Love, Roshi explores the relationship between Robert Baker Aitken (1917 2010), American Zen teacher and author, and his distant correspondents, individuals drawn to Zen teachings and practice through books. Aitken, founder of the Honolulu Diamond Sangha, promoted Zen to a wide audience in works such as Taking the Path of Zen and The Mind of Clover. Aitken s twentieth-century American Zen valued social justice and was compatible with work and family life.
Helen J. Baroni makes use of Aitken s extensive correspondence preserved in an archive at the University of Hawaii to provide a window to view the beliefs and practices of the least-studied and a difficult to study segment of the Western Buddhist community, Buddhist sympathizers and solo practitioners. The book looks at the concerns of these correspondents, which included questions on meditation, dealing with isolation as a Buddhist, finding teachers and disillusion with teachers, and being a Buddhist in prison, among a myriad of other matters. The writers letters reveal much about their notion of Zen and their image of a Zen master. Coverage of Aitken s responses provides insight into the accommodation of solo practitioners and into the development of a particular strain of American Buddhism."

This book analyses the social, political and religious life of the Hyolmo people of Nepal. Highlighting patterns of change and adaptation, it addresses the Shamanic-Buddhist interface that exists in the animated landscape of the Himalayas. Opening with an analysis of the ethnic revival of Nepal, the book first considers the Himalayan religious landscape and its people. Specific attention is then given to Helambu, home of the Hyolmo people, within the framework of Tibetan Buddhism. The discussion then turns to the persisting shamanic tradition of the region and the ritual dynamics of Hyolmo culture. The book concludes by considering broader questions of Hyolmo identity in the Nepalese context, as well as reflecting on the interconnection of landscape, ritual and identity. Offering a unique insight into a fascinating Himalayan culture and its formation, this book will be of great interest to scholars of indigenous peoples and religion across religious studies, Buddhist studies, cultural anthropology and South Asian studies.

Today the Kumbh Mela in Allahabad, India, is a major Hindu religious pilgrimage and the largest religious gathering in the world. In 2001, according to the government of Uttar Pradesh, 30 million pilgrims were drawn to the confluence of the rivers Ganga and Yamuna on the most auspicious day for bathing. In an impressive feat of organization and administration, the first mela of the new millennium was managed to the overwhelming satisfaction of most, with an impressive health and safety record. The loudest complaint had to do with the intrusive presence of the media. Journalists, largely representing foreign media outlets, had swarmed to the mela, intent on broadcasting to a global audience sensational images of naked (or wet-sari-clad) Indians taking part in "ancient" religious rituals.
Resistance to foreign interference with the mela has roots that go back 200 years. The British colonial state and the colonized had different ideas about what the Kumbh Mela represented: for the former, it was a potentially dangerous gathering that demanded tight regulation and control, but for the latter it was a sacred sphere in which foreign domination and interference were intolerable. In this book Kama Maclean examines this tension and the manner in which it was negotiated by each side. She asks why and how the colonial state tried to manipulate the mela and, more important, how the mela changed as Indians responded to the colonial power. In recent years many scholars have emphasized the extent to which the Kumbh Mela has been monopolized by the Hindu nationalist movement. Maclean seeks to situate the history of the Kumbh Mela in Allahabad within a much broader context. She explores the role ofa pilgrimage fair like the Kumbh Mela in disseminating ideas, particularly political ones like nationalism and ideas about social reform.
Kama Maclean tells the mesmerizing and important story of the Kumbh Mela with exciting detail as well as careful scholarly attention, illuminating for the reader the full scope of the event's historical and socio-political context.

Tibetan Buddhism and the Dalai Lama enjoy global popularity and relevance, yet the longstanding practice of oracles within the tradition is still little known and understood. The Nechung Oracle, for example, is believed to become possessed by an important god named Pehar, who speaks through the human medium to confer with the Dalai Lama on matters of state. The Dalai Lama and the Nechung Oracle is the first monograph to explore the mythologies and rituals of this god, the Buddhist monastery that houses him, and his close friendship with incarnations of the Dalai Lama over the centuries. In the seventeenth century, during the reign of the Fifth Dalai Lama, the protector deity Pehar and his oracle at Nechung Monastery were state-sanctioned by the nascent Tibetan government, becoming the head of an expansive pantheon of worldly deities assigned to protect the newly unified country. The governments of later Dalai Lamas expanded the deity's influence, as well as their own, by establishing Pehar at monasteries and temples around Lhasa and across Tibet. Pehar's cult at Nechung Monastery came to embody the Dalai Lama's administrative control in a mutual relationship of protection and prestige, the effects of which continue to reverberate within Tibet and among the Tibetan exile community today. The friendship between these two immortals has spanned nearly five hundred years across the Tibetan plateau and beyond.

Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient with many transitions or amalgamations with other cults having occurred along the way and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena."

In this book, Herman argues that Herman Melville may have been aware of Buddhist thought far earlier than previously considered. Scholars have long known of Melville's interest in Buddhism in the final decades of his life (seen in the short poem "Buddha," and perhaps even the surname of his final protagonist, Billy "Budd"). But as early as 1847, Melville had knowledge of "the grand lama of Thibet," mentioning him in that year's Omoo. And the five years directly preceding the composition and publication of Moby-Dick (1844-1849) coincided with the period during which interest in Buddhism turned from an obscure curiosity among American intellectuals to formal research among religious scholars in the United States. In Moby-Dick's wide philosophical musings and central narrative arch, Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick's construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books-offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

Sayings of the Buddha and other Masters will help people connect to a spiritual path and find their divinity. Each page contains inspiring quotes, sayings and insights, allowing the reader to dip in at any time. Great to place on your office desk, coffee table, bookshelf or by your bed. Quotations and sayings have been chosen from the likes of Milarepa, Longchenpa, his Holiness the 14th Dali Lama, Thich Nhat Hanh and Sogyal Rinpoche. As well as wisdom from other great masters, teachers and writers such as Cicero, the Sufi poet Rumi, Lao Te Tzu, Mother Theresa and Shakespeare.

The Artful Universe introduces the Vedic religion, a rich and densely textured tradition that has influenced the religious sensibilities of India for 3500 years or more. Engagingly written and based on traditional as well as modern Vedic scholarship, the book introduces Vedic ideas regarding the nature of divinity, the structure of the sacred universe, the process of revelation, the function of ritual as hallowed activity, and the realizations lying behind the practice of meditation. As a way to link these diverse aspects of Vedic religion, Mahony identifies and highlights the important role of the divine and human imagination in the formation, revelation, and reformation of a meaningful world.

In 1812, Sir John Malcom, a Lieutenant General in the British Army wrote "A Sketch of the Sikhs," commonly believed to be the first account of the Sikhs written by a non-Sikh. In truth, soldiers, travelers, diplomats, missionaries, and scholars had provided accounts for many years before that. Drawing on this difficult-to-find material, the editors of this volume have compiled a unique source that offers a fascinating insight into the early developments in Sikh history. From the first ever written accounts of the Sikhs by Persian chroniclers of the Moghul Emperor to the travel diary of an Englishwoman, this volume contains material invaluable to those studying the evolution of the Sikh religion.

The sutras of the great sage Patanjali, which together constitute a landmark text in yoga spiritualism, are available here in this classic translation by theosophic scholar Charles Johnson. Historically the most translated of all ancient Indian texts, Patanjali's sutras since the beginning of the 20th century enjoyed audiences within and outside India. The translator Charles Johnson was one of Ireland's celebrated theosophists, with a great interest in the religious and philosophical texts of old. This edition originally appeared in 1912, and introduced yoga to Western audiences. The sutras explain the tenets of various yoga, and how the yogi is able to absorb energy and strengthen thereby. The means of gradually attaining a serene mental state known as Kaivalya as a precursor to the blissfulness of samadhi is detailed. The constant practice and disciplined honing of the bodily senses, and the differing forms of yoga used to achieve a state of perfection in each pillar of the practice.

The Chinese Buddhist canon is a systematic collection of all translated Buddhist scriptures and related literatures created in East Asia and has been regarded as one of the "three treasures" in Buddhist communities. Despite its undisputed importance in the history of Buddhism, research on this huge collection has remained largely the province of Buddhologists focusing on textual and bibliographical studies. We thus aim to initiate methodological innovations to study the transformation of the canon by situating it in its modern context, characterized by intricate interactions between East and West as well as among countries in East Asia. During the modern period the Chinese Buddhist canon has been translated, edited, digitized, and condensed as well as internationalized, contested, and ritualized. The well-known accomplishment of this modern transformation is the compilation of the Taisho Canon during the 1920s. It has become a source of both doctrinal orthodoxy as well as creativity and its significance has greatly increased as Buddhist scholarship and devotionalism has utilized the canon for various ends. However, it is still unclear what led to the creation of the modern editions of the Buddhist canon in East Asia. This volume explores the most significant and interesting developments regarding the Chinese Buddhist canon in modern East Asia including canon formation, textual studies, historical analyses, religious studies, ritual invention, and digital research tools and methods.

