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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms
You can whittle just about anything the only limit is your imagination. It s so easy to get started in this relaxing and rewarding hobby. All you need is a knife, a twig, and this book We ve assembled a team of 12 leading woodcarvers to bring you a complete starter guide to whittling. They present 24 easy whittling projects that you can make in just a weekend, complete with step-by-step instructions, how-to photographs, ready-to-carve patterns, and helpful tips.Start off with fast and fun projects that build confidence and teach fundamental carving techniques, like a simple flying propeller or a 5-minute owl. Then move on to create whittled wonders like a musical frog or a slingshot. We show you how to whittle complex designs in easy steps, so that you ll soon be carving attention-getting favorites like chain links or the classic ball-in-a-cage."
Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century.
In this compelling book Nigel Saul opens up the world of medieval gentry families, using the magnificent brasses and monuments of the Cobham family as a window on to the social and religious culture of the middle ages.
Bob Sherman explores everything from the basic parts of a candle -- fuel, additives, scent, and wick, to instructions on how to make dozens of original candles. Here are detailed chapters on creating your workspace, choosing from the many different kinds of wax, moulds, and wicks available, and sorting through the equipment you will need. The entire book is heavily illustrated with hundreds of instructional photographs. Candles you can create: container, dipped, wax crystal, votive, marbled, applique, floating, two-tone, ice, chunk, beer, fireplace, mottled, mushroom, torched, balloon, sea shore, tie dye and hurricane shell.
The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 306 pages.
The Last Laugh is the first and only book to take readers deep into the bizarre universe of the standup comic, from the classic years of Milton Berle, Sid Caesar, and Shecky Greene, to today's comedy superstars. Phil Berger shows how styles and trends in standup have changed over the past fifty years, but how taking the stage in a comedy club is as tough as it's always been. Performers profiled in the book include Woody Allen, Lenny Bruce, George Carlin, Elaine Boosler, Robert Klein, Bill Cosby, Billy Crystal, Dick Gregory, Andy Kaufman, Steve Martin, Cheech and Chong, Eddie Murphy, and a host of others. Filled with comics' hilarious routines and anecdotes, this substantially updated edition also chronicles the lives and careers of more recent artists, including Richard Lewis and Jay Leno.
Stone statues, indigenous to the early Turks, appeared in the vast territory of the Asian steppes, from Southern Siberia to Central Asia and across the foothills of the Ural Mountains. The custom originated among Cumans in Eastern Europe. The skill of erecting anthropomorphic stelae required proficiency in processing different kinds of stone and wood, and was characterized by artistic value of representations, as well as by the timeless aesthetics of the canon. The author presents the results of her formative studies into the collection of the Cuman sculptures of the Veliko-Anadol Forest Museum, Ukraine. The book delves into the history of research on Cuman stone stelae, resulting in great reading for all archeologists and historians alike.
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
Originally a film by British avant-garde filmmaker Nichola Bruce, The Romance of Bricks is a portrait of the artist Liz Finch: a British painter, performer and poet. From her life-changing accident and rural solitude to the mad social whirl of 80s London anarchic performances and up to the present day, The Romance of Bricks sews together archival film over many years to produce an intriguing glimpse into the private world of the artist. Featuring commentary from Jools Holland, Christine Binnie, Jennifer Binnie, John Finch, Brian Clarke, Aubrey Fabing, Richard Strange, Nicola Bateman Bowery, Francesco Brusatin and Martin Harrison alongside an intimate dialogue with the artist herself.
In "Origami Zoo, "two of the world's finest paper folders present
an exciting collection of original origami animals. Their
creatures, ranging from the exotic to the familiar, the elegant to
the whimsical, will both inspire the beginner and challenge the
most accomplished folder.
Join the thousands of paperfolders woldwide who enjoy this marvelous pastime.
CONTENTS -
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage. The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.
The Lives of Chinese Objectsis a fascinating book. It is the result of excellent historical research as well as curatorial expertise. The reader is taken on an amazing journey starting with the startling discovery of the image of five Chinese bronzes on display as part of the Great Exhibition in 1851...The stories uncovered are riveting, a mix of curatorial detail and description, historical research and theoretical analysis. This book is beautifully written - clear, detailed and informative. The author is ever present in the text and the book is as much a story of her journey, as it is a story of the lives of the 'Putuo Five'. I just wanted to keep reading." . Suzanne MacLeod, University of Leicester This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers' and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the 'Mongolian race' and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.
This new edition of a best-seller shows how to create useful and whimsical objects. Expert guidance presented in a friendly, straightforward style that reflects the quiet simplicity of the craft. It provides all the instruction and inspiration you'll need to become an accomplished whittler. Relax the old-fashioned way - Whether you're in front of a campfire or on the front porch, "The Little Book of Whittling" will help you unwind while you create useful and whimsical objects with nothing more than a pocketknife, a twig and a few minutes of time. Author Chris Lubkemann, with 40 years of whittling experience under his belt, will have you "whittling away the hours" with expert guidance presented in a friendly, straightforward style that reflects the quiet simplicity of the craft. Whether you're a beginner looking to get started in the most basic form of woodcarving or someone simply seeking a peaceful way to spend some free time, "The Little Book of Whittling" provides all the instruction and inspiration you'll need to become an accomplished and relaxed whittler.
A new and revised edition of the 2002 popular title, The Barbara Hepworth Sculpture Garden, this exquisitely produced book showcases the garden in St Ives throughout the seasons, with new photography and updated information on the plants from the Head Gardener, Jodi Dickinson. Barbara Hepworth's studio at Trewyn in St Ives is a unique combination of sub-tropical garden and sculpture museum. A haven of peace, it provided Hepworth with a working environment, a showcase for her sculpture, and the opportunity to pursue her love of gardening. The Barbara Hepworth Sculpture Garden is a beautiful record of the plants and sculptures at Trewyn through the seasons, exploring the relationship between Hepworth's sculpture and the natural forms that surround them. With specially commissioned photographs and full descriptions of both plants and sculptures, this is a comprehensive record of Barbra Hepworth's years in St Ives, and a beautiful souvenir of the garden. Texts from art historian and previous curator at Tate, Chris Stephens, along with Miranda Philips contextualises the work of Hepworth and the decisions made to create one of the most famous artists gardens in the world.
English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord's several potential audiences - including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes 'center' and 'margin' as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
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