This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as `Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's facade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pieces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.

A beautifully presented, practical gift guide to the age-old art of whittling. There are 50 projects featured in the book, ranging from quick makes to more elaborate projects, and even a chapter on creating things from cork. The 8 main themes are: Quick Things - including a doorstop, a bookmark and a gift-box book; Into The Woods - including a willow whistle, walking stick, fish hook and slingshot; Around The House - including chopsticks, coat and crochet hooks; Cork Creations - including a succulent pot, stamp, and earphones spool; Ornamental Carving - including a boat, a deer and a spinning top; Kitchen Carving - including a carrot flute, apple candle and onion flower; The Natural World - including a bird feeder and instructions to prepare a fish for cooking, a graft an apple tree. The projects cater for a range of skill levels and the instructions are complemented by smart step-by-step illustrations, which highlight the tactile quality of the material in hand. The book also includes an introduction with advice on selecting a penknife, maintaining your blade, choosing your caving material, and carving techniques. Featuring the ultimate crossover of cool craftsmanship and savvy survival-skill projects, this book is the perfect gift for creative adventurers.

Grow a glass garden--and beautify any space with the exquisite decorative items you've created. George W. Shannon and Pat Torlen, two master teachers and artists who run the On The Edge Glass Studio, offer an array of glorious patterns for stained glass flowers, butterflies, birds, birdfeeders, planters, lanterns, and mobiles. Using dozens of close-up photos, they teach all the basics of both copper foil and lead came construction, from materials and tools to how-to techniques. "A Selection of the Crafters Choice Book Club."

This dramatic period in American history comes to life in the carvings of Tom Wolfe. Union and Confederate soldiers are featured with step-by-step illustrated instructions for carving. One figure is carved all the way through, and patterns are provided for others.

Skinner Releasing Technique (SRT), created by Joan Skinner, is a somatic movement, dance and creative practice with a core underlying principle of releasing blocked energy, held tension and habitual patterns in body mind. It enables us to move with greater freedom and ease whilst awakening creativity and spontaneity. The 21 contributors to this book describe how SRT informs their own movement and/or dance practice and influences wider fields of practice including meditation, architecture, poetic listening, visual art, writing, technology and choreography. For them SRT is a transformative and lifelong practice that deepens connections with self, other, more than human life forms and with natural and urban landscapes. This is a book for anyone drawn to explore body mind, somatic, movement and dance practices, and for those who are exploring ways of living in the world creatively, empathically and with more ease and natural grace.

Isamu Noguchi, Archaic/Modern brings together more than eighty works, from six decades, which reveal how the ancient world shaped this inspirational artist s vision for the future. Monolithic basalt sculptures and floating Akari ceiling lights are juxaposed with works that use stone, water, and light to call to mind elemental structures in civilization across time. Noguchi saw himself as equal parts artist and engineer and this volume devotes special attention to his patented designs, such as Radio Nursethe first baby monitor, and also includes his designs for stage sets, playgrounds, and utilitarian articles, many of which are still being produced today. "

Have you ever watched Douglas Gordon cook? Do you know Harun Farocki’s favourite dal? Would you like to nibble straight from the pot with Keren Cytter or recreate Agnieszka Polska’s pirogi with trumpets of death? Cookbooks are a dime a dozen. And there’s even a certain tradition of artists’ cookbooks. But there is only the one Videoart at Midnight Artists’ Cookbook: 80 of the most renown video artists of our time reveal their favourite recipes. Some simple, others elaborate, yet all to be recreated. And the best thing about this book is that each and every single recipe tells its own personal story. Artists Monira Al Qadiri, Ulf Aminde, Julieta Aranda, Marc Aschenbrenner, Ed Atkins, Yael Bartana, Lucy Beech, Bigert & Bergström, John Bock, Pauline Boudry & Renate Lorenz, Erik Bünger, Martin Brand, Ulu Braun, Klaus vom Bruch, Filipa César, Creischer & Siekmann, Keren Cytter, Chto Delat, Christoph Draeger, Antje Engelmann, Shahram Entekhabi, Köken Ergun, Theo Eshetu, Simon Faithfull, Christian Falsnaes, Harun Farocki, Omer Fast, Fischer & el Sani, Dani Gal, Delia Gonzalez, Douglas Gordon, Andy Graydon, Assaf Gruber, Mathilde ter Heijne, Isabell Heimerdinger, Benjamin Heisenberg, Kerstin Honeit, Christian Jankowski, Anja Kirschner, Knut Klaßen, Korpys/Löffler, Zhenhua Li, Joep van Liefland, Melissa Logan, Dafna Maimon, Antje Majewski, Melanie Manchot, Lynne Marsh, Bjørn Melhus, Almagul Menlibayeva, Ari Benjamin Meyers, Eléonore de Montesquiou, Matthias Müller, Bettina Nürnberg & Dirk Peuker, Marcel Odenbach, Stefan Panhans, Mario Pfeifer, Agnieszka Polska, Ulrich Polster, Mario Rizzi, Julian Rosefeldt, Willem de Rooij, Safy Sniper, Anri Sala, Erik Schmidt, Sandra Schäfer, Amie Siegel, Pola Sieverding, Martin Skauen, Jan-Peter E.R. Sonntag, Vibeke Tandberg, Rebecca Ann Tess, Guido van der Werve, Gernot Wieland, Ming Wong, Ina Wudtke, Shingo Yoshida, Katarina Zdjelar, Stefan Zeyen, Tobias Zielony

