During the Great Depression, glass companies turned to machine-made methods to produce inexpensive, colorful glass. Due to its wonderful variety, availability, beauty, and usefulness, this type of glassware has endured to become one of the hottest collectibles on today's antiques market. This is the first book to extensively cover only Depression Era pink glass; pink was the most popular color of glassware then and has retained its popularity to the present day. It contains over 200 color photographs, examples of forty-five patterns, and brief histories of glass companies such as Bartlett-Collins, Cambridge, Federal, Fostoria, Hazel-Atlas, Imperial, Westmoreland, and others. This revised and expanded second edition features some new photographs and newly revised prices. It is an indispensable guide for all who collect Depression era glass and enjoy the beauty of pink glassware.

Despite at times being dismissed as tourist "kitsch, " Tesuque's popular rain god figurines have been continuously produced for more than 120 years, making them the longest-lasting figurative art tradition in the Southwest. What began in the 1880s as souvenirs, emerged decades later as an innovative traditional art form. Featuring more than 400 figures from 74 museums, this book traces the history of rain god makers past and present. Author Duane Anderson, director of the Museum of Indian Arts and Culture (Museum of New Mexico) and an anthropologist, discusses how the figures emerged from the shadow of tourist art, to be recognized as traditional art and sought after by collectors and museums, dozens of which are reproduced here.

Clay figures were part of Pueblo ceremonial life before the Spanish Conquest, and rain gods reflect design motifs long seen in polychrome pottery of the Rio Grande -- just two of the many dimensions explored in this book.

"The written word is the most basic element of human culture. To touch the written word is to touch the essence of culture." - Xu Bing Book from the Sky certainly seemed to have fallen from the heavens: the text of this installation piece was written in a new language that resembled traditional Chinese. No matter who scours Xu Bing's book for 'meaning', they will only discover a semblance of it: mutated characters that resist interpretation. Carving out approximately four thousand wood blocks by hand, Xu Bing spent four years, from 1987 to 1991, making (in his own words) "something that said nothing". After creating a book no one could read, it only made sense for Xu Bing to develop his next project: a book that transcended barriers of language: Book from the Ground. Composed entirely of pictographs, Book from the Ground is a groundbreaking study into the concept of universal communication. Whether his goal is total comprehension or confusion, Xu Bing's masterful exploration of language challenges the way we think about the written word.

Mark Dion (b.1961) is an American artist who, in making his art, metamorphoses into explorer, biochemist, detective and archaeologist. In his gallery installations around Europe and America since the 1980s, Dion has constructed the laboratories, experiments and museum caches of the great historical naturalists - following in their footsteps in his own adventurous, eco-inspired journeys to the tropics. His research and magical collections are presented in installational still lifes that combine taxidermic animals with lab equipment artefacts, like walk-through Wunderkammers and life-sized cabinets of curiosity. Lias Graziose Corrin, Director of the Williams College Museum of Art, surveys Dion's most significant works and his ongoing investigations into natural history's obsession with categorizing nature. Critic and theorist Miwon Kwon talks to the artist about the interface between ecology and culture and the phenomenon of site-specific art. Norman Bryson, Professor of Art History at the University of California, San Diego, makes an iconographical analysis of The Library for the Birds of Antwerp, an indoor sculpture Dion constructed for 18 live African finches in 1993. The artist has selected a text by novelist Jon Berger, one of the first post-war thinkers to analyze the position of animals in a capitalist society. The book also features Dion's own provocative, witty and often lyrical writing on nature and his role as an artist engaged in environmental issues.

The Dark Side is a project that solicits the public on the 'dark side' that is in each of us, which manifests itself in ancestral fears such as the fear of the dark ( to which this first volume is dedicated), the fear of loneliness, the fear of time. These fears require a pause, a reflection: they destabilise, but at the same time ignite new possibilities, new thoughts, new perspectives. This volume Who's Afraid of the Dark? investigates the theme of physical and metaphorical darkness, and consequently the relationship with its opposite, light. It includes works ranging from installations, multi-sensory experiences, mixed media and large scale-works from 13 of the most important international artists such as Gregor Schneider, Robert Longo, Hermann Nitsch, Tony Oursler, Christian Boltanski, James Lee Byars up to the new protagonists of the contemporary art scene such as Monster Chetwind, Sheela Gowda, Shiota Chiharu and, among Italian artists, Gino De Dominicis, Gianni Dessi, Flavio Favelli, Monica Bonvicini. The artistic perspective is countered with the interventions by theologian Gianfranco Ravasi, physicist-theorist Mario Rasetti, psychiatrist Eugenio Borgna and philosopher Federico Vercellone, who offer a polyphonic look of great intellectual interest on this theme. The Dark Side project inaugurates Musja, a new museum in the city of Rome, which is proposed as a reference for the most innovative trends in the contemporary art scene. Text in English and Italian.

