Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

The sea-faring odyssey of Noah, his family, and the world's animals collected two-by-two is well known to young and old. David Sabol brings the story to life with a series of lively and expressively carved and painted animals and characters. David introduces his readers to the use of the traditional carving and realistic coloring techniques which give his carvings a distinctive design, personality, and charm. Step-by-step techniques for carving Noah's wife or one of several animals native to North America. The combination of clear explanation and color photos make each step easy to follow. Patterns include: Mrs. Noah, two turkeys, pumas, rabbits, foxes, raccoons, skunks, and opossums. This new book will provide hours of pleasure for all carvers from novice to professionals, giving them varied and exciting challenges and beautifully detailed results that will please them.

This book provides a wealth of practical guidance on building and painting realistic model naval ships aimed at those who are new to this hobby through to the experienced modeller. An in-depth look at the creation of four models is included: the Type 45 destroyer HMS Daring (Dragon), the pre-war aircraft carrier USS Wasp (Aoshima), the River-class frigate HMS Nadder (Starling Models) and the 'pocket battleship' Admiral Graf Spee (Academy). With a focus on the popular kit scales of 1/700 and 1/350 in the waterline style, this book demonstrates the techniques used in building model ships, from the basic to the more complex, larger-scale models requiring many differing skills. There are chapters on the fundamentals such as building resin kits, painting and weathering, rigging and creating a water effect. It provides guidance on more advanced techniques such as the use of photo-etched parts and creating rough-water effects. Finally, it is packed with helpful tips and finishing touches, such as making flags and how to take professional-standard photographs of your completed model.

This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice. Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise. Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.

Inspired by radical Italian designer Enzo Mari, this practical book with step-by-step DIY projects for hand built, beautiful furniture is a tribute to his simple ideas that challenged the consumerism of the furniture industry. Many interpreted Enzo Mari's book Autoprogettazione? as a manifesto of nostalgic longing for a pre-capitalist society where people built what they needed themselves, but Mari's goal wasn't to make people cease consuming. Mari wanted people to consider the more basic aspects of the objects we surround ourselves with and what it is that makes a piece of furniture, beautiful, comfortable and functional. Taking Enzo Mari and his book as his influence, Erik Eje Almqvist unpacks the practical aspects of the Autoprogettazione? theory, offering simple designs for handbuilt, beautiful furniture. Using just a hammer, nails and boards cut to standard dimensions, Hammer & Nail explores only a few techniques but arms the reader with skills and inspiration for life. With easy-to-follow instructions and diagrams, there are basic methods for making furniture joints, and includes tips on how to avoid cracking boards as you go, making clean cuts with a saw, and ideas on surface treatments. Projects include: Sheep chair, Tilting Shaker chair, Pinstol/Windsor chair, Garden chair, Arts & Crafts chair, Ski chair, Mirror stool, Stackable stool, Beer table, Kitchen bench, Park bench, Sofa, Top and tail bed, Dining table, Worktable, Cabinet, Gun Kessle's shelf and Giraffe lamp.

