This unique reflection on the world of Robert Burns places a range of photographic artworks by celebrated Scottish artist Calum Colvin alongside poems written in response to each work by 'weel-kent' Scots poet Rab Wilson. Colvin's multi-referential artworks are concerned with the very process of looking, perceiving and interpreting. The potential meaning of any individual piece is intrinsically linked to the viewer’s personal deconstruction of the image. Utilising the unique fixed-point perspective of the camera, Colvin creates and records manipulated and constructed images in order to create elaborate narratives which meditate on numerous aspects of Scottish culture, identity and the human condition in the early 21st century. At times witty, controversial and tender, the images are presented alongside poems in response by Rab Wilson which equally reflect on the life and aspects of Burns to dwell on who we are, and where we have been, toward what we may become. As Burns reflected through his art the world he inhabited, these works and words strive to reflect on a myriad of contemporary concerns.

Arguably the greatest sculptor of all time, Donatello (c.1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance. Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta and stucco, he contributed to major commissions of church and state; was an intimate of the Medici family and their circle in Florence, and highly sought after in other Italian cities. This book, specially commissioned to accompany the 2023 exhibition at the V&A, explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of fifteenth-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond.

Slab-built Ceramics introduces a method of constructing clay forms that have been in use through the history of ceramics. This book demonstrates the versatility of slab-building and the scope for personal expression which is possible using variations of this technique. It features... Slab-built sculptures and vessels; The working methods of sixteen international ceramists and the inspiration for their work; A gallery of work by a further fourteen international ceramists and includes examples of several historical slab-built pieces. Reveals the versatility of slab-building techniques which is one of the basic techniques to be used by potters and ceramic artists worldwide in creative and innovative ways. Superbly illustrated with 121 colour photographs. Coll Minogue has been a professional ceramist for over twenty-five years and frequently conducts workshops internationally.

Antony Gormley occupies an unusual position as a highly popular sculptor - known chiefly for his Angel of the North (1998), a national landmark in the UK - who is also widely regarded as one of the most intellectually challenging artists working internationally. He is grounded in archaeology and anthropology, and looks to Asian and Buddhist traditions as much as to Western sculptural history, which he believes reached a punctuation point with Rodin. This is the first book to focus on Gormley's thoughts on sculpture, positioning his career and artistic philosophy in relation to its history. The book is structured thematically over four chapters: the first explores Gormley's thoughts on the body, time and space in relation to major works including European Field (1993) and 'Still Standing' (2011), Gormley's rehang of the classical rooms at the Hermitage Museum in St Petersburg. The second chapter, 'Sculptors', was first delivered as a series of five lectures for the BBC; in each, Gormley discusses a sculpture he considers to be of huge creative importance: Epstein's The Rock Drill (1913-15), Brancusi's The Endless Column (1935-38), Giacometti's La Place (1948-49), Joseph Beuys's Plight (1985) and Richard Serra's The Matter of Time (2005). In the third chapter, Gormley outlines the influence of Buddhist and Jain sculpture on his work and ideas, and the fourth showcases the artist's most recent sculptures.

Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. However, in his life and literary oeuvre the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day. This book, the first biographical study of Cellini available in English, uses the methodologies of New Historicism, social history, and gender and sexuality studies to place the artist and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor.

Sticks are essentially practical aides but are also works of art that often become integral to the owner. They have to be strong and reliable, but are beautiful too. This essential book covers all these qualities - it explains the traditional principles and methods of stickmaking, but also celebrates the designs and ideas behind these creations. Written by an award-winning stickmaker, it provides a full account of this age-old craft. Topics covered include materials, equipment and tools required to make a variety of sticks from timber, antler and horn; stick types and shapes; preparing timber to make handles and shanks; straightening shanks; making joints and exhibiting and competing. This new book will be an inspiration for all stickmakers, both new and old.

