Though much has been written about particular forms of violence related to religion, such as sacrificial rites and militant martyrdom, there have been few efforts to survey the phenomena in all of the world's major religious traditions, historically and in the present, viewing the subject in personal as well as social dimensions, and covering both literary themes and political conflicts. This compact collection of essays provides such an overview. Each of the essays explores the ways in which violence is justified within the literary and theological foundation of the tradition, how it is used symbolically and in ritual practice, and how social acts of vengeance and warfare have been justified by religious ideas. The nature of the connection between violence and faith has always been a topic of heated debate, especially as acts of violence performed in the name of religion have erupted onto the global stage. Some scholars argue that these acts of violence are not really religious at all, but symptomatic of other elements of society or human nature. Others however point to the fact that often the perpetrators of these acts cite the faith's own foundational texts as their inspiration-and that the occurrence of violence in the name of religion exists across all faith traditions. Is violence, then, the rare exception in religious traditions or is it one of the rules? The contributors to this volume explore many possible approaches to this question and myriad others. How is religion defined? Must a religion be centered on supernatural beings? Does the term refer to social behavior or private? Is dogma or practice the key to its essence? Is it a philosophical system or a poetic structure? And how should violence be defined? From whose perspective and at what point is an act to be deemed violent? What act cannot be construed as violent in some way? For instance, are we talking only about war and genocide, or psychological coercion, social restrictions and binding categorizations? Collectively, the essays in this volume reflect the complex and contested meanings of both religion and violence, providing overviews of engagements with violence in Hindu, Buddhist, Chinese, Sikh, Jewish, Christian, Islamic, African, and Pacific Island religious traditions. By shedding light on the intersection of violence with faith, this volume does much to expand the understanding of the nature of religion itself, and the diverse forms it may take.

In the last few decades, all major presidential candidates have openly discussed the role of faith in their lives, sharing their religious beliefs and church commitments with the media and their constituencies. And yet, to the surprise of many Americans, God played almost no role in the 2012 presidential campaign. During the campaign, incumbent Barack Obama minimized the role of religion in his administration and in his life. This was in stark contrast to his emphasis, in 2008, on how his Chicago church had nurtured him as a person, community organizer, and politician, which ultimately backfired when incendiary messages preached by his liberationist pastor Jeremiah Wright went viral. The Republican Party faced a different kind of problem in 2012, with the increasing irrelevance or absence of founders of the Religious Right such as Pat Robertson or Jerry Falwell. Furthermore, with Mormon Mitt Romney running as the GOP candidate, party operatives avoided shining a spotlight on religion, recognizing that vast numbers of Americans remain suspicious of the Church of Jesus Christ of Latter-day Saints. The absence of God during the 2012 election reveals that the United States is at a crossroads with regards to faith, even while religion continues to play a central role in almost every facet of American culture and political life. The separation of church and state and the disestablishment of religion have fostered a rich religious marketplace characterized by innovation and entrepreneurship. As the generation that launched the culture wars fades into history and a new, substantially more diverse population matures, the question of how faith is functioning in the new millennium has become more important than ever. In Faith in the New Millennium historians, sociologists, and religious studies scholars tackle contemporary issues, controversies, and policies ranging from drone wars to presidential campaigns to the exposing of religious secrets in order to make sense of American life in the new millennium. This melding of past and present offers readers a rare opportunity to assess Americans' current wrestling with matters of faith, and provides valuable insight into the many ways that faith has shaped and transformed the age of Obama and how the age of Obama has shaped American religious faith.

The idea of the pre-existence of the soul has been extremely important, widespread, and persistent throughout Western history--from even before the philosophy of Plato to the poetry of Robert Frost. When Souls Had Wings offers the first systematic history of this little explored feature of Western culture.
Terryl Givens describes the tradition of pre-existence as "pre-heaven"--the place where unborn souls wait until they descend to earth to be born. And typically it is seen as a descent--a falling away from a happier and untroubled state into the turbulent and sinful world we know. The title of the book refers to the idea put forward in antiquity that our souls begin with wings, and that only after shedding those wings do we fall to earth. The book not only traces the history of the idea of pre-existence, but also captures its meaning for those who have embraced it. Givens describes how pre-existence has been invoked to explain "the better angels of our nature," including the human yearning for transcendence and the sublime. Pre-existence has been said to account for why we know what we should not know, whether in the form of a Greek slave's grasp of mathematics, the moral sense common to humanity, or the human ability to recognize universals. The belief has explained human bonds that seem to have their own mysterious prehistory, salved the wounded sensibility of a host of thinkers who could not otherwise account for the unevenly distributed pain and suffering that are humanity's common lot, and has been posited by philosophers and theologians alike to salvage the principle of human freedom and accountability.
When Souls had Wings underscores how durable (and controversial) this idea has been throughout the history of Western thought, the theological dangers it has represented, and how prominently it has featured in poetry, literature, and art.

