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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
By 1650, the spiritual and political power of the Catholic Church
was shattered. Thanks to the twin blows of the Protestant
Reformation and the Thirty Years War, Rome, celebrated both as the
Eternal City and Caput Mundi (the head of the world) had lost its
pre-eminent place in Europe. Then a new Pope, Alexander VII, fired
with religious zeal, political guile and a mania for building,
determined to restore the prestige of his church by making Rome the
must-visit destination for Europe's intellectual, political and
cultural elite. To help him do so, he enlisted the talents of
Gianlorenzo Bernini, already celebrated as the most important
living artist: no mean feat in the age of Rubens, Rembrandt and
Velazquez. Together, Alexander VII and Bernini made the greatest
artistic double act in history, inventing the concept of soft power
and the bucket list destination. Bernini and Alexander's creation
of Baroque Rome as a city more beautiful and grander than since the
days of the Emperor Augustus continues to delight and attract.
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