This book presents essays that exemplify key themes including the interdependence of conservation, research and access; the need for a 21st-century inventory of the medieval sculpture; the breadth and value of the wide range of the research tools; and conservation issue.

Step-by-step instructions for carving an amusing golfing figure from wood, painting it, and displaying it. Full of original personality and a spark of wit, the design will delight all who encounter it. Other patterns make up a foursome, with a color gallery illustrating all.

Over 420 color photographs illustrate the wide range of wares made available by Cliff, Cooper, Murray, Rhead, and those at Carlton: designers whose creative genius surfaced during the Art Deco years and recently met with a resurgence in popularity. The early twentieth century, following World War I, was a time of experimentation and radical change in the arts. After World War II, the revolutionary modernist movement began. Yet, despite the changing times, Cliff and her contemporaries maintained their position of influence. This book traces the artistic heritage of these designers and their sources of inspiration. By examining these designers' works and patterns, collectors gain a new appreciation for their talents, adaptability, and creative genius. Throughout this book, detailed observations regarding the artistic merits suggest reasons for the continuing popularity of these designs. In addition, historical information on the factories, a price guide, and vital information on forgeries make this book a valuable resource for both the beginning and advanced collector.

A case study of one specific substantial three-part project inspired by the work of William Shakespeare. Three interconnected performances that interrogate roles in the theatre-making process, along with essays that contextualize the themes and approaches of the work, serve as provocations for the acts of dramaturgy the work entailed, juxtapose new writing and performance writing, and problematize the notion of playtexts. Taking as their starting point a stage direction or a moment in the narrative that is not the main focus, the playtexts recontextualize, deconstruct and disorientate the classic text within a landscape that is more polarized, free from the text and inherently and explicitly aware of its own theatricality. The work negotiates the ever-shifting relationship between the text and its performance, the performers and their audience, whilst acknowledging that Shakespeare often employed a play-within-a-play as a device, what we now call a meta-theatrical mode of representation. The three playtexts are The Beginning, an interpretation of A Midsummer Night’s Dream, The Middle, a deconstruction of Hamlet, and The End, triggered by a stage direction from The Winter’s Tale. Shown together as The Trilogy, each play asks the audience to enter a world where a performance can be a rehearsal, text can be both script and set … and they are always aware of where the fire exits are. The playtexts are presented with essays from a range of contributors that reflect on their poetics, themes and concerns in relation to dramaturgy.  Brings together scholarship and creative work, places them in dialogue with each other and does so from a wide range of perspectives: from those involved in the process, those in the margins of that process and those encountering the works without having been part of that process. The particular strengths of this challenging but accessible book are in the ways it places these perspectives in conversation with and through dramaturgy, and contributes a dialogue about making and reflecting text and performance.  A rich and thought-provoking text that has the potential to move the dialogue on dramaturgy forward both among practitioners and academics. It is a fresh, intellectually invigorating read; the change of perspective and the playful structure that brings a recognisable five-act dramatic structure and academic elaboration together keeps readers focused and guides them through the book. Very conscious of its own unorthodox format – a combination of script and reflection, by a variety of voices – which is certainly part of the freshness of the book and part of its appeal.  Primary readership will be among practitioners, academics and researchers in the field of dramaturgy, teaching, devising, writing for performance and non-linear narrative; performance students making or reflecting on their own devised performance work; postgraduate students who are engaged in making practice as research.  Also of relevance and interest to makers and scholars of theatre and performance, alongside those interested in creative critical writing; to those interested in how we make, and reflect on, theatre and performance; those interested in contemporary dramaturgy and embedded criticism; and those studying theatre and performance, and interdisciplinary practice research.

