In 2003, Raphael Saadiqreleased the live CD, All Hits at the House of Bluesfollowing it in 2004 with Ray Ray. In demand as a producer, songwriter and musician, Raphael's impressive list of credits includes Whitney Houston, Mary J. Blige, Anthony Hamilton, Devin the Dude, Kelis, Q-Tip, Lil' Skeeter, Ludacris, The Bee Gees, Nappy Roots, T-Boz from TLC, Young Bellz, Earth, Wind & Fire and many others: in 2006, he was the main producer and co-writer of seven songs for the Introducing Joss Stoneproject. Now comes The Way I See It, a masterful collection of new material that speaks to Raphael Saadiq's deep love for rhythm and blues. "While I was making the album, I watched videos by Gladys Knight & The Pips, Al Green, The Four Tops...and fused them all together," Raphael says speaking of the further inspiration he found for creating the album, which truly showcases the rich diversity of funky grooves and smooth balladry that is Saadiq's calling card.

As the Wu-Tang Clan began to expand their empire during the late '90s, a series of hodgepodge albums surfaced that jumbled mainstay clansmen alongside a bunch of questionable affiliates like Sunz of Man and Killarmy. These spotty releases -- namely the Wu-Chronicles series, Wu-Syndicate, and The Swarm -- blurred the line between various-artists compilations and outright albums, and furthermore often billed RZA as executive producer when in fact they featured little of his actual productions and likewise often billed big-name Wu rappers when in fact they featured mostly no-name affiliates. All shadiness aside, this run of releases did include some great moments, several of which are compiled on Wu-Tang Collective, a 15-track British release by Music Club. Each of the genuine Wu members -- RZA, Ol' Dirty Bastard, Raekwon, GZA, Masta Killa, U-God, Inspectah Deck, Method Man, and Ghostface Killah -- show up at least once, usually in support of the many Wu spin-offs as well as a few non-clansmen: tha Liks (alongside Ol' Dirty on "Hip Hop Drunkies"), Cocoa Brovaz (alongside Rae on "Black Trump"), and Big L (alongside Shyheim on "Furious Anger"). The roster of talent on Wu-Tang Collective is dizzying and diverse, no doubt. What's lacking, though, is RZA-quality production, which unfortunately is helmed rarely by the Wu Abbot himself, who was absolutely peerless during this era, as illustrated here by his late-album triptych: "'97 Mentality," "And Justice for All," and "Execute Them." The resulting sum is then just as hodgepodge as the previously released mishmashs it culled itself from, only more selective and thus preferable. Even if Wu-Tang Collective doesn't measure up to an authentic Wu album -- either group or solo -- it's still a relatively solid document of the Clan's ill-fated expansion efforts and has just enough standout moments to engage hungry fans who either missed or bypassed these recordings the first time around. ~ Jason Birchmeier