This book is the companion to Public Sculpture of Edinburgh, volume 1, 'The Old Town and South Edinburgh', extending the coverage to the First New Town and its environs, and beyond that to the former independent burgh of Leith. It provides a comprehensive and detailed account of the entire spectrum of public sculptures to be found in these parts of the city, including free-standing commemorative monuments, architectural carvings, and contemporary site-specific interventions. Based on extensive new research, the text is structured as a catalogue raisonne, with each entry comprising a detailed description of the work, an account of how it came to be commissioned, and an analysis of its cultural significance. There are also separate appendices dealing with important works that have been lost or destroyed, minor works and sculptural coats of arms. The study of public sculpture is now recognised as offering a range of new insights into the development of the urban realm. Those insights are brought together here to provide a comprehensive resource for historians, architects, urban planners and conservators, and a narrative history that will be of interest to all who care about Edinburgh, and wish to celebrate its status as a UNESCO World Heritage Site.

A comprehensive study of modern sculpture developments in Great Britain, this beautiful and important new book showcases 95 leading sculptors from the second half of the 20th century. Chronologically arranged to show the influences that touched each of the artists lives, it concentrates on the most influential, award-winning, and highly valued works from the growing field of popular sculpture available today. The artists themselves selected most of the pieces to represent their own work and are liberally quoted with personal statements to interpret their work for the readers. 780 color and black and white photographs display the wide range of materials, themes, styles, and settings that convey each individual sculptors own classical, figurative, abstract, or visionary work. \nA history of the Royal Society of British Sculpture (RBS), by the organizations current president, sets forth the purpose and results of this prestigious group today. Essays on the St Ives group of the 1940s and figurative sculpture of the 1950s put the growing sculpture movement in Britain into perspective. From them sprang several generations of influential sculptors whose work challenges current sculptors to push the bounds of artistic expression. They must create, and they do, in countless original ways. The growing popularity of sculpture parks in Britain is currently influencing new sculpture parks all over the world. The exciting images and wealth of specific information contained here will continue to shape the art market for generations to come.

Richly illustrated, Early Gothic Column-Figure Sculpture in France is a comprehensive investigation of church portal sculpture installed between the 1130s and the 1170s. At more than twenty great churches, beginning at the Royal Abbey of Saint-Denis and extending around Paris from Provins in the east, south to Bourges and Dijon, and west to Chartres and Angers, larger than life-size statues of human figures were arranged along portal jambs, many carved as if wearing the dress of the highest ranks of French society. This study takes a close look at twelfth-century human figure sculpture, describing represented clothing, defining the language of textiles and dress that would have been legible in the twelfth-century, and investigating rationale and significance. The concepts conveyed through these extraordinary visual documents and the possible motivations of the patrons of portal programs with column-figures are examined through contemporaneous historical, textual, and visual evidence in various media. Appendices include analysis of sculpture production, and the transportation and fabrication in limestone from Paris. Janet Snyder's new study considers how patrons used sculpture to express and shape perceived reality, employing images of textiles and clothing that had political, economic, and social significances.

This richly illustrated book offers a complete guide to building model truck kits, across all of the popular scales. Concentrating on civilian vehicles, renowned modeller George Dent describes the fundamental processes involved in kit-building, including preparation and assembly of components, detailing and modification work including custom fittings, plus an in-depth look at painting and weathering techniques. Featuring a range of popular, readily available kits in all of the popular scales: 1:72, 1:48, 1:35, 1:32 and 1:24, and suitable for modellers of all abilities, each project is clearly explained in an illustrated, step-by-step format with over 680 colour photographs.

