Mark Dion (b.1961) is an American artist who, in making his art, metamorphoses into explorer, biochemist, detective and archaeologist. In his gallery installations around Europe and America since the 1980s, Dion has constructed the laboratories, experiments and museum caches of the great historical naturalists - following in their footsteps in his own adventurous, eco-inspired journeys to the tropics. His research and magical collections are presented in installational still lifes that combine taxidermic animals with lab equipment artefacts, like walk-through Wunderkammers and life-sized cabinets of curiosity. Lias Graziose Corrin, Director of the Williams College Museum of Art, surveys Dion's most significant works and his ongoing investigations into natural history's obsession with categorizing nature. Critic and theorist Miwon Kwon talks to the artist about the interface between ecology and culture and the phenomenon of site-specific art. Norman Bryson, Professor of Art History at the University of California, San Diego, makes an iconographical analysis of The Library for the Birds of Antwerp, an indoor sculpture Dion constructed for 18 live African finches in 1993. The artist has selected a text by novelist Jon Berger, one of the first post-war thinkers to analyze the position of animals in a capitalist society. The book also features Dion's own provocative, witty and often lyrical writing on nature and his role as an artist engaged in environmental issues.

This volume addresses the question of the relation between sculpture and coins--or large statuary and miniature art--in the private and public domain. It originates in the Harvard Art Museums 2011 Ilse and Leo Mildenberg interdisciplinary symposium celebrating the acquisition of Margarete Bieber's coin collection. The papers examine the function of Greek and Roman portraiture and the importance of coins for its identification and interpretation. The authors are scholars from different backgrounds and present case studies from their individual fields of expertise: sculpture, public monuments, coins, and literary sources. Sculpture and Coins also pays homage to the art historian Margarete Bieber (1879-1978) whose work on ancient theater and Hellenistic sculpture remains seminal. She was the first woman to receive the prestigious travel fellowship from the German Archaeological Institute and the first female professor at the University of Giessen. Dismissed by the Nazis, she came to the United States and taught at Columbia. This publication cannot answer all the questions: its merit is to reopen and broaden a conversation on a topic seldom tackled by numismatists and archaeologists together since the time of Bernard Ashmole, Phyllis Lehmann and Leon Lacroix.

The outstanding collection of European bronze scupltures formed by Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert le Lorrain, and Corneille van Clève. This volume of the contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes ten essays by distinguished scholars of sculpture. Charles Avery, author of major monographs on Giambologna and Bernini, discusses the impetus behind one of the most exciting models in the Marino Collection, a Hercules and Antaeus, after Maderno. Geneviève Bresc-Bautier, Director of the Louvre Sculpture Department, examines the discovery of a large number of small pieces of terracotta sculpture, thought to be from the workshop of Andrés-Charles Boulle, which was destroyed in 1720. Anthea Brook, who has published extensively on Ferdinando Tacca, considers the attribution of a pair of small Florentine bronze hunting groups in the Marino Collection, making the case for Damiano Cappelli - a bronze-casting specialist in the workshop of Tacca - to be considered as a scupltor capable of creating his own designs. Rosario Coppel investigates the impressive collection of small bronzes of the 3rd Duke of Alcalá(1583-1637), who was Philip IV's extraordinary ambassador to Pope Urban VIII and later Viceroy and Captain General in Naples. Phillippe Malgouyres, Curator of Bronzes, Ivories, and Metals at the Louvre, discusses the bronze casts after Bernini sculpture, a little-studied subject in the wide field of Bernini studies. Jeffiner Montagu, Senior Fellow of the Warburg Institute, attempts to put together and define the oeuvre of the unknown sculptor of the magnificent 15-figure group of bronze hunters, their hounds and a bull, in the Suermondt Ludwig Museum in Aachen. Independent scholar Regina Seelig Teuwen extoles Guillaume Berthelot as a sculptor of small bronzes, while Jeremy Warren, Collections and Academic Director at the Wallace Collection, discusses the challenges of cataloguing the Peter Marino Collection for the 2010 exhibition. Dimitros Zikos of the Museo Nazionale del Bargello in Florence presents the extraordinary collection of bronzes and terracottas of Giuseppe and Ferdinando Borri. Eike Schmidt, James Ford Bell Curator of Decorative Arts and Sculpture at the Minneapolis Institute of Art, discusses the adaption of two-dimensional models in Giovanni Battista Foggini's bronze sculpture.

This is a step-by-step guide to sculpting the human face. It is richly illustrated with both photographs and diagrams for creating detail. It comes from experienced sculptor and instructor Alex Irvine. Sculpting the human face presents a unique artistic challenge, but this richly illustrated guide thoroughly demystifies the process. Instructor Alex Irvine goes step-by-step, explaining everything from creating basic, rough outlines to surface refinements to finely detailed replicas, accompanied by photographs and sketches.