The scope and potential of mouldmaking and casting is fascinating, and makes it one of the most exciting processes available to today's craftsmen. Its opportunities have been developed and expanded further by a range of new methods and materials only recently made available to the domestic market. Topics include: jesmonite mould making and casting; bioresin casting; life moulding silicone from the body; large-scale clay press moulding; embedding in clear resin; clay slip casting; plas-ti-shim moulding, and finally finishing. Aimed equally at the student with little pre-existing knowledge and the professional wishing to further their skill base, this book provides an invaluable learning and reference tool for the studio or workshop of any artist, model maker or designer.

The Tiffin Glass Company, of Tiffin, Ohio, produced hand made Depression Era glass, modern wares, and other collectible glassware, especially from the 1940s through the 1960s. Perhaps best known for its stemware, Tiffin made a wider variety of stemware shapes, cuttings, etchings, and decorations than several other companies combined. This book, with nearly 700 color photos, showcases Tiffin stemware along with original promotional photos, advertisements, and patent drawings, plus company history, detailed captions, price guide, index, and a sampling of tableware from the period.

Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.

The Art of Cosmic Spectrum features the characters, worlds, and stories created by artist Yana Bogatch aka Cosmic Spectrum. Previously, she has self-published a graphic novel and two art books. Now, The art of Cosmic Spectrum showcases the artist’s entire story and demonstrates the development of her style and career, as well as brand new art and tutorial content. With character art and comics being her specialty, the book features an array of tips and techniques for drawing anatomy, gesture, and character details.  Sketchbook pages reveal Yana’s experience in animation and storyboarding; her use of both traditional and digital tools reveals the artist’s versatility. Storytelling and connecting with other people are vital to the artist, and readers will be fascinated to discover how she infuses her art with these motivations. Another way in which she shares her art is through her shop, where creativity and commercial success meet.  Yana’s energy, enthusiasm, and entrepreneurial spirit will encourage readers looking for way to transform their passion for art into a viable career while staying true to their style. The Art of Cosmic Spectrum is the creative inspiration and springboard every character artist needs.

When children ask what Santa does during the rest of the year, you can show them these three sporting Santas. Ron was inspired to design these miniature athletes while anticipating the 1996 Olympics in Atlanta. Additional patterns for two of Ron's favorite figures, the quilt and tree-holding Santas, are also included. Ron guides carvers through every step of creating with simple, detailed instructions and color photographs. A gallery is concluded showing each Santa's distinctive character. Carvers with fifteen years or fifteen minutes experience will find this book a welcome addition to their libraries.

"As with stocks, education is the way to begin. There are many excellent books on the jewelry market, but start with Understanding Jewellery, the industry bible by two former Sotheby’s jewelry executives, David Bennett, and Daniela Mascetti." — Kristen Shirley, Bloomberg Understanding Jewellery is a comprehensive guide to 19th and 20th Century jewellery. From the methods used to identify and date pieces, to the factors that can affect their value, this volume contains an abundance of expertise relating to precious stones and metals. With almost 1000 magnificent colour illustrations accompanied by straightforward but thorough explanations, this publication offers a richer and more accessible reading experience than traditional text-dominated books. Including introductions to precious and semi-precious stones, and details of the stylistic developments of jewellery over the last 200 years, this volume is a standard work of reference and aninvaluable tool for collectors and dealers alike. "... a delightful and presentation worthy coffee table book, Understanding Jewellery also, in the truest sense, serves as an inviting educational tool with exhaustive encyclopedic explanations of jewelry starting in the late 18th century to the present." - New York Journal of Books

Master the old-fashioned craft of whittling with this easy-to-learn beginner's guide. Even if you've never carved a piece of wood before, Old Time Whittling will show you how to create iconic whittling classics like the wooden chain, ball-in-a-cage, arrow-through-the-heart and more. Woodcarving instructor and author Keith Randich takes you step-by-step through 10 projects, with concise instructions and more than 50 photographs and diagrams.

The Language of Mixed-Media Sculpture is both a survey and a celebration of contemporary approaches to sculptures that are formed from more than one material. It profiles the discipline in all its expanded forms and recognizes sculpture in the twenty-first century not as something solid and static, but rather as a fluid interface in material, time and space. It gives insightful revelations of the creative journeys of ten renowned sculptors and showcases twenty-eight international sculptors. With over two hundred colour photographs, this sumptuously illustrated volume will inspire those intrigued by and interested in contemporary sculpture.

Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.

This book features seven unique hollow-form projects, presented in order of difficulty. It includes all the practical knowledge needed to get started; comprehensive chapters on tools, equipment and understanding wood. Form templates are included for people to scan, cut out and use on their own projects. For thousands of years mankind has created hollow forms to store either everyday objects or things of value - but functional objects can also be beautiful in their own right. This comprehensive book will guide the beginner through everything they need to know to get started with turning their own hollow forms. You will learn how to work with different types of wood, which tools to use and how to apply basic techniques with confidence. You can learn the basic principles of form, proportion and design and how to apply this knowledge to your own work. Seven striking projects are set out in a clear step-by-step format and progress in difficulty.

Aimed at both the beginner and more experienced modeller, this is a guide to the design, planning and creation of realistic models in 1:285 and 1:32 scales. Covering British, French and German trenches of the Western Front, this book includes the different construction, materials and repair methods used during the conflict. Each chapter includes the historical background, together with step-by-step instructions. With over 300 photographs, this book includes: why trenches were a necessity to save lives and how they adapted through the war; how to build models of British 'ideal' and typical trenches, a wet soil trench, improved shell hole, front line dugout, tunnels and mines, and a hospital tent. Construction advice is given for typical French and German trenches, together with a reversed German trench (modelled under British control) and a German concrete bunker. The creation of artillery models, realistic groundwork and plants is covered along with perfecting fine details such as tools, clothes, mess tins, shaving equipment, cigarette packets and letters from home. Finally, there is a guide to visiting the trenches today, a trench glossary and useful measurements at 1:32 scale.

This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugene Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.

LAND ART AND LAND ARTISTS: POCKET GUIDE

A fully illustrated pocket guide to land and environmental art.

This book explores all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site Hans Haacke's Conceptual art Michael Heizer's Mid-West earthworks Robert Smithson and his giant spiral, entropic earthworks Christo's wrapped buildings and islands, Robert Morris's environments Walter de Maria's Romantic Lightning Field David Nash's stoves, stones, trees and North Wales environments Hamish Fulton's walks and words Dennis Oppenheim's concentric snow circles Richard Long and his art of walking Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures Alice Aycock's mysterious underground mazes Mary Miss's sunken pools and pavilions Wolfgang Laib's delicate, luminous pollen spreads Nancy Holt and her observation sculptures and the enigmatic floor sculptures of Carl Andre.

For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning sunward in the late afternoon. These are the things land artists deal with in making art. These are the actualities that artists employ when they create artworks.

Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 971861714046. 280 pages.

www.crmoon.com

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

This publication offers a rich and expansive visual record of Julie Brook's artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook's practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the publication presents a striking visual narrative of Brook's landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook's coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook's notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the artist's 'monuments to the moment'.

Whittle 12 whimsical woodland creatures with step-by-step instructions and easy-to-use patterns in Woodcarving the Country Bear and His Friends. Not quite caricature, but not realistic either, these humorous bears, moose, rabbits and beavers are easy and fun to make. Each enjoyable project features full colour photos from 4 angles, in-progress shots, detailed patterns and paint colour recommendations. Also provides a complete overview of tools, plus carving and painting tips. Great for beginners or seasoned woodcarvers alike!

Art history traditionally concentrates on the visual. Sound has either been ignored or has been appreciated in a highly selective manner within a different discipline: music. This book is about recent attempts by artists trained in (West) Germany to provoke listening experiences to awaken the senses. Their work is revolutionary in artistic terms and in what it reveals about human relations, especially concerning issues of gender. The main focus of the book is to explore a gendered reading of the unity between the visual and the aural, a strand most prominently expressed within sound art in the period from the beginning of the 1960s to the 1980s. The book juxtaposes sources that have not been considered in conjunction with each other before and questions sound art's premise: is it a separate field or a novel way of understanding art? The study also opens up sound art to gender considerations, asking if the genre possesses the capacity to disrupt conventional, gendered role models and facilitate alternative possibilities of self-definition and agency across genders. Emergency Noises brings to light the work of underrepresented female artists and explores new intersections of sound, art and gender.