The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.

With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols - they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life - the spiritualism, moralism and the wit - within the carvings still found in churches today.

Ivory has been held in the highest esteem for millennia. This comprehensive and authoritative study of this beautiful and versatile material provides a global history of ivory - from the myths and beliefs held by prehistoric man, through its utilitarian uses in the Arctic and the beautiful carvings in medieval Europe, to its links with war, the slave trade, and religion. Covering in detail its composition and unique properties, its sources in the animal kingdom and their conservation status, the book demonstrates how ageing and the different types of ivory and its imitations can be tested for and identified with confidence. Ivory also explores how it has been worked by craftsmen and used over the years, from carving and marquetry to the manufacture of black paint, as well as the methods employed. Sound advice and useful tips are provided on caring for ivory and on how to deal with ivory that has been damaged, for example, by stains, scratches, cracks, or dirt. Lavishly illustrated throughout with colour photographs, Ivory is an invaluable guide for collectors, antique dealers, curators, gemmologists, conservationists and frequenters of flea markets, as well as those who simply love this attractive material.

Ceramicists searching for new ways to fire their creations now have a wealth of options. Authors James Watkins and Paul Wandless, along with a group of distinguished artisans, demonstrate in detail how to build low-cost, low-tech, yet high-quality kilns and varied firing techniques. The plans range from an easy, affordable and versatile Raku Kiln to a unique wood-fuelled Downdraft Stovepipe Barrel kiln. These clever devices make it possible to produce rich surface effects from alternative reduction firing techniques. In addition to showing the basic procedures for using each kiln, easy-to-follow directions for many fast-fire methods unfold in color photographs: you'll see how to achieve terra sigillata surfaces with direct chemical application and how to do traditional crackle-glaze raku and smoke finishes.