Over 100 authentic, copyright-free patterns from one of the most flamboyant of artistic periods, including outlines of a lovely winged damsel surrounded by florals and vines, a vase of exotic blossoms, a butterfly whose wing patterns are repeated in the design's floral theme, and much more. All displayed in rectangular, oval, circular, and semi-circular frames for use by craftspeople and stained glass workers at all levels of expertise.

Pasta machines allow you to easily blend the clay to create stripes and intricate patterns for making unique beads, embellishments, and baubles.

There have been many books written about German forces fighting on the Eastern Front. This is hardly surprising considering the enormity of the campaign and the seemingly inexhaustible amount of data and photographs available. Concord is pleased to release one more title, authored by Gordon Rottman, focusing on this crucial campaign in the East. This volume is all about the infantry at the core of Germany's military exploits in the enormous expanse of Russia. The opening text delves into the complexities of the standard German infantry division. Though usually short on motorized transport, these self-contained combined-arms units fought extremely effectively, penetrating almost to the gates of Moscow. The introduction includes a detailed table of organization listing all major and minor subunits (usefully provided in both English and German). It then proceeds with an annotated description of key divisional components, which is very helpful in understanding how a division is equipped. As is par for this series of books, the collection of black and white photos forms the centerpiece. These photos show infantrymen from the early days of the conflict through to much later periods. Members of many branches are on display, for example, artillery, assault pioneers, military police, antitank, reconnaissance and infantry. The photos reveal a host of interesting details and show weapon systems found in the infanterie division. This book also features a set of four color plates expertly illustrated by Stephen Andrew. These depict infantrymen and panzer grenadiers in a wide range of uniforms fighting in various seasons and regions. Photo and color plate captions are well detailed and thorough, providing a wealth of information. This is a very helpful book for those wishing to learn more about those soldiers at the"coal face" of Germany's extraordinarily grueling campaign in the East.

In Renaissance Florence, certain paintings and sculptures of the Virgin Mary and Christ were believed to have extraordinary efficacy in activating potent sacred intercession. Cults sprung up around these "miraculous images" in the city and surrounding countryside beginning in the late 13th century. In The Miraculous Image in Renaissance Florence, Megan Holmes questions what distinguished these paintings and sculptures from other similar sacred images, looking closely at their material and formal properties, the process of enshrinement, and the foundation legends and miracles associated with specific images. Whereas some of the images presented in this fascinating book are well known, such as Bernardo Daddi's Madonna of Orsanmichele, many others have been little studied until now. Holmes's efforts center on the recovery and contextualization of these revered images, reintegrating them and their related cults into an art-historical account of the period. By challenging prevailing views and offering a reassessment of the Renaissance, this generously illustrated and comprehensive survey makes a significant contribution to the field.

An introduction to Bernd Munsteiner who has revolutionized gem cutting. Superlative photos of his works reveal his world of precious stones and all the fascination with these symbols of eternity.

Rini Tandon's work is characterized by a poetic cross-media approach: her oeuvre comprises works on paper, paintings, and sculptures, as well as photographs and videos. This monograph provides, for the first time, an overview of the oeuvre of the artist, who was born in India and lives in Austria, and who studied under Nasreen Mohamedi at the Faculty of Fine Arts of the University of Baroda. The book takes the reader on a fascinating journey - from Rini Tandon's early work, which already showed an affinity for sculptural expression, through to her post-minimalist geometric sculptures and her interventions in architectural and landscape space. As a result of her engagement with digital modernism she finally produced experimental setups and videos with a scientific slant.

Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.

In recent decades sculpture has arguably become the dominant art form in the world. In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, Anti-form, Minimalism, experimental form, Earth Art, landscape sculpture, installation, and Performance Art. The holistic picture of post-War sculpture which emerges establishes for the first time the key events and themes round which future debate will centre.

`Andrew Causey weaves his way adroitly through the labyrinth of post-War sculpture ... No one else has charted the territory so comprehensively.' Professor Stephen Bann, University of Kent at Canterbury

`a clear guide to the various directions of sculpture and the work of sculptors in the years when modern sculpture has begun to stand in its own right as a major art form' Sir Anthony Caro, Sculptor

1) Operation Telic VIII - The British Army in Iraq Carl Schulze continues his enthralling look at troops in Iraq, and this time the spotlight falls on the British Army."Operation Telic" is the British designation for operations in Iraq, and a full thirty pages are dedicated to Telic's eighth rotation. The whole gamut of British Army hardware is on display, including Land Rovers, DURO trucks, Cobra truck-mounted radar, Saxons, Warriors, Scimitars, Challenger 2 tanks, and even a range of helicopters. Their operators are also well covered, and photos reveal interesting uniform and weapon details. For a detailed look at Brits in Iraq, this article fits the bill! 2) Operation Athena - Canadians in Afghanistan One of the stalwarts in the NATO-led stabilization of Afghanistan is Canada. The Canadian Army supplies numerous troops to ISAF, and they are supported by a wide range of equipment. This article examines the contingent in Kabul, which has by now relocated to Kandahar. There is good coverage of the LAV family, with Bisons., Coyotes and LAV IIIs all captured in high-quality photos. Infantry equipment and other vehicles are all present too. 3) Colibri XL - Forty Years of Franco-German Military Cooperation The Colibri series of exercises takes place annually between French and German airborne forces. As such, this article examines paratroopers from both nations before, during and after parachute jumps. Parachute and infantry equipment are well illustrated, as are support vehicles such as the Wiesel , VBL, ERC-90, and several different helicopters. 4) Regiment"Folgore" - 185th Airborne Artillery Target Acquisition This journal also includes Italians in the form of an elite Target Acquisition (TA) unit. This 185th Regiment of the famous"Folgore" Brigade recently transitioned into the TA role, and it performs important reconnaissance missions behind enemy lines. They possess vital equipment such as laser designators, and all relevant items are covered in this article. The interesting text describes how this unit is expected to operate, and the special skills its soldiers need to get the job done.