Refuting prophecies of an unstoppable increase in secularization, the fascination of religious rituals proofs to be unbroken in the late modern world. This book contests classical paradigms that reduce the rationale of rituals to normativity (Durkheim), intelligibility (Geertz) and dialectics (Turner). Instead, it shows that rituals assert their significance in the post-colonial and globalizing world by successfully negotiating structure and contingency, identity and hybridity, script and embodiment. Its case studies are dealing with a broad variety of ritual genres and expressions, including initiation ceremonies and spirit possession, new harvest ceremonies, cults of ancestors, deities and saints, ceremonial receptions, inaugurations and memorials, ritual theatre, carnival and ritual painting in contemporary Brazil, Germany, France, India, Japan, Taiwan, USA, Vietnam, and Yemen.

Jesuit on the Roof of the World is the first full-length study in any language of Ippolito Desideri (1684-1733), a Jesuit explorer and missionary who traveled in Tibet from 1715 to 1721.
Based on close readings of a wide range of primary sources in Tibetan, Italian, and Latin, Jesuit on the Roof of the World follows Desideri's journey across the great Western deserts of Tibet, his entry into the court of the Mongol chieftain Lhazang Khan, and his flight across Eastern Tibet during the wars that shook Tibet during the early-eighteenth century. While telling of these harrowing events, Desideri relates the dramatic encounter between his Jesuit philosophy and the scholasticism of the Geluk monks; the personal conflict between his own Roman Catholic beliefs and his appreciation of Tibet religion and culture; and the travails of a variety of colorful characters whose political intrigues led to the invasion of Zunghar Mongols of 1717 and the establishment of the Chinese protectorate in 1720.
As the Tibetans fought among themselves, the missionary waged his own war against demons, sorcerers, and rival scholastic philosophers. Towering over all in the mind of the missionary was the "fabulous idol" Avalokitesvara and its embodiment in the Sixth Dalai Lama Tsangyang Gyatso. In describing his spiritual warfare against the Tibetan "pope," the missionary offers a unique glimpse into theological problem of the salvation of non-Christians in early modern theology; the curious-and highly controversial-appeal of Hermetic philosophy in the Asian missions; the political underbelly of the Chinese Rites Controversy; and the persistent European fascination with the land of snows."

Drawing from more than a decade of field and archival research, this monograph concerns Cambodian cultural history and historiography, with an ultimate aim of broadening and deepening bases for understanding the Cambodian Theravadin politico-cultural complex. The book takes the form of an interdisciplinary analysis of performative and representational strategies for constituting social collectivities, largely developed at Angkor. The analysis involves extended close readings of a wide range of cultural artefacts including epigraphic and manuscript texts, sculpture and ritual practices. The author proposes a critical re-evaluation of dominant paradigms of Cambodian historiography in view of engendering new histories, or hybrid histories, which make room for previously absent perspectives and voices, while developing new theoretical tools engaging with and partially derived from "indigenous" narrative practices in the broadest sense. In this history-making process the historical event is shown to never be entirely separable from its aesthetic representation. Particular attention is paid to the roles of sexual difference in such (re)constructions of history. The book presents a theory of power capable of accounting for the historical phenomena by which vernacular cultures appropriate, subvert and submit to cosmopolitan forces. It charts out a novel approach to the study of classical Southeast Asian materials, and is of interest to students and scholars of Asian Art, Religion and Philosophy, Buddhism and Southeast Asian History.

The Thiri Rama - or the Great Rama - was written for court performance and is the only known illustrated version of the Ramayana story in Myanmar. Based on palm-leaf manuscripts and scenes carved on over 300 sandstone plaques at a mid-nineteenth-century Buddhist pagoda west of Mandalay in Myanmar, this book presents an original translation of the Thiri Rama rendered in prose. The volume also includes essays on the history and tradition of the Ramayana in Myanmar as well as the cultural context in which the play was performed. It contains many helpful resources, incorporating a glossary and a list of characters and their corresponding personae in Valmiki's Ramayana. With over 250 fascinating visuals and core text contributions by distinguished Burmese scholars, U Thaw Kaung, Tin Maung Kyi, and U Aung Thwin, this book will greatly interest scholars and researchers of South and Southeast Asian culture, literary forms, epics, art and art history, theatre and performance studies, religion, especially those concerned with Hinduism, as well as folklorists.

Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. 'Gandhara' is also the term given to this region's sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara - from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) - as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.

