The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight. His remarkable leap in status from his humble birth to a stonemason's family, to his time as a galley slave, to living as a nobleman and courtier in Milan provide a specific case study of an artist's struggle and triumph over existing social structures that marginalized the Renaissance artist. Based on a wealth of discoveries in archival documents, correspondence, and contemporary literature, the author examines the strategies Leoni employed to achieve his high social position, such as the friendships he formed, the type of education he sought out, the artistic imagery he employed, and the aristocratic trappings he donned. Leoni's multiple roles (imperial sculptor, aristocrat, man of erudition, and criminal), the visual manifestations of these roles in his house, collection, and tomb, the form and meaning of the artistic commissions he undertook, and the particular successes he enjoyed are here situated within the complex political, social and economic contexts of northern Italy and the Spanish court in the sixteenth century.

The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children. Published to accompany an exhibition at the National Gallery of Scotland, June-October 2019.

Detailed instructions, illustrations for carving animals, flowers, figures, more. Tips on tools, techniques, painting, finishing, exhibiting.

The Art of Chip Carving teaches crafters of all levels how to create 15 decorative rosette patterns. Chip carving is that art of forming intricate geometric patterns by carefully cutting away small triangles of wood to slowly create the full project. Tatiana Baldina's incredibly detailed instructions, with photographs accompanying every step, will allow even a complete beginner through the process of recreating her patterns, while more experienced carvers will relish the opportunity to try out new designs. The projects can be used to decorate all manner of objects, from boxes to plates and wall panels to furniture. The book also contains a comprehensive introduction to the art, including choosing the appropriate tools and materials and instructions for all the different cutting techniques you'll need.

This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides - in deed and art - Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.

Centered on the early Cambodian masterpiece Krishna Lifting Mount Govardhan in the Cleveland Museum of Art, seven essays present new research and discoveries regarding its history, material, and context. Introducing the Cleveland Krishna as one of eight monumental sculptures of Hindu deities from the sacred mountain of Phnom Da, the museum's curator presents evidence for its establishment in a cave sanctuary and recounts its fascinating journey from there to Cleveland in multiple pieces--including a decades-long detour of being buried in a garden in Belgium. Conservators and scientists elucidate the long-fraught process of identifying the sculptural fragments that belong to the Cleveland Krishna and explain the new reconstructions unveiled in the 2021 exhibition Revealing Krishna: Journey to Cambodia's Sacred Mountain.An international team of specialists in the history of art, archaeology, and anthropology place the Cleveland Krishna amid the material traces of a sophisticated population based in the Mekong River delta at the ancient metropolis known as Angkor Borei. They reveal the long-lasting influence and prestige of the site, well into the Angkorian period, more than six hundred years after the creation of the Cleveland Krishna and the gods of Phnom Da. This is the fifth in the Cleveland Masterworks Series.

The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.

Issue 9 of of Maurizio Cattelan and Pierpaolo Ferrari's accessible image-based artists' magazine that challenges the limits of the contemporary art economy Toilet Paper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Learn to carve beautiful wildlife themed walking sticks with this informative and easy-to-follow book. Hand Carving Your Own Walking Stick includes useful information on harvesting and curing wood, plus advice on getting the best finishing results with paints, stains, varnishes, acrylics, and woodburning. Award-winning woodcarver David Stehly walks the reader through the entire process of making artisan-quality sticks, staffs, and canes that are as functional as they are beautiful. Step-by-step projects and ready-to-use patterns make it easy to get started in this relaxing and rewarding hobby. An inspirational color photo gallery illustrates many of the author s spectacular projects, including sticks adorned with lifelike lizards, magnificent bighorn sheep, leaping trout, and many more. A special focus is on carving realistic snakes that wrap around the sticks, all carved from a single piece of wood. "

Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholarship on Classical Art, few notions appear to be as elusive as that of “small sculpture”, often treated with a certain degree of diffidence well summarized in the formula Klein, aber Kunst? In fact, a large and heterogeneous variety of objects corresponds to this definition: all kinds of small sculpture, from statuettes to miniatures, in a variety of materials including stone, bronze, and terracotta, associated with a great array of functions and contexts, and with extremely different levels of manufacture and patronage. It would be a major misunderstanding to think of these small sculptures in general as nothing more than a cheap and simplified alternative to larger scale statues. Compared with those, their peculiar format allowed for a wider range of choices, in terms, for example, of use of either cheap or extremely valuable materials (not only marble and bronze, but also gold and silver, ivory, hard stones, among others), methods of production (combining seriality and variation), modes of fruition (such as involving a degree of intimacy with the beholder, rather than staging an illusion of “presence”). Furthermore, their pervasive presence in both private and public spaces at many levels of Greek and Roman society presents us with a privileged point of view on the visual literacy of a large and varied public. Although very different in many respects, small-sized sculptures entertained often a rather ambivalent relationship with their larger counterparts, drawing from them at the same time schemes, forms and iconographies. By offering a fresh, new analysis of archaeological evidence and literary sources, through a variety of disciplinary approaches, this volume helps to illuminate this rather complex dynamic and aims to contribute to a better understanding of the status of Greek and Roman small size sculpture within the general development of ancient art.