To err is human; to err in digital culture is design. In the glitches, inefficiencies, and errors that ergonomics and usability engineering strive to surmount, Peter Krapp identifies creative reservoirs of computer-mediated interaction. Throughout new media cultures, he traces a resistance to the heritage of motion studies, ergonomics, and efficiency; in doing so, he shows how creativity is stirred within the networks of digital culture.

"Noise Channels "offers a fresh look at hypertext and tactical media, tunes into laptop music, and situates the emergent forms of computer gaming and machinima in media history. Krapp analyzes text, image, sound, virtual spaces, and gestures in noisy channels of computer-mediated communication that seek to embrace--rather than overcome--the limitations and misfires of computing. Equally at home with online literature, the visual tactics of hacktivism, the recuperation of glitches in sound art, electronica, and videogames, or machinima as an emerging media practice, he explores distinctions between noise and information, and how games pivot on errors at the human-computer interface.

Grounding the digital humanities in the conditions of possibility of computing culture, Krapp puts forth his insight on the critical role of information in the creative process.

This title helps you create glorious glowing lanterns and illuminated decorative displays, for Halloween and all year round, in 20 wonderful projects shown step by step. It includes a section on techniques, shown stage-by-stage in easy-to-follow photography with clear instructions, make carving beautiful pumpkins as easy as pie. It includes 165 stage-by-stage photographs, by photographer Debbie Patterson, and 10 design templates to help you create beautiful results with each carving. The introduction contains a history of decorative pumpkin carving, information on different types of pumpkins and squashes, a guide to the tools you will need, step-by-step techniques for hollowing out and carving, and instructions for growing your own pumpkins and storing the finished lanterns. It includes projects such as dramatic geometric globes, charming clusters of miniature squash to warm a windowsill, a friendly feline, a wise witch and a traditional Jack O'Lantern. Halloween is just one of the times that pumpkin carvers can create fabulous displays. Squashes and pumpkins are now available all year round, and there are many seasonal, festival and home celebration excuses to make wonderful carved decorations. The book opens with an illustrated guide to the variety of pumpkins and squash available. A glossary of carving techniques then explains the uses of different tools and cutting methods. There are 20 step-by-step projects for producing original lanterns of every shade, shape and size, from simple geometric patterns to beautiful folk-art designs. Pumpkins can be decorated with a festive snowflake motif, autumnal falling leaves, or letters and numbers, or can even be made into a stunning candle holder. Every project contains a useful list of tools that will be needed, and the method is written clearly in simple steps, with easy-to-follow photographs illustrating each stage. Practical and inspirational, this delightful book offers a one-stop source for pumpkin-carving designs.

From snowmen and Santas to puppies, pigsand pirates, even beginning carvers can make 46 charming animal, holidayand fantasy carvings with Quick & Cute Carving Projects. Author Lorie Dickie shows how to get started using just a blank basswood "egg" and a few simple cuts. Readily available at craft stores, pre-cut basswood eggs are a great way to learn the basics of in-the-round woodcarving. These premade blanks allow new carvers to achieve instant successand help make the first project fast and fun. Lorie's clear carving and painting instructions walk you through the entire process with step-by-step colour photographs. Ready-to-use holiday-themed patterns are included for Halloween, Thanksgiving, Christmasand more.

Resin craft is a great way to make beautiful items for your home and gifts for yourself or others. Hazel Oliver is the name behind Badger & Birch, whose eco-friendly practices include using solvent free and non-toxic resin, and incorporating natural waste such as mussel and oyster shells from her local restaurant, as well as natural minerals, gemstones and crystals. In this her first book, Hazel shows you the basics of resin craft, including mixing and pouring, making moulds, and finishing your pieces. The 30 projects include vases, planters, candle holders and other items for the home, as well as moulded decorations in leaf shapes and other natural forms. The soft colours, natural elements and beautiful finish of Hazel's work will inspire you to take up this flourishing craft, or give you new ideas if you are already a keen resin crafter.