New and better than ever, Launching the Imagination treats design as both a verb and a noun - as both a process and a product. Design is deliberate - a process of exploring multiple solutions and choosing the most promising option. Through an immersion in 3-D concepts students are encouraged to develop methods of thinking visually that will serve them throughout their studies and careers. Building on strengths of the previous five editions Launching the Imagination 6e is even more: Concise. Content has been refined so that maximum content can be communicated as clearly and concisely as possible. Colorful. In addition to the full color used throughout the book, the writing is livelier than that in most textbooks. Analogies expand communication, and every visual example has been carefully selected for maximum impact. Comprehensive. Launching the Imagination is the only foundational text with full sections devoted to critical and creative thinking and to time-based design. The photo program is global, represents a myriad of stylistic approaches, and prominently features design and media arts as well as more traditional art forms. Contemporary. More than half of the visual examples represent artworks completed since 1970, and over 100 represent works completed since 2000 Compelling. Interviews with exemplars of creativity have always been an important feature of this book. Three of the best past profiles have been revised and a new profile has been added. Now inserted into the body of the text, each interview deliberately builds on its chapter content. In Chapter Five, designer Steve Quinn describes the seven-step sequence he uses in developing websites, logos, and motion graphics. In Chapter 8, Jim Elniski describes The Greenhouse Chicago, an innovative home that is both highly energy efficient and elegant. In Chapter 11, ceramicist David MacDonald describes his influences and work process. And, in the new profile in Chapter 6, artist Sara Mast describes an ambitious art and science collaboration begun in celebration of the ideas of Albert Einstein. Almost fifty new images have been added, representing major contemporary artists and designers including Wolfgang Buttress, Do Ho Suh, Garo Antresian, Janet Ballweg, Phoebe Morris, Alain Cornu, and Natalya Zahn.

The top-selling ceramic figurines of the 1940s and '50s came from Madison, Wisconsin's Ceramic Arts Studio and their outstanding designer, Betty Harrington. In terms of quality, variety, and charm, her figurines are among the best of the era, enchanting, and exquisitely designed down to the last intricate detail. This is the first comprehensive book about this popular studio and it presents all the figurines released by CAS, detailed information on the firm's early years, and Betty Harrington's artistic pursuits after the studio closed. Over 1200 color photographs show stylized figurines of theatrical adults, dancers, children, and animals; vintage catalogs; advertisements; and original designs, along with a complete inventory. Today's values are included in the captions and in a price guide/index, for easy reference. The carefully researched text includes interviews with company owner Reuben Sand, early designer and co-founder Lawrence Rabbitt, studio personnel, family members, and the designer herself. Collectors will find this an indispensable guide to Ceramic Arts Studio's engaging figurines.

Scrimshaw is the art of the Eskimos and whalers. They began by carving fine lines into walrus ivory and bones, which developed into complex images. Today, scrimshaw is a recognized art form that inspires collectors all over the world - especially in Europe and the United States. Richard "Ritchi" Maier is one of the best "scrimshanders" internationally. In this volume, this skilled engraver explains the history and technique of scrimshaw engraving. Most of the book is a practical guide for those who want to try their hand at this artwork. The author provides tips on materials, equipment, and tools, and describes every step in detail, allowing the reader to share in his broad experience. Many photographs and illustrations detail techniques, procedures, and finished pieces. It is a perfect guidebook for anyone entering the wonderful world of scrimshaw.

This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.

Antony Gormley occupies an unusual position as a highly popular sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and 'Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, 'Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley discusses a sculpture he considers to be of huge creative importance: Epstein's The Rock Drill (1913-15), Brancusi's The Endless Column (1935-38), Giacometti's La Place (1948-49), Joseph Beuys's Plight (1985) and Richard Serra's The Matter of Time (2005). In the third chapter, Gormley outlines the influence of Buddhist and Jain sculpture on his work and ideas, and the fourth showcases the artist's most recent sculptures.

Between the ninth and seventh centuries BC the small kingdom of Assyria in northern Iraq expanded through conquest to dominate the region from Egypt to Iran. The power of the Assyrian kings was reflected in the creation of a series of magnificent palaces in which the walls of principal rooms and courtyards were lined with huge panels of alabaster carved with images of the monarch as priest, victorious warrior and hunter. Together, the sculptures constitute some of the most impressive and eloquent witnesses of the ancient Middle East. This book serves as a superb visual introduction to what are undoubtedly some of the greatest works of art from the ancient world, showcasing a series of specially taken photographs of the British Museum's unrivalled collection of Assyrian sculptures. These stunning images capture the majesty of the Assyrian king, his magnificent court and its protecting divinities, through individual panels or extraordinary, often overlooked details, such as incised embroidery on robes, the contours of flesh and musculature, the turn of a horse's head or the order within the apparent chaos of battle. An introduction sets the sculptures in their cultural and art-historical context. A brief history of Assyria and the royal palaces is followed by an overview of their discovery, reception and understanding. These are the earliest examples of complex narrative art, and their multilayered meanings occupied entire rooms in which the raw emotion and energy of animals and humans was captured with remarkable vitality. Many of these exceptional carvings rank among the greatest achievements in the history of art.