This book offers a focused examination of the Bengali Vaisnava tradition in its manifold forms in the pivotal context of British colonialism in South Asia. Bringing together scholars from across the disciplines of social and intellectual history, philology, theology, and anthropology to systematically investigate Vaisnavism in colonial Bengal, this book highlights the significant roles-religious, social, and cultural-that a prominent Hindu devotional current played in the lives of wide and diverse sections of colonial Bengali society. Not only does the book thereby enrich our understanding of the history and development of Bengali Vaisnavism, but it also sheds valuable new light on the texture and dynamics of colonial Hinduism beyond the discursive and social-historical parameters of an entrenched Hindu "Renaissance" paradigm. A landmark in the burgeoning field of Bengali Vaisnava studies, this book will be of interest to scholars of modern Hinduism, religion, and colonial South Asian social and intellectual history.

Theravada Buddhism has experienced a powerful and far-reaching revival in modern Nepal, especially among the Newar Buddhist laity, many of whom are reorganizing their lives according to its precepts, practices and ideals. This book documents these far-reaching social and personal transformations and links them to political, economic and cultural shifts associated with late modernity, and especially neoliberal globalization. Nepal has changed radically over the last century, particularly since the introduction of liberal democracy and an open-market economy in 1990. The rise of lay vipassana meditation has also dramatically impacted the Buddhist landscape. Drawing on recently revived understandings of ethics as embodied practices of self-formation, the author argues that the Theravada turn is best understood as an ethical movement that offers practitioners ways of engaging, and models for living in, a rapidly changing world. The book takes readers into the Buddhist reform from the perspectives of its diverse practitioners, detailing devotees' ritual and meditative practices, their often conflicted relations to Vajrayana Buddhism and Newar civil society, their struggles over identity in a formerly Hindu nation-state, and the political, cultural, institutional and moral reorientations that becoming a "pure Buddhist"-as Theravada devotees understand themselves-entails. Based on more than 20 years of anthropological fieldwork, this book is an important contribution to scholarly debates over modern Buddhism, ethical practices, and the anthropology of religion. It is of interest to students and scholars of Asian Religion, Anthropology, Buddhism and Philosophy.

The transformations Buddhism has been undergoing in the modern age have inspired much research over the last decade. The main focus of attention has been the phenomenon known as Buddhist modernism, which is defined as a conscious attempt to adjust Buddhist teachings and practices in conformity with the modern norms of rationality, science, or gender equality. This book advances research on Buddhist modernism by attempting to clarify the highly diverse ways in which Buddhist faith, thought, and practice have developed in the modern age, both in Buddhist heartlands in Asia and in the West. It presents a collection of case studies that, taken together, demonstrate how Buddhist traditions interact with modern phenomena such as colonialism and militarism, the market economy, global interconnectedness, the institutionalization of gender equality, and recent historical events such as de-industrialization and the socio-cultural crisis in post-Soviet Buddhist areas. This volume shows how the (re)invention of traditions constitutes an important pathway in the development of Buddhist modernities and emphasizes the pluralistic diversity of these forms in different settings.

The book offers a comprehensive discussion on the Buddhist liberation and meditation concepts based on the original Pali scriptures of Theravada Buddhism. It interprets the early Buddhist soteriology critically and sympathetically by interweaving the Buddhological and the Buddhistic debates on understanding the Buddha's original teaching on bondage, liberation, liberated ones, and meditation. It showcases the liberal and pluralistic character of early Buddhist soteriology by interpreting it psychologically through the lens of the Buddha's recognition of two sets of psychosomatic and epistemic mental configurations active in the human mind. It shows how this dualism pervades the early Buddhist soteriology by pointing out its recognition of craving and ignorance as two causes of suffering; the emancipation of mind and the emancipation by wisdom as two constituents of liberation; and the meditative appeasing and the meditative watching as two methods to attain that liberation. It demonstrates how the Buddha structures a gradual path to liberation enabling individuals to experience many temporary and irreversible secondary goals along the way and allowing them to join the path at any stage appropriate to their temperaments and advancement at a given time and space. The book therefore serves the students and scholars of Buddhism, religion, and psychology to obtain a comprehensive and insightful introduction to Buddhist soteriology.

This study focuses on the devices implemented in Classical Indian texts on ritual and language in order to develop a structure of rules in an economic and systematic way. These devices presuppose a spatial approach to ritual and language, one which deals for instance with absences as substitutions within a pre-existing grid, and not as temporal disappearances. In this way, the study reveals a key feature of some among the most influential schools of Indian thought. The sources are Kalpasutra, Vyakarana and Mimamsa, three textual traditions which developed alongside each other, sharing - as the volume shows - common presuppositions and methodologies. The book will be of interest for Sanskritists, scholars of ritual exegesis and of the history of linguistics.