia and the fighters who spent years hiding in the jungles of islands in the South Pacific, returning home was more difficult. Their nation had moved on without them and resented the reminder of a humiliating, traumatizing defeat. Homecomings tells the story of these late-returning Japanese soldiers and their struggle to adapt to a newly peaceful and prosperous society. Some were more successful than others, but they all charted a common cultural terrain, one profoundly shaped by media representations of the earlier returnees. Japan had come to redefine its nationhood through these popular images. Yoshikuni Igarashi explores what Japanese society accepted and rejected, complicating the definition of a postwar consensus and prolonging the experience of war for both Japanese soldiers and the nation. He throws the postwar narrative of Japan's recovery into question, exposing the deeper, subtler damage done to a country that only belatedly faced the implications of its loss.
Through the Valley is the captivating memoir of the last U.S. Army soldier taken prisoner during the Vietnam War. A narrative of courage, hope, and survival, Through the Valley is more than just a war story. It also portrays the thrill and horror of combat, the fear and anxiety of captivity, and the stories of friendships forged and friends lost In 1971 William Reeder was a senior captain on his second tour in Vietnam. He had flown armed, fixed-wing OV-1 Mohawks on secret missions deep into enemy territory in Laos, Cambodia, and North Vietnam on his first tour. He returned as a helicopter pilot eager to experience a whole new perspective as a Cobra gunship pilot. Believing that Nixon's Vietnamization would soon end the war, Reeder was anxious to see combat action. To him, it appeared that the Americans had prevailed, beaten the Viet Cong, and were passing everything over to the South Vietnamese Army so that Americans could leave.
"I never look at my case as just my own, or just as a Japanese- American case. It is an American case, with principles that affect the fundamental human rights of all Americans." -Gordon K. Hirabayashi In 1942, University of Washington student Gordon Hirabayashi defied the curfew and mass removal of Japanese Americans on the West Coast, and was subsequently convicted and imprisoned as a result. In "A Principled Stand," Gordon's brother James and nephew Lane have brought together his prison diaries and voluminous wartime correspondence to tell the story of "Hirabayashi v. United States," the Supreme Court case that in 1943 upheld and on appeal in 1987 vacated his conviction. For the first time, the events of the case are told in Gordon's own words. The result is a compelling and intimate story that reveals what motivated him, how he endured, and how his ideals deepened as he fought discrimination and defended his beliefs. "A Principled Stand" adds valuable context to the body of work by legal scholars and historians on the seminal Hirabayashi case. This engaging memoir combines Gordon's accounts with family photographs and archival documents as it takes readers through the series of imprisonments and court battles Gordon endured. Details such as Gordon's profound religious faith, his roots in student movements of the day, his encounters with inmates in jail, and his daily experiences during imprisonment give texture to his storied life. Gordon K. Hirabayashi (1918-2012) was awarded the Presidential Medal of Freedom in May 2012. He was professor emeritus of sociology at the University of Alberta, in Edmonton. James A. Hirabayashi (1926-2012) was professor emeritus of Asian American Studies at San Francisco State University. Lane Ryo Hirabayashi is professor of Asian American Studies and the George and Sakaye Aratani Professor of the Japanese American Incarceration, Redress, and Community at UCLA. ""A Principled Stand" makes an important contribution to understanding both Gordon Hirabayashi's life and the horrible episode in this country's history that was the internment." -Lorraiane Bannai, Fred T. Korematsu Center for Law and Equality, Seattle University School of Law
Half a century after the Holocaust, on European soil, Bosnian Serbs orchestrated a system of concentration camps where they subjected their Bosniak Muslim and Bosnian Croat neighbors to torture, abuse, and killing. Foreign journalists exposed the horrors of the camps in the summer of 1992, sparking worldwide outrage. This exposure, however, did not stop the mass atrocities. Hikmet Karcic shows that the use of camps and detention facilities has been a ubiquitous practice in countless wars and genocides in order to achieve the wartime objectives of perpetrators. Although camps have been used for different strategic purposes, their essential functions are always the same: to inflict torture and lasting trauma on the victims.Torture, Humiliate, Kill develops the author's collective traumatization theory, which contends that the concentration camps set up by the Bosnian Serb authorities had the primary purpose of inflicting collective trauma on the non-Serb population of Bosnia and Herzegovina. This collective traumatization consisted of excessive use of torture, sexual abuse, humiliation, and killing. The physical and psychological suffering imposed by these methods were seen as a quick and efficient means to establish the Serb "living space." Karcic argues that this trauma was deliberately intended to deter non-Serbs from ever returning to their pre-war homes. The book centers on multiple examples of experiences at concentration camps in four towns operated by Bosnian Serbs during the war: Prijedor, Bijeljina, Visegrad, and Bileca. Chosen according to their political and geographical position, Karcic demonstrates that these camps were used as tools for the ethno-religious genocidal campaign against non-Serbs. Torture, Humiliate, Kill is a thorough and definitive resource for understanding the function and operation of camps during the Bosnian genocide.