This book concerns the ancient rock-cut monuments carved throughout the Near East, paying particular attention to the fate of these monuments in the centuries after their initial production. As parts of the landscapes in which they were carved, they acquired new meanings in the cultural memory of the people living around them. The volume joins numerous recent studies on the reception of historical texts and artefacts, exploring the peculiar affordances of these long-lasting and often salient monuments. The volume gathers articles by archeologists, art historians, and philologists, covering the entire Near East, from Iran to Lebanon and from Turkey to Egypt. It also analyzes long-lasting textual traditions that aim to explain the origins and meaning of rock-cut monuments and other related carvings.

Bottle spirits swirl around in bottles of all kinds. Sometimes they glimmer in the glass. You can always hear them if a breeze or your breath passes over the top of the bottle. But it's not too often that they show their faces. So how do you know at first glance what’s really inside a bottle? Once you decide what kind of spirits are living in your bottles, Tom Wolfe will set you to work carving charming faces to match. Using small pieces of scrap wood, basic carving tools and paint, and not much time, Tom guides the reader through the carving of a rebel soldier, a viking, and a laughing imp. The finished carvings could be hung around a bottle, a neck, on a Christmas tree, or anywhere else that could use a little personality! More than 200 color photos paired with step-by-step instructions demonstrate the process, and a full-color gallery of 20 different carved bottle spirits that would stimulate anyone's imagination. Ideal for both the novice or more experienced carver, this book explores Tom's basic approach to carving a face and the countless possibilities, simple or intricate, that follow.

In this collection of works by more than 25 contemporary ice artists, discover a fascinating art medium defined by its ephemeral nature. Merging creativity and engineering, today's ice artist can create incredibly complex artwork, featured here in more than 150 photos. Ice sculpting's history and impact are described by champion sculptor James Stugart, including events such as the ice festival in Harbin, China. Sculpting firm owner Justin Gordon explains the tools and techniques, and Dick Brickley, former chair of the BP World Ice Arts Championships held in Fairbanks, Alaska, relates the history of this largest international competition. As sculptor Ben Firth says, "Carving ice is a good reminder that no art lasts forever; that, in the end, art is not about creating a permanent object, but about changing people."

Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

The milestone 100th issue of Camera Obscura recognizes the work and legacy of Belgian filmmaker Chantal Akerman (1950–2015). Arguably the most important figure in feminist film culture, Akerman is central to Camera Obscura's own legacy, and her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of the first issues of the journal. The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators. Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White

A practical and in-depth look at modelling faces in clay covering essential information from choosing your clay and modelling tools to drying your work and types of natural finishes. This is a practical and in-depth look at modelling faces in clay, using step-by-step pictures, which is ideal for anyone who wants to have a go at working in detail. As the face gives the figure life and personality, it is an important focus once the body has been created. This book examines the various aspects that make up the face in depth, and which need to be considered when modelling, such as the proportions of the head, bone structure, muscles and expressions. From the face of a child to that of an adult, and from sadness to joy, the enormous variety of faces and expressions all require a different approach and convincing details to complete the figure or bust. All these things are covered thoroughly using diagrams, step-by-step images and clear explanations in order to help you create a face for your work and to improve your modelling. The book also covers essential information such as how to get started, choosing your clay and modelling tools, drying your work and types of natural finishes such as wax.

The sea-faring odyssey of Noah, his family, and the world's animals collected two-by-two is well known to young and old. David Sabol brings the story to life with a series of lively and expressively carved and painted animals and characters. David introduces his readers to the use of the traditional carving and realistic coloring techniques which give his carvings a distinctive design, personality, and charm. Step-by-step techniques for carving Noah's wife or one of several animals native to North America. The combination of clear explanation and color photos make each step easy to follow. Patterns include: Mrs. Noah, two turkeys, pumas, rabbits, foxes, raccoons, skunks, and opossums. This new book will provide hours of pleasure for all carvers from novice to professionals, giving them varied and exciting challenges and beautifully detailed results that will please them.