"The Fashion Handbook" is the indispensable guide to the fashion industry. It explores the varied and diverse aspects of the business, bringing together critical concepts with practical information about the industries structure and core skills, as well as offering advice on real working practices and providing information about careers and training.
Tracing the development of the fashion industry the book looks at how fashion can be understood from both social and cultural perspectives. Each chapter contributes to the knowledge of a particular academic or vocational area either through building on existing research or through the dissemination of new research undertaken into specialist vocational disciplines.
"The Fashion Handbook" uses case studies, interviews and profiles and includes chapters written by recognized academics and fashion industry experts. Specialist topics include fashion culture, luxury brands, fashion journalism, fashion buying, design and manufacturing, retailing, PR and styling.
"The Fashion Handbook" includes:
* a unique and wide overview of the fashion industry
* chapters on specialist topics
* contributions from recognized experts in both academia and the fashion industry
* expert advice on careers in fashion retailing.
A must for all students of the fashion world.

"The Fashion Handbook" is the indispensable guide to the fashion industry. It explores the varied and diverse aspects of the business, bringing together critical concepts with practical information about the industries structure and core skills, as well as offering advice on real working practices and providing information about careers and training.
Tracing the development of the fashion industry the book looks at how fashion can be understood from both social and cultural perspectives. Each chapter contributes to the knowledge of a particular academic or vocational area either through building on existing research or through the dissemination of new research undertaken into specialist vocational disciplines.
"The Fashion Handbook" uses case studies, interviews and profiles and includes chapters written by recognized academics and fashion industry experts. Specialist topics include fashion culture, luxury brands, fashion journalism, fashion buying, design and manufacturing, retailing, PR and styling.
"The Fashion Handbook" includes:
* a unique and wide overview of the fashion industry
* chapters on specialist topics
* contributions from recognized experts in both academia and the fashion industry
* expert advice on careers in fashion retailing.
A must for all students of the fashion world.

Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Wherever you are in America you see the influence of the Cape Cod sign. The incised carved letters glistening with gold leaf make a warm invitation to home or business. The decorative carved shells or scrolls reveal the carver's art. Among the most respected and talented carvers is Paul White of E. Sandwich, Massachusetts. He has received national recognition in both the carving and sign-making worlds, and has taught hundreds of students over the years. In this wonderful new book he takes the reader step-by-step through the process of carving a quarterboard, beginning with the layout of the letters and pattern, and continuing through the gilding. A complete alphabet is included so you can create your own sign. There is also a gallery to help the carver develop his or her own design. Each step is illustrated in full color, with concise instructions that make this an invaluable book for both the novice and experienced carver.

Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key metaphors of Freudian and Kleinian psychoanalysis - splitting, projection, sublimation, identification, the schizoid and reparative mechanisms - as well as Lacan's concepts of the stade du mirroir and the objet petit, can be fruitfully applied to a range of modern three-dimensional art, from Surrealism to the present day. Moreover the relationship is frequently a double one. As these essays show, figures such as Donald Judd, Barbara Hepworth, Gilbert and George, Jean-Jacques Lebel, Eva Hesse, Robert Morris, Rebecca Horn and others have often approached the material of sculpture with something like these mechanisms in mind. The need to unlock the levels of psychoanalytic connection between artist, object and viewer in recent debate has fuelled the diverse proposals of this original and important book.

Michelangelo's (1475-1564) "Taddei Tondo," in the collection of the Royal Academy in London, offers a fascinating insight into the master's technical and experimental skill. Joshua Reynolds, the Academy's first president, considered that Michelangelo represented everything that an artist should aspire to, combining technical brilliance with sublime poetical imagination, and the Tondo shows this in scintillating relief. Expertly researched and written by the renowned Renaissance art historian Alison Cole, this book moves through the life of the "Tondo," from Michelangelo's rivalry with Leonardo to the marble's arrival at the Royal Academy and its use in the RA Schools. Finishing with a fresh look at the Tondo's role in revealing Michelangelo's technical experimentalism, Cole explores the importance of finish and what constitutes a finished work of art. Lavishly illustrated and including new photos of the Tondo, this is an enriching exploration of a lesser-known side of the great Renaissance master's work.

