Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; a writer and poet. However, in his life and literary oeuvre, the notorious artist aligned himself with the transgressive and oppositional voices of his day. This book, the first biographical study of Cellini available in English, uses the methodologies of New Historicism, social history, and gender and sexuality studies to situate the artist and his works in relation to a series of early modern cultural discourses and practices, including sodomy, law, honor, magic, and masculinity.

A nucleus of sculptures cast by Andrea di Alessandri, commonly called from his native city, 'Il Bresciano', or from his products, 'Andrea dai bronzi', has been identified over the centuries. His style has been described as having similarities both with the High Renaissance of Sansovino and the Mannerism of Vittoria, the two successive master sculptors of sixteenth-century Venice, though he cast major bronzes for both. Andrea's signed masterpiece is a Paschal Candlestick in bronze, over two metres high and with sixty or more fascinating figures, made for Sansovino's magnificent lost church of Santo Spirito in 1568 and now in Santa Maria della Salute. The author's identification in 1996 of a pair of magnificent Firedogs with sphinx feet (which in 1568 had been recommended to Prince Francesco de'Medici in Florence), and in 2015 of an elaborate figurative bronze Ewer in Verona, have been the culmination of the process of recognition. Archival research has at last revealed the span of Andrea's life as 1524/25-1573, as well as many significant facts about his family and patronage. So the time is ripe for a comprehensive, well-illustrated, book on Il Bresciano, a 'new' and major bronzista in the great tradition of north Italy.

For seven years, photographer and artist Lena Herzog followed the evolution of a new kinetic species. Intricate as insects but with bursts of equine energy, the "Strandbeests," or "beach creatures," are the creation of Dutch artist Theo Jansen, who has been working for nearly two decades to generate these new life-forms that move, and even survive, on their own. Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement. Coinciding with a traveling exhibition, Herzog's photographic tribute captures Jansen's menagerie in a meditative black and white, showcasing Jansen's imaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence.

The artistic genius of Athens in the fifth century BC reached its peak in the sculpted marble reliefs of the Parthenon frieze. Designed by Phidias and carved by a team of anonymous masons, the frieze adorned the temple of Athena on the Acropolis and represents a festival procession in honour of the Olympian gods. Its original composition and precise meaning, however, have long been the subject of lively debate. Most of what survives of the frieze is now in the British Museum or the Acropolis Museum in Athens; the rest is scattered among a number of European collections. This book reconstructs the frieze in its entirety according to the most up-to-date research, with a detailed scene-by-scene commentary, and the superb quality of the carving is vividly shown in a series of close-up photographs. In his introduction Ian Jenkins places the frieze in its architectural, historical and artistic setting. He discusses the various interpretations suggested by previous scholars, and finally puts forward a view of his own.

Starting in the Victorian years of the 19th century, hearty oyster consumption made special, beautifully crafted "oyster plates" a necessity in fashionable homes and restaurants. This book is perfect for collectors, complete with a rarity guide and color photographs of almost 500 pieces of original dishware and unusual serving utensils. The text is filled with the history of oysters plate manufacturers from Limoges and Meissen to Wedgewood.

The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist Adrian Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.

From All the President’s Men to Zodiac, some of the most compelling films of the last century have featured depictions of journalists in action. While print journalism struggles to survive, the emergence of news from social media outlets continues to expand, allowing the world to be kept informed on a second-by-second basis. Despite attacks on journalists—both verbal and physical—a free press remains a crucial bastion for civilized society. And just as the daily news reflects the current state of affairs, films about journalism represent how reporting has evolved over the last few centuries. In Encyclopedia of Journalists on Film, Richard R. Ness provides a comprehensive examination of the fourth estate in cinema—from newspaper reporters to television anchors. In this volume, Ness provides in-depth descriptions and analyses of more than five hundred significant films, from the silent era to the present, including international productions and made-for-television movies. The entries focus on the image of the press on screen and ethical issues or concerns raised about the practices of the profession. Collectively, the entries demonstrate that there is a recognizable genre of journalism films with definable plot patterns and iconography. Each entry features: ·Major credits including directors, writers, and producers ·List of characters and the actors who portray them ·Running times ·Plot synopses ·Analysis of the role of journalism Many of the entries feature critical reviews as well as cogent selections of dialogue. Films discussed here include comedies such as His Girl Friday (1942) and Fletch (1985), nail-biting thrillers like Foreign Correspondent (1940) and The Parallax View (1974), social commentaries like Network (1976) and The China Syndrome (1979), and of course, Academy Award winners All the President’s Men (1976) and Spotlight (2015). A definitive study of a film genre, Encyclopedia of Journalists on Film will be of interest to film scholars, researchers, journalists, and students of popular culture.