A comprehensive survey of the work of the legendary Swiss artist, this book illustrates and examines more than 100 of his sculptures, paintings, drawings, and prints This lavishly illustrated retrospective traces the early and midcareer development of the preeminent Swiss artist Alberto Giacometti (1901-1966), examining the emergence of his distinct figural style through works including a series of walking men, elongated standing women, and numerous busts. Rare paintings and drawings from his formative period show the significance of landscape in Giacometti's work, while also revealing the influence of the postimpressionist painters that surrounded his father, the artist Giovanni Giacometti. Other areas of inquiry on which Alberto Giacometti casts new light are his studio practice-amply illustrated with photographs-his obsessive focus on depicting the human head, his collaborations with poets and writers, and his development of the walking man sculpture, thanks to numerous drawings, many of which have never been shown. Original essays by modern art and Giacometti specialists shed new light on era-defining sculptural masterpieces, including the Walking Man, the Nose, and the Chariot, or on key aspects of his work, such as the significance of surrealism, his drawing practice, or the question of space. Distributed for the Cleveland Museum of Art Exhibition Schedule: Cleveland Museum of Art (March 12-June 12, 2022) Seattle Art Museum (July 14-October 9, 2022) Museum of Fine Arts, Houston (November 13, 2022-February 12, 2023) The Nelson-Atkins Museum of Art, Kansas City (March 19-June 18, 2023)

An exploration of Francophone African literary imaginations and expressions through the lens of Afrofuturism Generally attributed to the Western imagination, science fiction is a literary genre that has expressed projected technological progress since the Industrial Revolution. However, certain fantastical elements in African literary expressions lend themselves to science fiction interpretations, both utopian and dystopian. When the concept of science is divorced from its Western, rationalist, materialist, positivist underpinnings, science fiction represents a broad imaginative space that supersedes the limits of this world. Whether it be on the moon, under the sea, or elsewhere within the imaginative universe, Afrofuturist readings of select films, novels, short stories, plays, and poems reveal a similarly emancipatory African future that is firmly rooted in its own cultural mythologies, cosmologies, and philosophies. Isaac Joslin identifies the contours and modalities of a speculative, futurist science fiction rooted in the sociocultural and geopolitical context of continental African imaginaries. Constructing an arc that begins with gender identity and cultural plurality as the bases for an inherently multicultural society, this project traces the essential role of language and narrativity in processing traumas that stem from the violence of colonial and neocolonial interventions in African societies. Joslin then outlines the influential role of discursive media that construct divisions and create illusions about societal success, belonging, and exclusion, while also identifying alternative critical existential mythologies that promote commonality and social solidarity. The trajectory proceeds with a critical analysis of the role of education in affirming collective identity in the era of globalization; the book also assesses the market-driven violence that undermines efforts to instill and promote cultural and social autonomy. Last, this work proposes an egalitarian and ecological ethos of communal engagement with and respect for the diversity of the human and natural worlds.

Few decorative crafts can claim to be more ancient than stone carving, with the earliest carved objects being dated well into prehistory. The greatest monuments to human civilization, from the temples of ancient Mesopotamia and Egypt to the great cathedrals of Medieval Europe, are richly ornamented with decorative relief and sculpture carved in stone. Alan Micklethwaite, a stone carver with many years' experience in the conservation of historic monuments and sculpture, introduces the reader to the techniques and methodology of restoration stone carving, from simple relief to complex sculpture in the round, set against a sound conservation philosophy. The book provides a thorough understanding of stone as a material and describes its use in sculpture and the agents of its decay, as well as the method by which disfigured carvings can be forensically reconstructed, resulting in the re-emergence of beautifully carved historic architectural sculpture. The book is intended as a detailed introduction to restoration stone carving, and is aimed at those who are learning to carve stone or have an interest in pursuing a career in the conservation of stone sculpture and ancient monuments. While having a depth of detail which will allow it to serve as a reference manual for the professional, it will also inspire the beginner and fuel the interest of those who harbour a desire to pursue traditional crafts.

A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598-1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti-the master of the previous age. Bernini's Michelangelo is the first comprehensive examination of Bernini's persistent and wide-ranging imitation of Michelangelo's canon (his art and its rules). Prevailing accounts submit that Michelangelo's pervasive, yet controversial, example was overcome during Bernini's time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear's oeuvre. Such imitation earned him the moniker "Michelangelo of his age." Investigating Bernini's "imitatio Buonarroti" in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter's reveals how Bernini approached Michelangelo's art as a surprisingly flexible repertory of precepts and forms that he reconciled-here with daring license, there with creative restraint-to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini's imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo's art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.

Roseville pottery is introduced, explained, examined, and surveyed in this beautiful, sweeping guide. This revised and expanded edition includes new research on Roseville shape numbers and terminology, as published in Bassett's Roseville Prices. Over 860 color photographs illustrate the many artistic products created by the Roseville Pottery Company during its long life from 1890 to 1954. Arranged alphabetically, each line and its most typical variations are presented, and each has been meticulously researched and dated. The various ware types produced for each line are enumerated. Previously unknown Roseville products are documented--most notably Early Velmoss. Also included in the text are discussions of experimental and trial glaze pieces, a glaze and shape identification guide, a timeline of Roseville products, and an examination of the company's factory marks and artist signatures. Guidelines for building a collection and tips on collector's etiquette round out the presentation. Values are provided for all of the items displayed. Finally, a selected bibliography and an index are included.

