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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms
In Brave Birds, cut-paper artist and writer Maude White presents an
entirely new collection of sixty-five stunning cut-paper birds. As
a source of inspiration, each bird is paired with an original
message of kindness and strength associated with its particular
traits to encourage bravery and perseverance. Inside, you'll find
birds for experiencing Joy, Creativity, Patience, Kindness,
Resilience, Communication, Strength, Awareness, Action, and
Transformation, and each composition, beautifully photographed by
Laura Glazer, reflects thousands of intricate cuts, lending an
astounding level of texture to these delicate and ethereal
creatures. Appealing to any bird lover or collector of bird art,
Brave Birds is a beautiful resource for those wishing to practice a
life of kindness and empathy.
Gladys Kalichini (born 1989 in Chingola, Zambia) is a contemporary
visual artist and academic who investigates how women have been
portrayed in relation to a dominant, colonial past. For example,
the artist sheds light on instances in which women have been
deleted from historical narratives and the collective memory of
society. As a result of her extensive research, Kalichini has
demonstrated that women were intentionally marginalised in the
official representations of Zambia's and Zimbabwe's struggles for
independence. In her elaborate multimedia installations and video
art, which she often develops on the basis of research material and
photos from archives, Kalichini highlights the omissions in the
dominant representations of the two countries' fight for freedom.
She thus expands the history of their liberation struggle by
drawing attention to the deletion and invisibility of female
freedom fighters. By reminding the public of several of these
women, Kalichini creates a diverse and complex alternative
narrative of national independence.
A compelling look at Doris Salcedo's works from the past fifteen
years, exploring how the artist challenges not only the limits of
the materials she uses but also the traditions of sculpture itself
Colombian sculptor and installation artist Doris Salcedo (b. 1958)
creates works that address political violence and oppression. This
pioneering book, which focuses on Salcedo's works from 2001 to the
present, examines the development and evolution of her approach.
These sculptures have pushed toward new extremes, incorporating
organic materials-rose petals, grass, soil-in order to blur the
line between the permanent and the ephemeral. This insightful text
illuminates the artist's practice: exhaustive personal interviews
and deep research joined with painstaking acts of making that both
challenge limits and set new directions in materiality. Mary
Schneider Enriquez convincingly argues for viewing Salcedo's oeuvre
not just through a particular theoretical lens, such as violence
studies or trauma and memory studies, but for the profound way the
artist engages with and expands the traditions of sculpture as a
medium.
Greg Tricker is a stone carver and painter. His profound and simple
style of painting is deeply rooted in a mystical tradition of art.
Qualities of myth, an innocence of spirit akin to the folk art
tradition and a powerfully theatrical element feature in his work.
Zygotes and Confessions is a publication devoted to the work of
London-based artist Nick Hornby, and has been produced to accompany
his first solo exhibition in a public gallery. The exhibition,
which shares its title with the publication, is presented at
MOSTYN, Wales, UK, from November 2020 to April 2021. Hornby is
known for his monumental site-specific works that combine digital
software with traditional materials such as bronze, steel, granite
and marble. In this publication he presents a substantial new body
of smaller, more intimate work comprising three discrete yet
interrelated series of works inspired by the history of sculptural
busts, modernist abstractions and mantelpiece ceramic dogs. United
by glossy photographic surfaces created by means of an industrial
process in which his marble and resin composite sculptures are
dipped into liquid photographs, these new works explore themes of
portraiture, the body, identity, sexuality and intimacy in the
digital era. A number of the works have been made in collaboration
with fashion photographer Louie Banks. Along with a foreword by
Helen Boyd, Head of Marketing and Publisher Relations at the
Casemate Group, the publication features a text by MOSTYN director
Alfredo Cramerotti and an essay by London-based publisher, editor
and writer Matt Price. Price writes: "With one eye on the sculpture