Journalist and broadcaster Robert Kee was an RAF bomber pilot in the Second World War. When his plane was shot down over Nazi-occupied Holland, he was captured and spent three years and three months in a German POW camp. From the beginning he was intent on escape. After several false starts, he finally made it. First published in 1947 as a novel, but now revealed to be an autobiography, A Crowd Is Not Company recounts Kee's experiences as a prisoner of war and describes in compelling detail his desperate journey across Poland - a journey that meant running the gauntlet of Nazism.
Roger Bushell was 'Big X', mastermind of the mass breakout from Stalag Luft III in March 1944, immortalised in the Hollywood film The Great Escape.Very little was known about Bushell until 2011, when his family donated his private papers - a treasure trove of letters, photographs and diaries - to the Imperial War Museum. Through exclusive access to this material - as well as fascinating new research from other sources - Simon Pearson, Chief Night Editor of The Times, has now written the first biography of this iconic figure. Born in South Africa in 1910, Roger Bushell was the son of a British mining engineer. By the age of 29, this charismatic character who spoke nine languages had become a London barrister with a reputation for successfully defending those much less fortunate than him. He was also renowned as an international ski champion and fighter pilot with a string of glamorous girlfriends. On 23 May, 1940, his Spitfire was shot down during a dogfight over Boulogne after destroying two German fighters. From then on his life was governed by an unquenchable desire to escape from Occupied Europe.Over the next four years he made three escapes, coming within 100 yards of the Swiss border during his first attempt. His second escape took him to Prague where he was sheltered by the Czech resistance for eight months before he was captured. The three months of savage interrogation in Berlin by the Gestapo that followed made him even more determined. Prisoner or not, he would do his utmost to fight the Nazis. His third (and last escape) destabilised the Nazi leadership and captured the imagination of the world.He died on 29 March 1944, murdered on the explicit instructions of Adolf Hitler.Simon Pearson's revealing biography is a vivid account of war and love, triumph and tragedy - one man's attempt to challenge remorseless tyranny in the face of impossible odds.
A Canadian medical officer and prisoner of war returns from the Second World War a hero - and a very different man. In August 1941, John Reid, a young Canadian doctor, volunteered to join the Royal Canadian Army Medical Corps with four friends from medical school. After five weeks of officer training in Ottawa, Reid took an optional two-week course in tropical medicine, a choice which sealed his fate. Assigned to "C" Force, the two Canadian battalions sent to reinforce "semi-tropical" Hong Kong, he was among those captured when the calamitous Battle of Hong Kong ended on Christmas Day. After a year in Hong Kong prison camps, Reid was chosen as the only officer to accompany 663 Canadian POWs sent to Japan to work as slave labourers. His efforts over the next two and a half years to lead, treat, and protect his men were heroic. He survived the war, but finding a peace of his own took ten tumultuous years, with casualties of a different sort. He would never be the same.