The story of porcelain making and decorating in Limoges, France, is a tale of artists and potters; kings and an emperor; a revolution; and the emergence of a great industry. Limoges comes to life in over 1,100 photographs of porcelain and porcelain marks made over the past 100 plus years, concentrating on pieces dating from the 1860s to the present day. Along with a discussion of the manufacturing and decorating of both fine porcelain pieces and boxes, there is a full section dedicated to Limoges companies and their manufacturing and decorating marks. Captions include price guides. A fine index turns a lovely illustrated book into a valuable reference tool. All the photos of porcelain and boxes are in color.

Discover the wealth of creative possibilities that versatile and colorful polymer clay has to offer. Here are all the techniques you need to create oven-clay projects: buttons, beads, jewelry, figurines, boxes, mosaics, and frames. The book begins with some basic techniques to get you started, including rolling, baking, and gluing. It then moves on to marbling effects, simulating textiles, making frames, building miniature pots, and creating faux stones. Inspirational examples of work from some of the best polymer clay artists in the world will fire your imagination and provide ideas for developing your own designs.

Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago's The Dinner Party, Kara Walker's A Subtlety, Patty Chang's In Love and Nao Bustamante's Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.

Learn to create delightful wooden Santas destined to be treasured family heirlooms. With a combination of over 280 color photographs, a minimal set of carving tools, and easily followed instructions, Paul Bolinger carefully guides the reader step-by-step through rough and detail carving techniques. Camille Bolinger, Paul's wife, demonstrates the oil painting techniques used to bring the carved Santas to life. The text is followed by a gallery of the Bolingers' heirloom Santas destined to fire the imagination of every carver who sees them. Novices and old hands alike will enjoy this book.

Polymer clay is one of the most popular and versatile mediums available to crafters, lending itself to a variety of applications ranging from decorative boxes, mosaics and miniature models to beads, buttons and jewellery. This comprehensive book features step-by-step instruction in over 50 techniques, including exciting ways to work with new materials such as liquid and metal clays.

Large, clear photographs demonstrate basic skills such as rolling, colour mixing, marbling, and baking, progressing to more challenging methods of shaping, molding, and sculpting clay to make a wide range of projects.

Create intricate patterns using millefiori techniques; embellish your work with metallic powders, gold leaf, stamps, and paint; choose from dozens of recipes for creating faux effects such as jade, amber, lapis lazuli, turquoise, antiqued metal, and mokumé gane.

All tools and techniques are clearly explained, and a gallery of work by internationally renowned polymer clay artists demonstrates what can be achieved and provides inspiration for your own work.

Influenced by Gaudi's Parc Guell in Barcelona, and the mannerist park of Bomarzo, Niki de Saint Phalle decided that she wanted to make something similar; a monumental sculpture park created by a woman. In 1974, she was donated some land in Garavicchio, Tuscany, about 100 km north-west of Rome along the coast. The garden, on which planning started in 1978, contains sculptures of the symbols found on Tarot cards. It opened in 1998, after more than 20 years of work. The garden was still incomplete when Niki de Saint Phalle died. With elaborate illustrations and sensitively written texts this book presents in detail the formation of the garden and the underlying ideas.

Jump on board and get ready to travel the world with this globe-trotting scratch art book. Follow the prompts and tips for creating amazing scratch art images of some the world's most iconic landmarks, including the Taj Mahal, the Great Pyramid of Giza, Christ the Redeemer, and the Eiffel Tower. With a scratch pen, fold-out map, and 9 scratch pages to complete, as well as fun facts, travel tips, and more, this will be an unforgettable adventure!