of the past and the other on that of tomorrow, technology is at the
heart of London-based Nick Hornby's practice and is central to the
production of his often imposing, mind-bending and
futuristic-looking sculptures. Using materials such as bronze and
marble, his work points back towards the Renaissance or the
nineteenth century, yet his use of resin and digital technology
positions him very much in the present, exploring languages both
figurative and abstract, often simultaneously." The texts are
presented in both English and Welsh. Newly commissioned studio
photography of the works by Ben Westoby, along with installation
views of the exhibition commissioned by MOSTYN from Mark Blower,
illustrate the publication, which has been designed by Joe Gilmore
/ Qubik. The publication is co-published by MOSTYN, Wales, UK, and
Anomie Publishing, London, and distributed internationally by
Casemate Art, a division of the Casemate Group. Nick Hornby
(b.1980) is a British artist living and working in London. Hornby
studied at the Slade School of Art and Chelsea College of Art. His
work has been exhibited at Tate Britain, Southbank Centre London,
Leighton House London, CASS Sculpture Foundation, Glyndebourne,
Fitzwilliam Museum Cambridge, Museum of Arts and Design New York,
and Poznan Biennale, Poland. Residencies include Outset (Israel)
and Eyebeam (USA), and awards include the UAL Sculpture Prize. His
work has been reviewed in the New York Times, frieze, Artforum, The
Art Newspaper, The FT, and featured in Architectural Digest and
Sculpture Magazine.
The female face and the female figure have been drawn, sculpted,
carved and painted by artists and craftsmen from around the world
for centuries. In this book and DVD, author and teacher Ian Norbury
offers his expertise and experience to help carvers take on the
challenge of presenting the female face and figure in wood. Inside,
readers will find tips for creating patterns, in depth anatomical
drawings for better understanding of the body's muscles,
step-by-step projects with detailed photos and instructions and a
photo gallery of finished projects to illuminate and inspire.
An exciting new account of Irish high crosses This landmark study
of Irish high crosses focuses on the carvings of an unnamed artist,
the "Muiredach Master," whose monuments-completed in the early
years of the 10th century-deserve a place alongside the Book of
Kells as great works of their time. Drawing on a wealth of recent
research, Roger Stalley describes in vivid detail how the crosses
were made, where they were carved, and how they were lifted into
place. His lively prose situates the works in their context,
identifying patrons and exploring their motives, as well as
venturing to understand what the crosses may have meant to those
who gazed at them a millennium ago. In doing so, Stalley rejects
preconceived notions about the imagery of the crosses, including
the extent to which they were inspired by images from abroad.
Distributed for the Paul Mellon Centre for Studies in British Art
Drawing especially on the encounters and relationships that defined
her exceptional career, The Sustainable Legacy of Agnès Varda
outlines a sustainable legacy for the celebrated director and
visual artist. Over nine chapters, it unpacks how creation,
connection, and environment form the core of Varda’s artistry,
which centers foremost on relationships with her family, with other
artists, even with passersby she would meet in her travels around
the world. Also celebrating her feminist legacy, the chapters cover
a wide range, from the classic Cléo from 5 to 7 (1962) to
documentaries The Beaches of Agnès (2008) and Faces Places (2017)
as well as selected art installations. The book’s final section
is dedicated to teaching Varda’s work; here, ten scholars from
around the world consider how Varda’s art and feminist pedagogies
offer unique ways to bring crucial concepts into the classroom. By
seeking a sustainable praxis to discuss and teach Varda’s work,
and by making pedagogical concerns an explicit part of this
approach, this book argues that Varda’s insights about the nature
of creative work will inspire new generations of viewers and
audiences.
00s is the first exhibition that explores the 2000s, taking as its
starting point one of the most important European collections of
contemporary art - the Cranford Collection. This accompanying
catalogue selects 100 works from the collection, and includes
pieces by artists such as Louise Bourgeois, Cindy Sherman, Damien
Hirst, Gerhard Richter, Raymond Pettibon, and Josh Smith. With an
introduction by Nicolas Bourriaud, the CEO of MO.CO, and interviews
with Muriel and Freddy Salem, the Patrons of the Cranford
Collection. Text in English and French.
