The sea-faring odyssey of Noah, his family, and the world's animals collected two-by-two is well known to young and old. David Sabol brings the story to life with a series of lively and expressively carved and painted animals and characters. David introduces his readers to the use of the traditional carving and realistic coloring techniques which give his carvings a distinctive design, personality, and charm. Step-by-step techniques for carving Noah's wife or one of several animals native to North America. The combination of clear explanation and color photos make each step easy to follow. Patterns include: Mrs. Noah, two turkeys, pumas, rabbits, foxes, raccoons, skunks, and opossums. This new book will provide hours of pleasure for all carvers from novice to professionals, giving them varied and exciting challenges and beautifully detailed results that will please them.

CONTENTS - 1. INTRODUCTION - 2. ANIMAL FATS AND OILS - 3. VEGETABLE FATS AND OILS - 4. FATTY ACIDS-FATTY ALCOHOLS-GLYCEROL - 5. SURFACTANTS AND SURFACE ACTIVITY - 6. PRODUCTION OF FATS AND OILS - 7. SOAP MANUFACTURE - 8. SYNTHETIC DETERGENTS - 9. ANALYSIS OF OILS AND DETERGENTS - INDEX - Preface - Presented in this book are quantities of data, gathered during many years in my practice of chemistry, either as resident chemist in manufacturing plants, or as a consultant to the soap and related industries. The style is didactic and such that it may readily be understood by non-technical personnel. Involved theoretical and technical discussions have been avoided. As far as possible, references have been included at the end of each chapter. Although much of the information contained in this work is well within my own experience, much of it has been gleaned also from manufacturers' technical bulletins or through private correspondence. Many patents have been cited, merely as examples of products discussed; this is not to be construed as recommending the infringement of any such patents. The various formulations are presented in good faith, but no warranty is given, nor is freedom from any patent to be inferred. With a little ingenuity on the part of the reader, many useful and efficient products may be made along the lines discussed, without in any way infringing on patented products. Because of numerous factors affecting results, all the formulations cited herein, although believed to be reliable (most of them having emanated from the greatest laboratories in the world) should be tested thoroughly. It is especially recommended that manufacturers make their own tests to determine the suitability of the formulations, for the specific applications intended. I am indebted to the manufacturers of the many chemicals named in the book, for information which I gathered either from direct correspondence or from their technical bulletins; also for their many samples with which I compounded some of the formulas. Special mention should be made of those companies that supplied photographs of equipment and installations depicting various processes. I have tried to include all information pertinent to each formula, and credit has been given to all identified suppliers, so that additional information, if needed, may be obtained from the manufacturers of the basic materials used. Finally, I am grateful to the publishers for valuable assistance in the organization and presentation of my quantities of material which now comes out as not merely a second edition of my Oil, Fat, and Soap, but as a much more comprehensive new book.|CONTENTS - 1. AEROSOLS - 2. BACTERICIDES-FUNGICIDES - SANITIZERS - 3. CLEANERS FOR HOUSEHOLD AND INDUSTRY - 4. CARE OF FLOORS - 5. LAUNDERING AND DRY CLEANING - 6. TREATMENT OF METALS - 7. PESTICIDES - 8. MISCELLANEOUS - BIBLIOGRAPHY - APPENDIX - Glossary - Suppliers of Materials and Equipment - Useful Tables - Patents - Periodicals of Interest - Associations Related to the Industry - INDEX -

Catalogue and iconography of the extraordinary wealth of images of Sir Isaac Newton, both before and after his death. Sir Isaac Newton [1642-1727] is rare among figures of the past for the number of authentic paintings, engravings and images of him which survive. He was painted by some nine different artists in the latter part of his life, and after his death both portraits and sculptures continued to proliferate, the amazing demand for representations of his image demonstrating his immense fame. This iconography, lavishly illustrated in both colour and black and white, and involving the disciplines of History of Art and History of Science, catalogues 231 icons in two sections, and is thus an invaluable guide to the images. Part I contains 122 portraits and Part II 109 sculptures, about fifty of which were produced before his death, the rest from then until 1800.

