William Reid Dick (1878-1961) was one of a generation of British sculptors air-brushed out of art history by the Modernist critics of the late twentieth century. This long-overdue monograph adds to the recent revival of interest in this group of forgotten sculptors, by describing the life and work of arguably the leading figure of the group in unprecedented depth. The facts of Reid Dick's life and his most important works are presented against a backdrop of the historical, social and aesthetic changes taking place during his lifetime. Dennis Wardleworth elucidates why Reid Dick's reputation plummeted so quickly, and why his position in the history of British art deserves to be restored. This study draws upon a wealth of previously unpublished material, including over 2000 letters, and press cuttings and photographs in the Tate Archive, as well as letters and photographs held by Reid Dick's family. It traces the sculptor's story from his birth in the Gorbals in Glasgow, to his election to the Royal Academy and knighting by George V, to the decline of his career and his late-life connection with American millionaire and art collector Huntington Hartford. The first monograph on Reid Dick since 1945, the book also includes images of over 40 of his works and a listing of over 200 works identified by the author.

An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian). 'Dark and brilliant.' SARAH MOSS 'A masterpience.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Hall has set a bar . . . Finely wrought, intellecutally brave and emotionally honest.' THE SCOTSMAN In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world. 'Sarah Hall makes language shimmer and burn . . . One of the finest writers at work today.' DAMON GALGUT 'Wonderful . . . The writing goes down smoking hot onto the page.' ANDREW MILLER 'I can think of no other British writer whose talent so consistently thrills, surprises and staggers . . . With Burntcoat she has solidified her status as the literary shining light we lesser souls aspire to.' BENJAMIN MYERS

Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.

This second volume opens with a description of the Half-Track's incarnation as a weapons carrier, with all variants and versions presented on 75 pages of drawings along with a collection of photographs. The next chapter discusses further development of the vehicle's versions, which were not mass produced, illustrated with photographs and fabric drafts. Also included is a description of the usage of the Half-Track during World War II, when it was utilised by the US Army and the USMC mainly for supplies of land-lease. Polish Armed Forces also used these vehicles both in the West and in the East, even after the war had ended. This monograph contains a chapter about camouflage and the different markings of the Half-Trak's versions, in 12 superb colour plates. For modellers, there is a list of models and accessories, and the book comes complete with 34 pages of 3D colour graphics, colour photographs of museum exhibits and current running restored vehicles. This book is bilingual, with Polish and English text and captions. About Gun Power This series focuses on the armour, armoured vehicles and artillery. Every book contains a chapter about the design's history, drawings in modelling scales, colour plates presenting camouflaging schemes and a modelling chapter. The part covering the design's development history is illustrated by a large number of photographs. The plans show different variants, all non-standard versions and modifications of the vehicles or guns in several views, and depict the details in the highest possible quality. Specifically for the modellers, the included colour profiles are printed in the same scale. A separate, comprehensive modelling chapter goes through the models and accessories sets available.

The first study of its kind, featuring over 80 important artists who have lived in Florida. With its natural beauty, distinctiveness, and warmth, Florida has attracted an abundance of artists for centuries. While fine painters have been featured in art books about the state, little has been written about important sculptors who have adopted it. To remedy the dearth of literature on the subject, Florida Sculptors and Their Work: 18802020 is a tribute to these diverse artists who have enchanted, amused, saddened, or outraged us. Capturing the Sunshine State's essence, this well-researched and generously illustrated volume tells the fascinating stories of these creative people and reveals secrets behind their three-dimensional artfrom realistic to abstract to folk art. Discover how Florida has inspired such world-renowned artists as Augusta Savage, Duane Hanson, Richard Anuszkiewicz, John Chamberlain, and Robert Rauschenberg, as well as lesser-known yet highly praised sculptors who have enhanced collections throughout the world and changed the states profile with their iconic public art. This indispensable resource is a must-have for those interested in Florida's art, history, and culture.

A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.

Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.