![Sudek and Sculpture (Hardcover): Hana Buddeus](//media.loot.co.za/images/x80/644887233032179215.jpg) |
Sudek and Sculpture
(Hardcover)
Hana Buddeus; Translated by Hana Logan, Keith Jones, Barbora Stefanova
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R1,408
Discovery Miles 14 080
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Ships in 9 - 15 working days
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This volume accompanies the largest exhibition of contemporary art
from Australia to be presented outside the continent. It's
characterised by a surprising richness and variety, offering a
combination of personal stories, languages, ethnic origins,
religions and traditions. The artists belong to many Aboriginal
cultures and First Nations and those that arrived from the Pacific,
Europe, Asian countries and America. Curated by Eugenio Viola, this
project encompasses a broad constellation of cultural, political
and social practices and perspectives, and takes into consideration
different means of expression such as painting, performance,
installation, sculpture, video, drawings and photography. Artists:
Vernon Ah Kee, Tony Albert, Khadim Ali, Brook Andrew, Richard Bell,
Daniel Boyd, Maria Fernanda Cardoso, Barbara Cleveland, Destiny
Deacon, Hayden Fowler, Marco Fusinato, Agatha Gothe-Snape, Julie
Gough, Fiona Hall, Dale Harding, Nicholas Mangan, Angelica Mesiti,
Archie Moore, Callum Morton, Tom Nicholson (with Greg Lehman), Jill
Orr, Mike Parr, Patricia Piccinini, Stuart Ringholt, Khaled
Sabsabi, Yhonnie Scarce, Soda Jerk, Dr Christian Thompson AO, James
Tylor, Judy Watson, Jason Wing and Nyapanyapa Yunupingu. Text in
English and Italian.
![Olga Jevric (Paperback): Ingrid Swenson](//media.loot.co.za/images/x80/306322182289179215.jpg) |
Olga Jevric
(Paperback)
Ingrid Swenson; Introduction by Fedja Klikovac; Text written by Phyllida Barlow, Richard Deacon, Jesa Denegri, …
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R485
Discovery Miles 4 850
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Ships in 12 - 17 working days
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This first ever monograph in English on Olga Jevric offers a unique
opportunity to discover the work of a remarkable Serbian artist
whose long and distinguished career established her as the most
significant modernist sculptor from the former Yugoslavia. Despite
gaining widespread acclaim from her contemporaries both in Europe
and the USA, economic, social and geopolitical upheavals meant that
her work has been little seen outside Serbia in the past four
decades. As a witness to the Second World War and its aftermath,
Jevric sought to give voice to the spiritual roots, cultural
foundation and social conditions of the war-torn environment in
which her work developed. Through her materials - primarily a
mixture of cement, iron oxide, rods and nails - she created
distinctive forms that communicate the relationship between matter
and void; weight and weightlessness; containment and release.
Though many of her works are modest in scale, they have an
immensely powerful presence. This collection of texts and images
provides a range of perspectives on, and a thorough contextual
overview of, Jevric's work from some of the UK's most influential
sculptors, alongside prominent art historians from the former
Yugoslavia. It was produced in celebration of Jevric's exhibitions
at London art platforms PEER (28 June-14 September 2019) and Handel
Street Projects (28 June-13 December 2019), along with the
acquisition of nine of her sculptures by Tate Modern.