They had faced the indignity of surrender and the squalor of Changi prison, so the spirits of the British and American troops lifted when they were told that they would be transferred to another healthier location where conditions would be more benign and food far more abundant. A total of 7,000 men, approximately half British and half Australian, were to be moved, the men being told that they would not be compelled to work. As there were not that number of fit men at Changi, many weak and unwell soldiers formed part of the group that was designated F' Force. From the outset, the prisoners realized that none of the promises the Japanese had made would be fulfilled. Herded into trucks, they were transported on a nightmare rail journey into Thailand and then marched for hundreds of miles along a jungle track through the torrential monsoon rains to miserable camps where there was little in the way of cover or accommodation. Despite utter exhaustion, upon arrival at the camps, the men were forced to work on the road and rail links the Japanese needed to carry supplies and reinforcements for their assault upon British-held India. With precious little food or medical supplies, the men soon fell prey to terrible and fatal diseases and soon hundreds had died. Despite the protests of the British and Australian officers, conditions in the malaria and cholera infested camps were utterly horrific. As Lieutenant Colonel Kappe wrote, the barbarism' they experienced at the hands of the Japanese had never been equaled in history'. Kappe, therefore, set himself the task of documenting the atrocities the men of F' Force endured from May to October 1943, which resulted in more than 3,000 men losing their lives. His report is reproduced here in full -every disturbing episode in this almost unbelievable drama, told as he saw and experienced it at first hand. Rarely has there been such a document produced in a prisoner of war camp, its survival being as monumental as the sufferings of the men described in its pages.
Even if you don't know much about the war in Vietnam, you've probably heard of "The Hanoi Hilton," or Hoa Lo Prison, where captured U.S. soldiers were held. What they did there and whether they were treated well or badly by the Vietnamese became lasting controversies. As military personnel returned from captivity in 1973, Americans became riveted by POW coming home stories. What had gone on behind these prison walls? Along with legends of lionized heroes who endured torture rather than reveal sensitive military information, there were news leaks suggesting that others had denounced the war in return for favorable treatment. What wasn't acknowledged, however, is that U.S. troop opposition to the war was vast and reached well into Hoa Loa Prison. Half a century after the fact, Dissenting POWs emerges to recover this history, and to discover what drove the factionalism in Hoa Lo. Looking into the underlying factional divide between prowar "hardliners" and antiwar "dissidents" among the POWs, authors Wilber and Lembcke delve into the postwar American culture that created the myths of the HeroPOW and the dissidents blamed for the loss of the war. What they found was surprising: It wasn't simply that some POWs were for the war and others against it, nor was it an officers versus enlisted men standoff. Rather, it was the class backgrounds of the captives and their precaptive experience that drew the lines. After the war, the hardcore hero holdouts-like John McCain-moved on to careers in politics and business, while the dissidents faded from view as the antiwar movement, that might otherwise have championed them, disbanded. Today, Dissenting POWs is a necessary myth buster, disabusing us of the revisionism that has replaced actual GI resistance with images of suffering POWs - ennobled victims that serve to suppress the fundamental questions of America's drift to endless war.
An extraordinary tale of the remarkable bond between one man and his dog during the Second World War. The two friends huddled close together, each of them the other's saving grace in a world gone to hell . . . There was nothing terribly unusual about POWs suffering horribly at the hands of their Japanese captors. All across the Pacific theatre, Allied captives were experiencing similar punishment. But there was one thing unusual about this particular duo of prisoners. One of them was a dog. Flight technician Frank Williams and Judy, a purebred pointer, met in the most unlikely of places: a World War II internment camp. Judy was a fiercely loyal dog, with a keen sense for who was friend and who was foe, and the pair's relationship deepened throughout their captivity. When the prisoners suffered beatings, Judy would repeatedly risk her life to intervene. She survived bombings and other near-death experiences and became a beacon not only for Frank but for all the men, who saw in her survival a flicker of hope for their own. Using a wealth of new material including interviews with those who knew Frank and Judy, letters and firsthand accounts, Robert Weintraub expertly weaves a narrative of an unbreakable bond forged in the worst circumstances. Judy's devotion to the men she was interned with, including a host of characters from all around the world, from Australia to the UK, was so powerful that reports indicate she might have been the only dog spared in these camps - and their care for her helped keep them alive. At one point, deep in despair and starvation, Frank contemplated killing himself and the dog to prevent either from watching the other die. But both were rescued, and Judy spent the rest of her life with Frank. She became the war's only official canine POW, and after she died at the age of fourteen, Frank couldn't bring himself to ever have another dog. Their story of friendship and survival is one of the great sagas of World War II.