This career-spanning publication features conceptual, political, formal, and technical perspectives on the work of contemporary sculptor Charles Ray For Charles Ray (born 1953), sculpture is a way of thinking that informs his work across a wide range of media-from gelatin silver prints to porcelain, fiberglass, wood, and steel. Charles Ray: Figure Ground spans the whole of the artist's fifty-year career, from his early photographs and performances through his intriguing, often unsettling sculptures, some of which are published here for the first time. The essays foreground Ray's engagement with preexisting traditions, as well as charged issues around race, gender, and sexuality (notably expressed through his explorations of Mark Twain's 1884 novel Adventures of Huckleberry Finn) and investigate the modalities of touch that run through his work. In addition, a reflection by Ray himself and a conversation between the artist and Hal Foster offer further insights into his multifaceted practice. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (January 31-June 5, 2022)

The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.

This book features seven unique hollow-form projects, presented in order of difficulty. It includes all the practical knowledge needed to get started; comprehensive chapters on tools, equipment and understanding wood. Form templates are included for people to scan, cut out and use on their own projects. For thousands of years mankind has created hollow forms to store either everyday objects or things of value - but functional objects can also be beautiful in their own right. This comprehensive book will guide the beginner through everything they need to know to get started with turning their own hollow forms. You will learn how to work with different types of wood, which tools to use and how to apply basic techniques with confidence. You can learn the basic principles of form, proportion and design and how to apply this knowledge to your own work. Seven striking projects are set out in a clear step-by-step format and progress in difficulty.

This volume can rightfully be called "a film school in a single book." Investigating and analyzing the elements and concepts of motion picture creation, this book looks closely at 25 films that represent a wide range of styles and subjects. Although most motion picture viewers have seen numerous movies in their lifetime, few in the general public have a firm and deep understanding of how motion pictures are created, or a grasp of the intricacies of cinematic storytelling and content. By presenting 25 films, American and international, Hollywood and independent, this book educates and enlightens readers about the details of the motion picture creation process. Some readers will have viewed certain films in the volume, but many will be introduced to major cinematic works within the canon of great and essential films for the very first time. Topics explored include animation, period films, editing, directorial style, and non-linear cinematic structure. Readers will learn about the origin of the jump cut in Breathless, time and space in Hiroshima Mon Amour, and the editing in Orson Welles's essay film F is for Fake. The Art and Craft of Motion Pictures: 25 Movies to Make You Film Literate will educate the novice and avid moviegoer alike about the inner workings of this dynamic, popular, and culturally significant art form.

This companion volume to other books on Tiffin Glass by this authoritative team offers important information on Tiffin's pressed ware. It includes a color identification guide, nearly 500 archival and color photos and catalog pages, detailed captions, and a price guide. Vases, bowls, candlesticks, and ashtrays are shown in many colors and styles in addition to the popular figurals and paperweights produced by Tiffin Glass. This volume is a must for collectors and dealers of Tiffin and 20th century American glass.

The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offers a number of alternative readings, and demonstrates strategic uses of figuration and abstraction across East and West. Encompassing sites of memory (including war memorials and Holocaust memorials), state, civic and corporate sculpture, as well as temporary and unexecuted projects, the book shows that persuasive advocates of figuration were to be found in the West, while in the East imaginative experiments in abstraction were proposed in the name of Social Realism. Presenting fresh insights into sculptural practice in the period between 1945 and 1968, this book brings together a wide range of authors, some of whom have never before been published in English. Their essays are complemented by extracts from documentary texts, which give a flavour of contemporary debates, and a biographical section includes entries on many sculptors who will be unfamiliar to an English-speaking audience.

The institution of the pantheon has come a long way from its classical origins. Invented to describe a temple dedicated to many deities, the term later became so far removed from its original meaning, that by the twentieth century, it has been able to exist independently of any architectural and sculptural monument. This collection of essays is the first to trace the transformation of the monumental idea of the pantheon from its origins in Greek and Roman antiquity to its later appearance as a means of commemorating and enshrining the ideals of national identity and statehood. Illuminating the emergence of the pantheon in a range of different cultures and periods by exploring its different manifestations and implementations, the essays open new historical perspectives on the formation of national and civic identities.

