The captivating biography of one of the most important designers of the twentieth century - adapted for Sky Cinema starring Phoebe Dynevor, Matthew Goode and David Morrissey Clarice Cliff was one of the most prominent ceramic designers of the twentieth century. Born in 1899 in the Staffordshire Potteries, she started work as just another factory girl, but by 1928 had launched her own range of pottery, 'Bizarre'. A 'gargantuan feast of colour', it blazed a trail through the homes of inter-war Britain. But if Clarice Cliff's rise from apprentice gilder to art director was remarkable - and all the more so for her being a woman - it was not without its tensions; for years she conducted a secret relationship with her married boss. Fusing art, design and industry and vividly conveying the texture of women's lives between the wars, this is a compelling study of the complex, talented woman whose work is for many the epitome of art deco.

This book is a retrospective volume on Latin American new media arts, arising from the Cities in Dialogue exhibition that was held in in FACT in conjunction with the University of Liverpool and the Liverpool Independents Biennial in 2014. There is also plenty of detail about the other events that were held during 2014 and into 2015, including workshops, artist talks, Twitter galleries and the Artist in Residence and his activities. One chapter is dedicated to each artist and the works they presented at the exhibition: Brian Mackern from Uruguay, Barbara Palomino from Chile, Marina Zerbarini from Argentina, and Ricardo Miranda Zuniga from the US. There is also an extensive chapter about the exciting new residence artwork created by Artist in Residence Brian Mackern. Entitled This Too Shall Pass// Affective Cartographies, this work is based on footage obtained through a series of unplanned journeys along Liverpool's urbanscape. The gathering of information and recording of sound and visual material during these journeys is then remixed in this artwork by different parameters (volume levels, transparencies, zooms, fragmentations, crossfadings, speeds of timelines, etc.) controlled by Liverpool's "socio economic historic curve" of the last century. In this book you can find out about all of these works, and other pieces by these artists. The book includes full colour images throughout, including exclusive images of works in progress, as well as excerpts of interviews with the artists. At the back of the book you can find links to online resources, including the art works themselves, audio interviews with the artists, image galleries, and more.

In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.
Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuna's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions.
Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past."

Here is a comprehensive look at the carving and painting techniques needed to create a beautiful and lifelike representation of the green-wing teal, one of the most colorful and easily distinguished of ducks. Master carver Jeffrey Moore starts with a preshaped, duplicated bird to simplify the rough carving process, then demonstrates the use of burning and high speed texturing equipment to achieve remarkable carving detail and realism. Detailed instructions accompany each color photograph, with variations in carving the hen and drake clearly shown and explained. Tips for carving the feathers, heads, and primaries, all easily accomplished by the average carver, are provided. Once the carving is completed, the book takes the reader through step by step airbrushing and brush painting techniques needed to complete each of the birds. Colors, painting tips, and finishing steps are all provided to help you achieve an elegant and wonderfully realistic teal.

Modelling British Aircraft of World War II provides essential guidance for modellers of all levels of experience. It gives advice on how to get started, from choosing the best kit to preparing your workspace with the right tools, paints and equipment. Tips on the use of reference material, construction techniques and painting recipes are given. The book provides step-by-step building and painting techniques of the following models: 1/48 Hurricane Mk IIc, 1/32 Spitfire Mk IIa, 1/48 Mosquito Mk VI, 1/48 Swordfish Mk II and 1/72 Lancaster B III. Instructional use of after-market detailing kits and accessories is given as well as advice on fitting a base or creating a diorama. Finally, there is a chapter on Royal Air Force camouflage and markings.

Suitable for both those starting out in this hobby and more experienced modellers alike, this book is a one-stop guide to the creation of realistic models of German military aircraft of World War I. Examples of injection-moulded plastic, resin, vac-form, multi-media and limited-run plastic kits are included, as well as scratch-built enhancements. With over 300 colour photographs, this book includes: useful historical background to provide context and achieve realistic effects; how to choose the right kit; a list of essential workshop tools and materials and there are step-by-step instructions for the creation of a Fokker Eindecker in 1/48, an Albatros D-type in 1/32, a Rumpler C-type in 1/32 and a Gotha G-type in 1/72. There is a chapter on how to achieve accurate colours and markings, including lozenge types, with paint, airbrushing and decals. Finally, special focus on fine details, such as rigging, engines, interiors and ordinance is given.

LAND ART IN THE U.S.A.

