A fresh approach to the construction of "Anglo-Saxon England" and its depiction in art and writing. This book explores the ways in which early medieval England was envisioned as an ideal, a placeless, and a conflicted geography in works of art and literature from the eighth to the eleventh century and in their modern scholarly and popular afterlives. It suggests that what came to be called "Anglo-Saxon England" has always been an imaginary place, an empty space into which ideas of what England was, or should have been, or should be, have been inserted from the arrival of peoples from the Continent in the fifth and sixth centuries to the arrival of the self-named "alt-right" in the twenty-first. It argues that the political and ideological violence that was a part of the origins of England as a place and the English as a people has never been fully acknowledged; instead, the island was reimagined as a chosen land home to a chosen people, the gens Anglorum. Unacknowledged violence, however, continued to haunt English history and culture. Through her examination here of the writings of Bede and King Alfred, the Franks Casket and the illuminated Wonders of the East, and the texts collected together to form the Beowulf manuscript, the author shows how this continues to haunt "Anglo-Saxon Studies" as a discipline and Anglo-Saxonism as an ideology, from the antiquarian studies of the sixteenth century through to the nationalistic and racist violence of today.

This book is the perfect start for anyone interested in learning how to carve detailed faces. Mary Finn uses her practice stick method to show you how to carve each feature - eyes, nose, closed mouth, open mouth - with step by step directions that even beginners will find easy to follow. Then she shows you how to arrange all of these pieces into one wooden egg to make a convincing head! This method has helped hundreds of Mary's students, and is a sure-fire way to get started! Egg head projects included in this book are an old man, a pirate, and the Mad Hatter. Mary shows you how to adapt her carving techniques to flatter surfaces to make jewelry (like a bolo tie project) and how to paint your pieces for maximum impact. This book is terrific for beginners, and a great way for more advanced carvers to enlarge their skills.

In 1985, photographer and writer Vickie Jensen spent three months with Nisga'a artist Norman Tait and his crew of young carvers as they transformed a raw cedar log into a forty-two-foot totem pole for the BC Native Education Centre. Having spent years recovering the traditional knowledge that informed his carving, Tait taught his crew to make their own tools, carve, and design regalia, and together they practiced traditional stories and songs for the pole-raising ceremony. Totem Pole Carving shares two equally rich stories: the step-by-step work of carving and the triumph of Tait teaching his crew the skills and traditions necessary to create a massive cultural artifact. Jensen captures the atmosphere of the carving shed-the conversations and problem-solving, the smell of fresh cedar chips, the adzes and chainsaws, the blistered hands, the tension-relieving humor, the ever-present awareness of tradition, and the joy of creation. Generously illustrated with 125 striking photographs, and originally published as Where the People Gather, this second edition features a new preface from Jensen and an updated, lifetime-spanning survey of Tait's major works.

Throughout history people have perpetuated the memory of the dead by constructing stone monuments. The majority of early tombs honour great men, but by the 17th and 18th centuries the humble as well as the rich and powerful sought to express their love and grief by the erection of a suitably inscribed and decorated memorial, made by a local craftsman from native stone. Frederick Burgess describes the origin and development of the churchyard and analyses the different types of monument and ornamentation of each period. He examines the symbolism and lettering and concludes with a section about stonemasons themselves, their training and their methods. He also includes an appendix on epitaphs. This book is an invaluable guide to the historian, the antiquarian, the art historian, and the clergy. Above all, the general reader will find it of absorbing interest, as will those who enjoy exploring the countryside and visiting ancient churches.

Henry Moore's rise from Yorkshire miner's son to international acclaim as the twentieth century's greatest sculptor is one of the most remarkable stories in British art. In this revised, updated, expanded and redesigned new edition of The Life of Henry Moore, Roger Berthoud charts Moore's transition from controversial young modernist to pillar of the art-world establishment, garlanded with domestic and foreign honours. His account is enriched by the weekly interviews he did with Moore -- and his wife Irina -- before the sculptor's death in 1986, aged eighty-eight. At home and abroad Moore's sculptures aroused strong passions and were often the object of abuse, sharp criticism and even physical assault, as well as of admiration. He was attacked by younger artists, among others, who saw his growing fame as an obstacle to their advancement. He was to survive the ebb and flow in his reputation, and emerge with the status of a contemporary old master. From a mass of material, including recently discovered early letters, and interviews with Moore's friends, his former assistants and students, dealers, collectors, museum officials and leading architects with whom he worked, Roger Berthoud has built up a lively and engaging though not uncritical picture of Moore's long life and career in this definitive biography.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films. The necktie murders in Alfred Hitchcock’s Frenzy; Chicago’s Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors. So what’s the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore? In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.