Explore the haunted history of the RMS "Queen Mary."

This book explores an issue at the nerve of the long term health of all churches: how godly wonder can be reborn through renewed attention to the place of beauty in preaching and worship.
The book opens with an exploration of the theological and cultural difficulties of defining beauty. It traces the church's historical ambivalence about beauty and art and describes how, in our own day, the concept of beauty has been commercialized and degraded. Troeger develops a theologically informed aesthetic that provides a counter-cultural vision of beauty flowing from the love of God.
The book demonstrates how preachers can reclaim the place of beauty in preaching and worship. Chapter two employs the concept of midrash to mine the history of congregational song as a resource for sermons. Chapter three introduces methods from musicology for creating sermons on instrumental and choral works and for integrating word and music more effectively. Chapter four explores how the close relationship between poetry and prayer can stir the homiletical imagination. Each of these chapters includes a selection of the author's sermons illustrating how preachers can use these varied art forms to open a congregation to the beauty of God.
A final chapter recounts the responses of congregation members to whom the sermons were delivered. It uses the insights gained from those experiences to affirm how the human heart hungers for a vision of wonder and beauty that empowers people to live more faithfully in the world.

Hindu Christian Faqir compares two colonial Indian saints from Punjab, the neo-Vedantin Hindu Rama Tirtha (1873-1906) and the Christian convert Sundar Singh (1889-1929). Timothy S. Dobe shows that varied asceticisms, personal exemplary models, and material religion exuded their ambivalent and powerful public presence in Protestant metropolitan centers as much as in colonial peripheries. Challenging ideas of the invention of modern Hinduism, the transparent translation of Christianity, and the construction of saints by devotees, this book focuses on the long-standing, shared religious idioms on which these two men creatively drew to appeal to transnational audiences and to pursue religious perfection. Following both men's usage of Urdu, the book adopts the word "faqir" to examine the vernacular and performative dimensions of Indian holy man traditions, thereby calling special attention to missionary and Orientalist anti-ascetic accounts of the "fukeer" indigenous Islamic traditions and this-worldly religion. Exploring Rama Tirtha and Sundar Singh's global tours in Europe and America, self-conscious sartorial styles, and intimate autobiographical writings, Dobe demonstrates that the vernacular holy man traditions of Punjab provided resources that both men drew on to construct their forms of modern monkhood. The rise of heroic, anti-colonial sannyasis or sadhus of modern Hinduism like Swami Vivekananda is thus repositioned in relation to global Christianity, Sufi, bhakti, and Sikh regional practices, religious boundary-crossing, contestation and conversion. A comparative and contextualized story of two Punjabi holy men's particular performance of sainthood, Hindu Christian Faqir reveals much about the broad, interactional history of religious modernities.

In a long-overlooked diary entry, Franz Kafka admitted to suffering from ''bouts of clairvoyance.'' These bouts of clairvoyance can be seen in his writing, in moments when the solid basis of human cognition totters, the dissolution of matter seems imminent, and objects are jarringly severed from physical referents. June O. Leavitt offers a fascinating examination of the mystical in Kafka's life and writings, showing that Kafka's understanding of the occult was not only a product of his own clairvoyant experiences but of the age in which he lived.
Kafka lived during the modern Spiritual Revival, a powerful movement which resisted materialism, rejected the adulation of science and Darwin, and idealized clairvoyant modes of consciousness. Kafka's contemporaries - such theosophical ideologues as Madame H.P. Blavatsky, Annie Besant, and Dr. Rudolph Steiner - encouraged the counterculture to seek the true, spiritual essence of reality by inducing out-of-body experiences and producing visions of higher disembodied beings through meditative techniques. Leaders of the Spiritual Revival also called for the adoption of certain lifestyles, such as vegetarianism, in order to help transform consciousness and return humanity to its divine nature.
Interweaving the occult discourse on clairvoyance, the divine nature of animal life, vegetarianism, the spiritual sources of dreams, and the eternal nature of the soul with Kafka's dream-chronicles, animal narratives, diaries, letters, and stories, Leavitt takes the reader on a journey through the texts of a great psychic writer and the fascinating epoch of the Spiritual Revival.

Cultural conflicts about the family-including those surrounding women's social roles, the debate over abortion, and in more recent years, debates about stem cell research, same-sex marriage, and contraception-have intensified over the last few decades among Catholics, as well as among American citizens generally. In fact, these conflicts comprise much of the substance of the moral polarization that currently characterizes our public politics. Scholars have demonstrated the importance of the media in the endurance of these conflicts, as well as the important role played by elites, particularly religious elites. But less is known about how individuals in local settings and cultures-especially religious settings-experience and participate in them. Why are these conflicts so resonant among ordinary Americans, and Catholics in particular? By exploring how religion and family life are intertwined in local parish settings, this book strives to understand how and why Catholics are divided around these cultural conflicts about the family. It presents a close and detailed comparative ethnographic analysis of the families and local religious cultures in two Catholic parishes: religiously conservative Our Lady of the Assumption Church and theologically progressive St. Brigitta Church. Through an examination of the activities of parish life, together with the faith stories of parishioners, this book reveals how two congregational social processes-the practice of central ecclesial metaphors, and the construction of Catholic identities-matter for the ways in which parishioners work out the routines of marriage, childrearing, and work-family balance, as well as to the ways they connect these everyday challenges to the public politics of the family. The analysis further demonstrates that these institutional processes promote polarization among Catholics through practices that unintentionally fragment the Catholic tradition in local religious settings.

The Buddhist monk Tanxu surmounted extraordinary obstacles--poverty, wars, famine, and foreign occupation--to become one of the most prominent monks in China, founding numerous temples and schools, and attracting crowds of students and disciples wherever he went. Now, in Heart of Buddha, Heart of China, James Carter draws on untapped archival materials to provide a book that is part travelogue, part history, and part biography of this remarkable man.
This revealing biography shows a Chinese man, neither an intellectual nor a peasant, trying to reconcile his desire for a bold and activist Chinese nationalism with his own belief in China's cultural and social traditions, especially Buddhism. As it follows Tanxu's extraordinary life, the book also illuminates the pivotal events in China's modern history, showing how one individual experienced the fall of China's last empire, its descent into occupation and civil war, and its eventual birth as modern nation. Indeed, Tanxu lived in a time of almost constant warfare--from the Sino-Japanese War of 1895, to the Boxer Uprising, the Russo-Japanese War, the Japanese occupation, and World War II. He and his followers were robbed by river pirates, and waylaid by bandits on the road. Caught in the struggle between nationalist and communist forces, Tanxu finally sought refuge in the British colony of Hong Kong. At the time of his death, at the age of 89, he was revered as "Master Tanxu," one of Hong Kong's leading religious figures.
Capturing all this in a magnificent portrait, Carter gives first-person immediacy to one of the most turbulent periods in Chinese history.

W. E. B. Du Bois is an improbable candidate for a project in religion. His skepticism of and, even, hostility toward religion is readily established and canonically accepted. Indeed, he spent his career rejecting normative religious commitments to institutions and supernatural beliefs. In this book, Jonathon Kahn offers a fresh and controversial reading of Du Bois that seeks to overturn this view. Kahn contends that the standard treatment of Du Bois turns a deaf ear to his writings. For if we're open to their religious timbre, those writings-from his epoch-making The Souls of Black Folk to his unstudied series of parables that depict the lynching of an African American Christ-reveal a virtual obsession with religion. Du Bois's moral, literary, and political imagination is inhabited by religious rhetoric, concepts and stories. Divine Discontent recovers and introduces readers to the remarkably complex and varied religious world in Du Bois's writings. It's a world of sermons, of religious virtues such as sacrifice and piety, of jeremiads that fight for a black American nation within the larger nation. Unlike other African American religious voices at the time, however, Du Bois's religious orientation is distinctly heterodox--it exists outside the bounds of institutional Christianity. Kahn shows how Du Bois self-consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge traditional Christian worldview in which events function to confirm a divine order. Du Bois's antimetaphysical religious voice, he argues, places him firmly in the American tradition of pragmatic religious naturalism typified by William James. This innovative reading of Du Bois should appeal to scholars of American religion, intellectual history, African American Studies, and philosophy of religion.

Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come.
Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality.
Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000years ago.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

Jeffrey L. Broughton offers an annotated translation of the Whip for Spurring Students Onward Through the Chan Barrier Checkpoints, which he abbreviates to Chan Whip. This anthology is a classic of Chan (Zen) Buddhism that has served as a Chan handbook in both China and Japan since its publication in 1600. It is a compendium of extracts, over eighty percent of which are drawn from an enormous Chan corpus dating from the late 800s to about 1600-a survey that covers most of the history of Chan literature. The rest of the text consists of complementary extracts from Buddhist sutras and treatises. The extracts, many of which are accompanied by Chan master Dahui Zhuhong's commentary, deliberately eschew abstract discussions of theory in favor of sermons, exhortations, sayings, autobiographical narratives, letters, and anecdotal sketches dealing frankly and compassionately with the concrete experiences of lived practice.
While there are a number of publications in English on Zen practice, none contain the vivid descriptions found within the Chan Whip. This translation thus fills a large gap in the English-language literature on Chan, and by including the original Chinese text as well Broughton has produced an invaluable tool for scholars and practitioners alike.

A fun, concise and attractive introduction to a fascinating and challenging subject. This is the ideal book for secondary school students and undergraduate students coming to theology for the first time, or indeed for anyone who just doesn't know where to start. The book examines key thinkers from the New Testament to Feminist Theology. It starts by considering some of the authors of New Testament writings and then focuses on representatives of the western tradition of theological speculation. Nearly half the work concentrates on 20th century thinkers and problems. It puts them in their historical, social and cultural settings, emphasizing that theology is as much a reflection on the world we live in as it is on God. Technical terms are explained in simple language throughout the text. This makes the book an ideal reference tool for a clear first overview of theology.

Indian thought is well known for diverse philosophical and contemplative excursions into the nature of selfhood. Led by Buddhists and the yoga traditions of Hinduism and Jainism, Indian thinkers have engaged in a rigorous analysis and reconceptualization of our common notion of self. Less understood is the way in which such theories of self intersect with issues involving agency and free will; yet such intersections are profoundly important, as all major schools of Indian thought recognize that moral goodness and religious fulfillment depend on the proper understanding of personal agency. Moreover, their individual conceptions of agency and freedom are typically nodes by which an entire school's epistemological, ethical, and metaphysical perspectives come together as a systematic whole. Free Will, Agency, and Selfhood in Indian Philosophy explores the contours of this issue, from the perspectives of the major schools of Indian thought. With new essays by leading specialists in each field, this volume provides rigorous analysis of the network of issues surrounding agency and freedom as developed within Indian thought.

Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.
Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.
Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readersinterested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.

Stephen C. Berkwitz's Buddhist Poetry and Colonialism examines five works by a single poet to demonstrate how Buddhism in Sri Lanka was shaped and transformed by encounters with Portuguese colonizers and missionaries in the sixteenth and seventeenth centuries. By following the written works of Alagiyavanna Mukaveti (1552-1625?) from the court of a powerful Sinhala king through the cultural upheavals of warfare and Christian missions and finally to his eventual conversion to Catholicism and employment under the Portuguese Crown, this book uses the poetry of a single author to reflect upon how Sinhala verse fashioned new visions of power and religious identity when many of the traditional Buddhist institutions were in retreat. Berkwitz traces the development of Alagiyavanna's poetry as a medium for celebrating the fame of rulers, devotion to the Buddha and his Dharma, morality and truth in the Buddha's religion, and the glories of Portuguese rule in Sri Lanka. Employing an interdisciplinary approach that combines Buddhist Studies, History, Literary Criticism, and Postcolonial Studies, the author constructs a picture of the effects of colonialism on Buddhist literature and culture at an early juncture in the history of the encounter between Asia and Europe.

The writers of the Bible speak to us with their words, and the Bible's characters speak to us with their lives. Their powerful examples reveal the spiritual inspiration and brilliant insight the human writers and the divine Writer intended. Times, cultures, traditions, and societal values may change from century to century, but human nature does not.

We value people whose words and actions reflect their true thoughts and intentions. People of integrity purposely integrate their own thoughts, words, and behaviors. They work at making their own hearts and minds, thoughts and ideas consistent with the godly character portrayed in Scripture.

These twenty-five Bible personalities in Choose Your Character cultivate a desire to deepen the commitment to live a life of unfailing integrity. Their examples teach us how to increase our personal satisfaction and effectiveness while strengthening our ability to influence others.