The newest addition to Concord's Warrior series is this title from Gordon Rottman. The accomplished author examines the typical German soldier as he appeared as Blitzkrieg was unleashed upon an under-prepared and overconfident Western Europe. The coverage extends from the abrupt end of the British-labeled Phony War (or Sitting War [Sitzkrieg] as the Germans called it) through to the victory parades in France after the successful conclusion of the campaign. The much-vaunted French Army had 78 divisions and 2,235 tanks, this latter figure being more than Germany itself possessed. Hitler launched his attack, codenamed Case Yellow (Fall Gelb), in the early hours of 10 May 1940. By the 17th, Brussels had fallen, and by the 19th discussions were already beginning about the possibility of withdrawing the British Expeditionary Force (BEF) from France. German troops entered Paris on 14 June, with an armistice surrendering France finally being signed on 22 June. This stunning and swift victory did not come cheaply, though, with Germany suffering 27,000 dead, 18,000 missing, and 111,000 wounded. This volume shows the triumphant German soldier as he is engaged in this campaign in the West. The black and white photos reveal interesting details about uniforms, weapons, equipment, and in some cases, even vehicles. The photos each receive informative captions that provide useful background details. Another feature is the four color plates by Stephen Andrew. These portray various types of soldiers with helpful notes about their uniforms and weapons. This is a handy volume and will be especially useful to modelers or military historians wanting to see German soldiers in action in the early-war period. The combination of photos, illustrations and photos provide a valuable introduction to this interesting but often neglected period of WWII.

The dedicated art dealer Rudolf Zwirner and the artist Jakob Mattner meet to look back at his over 40-year-long career. They discuss the fascination with perspective, the poetic means of light, the change of position, and procedure of reversal through which the essence of art can be achieved without withholding information from the viewer: the secret of transcendence, its cause and effect. Text in English and German.

From about the middle of the seventeenth century the Navy's administrators began to commission models of their ships that were accurately detailed and, for the first time, systematically to scale. These developed a recognised style, which included features like the unplanked lower hull with a simplified pattern of framing that emphasised the shape of the underwater body. Exquisitely crafted, these were always rare and highly prized objects-indeed, Samuel Pepys expressed a profound desire to own one-and today they are widely regarded as the acme of the ship modeller's art. Today examples form the highlights of collections across the world, valued both as art objects and as potential historical evidence on matters of ship design. However, it was only recently that researchers began to investigate the circumstances of their construction, their function, and the identities of those who made them. This book, by two curators who have worked on the world's largest collection of these models at the National Maritime Museum in Greenwich, summarises the current state of knowledge, outlines important discoveries, and applies this new-found understanding to many of the finest models in the collection. As befits its subject, _Navy Board Ship Models_ is visually striking, with numerous colour photographs that make it as attractive as it is informative to anyone with an interest in modelmaking or historic ships.

Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.

Socrates Sculpture Park is one of the most acclaimed public art spaces in the country. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City's East River waterfront. This handsome book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and it is the first major publication on this unique outdoor museum. Sculptor Mark di Suvero founded the Park with the assistance of fellow artists, community members, and city officials who transformed an abandoned lot into an award-winning urban renewal project. The history, spirit, and nature of this collaborative enterprise is presented through photographs and essays that reveal the beauty, energy, and import of this successful public art space. Distributed for Socrates Sculpture Park

Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself-the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.

Marking a celebratory exhibition in 2017 at Gothic House, their family home in Charlbury, Oxfordshire, this book brings together highlights of sculptures and paintings by Briony and Andrew Lawson. Over the last half-century, these two artists have been inspired by their surroundings to produce a dynamic and varied body of work. Their shared passion for the North Devon landscape is infused throughout much of their work. Briony Lawson has been sculpting in wood, stone and clay since her days as a student at City & Guilds Art School in London. Her prolific body of work draws on natural and organic subjects, often pared down to the most simple and elemental forms. Known worldwide as a garden photographer, Andrew Lawson was trained as a painter. His painting has always informed the eye behind the camera. This book surveys Andrew's work from his early school posters and from his student days at Oxford, to his subsequent paintings that draw inspiration from his favoured woodland and sea landscapes of Devon.