Everthing you need to know to create an entire miniature market and incredibly realistic produce in polymer clay. Master modeller Angie Scarr has perfected the craft of creating fruit, vegetables, meat, fish, cheeses, bread, pastries and gateaux in marvellous detail - right down to the earth on her potatoes and delicate veining on cabbage leaves and orange segments - and setting them in context by building market stalls, complete with striped canopies, wooden fruit boxes, punnets and other display items. Polymer clay modelling techniques include: simple caning; colour blending; stacking; advanced caning; combination techniques; advanced ideas; Step-by-step colour photography shows you how to create your own mouthwatering masterpieces of miniature art. Full plans and construction techniques for all the projects. Out of the dolls' house and into the street - bringing miniature hobbyists to a wider panorama for their craft.

The first monograph on a digital art phenomenon As one of the originators of the current “everyday” movement in 3D graphics, Mike Winkelmann has been creating a picture every day—from start to finish—and posting it online for more than ten years, without ever missing a single day. In doing that, he built an incredible community of fans, becoming one the biggest visual artists on social media, with 1.7 million followers on Instagram and more than 500,000 on Facebook, and establishing an important presence on other platforms.Mixing classic sci-fi themes, pop culture characters, and political satire, Winkelmann’s daily posts are liked and shared by thousands of people. Beeple: Everydays, the First 5000 Images is his debut monograph and features the 5,000 images he has created from the debut of his career through the first days of 2021. This is the book his fans have been asking him to create for years.

This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.

French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falguiere, Mercie, Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.

Beautifully decorated china is an asset to any home, and china and ceramics that you have designed and painted yourself have a unique quality that makes them even more special. Instead of searching for commercially made ornaments and tableware, buy inexpensive plain china pieces and paint them yourself, choosing a favourite design or colourscheme to match the style of your home. The enjoyment you get from your personalized china pieces will last well beyond the initial fun of painting: today's paints give results that are durable and washable, and mean that you can use your decorated china for practical use as well as for decoration and display. The 20 projects include star-studded espresso cups and saucers as well as bathroom accessories and a child's teatime set. Each project is presented step-by-step, with full-colour photographs to show clearly how each stage should progress. Painting China provides everything you need to produce your own highly distinctive ceramics and bring a touch of individuality to your home.

Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. * Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations * Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies * Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context * Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing * Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered

Blender is the world's premier open source 3D software, created by some of the best digital artists working in creative industries around the globe. This book will give those interested in this versatile and expansive tool all the information they will need as they start their journey into 3D. Beginning with the fundamentals of working with 3D, this thorough tutorial book will help you piece together a skill set that will have you creating stunning 3D character in no time at all. Four complete projects will walk you through the creation of multiple characters, covering topics such as modeling, sculpting, and rendering.

Just six miles from the center of Belfast, County Down, on the plateau of Ballynahatty above the River Lagan, is one of Ireland’s great Neolithic henge monuments: the 200 m wide Giant’s Ring. For over a thousand years, this area was the focus of intense funerary ritual seemingly designed to send the dead to their ancestors and secure the land for the living. Scattered through the fields to the north and west of the Ring are flat cemeteries, standing stones, tombs, cists, and ring barrows – ancient monuments that were leveled by the plough when the land was enclosed in the 18th and 19th centuries. A great 90 m long timber enclosure with an elaborate entrance and inner ‘temple’ was first observed through crop marks in aerial photos. Excavation of the site between 1990–1999 revealed a complex structure composed of over 400 postholes, many over 2 m deep. This was a building in the grand style, elegantly designed to control space, views, and access to an inner sanctum containing a platform for exposure of the dead. By 2550 BC, the timber ‘temple’ had been swept away in a massive conflagration and the remains dismantled. Ballynahatty was one of the last great public ceremonial enterprises known to have been constructed by the Neolithic farmers in Northern Ireland, an enterprise proclaiming their enigmatic religion, ancestral rights and territorial aspirations. This report reconstructs the remarkable building complex and explains the sophistication and organization of its construction and use. The report sets the site and excavation in the wider development of the Ballynahatty landscape and its study to the present day.