During the second half of the twentieth century, Scandinavian potters and glassmakers drew on elements present in China and Japan during the period of the Sung Dynasty to produce pieces of beauty and elegance that combined subtle glazes and classical shapes. The qualities came to characterize Scandinavian design in combining the fundamentals of craftsmanship, quality, subtlety, and a relationship to the natural surroundings. With 380 colour photographs to illustrate the work, this book is a must for the ceramics and glass collector as well as those who appreciate the results of a collaboration between artist and nature. Concentrating on designs produced in Sweden, Denmark, and Finland following World War II, the book presents the works of ceramics companies such as Roerstrand, Gustavsberg, Arabia, Saxbo, and Palshus, as well as the glass of Orrefors, Kosta, and Iittala. Designs by some of the greatest names in contemporary Scandinavian ceramic and glass design, including Berndt Friberg, Stig Lindberg, Gunnar Nylund, Wilhelm Kage, Edward Hald, Sven Palmqvist, Tapio Wirkkala, Timo Sarpaneva, and Vicke Lindstrand, will be appreciated by all students of twentieth century design. The guide to current prices will please the collector.

Whittle 12 whimsical woodland creatures with step-by-step instructions and easy-to-use patterns in Woodcarving the Country Bear and His Friends. Not quite caricature, but not realistic either, these humorous bears, moose, rabbits and beavers are easy and fun to make. Each enjoyable project features full colour photos from 4 angles, in-progress shots, detailed patterns and paint colour recommendations. Also provides a complete overview of tools, plus carving and painting tips. Great for beginners or seasoned woodcarvers alike!

CONTENTS - 1. INTRODUCTION - 2. ANIMAL FATS AND OILS - 3. VEGETABLE FATS AND OILS - 4. FATTY ACIDS-FATTY ALCOHOLS-GLYCEROL - 5. SURFACTANTS AND SURFACE ACTIVITY - 6. PRODUCTION OF FATS AND OILS - 7. SOAP MANUFACTURE - 8. SYNTHETIC DETERGENTS - 9. ANALYSIS OF OILS AND DETERGENTS - INDEX - Preface - Presented in this book are quantities of data, gathered during many years in my practice of chemistry, either as resident chemist in manufacturing plants, or as a consultant to the soap and related industries. The style is didactic and such that it may readily be understood by non-technical personnel. Involved theoretical and technical discussions have been avoided. As far as possible, references have been included at the end of each chapter. Although much of the information contained in this work is well within my own experience, much of it has been gleaned also from manufacturers' technical bulletins or through private correspondence. Many patents have been cited, merely as examples of products discussed; this is not to be construed as recommending the infringement of any such patents. The various formulations are presented in good faith, but no warranty is given, nor is freedom from any patent to be inferred. With a little ingenuity on the part of the reader, many useful and efficient products may be made along the lines discussed, without in any way infringing on patented products. Because of numerous factors affecting results, all the formulations cited herein, although believed to be reliable (most of them having emanated from the greatest laboratories in the world) should be tested thoroughly. It is especially recommended that manufacturers make their own tests to determine the suitability of the formulations, for the specific applications intended. I am indebted to the manufacturers of the many chemicals named in the book, for information which I gathered either from direct correspondence or from their technical bulletins; also for their many samples with which I compounded some of the formulas. Special mention should be made of those companies that supplied photographs of equipment and installations depicting various processes. I have tried to include all information pertinent to each formula, and credit has been given to all identified suppliers, so that additional information, if needed, may be obtained from the manufacturers of the basic materials used. Finally, I am grateful to the publishers for valuable assistance in the organization and presentation of my quantities of material which now comes out as not merely a second edition of my Oil, Fat, and Soap, but as a much more comprehensive new book.|CONTENTS - 1. AEROSOLS - 2. BACTERICIDES-FUNGICIDES - SANITIZERS - 3. CLEANERS FOR HOUSEHOLD AND INDUSTRY - 4. CARE OF FLOORS - 5. LAUNDERING AND DRY CLEANING - 6. TREATMENT OF METALS - 7. PESTICIDES - 8. MISCELLANEOUS - BIBLIOGRAPHY - APPENDIX - Glossary - Suppliers of Materials and Equipment - Useful Tables - Patents - Periodicals of Interest - Associations Related to the Industry - INDEX -