A catalogue of 108 portrait bronzes of great masters of the Tibetan Buddhist traditions. It presents a history of these teaching lineages. The sculptures span the most productive period in the history of Tibetan Buddhist art, illustrating Tibetan portraiture's long and varied history. This is a catalogue of 108 portrait bronzes of great masters of the Tibetan Buddhist traditions, it presents a history of these teaching lineages based on and illustrated by the collection. Ranging in date from the 12th to 18th century, the sculptures span the most productive period in the

In a fine assimilation of abstraction, myth, landscape and conceptualization, her art is threaded with the face, form and guration of the `goddess' in various incarnations of Rini's own design. This book is an attempt to understand and appreciate the dramatis persona, review her creative journey and take the reader through the various stages of her life and work until the present, with its focus on an exceptionally impressive and extensively varied repertoire.

From the author of 101 Homemade Products for Your Skin, Health & Home comes an amazing collection of 50 recipes and step-by-step tutorials to create easy, quick and beautiful soaps the truly natural way. With more and more people turning to natural skincare products crafted by hand, Jan Berry delivers soap recipes that come together easily, use sustainable nature-derived ingredients and utilise simple decorations that take your soap to the next level without the headache. Sample recipes include Blue Agave Soap, Wild Rosehips Soap, Double Mint Sage Soap and Dead Sea Mud Spa Bar. The recipes are in tune with today's trends - such as vegan options, shampoo and shaving bars, seasonal soaps such as Pumpkin Spice Soap and soaps highlighting popular ingredients such as goat's milk and sea salt - while still retaining a rustic, old-fashioned feel. Many soapers like to adapt recipes adding their own twist, but the chemistry involved can be a challenge. In addition to the recipes, Jan removes the mystery and shares her expertise, gathered from years of natural soapmaking, on valuable topics such as using plant colourants and herbs, substituting oils, resizing a recipe, making hot versus cold process soap and troubleshooting common issues. This book is perfect for beginners, but even more than that, Jan's unique ingredient combinations and techniques make the book a practical and inspiring choice for the modern-day soapmaker.

With a focus on natural ingredients, Natural Soap, Second Edition provides a wonderful range of recipes for bar and liquid soaps as well as creams, lotions and balms. The techniques section covers everything you need to learn about how to make soaps at home.All the equipment required is fully explained, so even a beginner could start making soap in no time. The recipes include fruit soaps, scrub bars, skin creams and flower waters, and there is a section on special effects for a really special treat.With such a wide choice of design, colour and scent, there is bound to be something here for everyone. The author also includes an invaluable section on running a soap making business, giving essential advice for anyone looking to profit from their newfound skills.

This title covers the full process and all techniques required, from making the maquette to finished item. It includes 6 step-by-step projects with photographs and expert tips. It also features an in-depth history of the craft and a gallery of inspirational examples. Author lives in West Sussex, UK. Readers can create their own Japanese carvings with this new, comprehensive how-to title on the intricate skill of Japanese netsuke. Traditionally created for practical reasons, these fantastic, miniature carvings are now highly collectible works of art. "Carving Japanese Netsuke for Beginners" is packed with information on the history, techniques, tools and skills needed to master the art. Written in an approachable, personal style with 6 step-by-step projects to follow and 27 additional ideas each accompanied by colour photographs, this book includes everything readers need to get started.

This book provides a wealth of practical guidance on building and painting realistic model naval ships aimed at those who are new to this hobby through to the experienced modeller. An in-depth look at the creation of four models is included: the Type 45 destroyer HMS Daring (Dragon), the pre-war aircraft carrier USS Wasp (Aoshima), the River-class frigate HMS Nadder (Starling Models) and the 'pocket battleship' Admiral Graf Spee (Academy). With a focus on the popular kit scales of 1/700 and 1/350 in the waterline style, this book demonstrates the techniques used in building model ships, from the basic to the more complex, larger-scale models requiring many differing skills. There are chapters on the fundamentals such as building resin kits, painting and weathering, rigging and creating a water effect. It provides guidance on more advanced techniques such as the use of photo-etched parts and creating rough-water effects. Finally, it is packed with helpful tips and finishing touches, such as making flags and how to take professional-standard photographs of your completed model.