This comprehensive guide displays many of the impressive artwares produced by Gonder Ceramic Arts of Zanesville, Ohio, in over 540 beautiful color photographs and 37 black and white catalog pages. The featured artwares range from baskets and bells to pitchers and vases. Over 30 experimental pieces are shown. The wide spectrum of glazes that won professional praise for the company's founder, Lawton Gonder, are prominently featured. A history of the company, from its founding in 1941 to its sale in 1957, is told and detailed descriptions of the wares manufactured and displayed are provided. A bibliography and index round out the presentation. Values are provided in the captions.

Best known as one of the most widely used industrial ceramic techniques, slipcasting has become increasingly attractive to individual artists and craftspersons. Slip, a water and clay solution, is poured into porous molds. As the mold absorbs water from the slip, a layer of clay forms a cast. The excess slip is removed from the mold and the cast is stiffened, removed, dried, and fired in a kiln. Since the molds can be based on anything from delicate sculpture to found objects, slipcasting frees artists from the constraints of other ceramic techniques while allowing them to create multiples of their works. Sasha Wardell's Slipcasting is a straightforward, practical guide for those interested in the boundless possibilities of the technique. The book contains more than one hundred color illustrations, diagrams, and slip formulas. An inspiring "Individual Approaches" chapter discusses the slipcast work of a variety of contemporary ceramicists from around the world.

A unique set of 100 cards with over 200 TikTok challenges for you to shoot and upload, from lip synchs, dances and dares to ridiculous pranks.

Of all the things that Tom Wolfe carves, none is more popular among collectors and students than his canes and walking sticks. Following the success of his fancy cane book last season, Tom is sharing some of his techniques for creating a fancy walking stick. The difference is in the size and shape of the creature. A walking stick is usually longer to provide more support for the hiker, and has a knob at the top rather than a handle. This knob provides the carver with many possibilities. In this book Tom carves a woodsman's head. He takes the reader through the process from the beginning of the carving to the attachment of the head to the shaft and the decoration of the shaft. Each step is illustrated with a color photograph and a clear explanation. The gallery give other ideas for carving the knob, and patterns are provided for several of them. A great book for new carvers and old pros.

The popular collectible dinnerware lines of our time are highlighted in this new book, principally Fiesta and Lu-Ray, plus other lines that are often confused with one another. Accompanied by a price guide and over 500 color illustrations, author Mark Gonzalez highlights the companies and the lines they produced. Look back at a previous time (1930s to 1960s) when bold dinnerware in Fiesta-type colors (red, cobalt, yellow, green, maroon, turquoise) and pastel glazes were "in" with consumers. American-made, solid-colored dinnerware features a wide array of shapes, in dozens of colors, made over approximately four decades.

The first book to chart Scott Burton's performance art and sculpture of the 1970s. Scott Burton (1939-89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public space-most importantly, street cruising-as foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton's underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Burton also came to create functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton's deep engagements with postminimalism, performance, feminism, behavioral psychology, design history, and queer culture. A restless and expansive artist, Burton transformed his commitment to gay liberation into a unique practice of performance, sculpture, and public art that aspired to be antielitist, embracing of differences, and open to all. Filled with stories of Burton's life in New York's art communities, Queer Behavior makes a case for Burton as one of the most significant out queer artists to emerge in the wake of the Stonewall uprising and offers rich accounts of queer art and performance art in the 1970s.

Soap carving is a fantastic confidence-builder for novice wood carvers, and a challenge for carving veterans who would like to explore a new medium. This fascinating book takes carvers to an advanced level, showing methods of making multiple-bar soap carvings of selected North American mammals. Beautiful color photographs and the text move step-by-step through the creation of eight animals: a bear and cub, wolf, cougar, prairie dog, harp seal, killer whale, and otter. Art, natural history, and environmental issues are integrated into the instructions to produce a super learning experience. Expert wildlife carver Lila Gilmer also makes an appearance to contribute her different approach to realistic soap carvings.

The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists' family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society's annual exhibition and privately.

This book is the companion to Public Sculpture of Edinburgh, volume 1, 'The Old Town and South Edinburgh', extending the coverage to the First New Town and its environs, and beyond that to the former independent burgh of Leith. It provides a comprehensive and detailed account of the entire spectrum of public sculptures to be found in these parts of the city, including free-standing commemorative monuments, architectural carvings, and contemporary site-specific interventions. Based on extensive new research, the text is structured as a catalogue raisonne, with each entry comprising a detailed description of the work, an account of how it came to be commissioned, and an analysis of its cultural significance. There are also separate appendices dealing with important works that have been lost or destroyed, minor works and sculptural coats of arms. The study of public sculpture is now recognised as offering a range of new insights into the development of the urban realm. Those insights are brought together here to provide a comprehensive resource for historians, architects, urban planners and conservators, and a narrative history that will be of interest to all who care about Edinburgh, and wish to celebrate its status as a UNESCO World Heritage Site.