This is the first volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 1 includes 799 photographs of sculptures on 224 pages with essays on specific topics of identitication and caring for bronze. It incorporates lists of the sculptors whose work is shown, the founders represented, 24 different founders' seals and an index to this volume. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.

An examination of women as mothers in medieval French sculpture. What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women asbeholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University.

Many wood carvers have attempted and failed in carving the nativity, thwarted by the myriad details of so many figures. Now, Lynn Diel brings a refreshing simplicity to the scene. He uses flat plane carving techniques on basswood to create a beautiful tableau that even a novice can successfully complete. Using over 250 color images, 4 patterns, and clear step-by-step instructions, the reader is taken through all the steps necessary to carve and finish each figure in the nativity: Mary, Joseph, Jesus and His creche, an angel, shepherd, the three kings, a camel, donkey, ox, and sheep. All of the easily obtained materials and tools needed for these projects are listed. Once the techniques are mastered, the reader will be able to create many nativity sets sure to be treasured by family and friends for years to come. This book will be inspiring for the novice and a joy for the experienced carver.

Lovely Danish porcelain figurines by the Dahl-Jensen company are showcased in this first and superb reference for collectors. Celebrated designer Jens Peter Dahl-Jensen worked for the Bing & Grohdahl company before founding his own firm in 1925. He modeled new sculptures, particularly creating a wonderful series representing models from the Far East, which he produced as figurines in the early days of the company's growth. Later, he acquired the works of other artists to enlarge the model collection. Of the almost 400 figurines the factory produced, Dahl-Jensen himself sculpted about 280. All the known figurines made by the company are included, arranged in both numerical and subject matter order, for easy reference. Over 350 color photographs display the natural wildlife and charming people that occupy this high quality line of sculpture. They are growing in popularity among collectors and presently are surprisingly affordable. Current values are reflected in the captions.

This volume is a continuation of the first instalment of the editorial project Canova | In Four Tempos, ISBN 9788874399215, born in co-edition with the Pallavicino Foundation in Genoa with the goal of collecting in a refined publication the photographic research of Luigi Spina focused on the plaster models by Antonio Canova almost entirely preserved at the plaster cast gallery in Possagno. This project accompanying the four-year Canovian celebrations (2019-2022) is structured in four publications, each focused on a specific nucleus of plaster models. Its aim is to give new dignity to Antonio Canova's creative process while highlighting the fundamental role of the bronze nails (reperes) that made the metamorphoses from plaster model to marble sculpture possible. The first volume is devoted to the dialogue of Myth and Faith, illustrated by Spina with photographs of Cupid and Psyche, Paolina Borghese Bonaparte, Venus and Mars, the Lying Magdalen, Peace, and the Lamentation of Christ, while this, the second volume, revolves mainly around Myth. The sculptures on which the visual narrative focuses are: Dancer with Finger on Chin, Dedalus and Icarus, Theseus Defeats the Centaur, Naiad, Pius VII Praying, Venus and Adonis, and Sleeping Nymph.

This indispensable reference guide helps you determine the classification and identification of Depression Glass and other collectible glassware by the prominent design in the pattern. Glassware patterns from the 1920s through the 1970s are grouped into twenty-one overall design categories; these include animals, circles or rings, diamonds, floral, fruit, geometric, ribbed, scroll, and more. Within each category, the associated patterns are then listed and described in alphabetical order. Each pattern is identified by its name, manufacturer, years of production, and colors used. Over 360 color photos illustrate the patterns that appear on a variety of beautiful shapes and in different colors. Current market values are included in the captions. This book provides the key to quick identification of glassware patterns and will be an invaluable tool for glass collectors, fanciers, and dealers.