During the early years of the nation, the eagle was adopted as the symbol of America. From that time to this it has been a favorite subject of carvers. It has adorned buildings, signs, furniture, and boats. It has carried banners of E. Pluribus Unum and Happy New Year. And it is cherished still. In this new book Paul White takes the carver through the process of carving a large traditional bald eagle. Beginning with the gluing of the boards and sculpting and ending with a helpful description of gold leafing, Paul explains each step in detail. For those who wish to get right to the carving he also explains the use of commercially prepared blanks. A measured drawing of the project is included, as well as a gallery of variations. A wonderful book for carvers of all abilities.

ANDY GOLDSWORTHY: TOUCHING NATURE

A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC.

Known as a 'land', 'earth', 'nature' or 'environmental' artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION

In the 1990s, Andy Goldsworthy's art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the 'stone houses' at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work.

AUTHOR BIOGRAPHY

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Fully illustrated, with a revised text. Bibliography and notes. 312pp. ISBN 9781861714138. www.crmoon.com

This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldan (1652-1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldan, a well-known sculptor from Seville, she developed her talent in her father's workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cadiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldan within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velazquez, Murillo, and Zurbaran. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldan's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldan's oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldan provides invaluable insights into her artistic achievements.

The dinnerware, cookie jars, vases, salt & pepper shakers, and figural characters of Shawnee Pottery, of Zanesville, Ohio, were popular items while they were being produced between 1936 and 1963. Shawnee's high quality items were well-priced for the mass-produced pottery market and their innovative marketing and production techniques and designs were often copied by others, making them a real leader in the field. This practical kitchenware and the whimsical, adorable figural characters have now become very popular with collectors. Never before have so many of the people who played key roles in the history of Shawnee Pottery contributed accurate and previously unpublished information for a book. Here is a thorough history which challenges much of the misinformation circulating about the pottery. With nearly 1300 full-color photos of the pottery and dinnerware, its marks, labels, catalogs, and even new items and reproductions, along with black and white historical photos of the personnel, plant, and manufacturing process, this book is the most comprehensive study you can have in your library of Shawnee references.

The milestone 100th issue of Camera Obscura recognizes the work and legacy of Belgian filmmaker Chantal Akerman (1950–2015). Arguably the most important figure in feminist film culture, Akerman is central to Camera Obscura's own legacy, and her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of the first issues of the journal. The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators. Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White

Discover the fast and simple way to whittle in this fun introduction to woodcarving. Learn the quick-cut method for whittling expressive little figures from wood in just 20 minutes or less. These super-short projects are perfect for learning basic caricature carving skills. With friendly instructions and step-by-step photos, you ll learn to carve an endless array of charming wizards, gnomes, gargoyles, ornaments, dogs, leprechauns, and more."

Large numbers of Buddhist believers regarded Buddhist statues in surprising ways in late- tenth and early eleventh century Japan. Examination of such questions of functionality contributes to a broader view of Buddhist practice at a time when Buddhism was rapidly spreading among many levels of Japanese society. This book focuses particularly on the function of the following types of images: "secret Buddhas" ("hibutsu"), which are rarely if ever displayed; Buddhas who exchange bodies with sufferers ("migawari" "butsu"); and masks of bodhisattvas used in a ritual called "mukaeko," Primary sources for these topics include collections of popular tales ("setsuwa"), poetry, ritual texts, and temple histories ("engi").

After the great success of Santa and His Friends, Tom Wolfe presents a group of traditional Santas that have been found in American Art, literature, and advertising since the 1860s and have a warm place in the imaginations of children and the memories of adults. With easy to follow, step-by-step instructions accompanied by full color photos, this is a great book for the beginning and intermediate carver.

THE ART OF ANDY GOLDSWORTHY

This is the most comprehensive and detailed study of British artist Andy Goldsworthy, and is the only full-length exploration of Goldsworthy and his art available anywhere. The book has been completely rewritten and brought up to date for this new edition.

Andy Goldsworthy makes land or earth art out of, among other materials, stacks of rocks, or stalks tied together, or mud thrown into rivers or poppy petals wrapped around boulders. His art is a sensitive, intuitive response to nature, light, time, growth, the seasons and the earth.