For nearly seven decades the ebullient art of Joan Miro (1893-1983), Spanish painter, sculptor, ceramist and mythmaker, has intrigued and enchanted art lovers worldwide. This collection of his writings presents a portrait of the artist in his own words. Miro's notebooks, letters, and interviews reveal the work and life of a brilliant artist revered for his uncanny expression of the subconscious. "Joan Miro" centres on Paris during the vibrant era between the wars, when Miro became the intimate of almost everyone in that scene - boxing with young Hemingway, working with Max Ernst on the Ballets Russes, drinking, painting and arguing with Picasso, Braque, Dubuffet, Matisse, Breton and many others. Miro engagingly recounts all of this, as well as stories of his exile during World War II. Miro's virtuosity encompassed drawing, painting, sculpture, ceramics, poetry, stage sets, costumes, murals and tapestries; he vividly describes the creation of these artworks in these pages.

Phil Smith (Crabman/Mythogeography) and Tony Whitehead join forces with master photographer John Schott to lead readers on a `virtual’ journey to explore difference and change on their way to an unknown destination. “What is most real is what you have still to discover.� “Relax in your seat. Allow the train to take you along the water’s edge to the beginning point of your walking pilgrimage… When the train pulls into the platform, step off. Hidden behind the platform is a broken machine; a mechanised fortune teller – the `voice of truth’ – discarded from the nearby arcade of slot machines. Propped against the side of a building, its mouth is silent, its pronouncements have ceased; any truths you find today will be your own.� Pilgrimages – real and imagined - are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, Puri: a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. For Guidebook for an Armchair Pilgrimage, the authors followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. “We arrived again and again at what we assumed would be a final `shrine’, only to be drawn onwards and inwards towards another kind of finality… rather than reaching a destination, the pilgrimage was repeatedly reborn inside us, until its most recent rebirth in this book.� Over the course of the 19-day Armchair Pilgrimage, they invite us to experience the world around us just as they did as they walked. So, over the first three days, they suggest that we contemplate, among other things: • Our habit of generalising – acquired 40-50,000 years ago, when our `chapel’ mind of specialisms became a `cathedral’ mind • Our tendency to let one thing remind us of another thing • What it might be like to be an ocean where fish swim through us • How the world experiences us just as we experience it: `gently feel for the feelers feeling for you’ • A world where we tend to `add’ meaning and intensity • A world where we let go (without the aid of dementia) of memory, imagination, desire and wild fancy. And, as the pilgrimage concludes: “Returning is never going back to the same place.� “A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality. I love the genius of words and images displayed here -- no less than the reality itself.� Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota

This inspiring book provides a wealth of fascinating projects for woodturners. It will extend their skills and give them a chance to try more unusual, challenging pieces. The book reflects the author's fascination with complex geometrical shapes, puzzles and mathematical curiosities. It gives woodturners the chance to try their hand at making twisted polygons, gravity-defying clocks and much more. A wealth of close-up photographs guide the reader through each project and a gallery section provides further inspiration, showing how a range of artists have decorated the author's work. David Springett's interest in woodturning began when he was a woodwork teacher - by reading each of the few books available, experimenting and persevering, he improved his skills. Since leaving teaching nearly 20 years ago, he has earned his living doing what he enjoys most. David and his wife Christine live in Rugby, Warwickshire.

A reprint of the original 1886 catalog of bronzes from the House of Barbedienne is reproduced with original selling prices in French francs and dimensions plus the line drawings which depict many of these famous works. Barbedienne was one of the foremost French foundries for the production of bronze sculptures in the latter part of the Nineteenth Century.

During the Great Depression, glass companies turned to machine-made methods to produce inexpensive, colorful glass. Due to its wonderful variety, availability, beauty, and usefulness, this type of glassware has endured to become one of the hottest collectibles on today's antiques market. This is the first book to extensively cover only Depression Era pink glass; pink was the most popular color of glassware then and has retained its popularity to the present day. It contains over 200 color photographs, examples of forty-five patterns, and brief histories of glass companies such as Bartlett-Collins, Cambridge, Federal, Fostoria, Hazel-Atlas, Imperial, Westmoreland, and others. This revised and expanded second edition features some new photographs and newly revised prices. It is an indispensable guide for all who collect Depression era glass and enjoy the beauty of pink glassware.