Three classic books on Louis C. Tiffany's brilliant Art Nouveau works are combined here in one volume. Louis C. Tiffany Rebel in Glass, Louis C. Tiffany's Glass- Bronzes-Lamps, and Louis C. Tiffany's Art Glass by Robert Koch, the foremost scholar in the field, informed and delighted a generation of art lovers before they went out of print and became hard to find. This combined edition brings the innovative career of one of America's most original artists to a new generation of collectors. It retains all of the original text and photographs of the former editions and has many additional color photographs of Tiffany's most treasured designs from some of finest museum collections in America. Here are the glass windows, lamps, and vases from the flamboyant 1880s to 1920s era that made Louis C. Tiffany famous. Tiffany's bronze desk sets, paintings, ceramics, mosaic tiles, room interiors, lighting devices, decorative glass, and jewelry are all prominently featured. Every art student, museum professional, historian, antique dealer, and art collector will be dazzled by the variety and exquisite craftsmanship displayed here. The book is a treasure itself.

Tom Wolfe goes back to basics. With easy to follow, step-by-step instructions, Tom helps the novice carver bring life to a block of wood. With a single knife Tom carves a relining country figure and teaches the basic methods of woodcarving. Each cut is illustrated with a full-color photograph, an important visual aid to learning this fun craft. These projects are simple and fun. The new carver will find that the mysteries of this art quickly disappear and that they can quickly learn the skills they need to create a nice piece of art.

Japanese porcelain of the Nippon era, 1891 to 1921, are visually exciting and form a plentiful group of beautiful, high-quality items which are popular today with a large number of collectors worldwide. This new and lavishly color-illustrated book presents thousands of Nippon porcelain items well known by their different styles of decoration such as Moriage, Coralene, Cobalt, portraits, molded-in-relief, and tapestry. Included here are hundreds of plaques, dishes, lamps, dolls, vases, smoking accessories, and other forms in many variations. Over 830 color photographs, identifying captions and text present this phase of Oriental art along with 130 different manufacturer's marks. This reference work will be especially valuable to the collectors, art dealers and appraisers who enjoy the variety of Nippon wares. A Values Guide is included.

Here Barbara Freitag examines all the literature on the subject since their discovery 160 years ago, highlighting the inconsistencies of the various interpretations in regard to origin, function and name. By considering the Sheela-na-gigs in their medieval social context, she suggests that they were folk deities with particular responsibility for assistance in childbirth.

This fascinating survey sheds new light on a controversial phenomenon, and also contains a complete catalogue of all known Sheela-na-gigs, including hitherto unrecorded or unpublished figures.

Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century.

Here Barbara Freitag examines all the literature on the subject since their discovery 160 years ago, highlighting the inconsistencies of the various interpretations in regard to origin, function and name. By considering the Sheela-na-gigs in their medieval social context, she suggests that they were folk deities with particular responsibility for assistance in childbirth.

This fascinating survey sheds new light on a controversial phenomenon, and also contains a complete catalogue of all known Sheela-na-gigs, including hitherto unrecorded or unpublished figures.

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.

The Jewel Tea Company of Chicago, Illinois reached a national market for its household products through salesmen and mail order catalogs from 1901 until 1981. the company's Autumn Leaf Pattern china-featured throughout the text-was widely distributed and frequently graced dinner tables earlier this century. It is fondly remembered and sought by today's collectors. Rarely seen Autumn Leaf wares are explored along with a brilliant assortment of better known pieces. A combination of modern color and historic black and white photographs chronicle the staggering array of Jewel Tea wares including china, cookware, coffee and teapots, premium products, children's toys, and more. There is something for everyone in this impressive, photograph-filled and thoroughly researched text with price guide.