Despite the profusion of knightly effigies created between c. 1240 and c. 1330 for tombs throughout the British Isles, these commemorative figures are relatively unknown to art historians and medievalists. Until now, their rich visual impact and significance has been relatively unexplored by scholars. In this study, Rachel Dressler examines this category of sculpture, illustrating how English military figures employ a visual language of pose, costume, and attributes to construct a masculine ideal that privileges fighting prowess, elite status, and sexual virility. Like military figures on the Continent, English effigies represent knights wearing chain mail and surcoats, and bearing shields and swords; unique to the British examples, however, is the display of an aggressive sword handling pose and dynamically crossed legs. Outwardly hyper masculine, the carved figures partake in artistic subterfuge: the lives of those memorialized did not always match proffered images, testifying to the changing function of the knight in England during the thirteenth and early fourteenth centuries. This study traces the development of English military figures, and analyzes in detail three fourteenth-century examples-those commemorating Robert I De Vere in Hatfield Broad Oak (Essex), Richard Gyvernay at Limington (Somerset), and Henry Allard in Winchelsea (Sussex). Similar in appearance, these three sculptures represent persons of distinctly different social levels: De Vere belonged to the highest aristocratic rank, where Gyvernay was a lesser county knight, and Allard was from a merchant family, raising questions about his knightly standing. Ultimately, Dressler's analysis of English knight effigies demonstrates that the masculine warrior during the late Middle Ages was frequently a constructed ideal rather than a lived experience.

The human figure in sculpture is a powerful form, capable of great expression and depth. Sculpting the figure in any medium is a rewarding practice, but one that presents special challenges for the maker. Tanya Russell, founder and principal of the Art Academy in London, details the whole creative process for sculpting the figure, from the fundamental conceptual and practical considerations through to the finished and presented work. She covers essential tools and equipment, methods for building armatures, and the processes for creating not only realistic, but also abstract and expressive figures, in a variety of styles and materials. Techniques are supported by practical exercises with step-by-step instructions and images. The book is filled with the inspiring works of contemporary sculptors, all of whom are tutors, students, or alumni of the Art Academy. Modelling and Sculpting the Figure is an essential companion for beginners and established artists alike.

The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.

Skinner Releasing Technique (SRT), created by Joan Skinner, is a somatic movement, dance and creative practice with a core underlying principle of releasing blocked energy, held tension and habitual patterns in body mind. It enables us to move with greater freedom and ease whilst awakening creativity and spontaneity. The 21 contributors to this book describe how SRT informs their own movement and/or dance practice and influences wider fields of practice including meditation, architecture, poetic listening, visual art, writing, technology and choreography. For them SRT is a transformative and lifelong practice that deepens connections with self, other, more than human life forms and with natural and urban landscapes. This is a book for anyone drawn to explore body mind, somatic, movement and dance practices, and for those who are exploring ways of living in the world creatively, empathically and with more ease and natural grace.

If you'd like to learn to carve in relief, this comprehensive guidebook will teach you everything you need to know. With some sharp tools, a smooth piece of wood and this new book, you'll soon be confidently carving exquisite animals, landscapes, flowers, borders, Celtic knots and more. Acclaimed carver and instructor Lora S. Irish takes you step-by-step through simple carvings on a practice board to introduce all of the essential cuts, contouring and smoothing steps used in basic relief woodcarving. 10 original new project patterns are accompanied by clear in-depth instructions and dozens of how-to photographs. Each design is presented both as an outline pattern for tracing directly onto wood, and as a detailed sketch to guide your work. A stunning photo gallery of finished projects is included to offer further inspiration.

A beautifully presented, practical gift guide to the age-old art of whittling. There are 50 projects featured in the book, ranging from quick makes to more elaborate projects, and even a chapter on creating things from cork. The 8 main themes are: Quick Things - including a doorstop, a bookmark and a gift-box book; Into The Woods - including a willow whistle, walking stick, fish hook and slingshot; Around The House - including chopsticks, coat and crochet hooks; Cork Creations - including a succulent pot, stamp, and earphones spool; Ornamental Carving - including a boat, a deer and a spinning top; Kitchen Carving - including a carrot flute, apple candle and onion flower; The Natural World - including a bird feeder and instructions to prepare a fish for cooking, a graft an apple tree. The projects cater for a range of skill levels and the instructions are complemented by smart step-by-step illustrations, which highlight the tactile quality of the material in hand. The book also includes an introduction with advice on selecting a penknife, maintaining your blade, choosing your caving material, and carving techniques. Featuring the ultimate crossover of cool craftsmanship and savvy survival-skill projects, this book is the perfect gift for creative adventurers.