Fully illustrated, with a revised text. Bibliography and notes. 348pp. ISBN 9781861714106. www.crmoon.com

EXTRACT FROM THE CHAPTER ON GOLDSWORTHY'S LEAFWORKS

It is the leafworks that are the most colourful of Andy Goldsworthy's sculptures. What the leaf sculptures show is how beautiful the colours of nature are: Goldsworthy presents the viewer with these subtle colours by contrasting one leaf with another. Maple patch grouped the red/ orange/ yellow of Japanese maple leaves together; Poppy leaves contrasted the red poppy leaves against the mid-green of an elderberry bush; a Stone Wood sculpture of 1992 consisted of poppy leaves wrapped around a hazel branch, the red constrasting vividly with the wet green leaves. Two sycamore leafworks of 1980 and 1981 are very simple: a leaf black from cows is placed against pale Autumn leaves; another leaf, bleached white, is set down on a bed of dark leaves. He pins together two colours of sycamore leaves (sycamore is a favourite Goldsworthy medium) in Sycamore leaf sections (1988), and hangs the line of leaves from a tree. Shot with the sun behind them, the photograph of the leaves shows them glowing green and gold, the two classic colours of poetry and alchemy. The Fall colours of course connote nostalgia, decadence, sensuality, Romanticism, time passing, the decay of the year, and so on.

REVIEW ON AMAZON

A happily received gift. It's worth the price for one who wants a scholarly while earthy (sorry, couldn't help it) approach to the work. There's a quirkiness about the writing style that is engaging and honest. I'm glad I have the book and will reread it as I purchase other books on Goldsworthy where the work is shown via great photography.

REVIEW ON AMAZON

This is a chatty informational book. It has stories of many artists that have been associated with Andy Goldsworthy in his long career as a contemporary nature sculptor. If you are looking for a personal history this is a book for you.

REVIEW ON AMAZON

I'm no expert on visual art, nor would I claim to be, but I found this to be a useful book, and the only one I've been able to find about the work of Andy Goldsworthy. The author has taken the time to round up a large amount of varied source material which makes this book well worth seeking out.

Combining brand-new interviews, never-before-seen images and fascinating ephemera from her personal archives, this book creates a visual landscape of Marina Abramovic's personal and artistic life. Illustrated with more than 600 photographs, Abramovic provides insight on her most important works and some of her most difficult personal experiences, conveying the story with her signature emotion and wit. Fittingly blurring the lines between artist and art, this book acts as a keystone in the life of one of the most important performance artists in the world.

A single carving knife and an afternoon is all that is needed to create one of the charming little characters in this book. The whittled little folk are full of personality, from the Monk, to the Policeman, to the Woodsman, acclaimed artist Harley Refsal provides patterns and instructions for carving over 20 delightful characters in wood. At the beginning of "Whittling Little Folk", readers will find step-by-step carving and painting instructions for a Scandinavian inspired man and woman. Once they have learned to carve these two projects, they will find an additional 20 patterns that can also be created with the same technique and some subtle changes. Each project includes four separate patterns (for each view) and carving/painting notes. Also included is a brief overview of the Scandinavian flat-plane style of carving and instructions on how to customize patterns.

This lavishly illustrated book breaks new ground in focusing on some of the many successful professional British women sculptors active during this period. Largely unknown, the few women who have been mentioned in histories of twentieth century British sculpture have been those who adhered to the (masculine) Modernist canon. Organized by theme this book explores and illustrates an unusually large number of and stylistically varied works. The social and cultural contexts in which these women sculptors were working are investigated, revealing how, mostly male, commentators often fixated on their gender at the expense of seriously engaging with their work. A wide variety of sources are used, ranging from contemporary art historical accounts to articles in popular magazines. This book explores contemporary sculptural developments, art school training, exhibiting opportunities, and the writings of influential critics. It also reveals how important photography, film and the written word were in the creation of reputations. Alongside revealing important works and individuals, this book's originality also lies in its scope, covering diverse sculptural genres such as decorative sculpture and utilitarian objects for the home and garden; portraits and statues; architectural sculpture, war memorials and ecclesiastical work.