The last untold story of the First World War: the fortunes and fates of 170,000 British soldiers captured by the enemy. On capture, British officers and men were routinely told by the Germans 'For you the war is over'. Nothing could be further from the truth. British Prisoners of War merely exchanged one barbed-wire battleground for another. In the camps the war was eternal. There was the war against the German military, fought with everything from taunting humour to outright sabotage, with a literal spanner put in the works of the factories and salt mines prisoners were forced to slave in. British PoWs also fought a valiant war against the conditions in which they were mired. They battled starvation, disease, Prussian cruelties, boredom, and their own inner demons. And, of course, they escaped. Then escaped again. No less than 29 officers at Holzminden camp in 1918 burrowed their way out via a tunnel (dug with a chisel and trowel) in the Great Escape of the Great War. It was war with heart-breaking consequences: more than 12,000 PoWs died, many of them murdered, to be buried in shallow unmarked graves. Using contemporary records - from prisoners' diaries to letters home to poetry - John Lewis-Stempel reveals the death, life and, above all, the glory of Britain's warriors behind the wire. For it was in the PoW camps, far from the blasted trenches, that the true spirit of the Tommy was exemplified.
Gonda Van Steen examines the productions of classical tragedies staged by political prisoners of the Greek Civil War (late 1940s to 1950s). She first explains the historical and political context in which these productions originated, the selections made by the prisoners, and the practical conditions under which the performances were mounted, devoting attention, too, to the prison authorities' acts of censorship. Her main focus, however, is on the interpretation that the political detainees gave to their productions and the rationale behind specific readings. The book includes the text of an adaptation of Antigone , in the original Greek and in English translation, written by Aris Alexandrou, one of the prisoners.
This book makes the case for eliminating the distinction between
types of armed conflict under international humanitarian law (IHL),
specifically as they apply to persons taking a direct part in the
hostilities - be they soldiers or insurgents. Currently, IHL makes
a distinction between international and non-international armed
conflicts. International armed conflicts are regulated by more
treaties than their non-international counterparts. The regulation
of international armed conflicts is also considerably more
comprehensive than that offered for participants in and victims of
non-international armed conflicts. This bifurcation of the law was
logical at the time the Geneva Conventions of 1949 were drafted and
adopted, as the majority of armed conflicts prior to that point had
been international in character. However, in the years following
the adoption of the Conventions, there has been a proliferation of
non-international armed conflicts, which presents challenges to a
body of law that has few tools to adequately address such
occurrences. The adoption of the Additional Protocols in 1977 went
some way to addressing the legal lacunae that existed, but
significant gaps still remain.
Soon after the end of World War II, a majority of the nearly 7 million Japanese civilians and servicemen who had been posted overseas returned home. Heeding the call to rebuild, these veterans helped remake Japan and enjoyed popularized accounts of their service. For those who took longer to be repatriated, such as the POWs detained in labor camps in Siberia and the fighters who spent years hiding in the jungles of islands in the South Pacific, returning home was more difficult. Their nation had moved on without them and resented the reminder of a humiliating, traumatizing defeat. Homecomings tells the story of these late-returning Japanese soldiers and their struggle to adapt to a newly peaceful and prosperous society. Some were more successful than others, but they all charted a common cultural terrain, one profoundly shaped by media representations of the earlier returnees. Japan had come to redefine its nationhood through these popular images. Yoshikuni Igarashi explores what Japanese society accepted and rejected, complicating the definition of a postwar consensus and prolonging the experience of war for both Japanese soldiers and the nation. He throws the postwar narrative of Japan's recovery into question, exposing the deeper, subtler damage done to a country that only belatedly faced the implications of its loss.
An anthology of illustrated narratives about the prison and the lives it changed forever  In January 2002, the United States sent a group of Muslim men they suspected of terrorism to a prison in Guantánamo Bay. They were the first of roughly 780 prisoners who would be held there—and 40 inmates still remain. Eighteen years later, very few of them have been ever charged with a crime. In Guantánamo Voices, journalist Sarah Mirk and her team of diverse, talented graphic novel artists tell the stories of ten people whose lives have been shaped and affected by the prison, including former prisoners, lawyers, social workers, and service members. This collection of illustrated interviews explores the history of Guantánamo and the world post-9/11, presenting this complicated partisan issue through a new lens.
Though only one among hundreds of prison camps in which British servicemen were held between 1939 and 1945, Colditz enjoys unparalleled name recognitionboth in Britain and in other parts of the English-speaking world. Made famous in print, on film, and through television, Colditz remains a potent symbol of key virtues - including ingenuity and perseverance against apparently overwhelming odds - that form part of the popular mythology surrounding the British war effort in World War II. Colditz has played a major role in shaping perceptions of the POW experience in Nazi Germany, an experience in which escaping is assumed to be paramount and 'Outwitting the Hun' a universal sport. The story of Colditz has been told often and in a variety of forms, but in this book MacKenzie chronicles the development of the Colditz myth and puts what happened inside the castle in the context of British and Commonwealth POW life in Germany as a whole. Being a captive of the Third Reich - from the moment of surrender down to the day of liberation and repatriation - was more complicated and a good deal tougher than the popular myth would suggest.The physical and mental demands of survival far outweighed escaping activity in order of importance in most camps almost all of the time, and even in Colditz the reality was in some respects very different from the almost Boy's Own caricature that developed during the post-war decades. In The Real Colditz, MacKenzie seeks, for the first time, to place Colditz - both the camp and the legend - in a wider historical context.
When Edith Hofmann sat down to write this book, she was a 19-year-old coming to terms with the fact of her own survival. It is a story which describes a struggle; the struggle to come to terms with a haunting past, the struggle to survive, and the struggle to unburden a broken heart. It also embodies a struggle to form, in language, that which at times all but defies linguistic form. When Hofmann started writing this book she had only been speaking English for two years, and yet she wanted to convey her experiences, in English, to those with whom she had made her home. The cruel reality was that no one really wanted to hear. She poured out her soul, only to be told that 'no one was interested in the war any more'. This was 1950. Some fifty years later she revisited the manuscript, wondering whether such a text would have any value. For fifty years her text had lain in her drawer, waiting to be read. Her story is a novel, but it certainly is not a fiction. Scared for her own safety, Hofmann chose to write in the third person rather than pen a memoir. Every page is bound up with the intricate details of her life, those whom she loved, and those whom she lost; the echoes of those terrible years, and the memory they imposed. In compiling this text, she decided neither to change it, by removing discrepancies or updating anything, which Hofmann wrote in the late 1940s, nor to improve her English, but rather to leave it as a raw and indelible testimony not only to her survival but to her bid to survive survival. You will be moved; not only by what she has written, but by the fact that she wrote at all.
This book explores the history of Dartmoor War Prison (1805-16). This is not the well-known Victorian convict prison, but a less familiar penal institution, conceived and built nearly half a century earlier in the midst of the long-running wars against France, and destined, not for criminals, but for French and later American prisoners of war. During a period of six and a half years, more than 20,000 captives passed through its gates. Drawing on contemporary official records from Britain, France and the USA, and a wealth of prisoners' letters, diaries and memoirs (many of them studied here in detail for the first time), this book examines how Dartmoor War Prison was conceived and designed; how it was administered both from London and on the ground; how the fate of its prisoners intertwined with the military and diplomatic history of the period; and finally how those prisoners interacted with each other, with their captors, and with the wider community. The history of the prison on the moor is one marked by high hopes and noble intentions, but also of neglect, hardship, disease and death
This fascinating study examines the customs, legal codes, and socioeconomic mechanisms that evolved from the initial Christian-Muslim encounter on Crusader battlefields. It pinpoints changes in European mentality, and conduct of war, tracing acculturation processes in Frankish society in the Levant. These changes emerged from the need to redeem captives, making payment of ransom to the infidel conceivable and acceptable. The book pays special attention to the story of the vanquished, to the situation of women, to the behavior of the Military Orders toward captives, and to the image of the captive in Crusader literature, in the context of making war and peace.