CONTENTS - 1. INTRODUCTION - 2. ANIMAL FATS AND OILS - 3. VEGETABLE FATS AND OILS - 4. FATTY ACIDS-FATTY ALCOHOLS-GLYCEROL - 5. SURFACTANTS AND SURFACE ACTIVITY - 6. PRODUCTION OF FATS AND OILS - 7. SOAP MANUFACTURE - 8. SYNTHETIC DETERGENTS - 9. ANALYSIS OF OILS AND DETERGENTS - INDEX - Preface - Presented in this book are quantities of data, gathered during many years in my practice of chemistry, either as resident chemist in manufacturing plants, or as a consultant to the soap and related industries. The style is didactic and such that it may readily be understood by non-technical personnel. Involved theoretical and technical discussions have been avoided. As far as possible, references have been included at the end of each chapter. Although much of the information contained in this work is well within my own experience, much of it has been gleaned also from manufacturers' technical bulletins or through private correspondence. Many patents have been cited, merely as examples of products discussed; this is not to be construed as recommending the infringement of any such patents. The various formulations are presented in good faith, but no warranty is given, nor is freedom from any patent to be inferred. With a little ingenuity on the part of the reader, many useful and efficient products may be made along the lines discussed, without in any way infringing on patented products. Because of numerous factors affecting results, all the formulations cited herein, although believed to be reliable (most of them having emanated from the greatest laboratories in the world) should be tested thoroughly. It is especially recommended that manufacturers make their own tests to determine the suitability of the formulations, for the specific applications intended. I am indebted to the manufacturers of the many chemicals named in the book, for information which I gathered either from direct correspondence or from their technical bulletins; also for their many samples with which I compounded some of the formulas. Special mention should be made of those companies that supplied photographs of equipment and installations depicting various processes. I have tried to include all information pertinent to each formula, and credit has been given to all identified suppliers, so that additional information, if needed, may be obtained from the manufacturers of the basic materials used. Finally, I am grateful to the publishers for valuable assistance in the organization and presentation of my quantities of material which now comes out as not merely a second edition of my Oil, Fat, and Soap, but as a much more comprehensive new book.|CONTENTS - 1. AEROSOLS - 2. BACTERICIDES-FUNGICIDES - SANITIZERS - 3. CLEANERS FOR HOUSEHOLD AND INDUSTRY - 4. CARE OF FLOORS - 5. LAUNDERING AND DRY CLEANING - 6. TREATMENT OF METALS - 7. PESTICIDES - 8. MISCELLANEOUS - BIBLIOGRAPHY - APPENDIX - Glossary - Suppliers of Materials and Equipment - Useful Tables - Patents - Periodicals of Interest - Associations Related to the Industry - INDEX -

Resin craft is an exciting way to make jewellery and other accessories. Learn how to create everything from earrings to key rings with this definitive guide to resin craft. This collection of techniques will get you started on your resin journey even if you've never tried it before and, if you do have some experience, there are 17 inspirational projects to make. Resin craft offers so many possibilities to create original jewellery and accessories that will amaze your family and friends, and it is easy to do at home with just a small number of tools and materials. This collection is packed full of step-by-step instructions for techniques such as mixing and pouring resin, creating your own moulds, and how to use pigments and inks. Author Mia Winston-Hart also explains how to use botanicals with resin, and she has advice for how to source and prepare your own botanicals for really bespoke pieces, with instructions for drying your own flowers and plants. There is comprehensive information about all the safety issues surrounding resin craft and the author explores the various different types of resin available including plant and vegetable-based resins, and how to choose and use them safely. There are also instructions on how to create your own moulds alongside the different resin techniques, as well as 17 eye-catching resin projects. All of the projects are accompanied by step-by-step photography so you can see exactly what to do at each stage. Choose your favourite from this collection which includes floral earrings; heat proof coasters, a beach scene tray, a galaxy themed table top, a shell comb, a flower and gold leaf keyring, glittery hair clips and a floral phone case. Some of the many techniques covered include: sanding, deep pouring, making your own moulds, how to avoid bubbles in your work, de-moulding, mixing and pouring, working with different layers, and drying and preserving botanicals. There are comprehensive step-by-step instructions for the projects including how to add jewellery findings, as well as working with different moulds and materials. There is even a trouble shooting section so you can iron out any problems once you start putting your newfound skills into practise.

This book was written for gourd artists looking to improve their skills with the mini jigsaw. With step-by-step guidance, supplemented by detailed instructional images for ten projects, gourd artists will be able to create everything from simple puzzles and jack-o-lanterns to lidded leaf bowls and luminaires. By working through these projects, artists will build their confidence in using the mini-saw to execute techniques such as cutting tighter lines, cutting through a tight curve, and cutting 90-degree angles. The exercises also emphasize tips on cleaning, coloring, and sealing gourds. The book includes an extensive inspirational gallery and resource section for those who aspire to even more advanced projects.

The dinnerware, cookie jars, vases, salt & pepper shakers, and figural characters of Shawnee Pottery, of Zanesville, Ohio, were popular items while they were being produced between 1936 and 1963. Shawnee's high quality items were well-priced for the mass-produced pottery market and their innovative marketing and production techniques and designs were often copied by others, making them a real leader in the field. This practical kitchenware and the whimsical, adorable figural characters have now become very popular with collectors. Never before have so many of the people who played key roles in the history of Shawnee Pottery contributed accurate and previously unpublished information for a book. Here is a thorough history which challenges much of the misinformation circulating about the pottery. With nearly 1300 full-color photos of the pottery and dinnerware, its marks, labels, catalogs, and even new items and reproductions, along with black and white historical photos of the personnel, plant, and manufacturing process, this book is the most comprehensive study you can have in your library of Shawnee references.