Collecting glass animal figures is a widespread hobby for people of all ages. This important reference book features over 950 beautiful color photographs of American glass animals, fish, birds, mammals, and people figurines dating from 1876 to the present. Major manufacturers shown include Cambridge, Fenton, Heisey, Imperial, Paden City, New Martinsville, Westmoreland, and others. A wide spectrum of colors and shapes are displayed. The information, carefully compiled and analyzed, was tirelessly gathered from original catalogs, brochures, advertising, glass club newsletters, trade journals, and the shared extensive experience of many dedicated dealers and collectors. The captions identify each item and give current values. This book is the essential guide for collectors of American glass animal and figurines. .

Julio Gonzalez moved in 1900 to Paris, where his contact with the most innovative and powerful modern art led, as one would expect, to a vitalization of his own artistic conceptions. He arrived at a style of his own through his attempts to incorporate space and time into his work, and in so doing he changed the meaning of iron, endowing it with new constructive and expressive values. His work made a definitive impact on the development of contemporary sculpture. Though his output was small, his influence on such master sculptors as David Smith - - a distant pupil - - is testimony to the eloquence of his art. This ambitious publishing project (for which seven volumes are planned) focuses on the artist's complete oeuvre and is the result of the initiative of Tomas Llorens, former director of the Reina Sofia Museum, the Thyssen-Bornemisza Museum both of which are in Madrid, and the IVAM in Valencia, which holds over 400 works by Julio Gonzalez in its collection. Published in collaboration with the IVAM and the Azcona Foundation in Madrid.

A genuine labor of love, Loy Harrell has recognized 61 individual decoy carvers, from past to present, located around Lake Champlain. Listed alphabetically, each carver is briefly discussed and examples of their work are illustrated in 263 beautiful color photographs and 52 black and white. There are 352 decoys featured in all. Dr. Harrell has brought his enthusiasm to the reader through personal interviews with many of these accomplished carvers and adeptly portrays the true personality of decoy enthusiasts of the Lake Champlain area. This book is the first of its kind for the Lake Champlain area and pays a long awaited tribute to its carvers and the decoys they have and still are creating.

By taking simple ways of looking at sculpture, this book uncovers unexpected affinities between works of very different periods and types. From sundials to mirrors, from graves to way-markers, from fountains to contemporary art, a wide range of illustrated examples expands the definitions of sculpture and proposes that we understand this art as something more fundamental to the way we experience and construct our rites of passage. Penelope Curtis argues that there are some basic functions shared by many kinds of three-dimensional objects, be they more or less obviously sculptural. Even contemporary sculpture, with no apparent purpose, makes use of this deeply embedded vocabulary. Together, the qualities of vertical, horizontal, closed and open are consolidated in the ensemble, which places the viewer at its heart, on the threshold of sculpture and on the threshold of change. This book elides the usual notions of figurative and abstract to think instead about how sculpture works. Published in association with the Paul Mellon Centre for Studies in British Art

Letter-carving expert Andrew Hibberd shares his techniques for carving letters on wood and Portland stone. It will appeal to beginner and intermediate wood carvers with an interest in lettering. It features step-by-step projects. In this inspiring book, letter-carving expert Andrew Hibberd shares his techniques for carving letters on wood and Portland stone. You don't need to undertake a lengthy apprenticeship to get started with this enjoyable and rewarding craft. Based mainly on period styles of carving, these unique projects use examples of Andrew's work, starting with the simplest and progressing in difficulty. New styles and skills are introduced along the way. It includes: cutting board, house sign, garden bench, picture frame, and, church plaque.

This vibrantly colored and radiantly textured glass is captured in over 400 color photographs which show the history of yesteryear's spectacular crackle glass in detail. Collecting Crackle Glass is a book filled with valued information for collectors, dealers, and glassware lovers alike. The "manufacturer's identification" and "most collectible" guidelines make it easy to collect the most desirable pieces, and a there is value range for each piece of crackle glass photographed. Now you can have detailed information about the styles, shapes, colors, and crackling procedures needed to be able to pick up an unidentified piece of crackle glass and name its maker, know the approximate date of creation, and the fair market value. If you are a dealer, collector, or glassware lover, Collecting Crackle Glass is a book you will value and refer to time and time again.