A study of land art in America, featuring all of the well-known land artists from the 'golden age' of land art - the 1960s - to the present day.

This book explores all of the major American land, environmental and earthwork artists of the past 40 years, as well as European land artists working in North America. The book includes chapters on James Turrell and his vast volcano site Michael Heizer's Mid-West earthworks Robert Smithson and his giant spiral, entropic earthworks Robert Morris's environments and observatories Walter de Maria's Romantic Lightning Field and Earth Room Dennis Oppenheim's concentric snow circles Alice Aycock's mysterious underground mazes Mary Miss's sunken pools and pavilions Nancy Holt and her observation sculptures and the enigmatic floor sculptures of Carl Andre. And Europeans such as: Hans Haacke's Conceptual art Richard Long and his art of walking Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures and Christo's wrapped buildings and islands.

EXTRACT FROM THE CHAPTER ON ROBERT SMITHSON

Robert Smithson is the key land artist, the premier artist in the world of land art. And he's been a big favourite with art critics since the early Seventies. Smithson was the chief mouthpiece of American earth/ site aesthetics, and is probably the most important artist among all land artists.

For Robert Smithson, Carl Andre, Walter de Maria, Michael Heizer, Dennis Oppenheim and Tony Smith were 'the more compelling artists today, concerned with 'Place' or 'Site''. Smithson was impressed by Tony Smith's vision of the mysterious aspects of a dark unfinished road and called Smith 'the agent of endlessness'. Smith's aesthetic became part of Smithson's view of art as a complete 'site', not simply an aesthetic of sculptural objects. Smithson was not inspired by ancient religious sculpture, by burial mounds, for example, so much as by decayed industrial sites. He visited some in the mid-1960s that were 'in some way disrupted or pulverized'. He said he was looking for a 'denaturalization rather than built up scenic beauty'.

Robert Smithson said he was concerned, like many land (and contemporary artists with the thing in itself, not its image, its effect, its critical significance: 'I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation'. Smithson's theory of the 'non-site' was based on 'absence, a very ponderous, weighty absence'. Smithson proposed a theory of a dialectic between absence and presence, in which the 'non-site' and 'site' are both interacting. In the 'non-site' work, presence and absence are there simultaneously. 'The land or ground from the Site is placed in the art (Non-Site) rather than the art is placed on the ground. The Non-Site is a container within another container - the room'.

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 9781861714060. 328 pages.

www.crmoon.com

The premier work of author-carver Ron Ransom. He offers instructions for three specific versions of Santa Claus and many other variations, as well as painting instructions. Rons illustrations serve as an impetus for the carver to approach his own work with freedom. His Old World Santas are great symbols of happiness and goodness.

Arguably the greatest sculptor of all time, Donatello (c.1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance. Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta and stucco, he contributed to major commissions of church and state; was an intimate of the Medici family and their circle in Florence, and highly sought after in other Italian cities. This book, specially commissioned to accompany the 2023 exhibition at the V&A, explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of fifteenth-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond.

House spirits are magical creatures who watch over homes and families. They come in all manner of shapes and sizes. With a keen eye, house spirits can be found almost anywhere in the wood and timbers throughout the home. Tom Wolfe shows you how to coax them out of their hiding places with power tools. Five patterns are included. Tom provides step-by-step instructions with over 230 color photographs. One project is carved to completion and patterns for two other spirits are included. These projects are a great learning experience for the beginner picking up power tools for the first time. They present the more advanced carvers with plenty of opportunities to stretch their creativity. No carver will see wooden objects around the house in the same way again. These projects will challenge the beginner and will fascinate the more advanced power carver.

Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance.
By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.

The only comprehensive and in-depth history of mime and physical theatre in the UK, from its roots, influences and early pioneers, to the leading lights and international successes of today. Includes original interviews with pioneers in the field, including: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick. A one-stop shop for anyone studying contemporary UK theatre and its physical innovators, including Forced Entertainment, DV8, and Improbable.

Share the excitement with renowned and talented carver Robert Neuenschwander, as you see a whimsical cowboy character bear come to life from a rough block of wood! These methods are not found in any other carving book and will prove to be enlightening to everyone from the pen-knife whittler to the professional carver. Included are over 300 detailed and easy-to-follow close-up color photos, showing blocking, carving, detailing, finishing, and a special section showing Robert's sharpening techniques. Also showcased are a gallery of photos and detailed patterns showing all eight members of the bear family (including holiday favorites, Santa Bear and Mrs. Claus), that everyone is sure to enjoy!