Where Is My Home?: The Art and Life of the Russian-Jewish Sculptor Mark Antokolskii, 1843 1902 is the first full-length study in English of the art and life of Mark Antokolskii, the widely recognized Russian and European sculptor of the late 19th century. An originator of novel trends in sculpture in its transition to modernism, Antokolskii was the first artist of Jewish origin to attend the Academy of Art in St. Petersburg and to become an honorable member of the Russian and Western intellectual milieu. Participating in many International World Exhibitions, he received numerous awards, including the Legion d'Honneur (1878, Paris). Antokolskii was a member of many European academies of art, and his works are in museums and private collections worldwide. Where Is My Home? focuses on Antokolski's artistic uniqueness and his fate as a Jewish intellectual who belongs to distinct cultures. Musya Glants pays particular attention to Antokolski's constant struggle between his devotion to Russia and the lifelong commitment to his people. This opens ways to discuss less known aspects of the notions of national identity and spiritual duality. It is an attempt to give an account of the artist as a notable Jewish social and cultural figure, a thinker and essayist whose art reveals his longing for people's reconciliation and overcoming of historical alienation.

Published to accompany MASS MoCA's landmark installation of LeWitt's innovative wall drawings, this book celebrates the artist and his illustrious 50-year career. Published in association with Mass MoCA Exhibition Schedule: Mass MoCA, North Adams, Massachusetts (opens November 16, 2008)

Inspired by Robert McCloskey's beloved children's book of the same name, the iconic bronze Make Way for Ducklings sculpture in Boston's Public Garden has come to serve as something of a record of the recent decades of life in the city itself. In a series of delightful photographs taken by members of the public, Ducks on Parade! chronicles many of the original, moving, humorous, and startling outfits that artistic Bostonians have dressed the ducks in. From summer hats to winter scarves, from the Women's March to Black Lives Matter, the ducks reflect the life of the city and our country. Featuring a text by sculptor Nancy Schoen, this book is a tribute to all Bostonians whose creativity and generosity have made this constant collaborative art possible. More than this, it is a revealing look at the lasting power of public art and how viewers can also be participants. Ducks on Parade! is perfect for whimsical readers of any age.

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The ShipCraft series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, highlighting differences between sister-ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring colour profiles and highly detailed line drawings and scale plans. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and the book concludes with a section on research references books, monographs, large-scale plans and relevant websites. This volume covers the large and powerful German destroyers of the Second World War era. Always popular as modelling subjects, interest in them has been further increased recently by the release of a number of very fine large scale kits. With its unparalleled level of visual information paint schemes, models, line drawings and photographs this book is simply the best reference for any modelmaker setting out to build one of these unusual ships.

The Italian Renaissance was a golden age for bronze sculpture, both on a grand scale-such as Ghiberti's Gates of Paradise, or Cellini's Perseus-and more intimate statuettes and small-scale functional objects. Bronze, being both costly and luxurious, embodied power, authority, and eternity and emulated the classical past. Yet it was one of the easiest materials to recycle, especially at a time when the need for artillery was ever-present. Drawing on the latest research, and including some 200 superb images, The Culture of Bronze explores the material and making of bronzes and the interrelationships and collaboration between sculptor, foundry, and owner. Encompassing works made for domestic, religious, and civic environments, the book studies the symbolism of bronze, and the bronzes themselves, within their broader societal context. Features works from sculptors including Pier Jacopo Alari Bonacoisi (Antico), Benvenuto Cellini, Donatello, Adriano Fiorentino, Lorenzo Ghiberti, Giambologna, Bertoldo di Giovanni, Leone Leoni, Barthelemy Prieur, Benedetto da Rovezzano, Adriaen de Vries and Agostino Zoppo

Fragments of history: Rethinking the Ruthwell and Bewcastle monuments is an innovative study of the two premier survivals of pre-Viking Anglo-Saxon stone sculpture. Both monuments are rich in finely carved images and complex inscriptions. Though in some way related, in this book, they have very different histories. This ambitious study draws the reader in through a vivid exposition of the problems left by earlier interpretations, shows him or her how to understand the monuments as social products in relation to a history of which our knowledge is so fragmentary, and concludes with a deeply persuasive discussion of their underlying premises. Orton, Wood and Lees bring their research in art history and antiquarianism, history and archaeology, medieval literature, philosophy and gender studies into a successful and coherent whole, organised around certain key notions, such as place, history and tradition, style, similarity and difference, time, textuality and identity. Theoretically astute, rigorously researched, vivid and readable, Fragments of history is a model of how interdisciplinary research can be conducted, written and published. It will be required reading in a number of disciplines, including art history, Anglo-Saxon studies, medieval language and literature, history and ecclesiastical history, antiquarianism and archaeology. -- .