India's Kochi-Muziris Biennale has been described as one of the most significant newly emergent biennales, alongside Shanghai, Sharjah and Dakar. However, there have been few sustained and critical studies of these events as specific sites of production and reception of contemporary art. This book, engaging with the Kochi Biennale, provides detaile

This is the first detailed guide to one of the most important traditional woodcarving skills, carving. Wilbur takes the reader, step-by-step, from the basic building blocks of classical design to the practicalities of carving enriched mouldings, volutes, rosettes and capitals. A thorough primer in classical ornament, this book will be indispensable to cabinetmakers and furniture restorers as well as carvers.

Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.

This lavishly illustrated book breaks new ground in focusing on some of the many successful professional British women sculptors active during this period. Largely unknown, the few women who have been mentioned in histories of twentieth century British sculpture have been those who adhered to the (masculine) Modernist canon. Organized by theme this book explores and illustrates an unusually large number of and stylistically varied works. The social and cultural contexts in which these women sculptors were working are investigated, revealing how, mostly male, commentators often fixated on their gender at the expense of seriously engaging with their work. A wide variety of sources are used, ranging from contemporary art historical accounts to articles in popular magazines. This book explores contemporary sculptural developments, art school training, exhibiting opportunities, and the writings of influential critics. It also reveals how important photography, film and the written word were in the creation of reputations. Alongside revealing important works and individuals, this book's originality also lies in its scope, covering diverse sculptural genres such as decorative sculpture and utilitarian objects for the home and garden; portraits and statues; architectural sculpture, war memorials and ecclesiastical work.

The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.

Catalogue and iconography of the extraordinary wealth of images of Sir Isaac Newton, both before and after his death. Sir Isaac Newton [1642-1727] is rare among figures of the past for the number of authentic paintings, engravings and images of him which survive. He was painted by some nine different artists in the latter part of his life, and after his death both portraits and sculptures continued to proliferate, the amazing demand for representations of his image demonstrating his immense fame. This iconography, lavishly illustrated in both colour and black and white, and involving the disciplines of History of Art and History of Science, catalogues 231 icons in two sections, and is thus an invaluable guide to the images. Part I contains 122 portraits and Part II 109 sculptures, about fifty of which were produced before his death, the rest from then until 1800.

Celebrate the splendor of wood with these wood-crafting projects. From simple woven panels to making a functional yurt, Woodland Craft features an array of easy-to-follow projects that include crafts for the farm, garden, wood fuel, building and domestic use. Green wood - wood that has been recently cut and is therefore still moisture-rich - is the predominant material used in the projects featured in this essential guide for craftsman of all levels. With Woodland Craft: you'll learn all you need to know about tools and devices, both old and new. you'll browse through the directory of tree species and identify the best uses for each. you'll gain the insight you need to make practically anything out of this clean, crisp, beautiful element. Includes 700 illustrations and photographs

Munnu: Vision & Passion traces the creativity and vivacity of the late Munnu Kasliwal. Kasliwal’s magical designs put The Gem Palace, his family’s jewellery house, and India on the fashion map of the jewellery world. The book follows the design journey of Munnu Kasliwal of The Gem Palace Jaipur, a jewellery house synonymous with luxury, sophisticated style, striking statement pieces, and exquisite craftsmanship. Munnu: Vision & Passion chronicles the metamorphosis of The Gem Palace from a local jewellery firm to an international jewellery house, an evolution synchronous with Munnu’s life. From the creation of the ‘T-shirt’ necklace to dreaming up settings that fused gemstone and metal in unique ways, Munnu produced a new genre of jewels that bridged the historical past with an uber-stylish present. While Munnu loved and admired traditional Indian opulence and grandeur, he brought a unique vision and passion, a rare sensibility and elegance to all his designs, establishing his unique style. To Munnu, a piece of jewellery was a beautiful creation, to be liberated from the confines of the conventional. Published as a tribute to Munnu, this book documents his design journey for more than two decades.