This is a book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century. Viccy Coltman contrasts the precarious and competitive culture of eighteenth-century collecting, which integrated sculpture into the domestic interior back home in Britain, with the study and publication of individual specimens by classical archaeologists like Adolf Michaelis a century later. Her study is comprehensively illustrated with over 100 photographs.

This book presents vintage, often whimsical, and one-of-a-kind wooden figurine carvings by ANRI, the world-renowned company founded in 1912 in the Dolomite Mountains of northern Italy. Among the more than 2,500 carvings featured are bottle stoppers, bottle openers and corkscrews, bar sets, calendars, letter openers, bookends, humidors, ashtrays, lighters, cigarette boxes, pipe rests, salt and pepper sets, pepper mills, napkin rings, timers, toothpick holders, brushes, salt and serving spoons, spoon and key racks, door knockers, and figurines, including monks and characters from novels by Charles Dickens. Collectors with a wide range of interests will be delighted with the amazing number of woodcarvings shown. This book will amuse and inspire today's woodcarvers and collectors, novices and experienced devotees alike.

In recent years, the Anglo-Italian sphere of artistic exchange in relation to painting has been an increasingly productive area of research. Here, contributors shift the focus onto the two countries' equally significant sculpture trade. This volume of selected essays by economic and social historians and historians of material culture and art investigates the varied roles and functions of sculpture and the ways in which this particular cultural exchange was manifested. Issues of business and the markets for sculpture are highlighted, both in the context of producers of "high" art and in the wider market for religious, garden, and decorative sculpture.

From the Amish country in Pennsylvania, Ron Ransom has been inspired to create patterns and carvings of an Amish family. Six patterns, clear instructions, and color photos guide you in carving a family in traditional Amish dress. Out of respect for their preferences, Ron has left the faces blank. Reflecting the Amish lifestyle, Ron's tools, techniques and instructions are plain and simple. When the carvings are complete, painting and antiquing methods are demonstrated as well. A color photo gallery provides a last, close look at these charming basswood carvings. As with all of Ron Ransom's books, the projects presented here will engage the beginner and provide solid bases upon which advanced carvers may add their own creative touches.

The book combines a series of case studies and pedagogical practices on live digital performance and intermedial theatre. This book is aimed primarily at UG and PG students involved in performing arts and digital technologies. The contents are relevant for countries worldwide, especially on the countries involved in the case studies provided in the book (Canada, India, Brazil, UK and USA). While competitors set up the context for digital performance, this study comprehensively explore pedagogies and practice of live digital theatre, particularly the 2020-22 ‘new real’ impact on performance.

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

Accessible, witty introduction to the field of aesthetics Exciting case studies – learn about contemporary Irish performers pushing aesthetic boundaries and agitating for social change Discover aesthetic tactics for activist work Delve deep into the tricky tension between art and life

This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one’s own actions as a potential experience of the beautiful. The author uses own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences.

• This book investigates performance cultures as diverse cultures of doing, feeling and thinking that enable performance-makers and spectators to continuously (re)generate particular ways of knowing, knowledges and epistemologies. • Would be recommended reading for researchers, students and practitioners of theater, performance and dance across the globe. • The closest competitors do not investigate performance cultures—in their global plurality and diversity—as distinctive environments of knowledge practice.

This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment. Ecological Film Theory and Psychoanalysis argues that these films exploit cinema’s inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the ‘lifeboats’ on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book’s new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive ‘symptom’ that everyday linguistic activities like watching films reinforce. This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.

Fiona Banner, Phyllida Barlow, Anthony Caro, Richard Deacon, Laura Ford, Antony Gormley, Mona Hatoum, Susan Hiller, Anish Kapoor, Tania Kovats, Richard Long, David Nash, Cornelia Parker, Marc Quinn, Peter Randall-Page, Eva Rothschild, Richard Wentworth, Rachel Whiteread, Richard Wilson and Bill Woodrow - these are the sculptors who have helped define sculpture, and here they are in their own words. From the Sculptor's Studio is a unique collection of personal conversations with 20 seminal artists, each of whom have created iconic work, exhibited worldwide, and pushed past the boundaries of sculpting in their own way. From the Sculptor's Studio contains 165 colour images of the artists' work, as well as portraits of each of the sculptors.