Green men are figures or heads that were carved in churches, abbeys and cathedrals from the twelfth to the sixteenth centuries. Inspired by the illustrations in book margins where heads were used to terminate trails of foliage, they were usually carved in the form of human masks, cats' or demons' heads. The earliest architectural green men are found in the churches of the wealthy and influential, such as Henry I's private chapel in Derbyshire but they were still produced in lesser numbers into the nineteenth century. Richard Hayman discusses the origins and definitions of these fascinating figures and traces their many declines and revivals throughout history - a valuable guide for any church history enthusiast.

ANDY GOLDSWORTHY: TOUCHING NATURE

A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC.

Known as a 'land', 'earth', 'nature' or 'environmental' artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION

In the 1990s, Andy Goldsworthy's art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the 'stone houses' at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work.

AUTHOR BIOGRAPHY

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Fully illustrated, with a revised text. Bibliography and notes. 312pp. ISBN 9781861714138. www.crmoon.com

Aimed at modellers of all abilities, this lavishly illustrated book presents a step-by-step guide to figure painting and modelling using traditional techniques. From the multipart hard-plastic 28mm miniature to the metal and resin models common in all other scales, this book provides wargamers, collectors and gamers with a wealth of information to achieve the best results. It demonstrates a variety of modelling and painting techniques at different scales; it provides step-by-step guidance on building, converting and painting models; it covers working in plastic, resin and white metal; it explains dry brushing techniques, the three-colour method, multilayering and shading with washes and, finally, it considers basing techniques and maintaining the compatibility of miniatures between different gaming systems.

Modelling British Aircraft of World War II provides essential guidance for modellers of all levels of experience. It gives advice on how to get started, from choosing the best kit to preparing your workspace with the right tools, paints and equipment. Tips on the use of reference material, construction techniques and painting recipes are given. The book provides step-by-step building and painting techniques of the following models: 1/48 Hurricane Mk IIc, 1/32 Spitfire Mk IIa, 1/48 Mosquito Mk VI, 1/48 Swordfish Mk II and 1/72 Lancaster B III. Instructional use of after-market detailing kits and accessories is given as well as advice on fitting a base or creating a diorama. Finally, there is a chapter on Royal Air Force camouflage and markings.

Large numbers of Buddhist believers regarded Buddhist statues in surprising ways in late- tenth and early eleventh century Japan. Examination of such questions of functionality contributes to a broader view of Buddhist practice at a time when Buddhism was rapidly spreading among many levels of Japanese society. This book focuses particularly on the function of the following types of images: "secret Buddhas" ("hibutsu"), which are rarely if ever displayed; Buddhas who exchange bodies with sufferers ("migawari" "butsu"); and masks of bodhisattvas used in a ritual called "mukaeko," Primary sources for these topics include collections of popular tales ("setsuwa"), poetry, ritual texts, and temple histories ("engi").

For the woodturner seeking projects that are a little more challenging, Dick Sing shares his techniques for creating awe-inspiring wooden ornaments and eggs. Step-by-step instructions and color photos guide you through the process of turning and hollowing out a globe for the incredibly light ornament, crafting a delicate "icicle" for the spindle -- even adding a captive ring for that special finishing touch. Dick provides helpful tips for selecting the appropriate woods, using your tools to their best advantage, and fashioning some new tools from surprisingly ordinary materials. Next he shows how to turn a wooden egg that will look like Mother Nature smiled upon it. One of nature's most perfect forms, the egg is also one of the most challenging, and Dick has spent many years perfecting his techniques for getting an egg to look like an egg. Here he outlines his methods for laying out the egg with a template, making a special chuck so you can finish both ends of the egg in the lathe, and using a homemade mandrel to create an egg that is also a kaleidoscope. Now you can attain eggs you are proud of! As a special bonus, Dick shows you how to recreate the jar he uses for his finish and how to use a wood burning pen to sign your completed projects.