The 17 Southwest Pueblos along the Rio Grande, and in the rising mesas and bluffs to the west, have a long tradition of beautiful pottery vessels for practical and ceremonial use. In this book, more than 554 modern Southwest Pueblo potters are introduced from 102 families with 160 color photographs of them and their meticulous work. Traditional and new forms are displayed to demonstrate the evolving nature of their work. A new value reference reflects the present pottery market.

Handhewn bowls are one of the oldest crafts known to humanity, but one which has been almost lost. This new book will help reduce the trend and revive interest by introducing the carver and woodworker to exciting new possibilities. Using only hand tools, the bowl adze, a bowl shave and a carver's hook, Rip and Tammi lead the carver or sculptor through the steps of this satisfying art. They begin with a blank and conclude with an oil finish process that makes the bowls beautiful and perfectly safe for use with food. Each step is illustrated in color, with a complete description of design and technique concerns. Both the beginner and the experienced woodworker will enjoy the creation of these functional, beautiful pieces.

The origins of raku can be traced back hundreds of years to Japan, where it was used as the traditional method of creating clay bowls for the tea ceremony. Over the years, potters have embraced and adapted these methods, celebrating the remarkable but unpredictable results achieved using raku techniques. Irene Poulton, who has specialized in raku firing for over 20 years, considers the origins of raku before offering 300 glaze recipes. A selection of other potters also share their ideas. With 100 color photos of raku-fired pieces, this is an outstanding source of information and inspiration for all potters.

A book that will guide you when you are in the process of buying or appraising Sandwich glass is the most important tool you can own. This book is one of a series of guide books that describes every type of glass that was produced in Sandwich, Massachusetts. It uses the original plates of glass photos and the identification numbers form Volume 3 of The Glass Industry in Sandwich, a larger book by the same authors. (Volumes 3 and 4 are available, and Volumes 1 and 2 are in preparation.) This makes cross references much easier. In order to make this series of guides compact and light in weight, the photos from Volume 3 have been divided into two smaller guides. This one contains the complete chapters on witch balls, covered containers, toys (miniatures) and the creations of Nicholas Lutz. Another guide, available now, contains vases, colognes and stoppers. The extensive categorization and illustration of Sandwich glass should make this guide valuable for field use.The prices in this guide reflect the market at the time of publication. They will be periodically updated in a separate price guide available from the publishers.

The colorful and charming decorations on French Quimper pottery (pronounced Kem-pair) have made it a popular ware for over 300 years. Brightly clad men and women, many in the traditional clothing of Brittany, and other designs, reflect the Celtic heritage of Breton culture: its rolling green countryside, grazing animals, and small fishing villages. Over the years, a tremendous amount has been exported to North America and England. Quimper faience has been produced by three primary factories in the French town of Quimper, and this book explains, compares and contrasts the factories and their products. Today old Quimper ware is collected avidly here and abroad and the new ware is cherished. 290 clear color photographs, makers' marks, and the useful, newly updated price guide make this a necessary reference for all who are interested in ceramics.

Get ready to celebrate everything that's special to you! Express your love for life with enriching journal pages, covering everything from self-love to gratitude. Then, get creative with the decorative scratch-art pages, filling them with doodles inspired by love, life, and everything lovely in it! Everything you need is here, including a scratch pen and special scratch-art pages, plus tons of tips and tricks for creating some truly life-affirming works of art.

This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.

Whether placed in a window, beside the bed, or illuminating the dining table as an elegant centerpiece, glass candle holders provoke a rich symbolism of home, comfort, and welcome. Today, these beautiful candle holders capture the eye of many a collector. With over 500 photographs of single, double, and triple candle holders, all listed alphabetically by manufacturer, this book proves the ideal guide to identification, dating, and valuation of your prized candle holders. The book blends style and origin, providing a comprehensive survey of candle holders by major manufacturers such as Beaumont, Cambridge, Fenton, Duncan & Miller, Jeannette Glass, Morgantown, New Martinsville, and Portieux of France with Art Nouveau, Art Deco, Depression era, and modern examples.

This book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. "I've always had a fascination with the needle," she said, "the magic power of the needle. The needle is used to repair damage. It's a claim to forgiveness." This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bedlinen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalog - which accompanies the exhibition at the Hayward Gallery, London and the Gropius Bau, Berlin - features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings.