In the aftermath of the historic 1993 March on Washington for gay and lesbian rights, Keith Boykin, in One More River to Cross, clarifies the relationship between blacks and gays in America by portraying the "common ground" lives of those who are both black and gay.



Against a backdrop of civil rights and the black experience in America, Boykin interviews Baptist ministers, gay political leaders, and other black gays and lesbians on issues of faith, family, discrimination, and visibility to determine what differences--real and imagined--separate the two communities. Boykin points to evidence of African and precolonial same-sex behavior, as well as figures like James Baldwin and Bayard Rustin, to dispel the myth that homosexuality is a "white thang," while his research suggests that blacks are less homophobic than whites, despite the rhetoric of rap and religion. With stories from his own experience as well as that of other black gays and lesbians, Boykin targets gay racism and black homophobia and suggests that conservative forces have substituted the common language of racism for homophobia in order to prevent a potentially powerful coalition of blacks and gays.



By portraying what it means to be black and gay, One More River to Cross offers an extraordinary window into a community that challenges this country's acceptance of its minorities, both racial and sexual.

On April 20th, 1989, two passersby discovered the body of the "Central Park jogger" crumpled in a ravine. She'd been raped and severely beaten. Within days five black and Latino teenagers were apprehended, all five confessing to the crime.

The staggering torrent of media coverage that ensued, coupled with fierce public outcry, exposed the deep-seated race and class divisions in New York City at the time. The minors were tried and convicted as adults despite no evidence linking them to the victim. Over a decade later, when DNA tests connected serial rapist Matias Reyes to the crime, the government, law enforcement, social institutions and media of New York were exposed as having undermined the individuals they were designed to protect. Here, Sarah Burns recounts this historic case for the first time since the young men's convictions were overturned, telling, at last, the full story of one of New York's most legendary crimes.

The events surrounding the Central Park Five are dramatised in the critically-acclaimed When They See Us - a Netflix series directed by Ava Duvernay.

Challenging the long-cherished notion of legal objectivity in the United States, this book argues that Chicano history has been consistently shaped by racially biased, combative legal interactions. The book is an insightful and provocative exploration of the ways Chicano and Chicana artists, writers, musicians and filmmakers engage this history in order to resist the disenfranchising effects of legal institutions, including the prison and the court.;Gutierrez-Jones examines the process by which Chicanos have become associated with criminality in both legal institutions and mainstream popular culture in America and thereby offers a new way of understanding minority social experience. Drawing on gender studies and psychoanalysis, as well as critical legal and critical race studies, Gutierrez-Jones's approach to the law and legal discourse reveals the high stakes involved when concepts of social justice are fought out in the home, in the workplace and in the streets.

This book unravels the ethnic history of California since the late nineteenth-century Anglo-American conquest and institutionalization of "white supremacy" in the state. Almaguer comparatively assesses the struggles for control of resources, status, and political legitimacy between the European American and the Native American, Mexican, African-American, Chinese, and Japanese populations. Drawing from an array of primary and secondary sources, he weaves a detailed, disturbing portrait of ethnic, racial, and class relationships during this tumultuous time.
The U.S. annexation of California in 1848 and the simultaneous discovery of gold sparked rapid and diverse waves of immigration westward, displacing the already established pastoral Mexican society. Almaguer shows how the confrontation between white immigrants and the Mexican "ranchero" and working class populations was also a contestation over racial status in which racialization influenced and was in turn influenced by class position in the changing economic order. Partly because of the Treaty of Guadalupe Hidalgo, which granted U.S. citizenship and other rights, parts of the Mexican population were integrated into the emerging Anglo society more easily than other racialized groups. A case study of Ventura County highlights declining political and economic fortunes of the Mexican elite while showing how Mexican, Japanese, Chinese, and Indian populations were permanently relegated to the bottom of the class structure as unskilled manual workers.
The fate of the Native American population provides perhaps the most extreme example of white supremacy during the period. Popular conceptions of Native Americans as "uncivilized and "heathen," justified the killing of more than 8,000 men, women, and children between 1848 and 1870. Many survivors were incorporated at the periphery of Anglo society, often as indentured laborers and virtual slaves.
Underpinning the institutional structuring of white supremacy were notions such as "manifest destiny," the inherent good of the capitalist wage-system, and the superiority of Christianity and Euro-American culture, all of which helped to marginalize non white groups in California and justify Anglo-American class dominance. As other racialized groups assumed new roles, Almaguer assesses the complex interplay between economic forces and racial attitudes that simultaneously structured and allocated "group position" in the new social hierarchy.
California remains a contested racial frontier, as political struggles over the rights and opportunities of different groups continue to reverberate along racial lines. "Racial Fault Lines" is an invaluable contribution to our understanding of ethnicity and class in America, and the social construction of "race" in the Far West.