Stalag 383 was somewhat unique as a Second World War prisoner of war camp. Located in a high valley surrounded by dense woodland and hills in Hofenfels, Bavaria, it began life in 1938 as a training ground for the German Army. At the outbreak of war it was commandeered by the German authorities for use as a prisoner of war camp for Allied non-commissioned officers, and given the name Oflag lllC. It was renamed Stalag 383 in November 1942. For most of its existence it comprised of some 400 huts, 30 feet long and 14 feet wide, with each typically being home to 14 men. Many of the British service men who found themselves incarcerated at the camp had been captured during the evacuations at Dunkirk, or when the Greek island of Crete fell to the Germans on 1 June 1941. Stalag 383 had somewhat of a holiday camp feel to it for many who found themselves prisoners there. There were numerous clubs formed by different regiments, or men from the same town or county. These clubs catered for interests such as education, sports, theatrical productions and debates, to name but a few. This book examines life in the camp, the escapes that were undertaken from there, and includes a selection of never before published photographs of the camp and the men who lived there, many for more than five years.
The impossibly moving story of how Judy, World War Two's only animal POW, brought hope in the midst of hell. Judy, a beautiful liver and white English pointer, and the only animal POW of WWII, truly was a dog in a million, cherished and adored by the British, Australian, American and other Allied servicemen who fought to survive alongside her. Viewed largely as human by those who shared her extraordinary life, Judy's uncanny ability to sense danger, matched with her quick-thinking and impossible daring saved countless lives. She was a close companion to men who became like a family to her, sharing in both the tragedies and joys they faced. It was in recognition of the extraordinary friendship and protection she offered amidst the unforgiving and savage environment of a Japanese prison camp in Indonesia that she gained her formal status as a POW. Judy's unique combination of courage, kindness and fun repaid that honour a thousand times over and her incredible story is one of the most heartwarming and inspiring tales you will ever read.
When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government hired photographers to make an extensive record of the forced removal and incarceration but forbade Japanese Americans from photographically documenting the conditions of the camps or any aspect of their lives. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history. Considering such factors as artistic intention, institutional deployment, critical interpretation, and popular reception, Alinder provides calibrated readings of the photographs from this period. She uncovers the tension between Dorothea Lange's moving and critical images of the camps and the War Relocation Authority's blindly positive captions. She also analyzes Ansel Adams's attempt to combat negative war propaganda through humanizing photographs of Japanese Americans and locates the limits of such a counternarrative in the midst of a national mobilization against Japan. Moving Images examines the work of Japanese American photographers operating both during and after the incarceration, including Manzanar inmate Toyo Miyatake, who constructed his own camera to document the complicated realities of camp life for his fellow inmates. More recently, contemporary artists Patrick Nagatani and Masumi Hayashi have used photography to reckon with the legacy of incarceration by journeying to the camp sites and creating photographs that bridge the intergenerational divides between their parents, themselves, and their children. Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.
Whilst many books have been published about war, the role of the prisoner of war has been largely ignored or paid scant attention. This book, along with the author's other title - A History of Napoleonic and American Prisoners of War 1756-1816: Hulk, Depot and Parole - aims to correct this imbalance, and is the result of his quest over thirty years into this almost-forgotten field of history. Illustrated here is an extensive selection of items from museums around the world and the author's own collection - one of the largest private collections of prisoner of war artefacts in existence - revealing the incredible skills of these imprisoned craftsmen. The items - delicate, intricate and highly detailed - include boxes, toys and automata made from bone, straw or paper, as well as paintings by artists whose work is now much in demand. The creation of these pieces seems even more remarkable when the conditions under which they would have been made and the extreme limitations the prisoners would have e
With expert scholars and great sensitivity, Out of Line, Out of Place illuminates and analyzes how the proliferation of internment camps emerged as a biopolitical tool of governance. Although the internment camp developed as a technology of containment, control, and punishment in the latter part of the nineteenth century mainly in colonial settings, it became universal and global during the Great War. Mass internment has long been recognized as a defining experience of World War II, but it was a fundamental experience of World War I as well. More than eight million soldiers became prisoners of war, more than a million civilians became internees, and several millions more were displaced from their homes, with many placed in securitized refugee camps. For the first time, Out of Line, Out of Place brings these different camps together in conversation. Rotem Kowner and Iris Rachamimov emphasize that although there were differences among camps and varied logic of internment in individual countries, there were also striking similarities in how camps operated during the Great War. |
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