![Christo and Jeanne-Claude (Hardcover): Jacob Baal-Teshuva](//media.loot.co.za/images/x80/38724264835179215.jpg) |
Christo and Jeanne-Claude
(Hardcover)
Jacob Baal-Teshuva; Artworks by Taschen, Christo And Jeanne-Claude; Photographs by Wolfgang Volz
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R487
R403
Discovery Miles 4 030
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The work of the artist couple Christo (1935-2020) and Jeanne-Claude
(1935-2009) resists categorization. It is a hybrid of art, urban
planning, architecture, and engineering, but above all an aesthetic
uniquely their own: surreal and ethereal environmental
interventions that have graced monuments, public parks, and centers
of power alike. This compact book spans the complete career of the
couple who were born on the very same day, met in Paris, fell in
love, and became a creative team like no other. With rich
illustration, it spans Christo and Jeanne-Claude's earliest
projects in the 1950s right through to The Floating Piers,
installed at Lake Iseo, Italy, in 2016. The book celebrates all of
the couple's most famous environmental interventions, such as The
Gates in New York's Central Park and the Wrapped Reichstag in
Berlin, while also featuring early drawings and family photos
unknown to the wider public. About the series Born back in 1985,
the Basic Art Series has evolved into the best-selling art book
collection ever published. Each book in TASCHEN's Basic Art series
features: a detailed chronological summary of the life and oeuvre
of the artist, covering his or her cultural and historical
importance a concise biography approximately 100 illustrations with
explanatory captions
With clear instructions and vivid color photographs, Al Streetman
takes woodcarvers through all the steps necessary to release a wood
spirit from a cypress knee. Using the shapes suggested by the forms
of the knees themselves, Al carves both a complete Santa figure and
a Santa ornament as the central projects of the book. Also included
are a listing of tools used in the projects, directions for
painting and antiquing the completed carvings, and a color gallery
featuring additional cypress knee Santa figures to inspire the
carver. This book will present interesting challenges to the novice
and be a joy for the more advanced woodcarver.
When this book first appeared in 1982, it introduced readers to
Robert Irwin, the Los Angeles artist 'who one day got hooked on his
own curiosity and decided to live it'. Now expanded to include six
additional chapters and twenty-four pages of color plates, "Seeing
Is Forgetting the Name of the Thing One Sees" chronicles three
decades of conversation between Lawrence Weschler and light and
space master Irwin. It surveys many of Irwin's site-conditioned
projects - in particular the Central Gardens at the Getty Museum
(the subject of an epic battle with the site's principal architect,
Richard Meier) and the design that transformed an abandoned Hudson
Valley factory into Dia's new Beacon campus - enhancing what many
had already considered the best book ever on an artist.
A year ago Helen Gibson shared her techniques for carving the human
figures of the nativity story: Mary, Joseph, Jesus, the wise men,
and the shepherds. Now she returns to the story to complete the
scene by carving the animals, of the nativity: camels, sheep,
cattle, and donkeys. Helen has a highly detailed style of carving
that is perfect for this subject. The reader is lead step-by-step
through the process of carving one of the animals. Clear color
photographs illustrate every cut. A gallery of the other animals
shown from every angle and patterns help the carver complete the
set.
Neither a particular style nor the product of one company, crackle
glass has become one of the popular fields of twentieth century
glass collecting. Crackling, a finish caused by dipping the hot
piece of glass into cooling water, is the common feature that gives
this type of glass its name. The majority of this glass was
handblown by West Virginia glass companies such as Blenko, Pilgrim,
Rainbow, Kanawha, and Bischoff. This volume shows thousands of
crackle glass vases, pitchers, bowls, tumblers, and dishes grouped
in more than 300 full color photos, with company histories,
detailed captions, a current price guide, bibliography, and index.
It will serve as a necessary reference for students, collectors,
and dealers of this colorful glassware.
The artist Sappho Marchal was the daughter of the renowned French
conservator of Angkor, Henri Marchal. She spent the early years of
her life in Cambodia, surrounded by the magnificent ruins of the
Khmers, and produced the present study at age 23. Her fine line
drawings present the myriad details of ornament and costume
depicted on the stone reliefs of Angkor Wat with a clarity that
could not be captured, even then, on film. Since that time, many of
the stone carvings have severely deteriorated, rendering Marchal's
drawings all the more valuable as a record for present-day students
and restorers of Angkor.
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