'Performing Contagious Bodies' explores live/body art and installation practices through theories of ritual and magic. Featuring discussion of a wide range of contemporary international practice, the book explores the intersections of performance studies, art history, anthropology and contemporary visual art practices.

Your ultimate guide to carving, painting and decorating pumpkins for your home, complete with tips and recipes for getting the most out of your pumpkin all season long. From playful and whimsical pumpkins that will liven up Halloween, Day of the Dead or Thanksgiving parties to sophisticated and elegant designs that will bring autumnal charm to your home all season long, you'll find projects to suit every style and taste. Divided and organised into helpful sections, you'll find: A guide to the tools, tips and techniques that will help you achieve the best results Pumpkin carving projects, for transforming your pumpkins and seasonal gourds into show-stopping jack-o-lanterns Pumpkin painting projects, for transforming your pumpkin with a lick of paint, no sharp objects required Pumpkin dressing projects, for turning your pumpkin into an original creation with glue, tape and other odds and ends And recipes, for using every part of the pumpkin to create delicious meals and tasty snacks Each project features easy-to-follow instructions, whilst beautiful photographs throughout will give you all the inspiration you need. And handy templates at the back of the book can be copied and used again and again for perfect results every time.

The Thomson Collection contains examples of the highest quality of most types of medieval ivory carving, both secular and religious. These include large statuettes of the Virgin and Child intended to stand on altars in chapels, small versions for private use in the home, and folding tablets or diptychs with scenes from the life of Christ carved in relief.

What do Greek myths mean and how was meaning created for the ancient viewer? In Art, Myth and Ritual in Classical Greece, Judith Barringer considers the use of myth on monuments at several key sites - Olympia, Athens, Delphi, Bassai, and Trysa - showing that myth was neither randomly selected nor purely decorative. The mythic scenes on these monuments had meaning, the interpretation of which depends on context. Barringer explains how the same myth can possess different meanings and how, in a monumental context, the mythological image relates to the site and often to other monuments surrounding it, which redouble, resonate, or create variation on a theme. The architectural sculpture examined here is discussed in a series of five case studies, which are chronologically arranged and offer a range of physical settings, historical and social circumstances, and interpretive problems. Providing new interpretations of familiar monuments, this volume also offers a comprehensive way of seeing and understanding Greek art and culture as an integrated whole.

What do Greek myths mean and how was meaning created for the ancient viewer? In Art, Myth and Ritual in Classical Greece, Judith Barringer considers the use of myth on monuments at several key sites - Olympia, Athens, Delphi, Bassai, and Trysa - showing that myth was neither randomly selected nor purely decorative. The mythic scenes on these monuments had meaning, the interpretation of which depends on context. Barringer explains how the same myth can possess different meanings and how, in a monumental context, the mythological image relates to the site and often to other monuments surrounding it, which redouble, resonate, or create variation on a theme. The architectural sculpture examined here is discussed in a series of five case studies, which are chronologically arranged and offer a range of physical settings, historical and social circumstances, and interpretive problems. Providing new interpretations of familiar monuments, this volume also offers a comprehensive way of seeing and understanding Greek art and culture as an integrated whole.

In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans' preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars. Using a case study of a particular sculptural type, a forceful yet erotic image of Venus, Kousser argues that the Romans self-consciously employed such sculptures to represent their ties to the past in a rapidly evolving world. Kousser presents Hellenistic and Roman ideal sculpture as an example of a highly effective artistic tradition that was, by modern standards, extraordinarily conservative. At the same time, the Romans' flexible and opportunistic use of past forms also had important implications for the future: it constituted the origins of classicism in Western art.

Video games have grown exponentially in recent years and have captured the hearts of millions thanks to the success of titles such as Minecraft, Journey, Limbo, Dead Cells, The Banner Saga or Firewatch. To compete with the blockbusters, the independents have had to be massively creative and come up with innovative gameplay, top-notch writing, original graphic universes, and sumptuous soundtracks. INDIE GAMES pays homage to some of the greatest success stories in the world of independent video games. Superbly illustrated, INDIE GAMES contains more than three hundred images from titles that revolutionized the gaming industry. Full of anecdotes and interviews with personalities like industry veteran Eric Chahi and young designers like Ian Dallas. You will see behind the scenes at Indie studios, revealing the creators, designs and marketing. This exploration will give you a better understanding on what is an “Indie” game. Official and authorized, with the participation of studios around the world, including over 50 interviews highlighting over 70 games, INDIE GAMES is the most complete and up-to-date overview of indie video gaming. With exclusive behind the scenes content provided by the studios, it serves as a fitting tribute to the audacity of these developers, who have elevated video games into an art.

Create beautiful, lifelike wildfowl cane handles with power tools. Over 145 clear color photographs illustrate each step, from carving the blank and setting the eyes to texturing feathers and painting the completed handle. Every tool necessary is described and displayed in detail. Patterns are provided for fifteen cane handle projects: including the American Flamingo, Bald Eagle, Brown Pelican, Cardinal, Cooper's Hawk, Great Blue Heron, Horned Puffin, Leghorn, two Mallards, Red Breasted Merganser, Ring-Necked Pheasant, Sandhill Crane, Tundra Swan and the Wood Duck. Instructions appear for procuring, sizing, and fastening shafts to the finished handles. This book will be a challenge to the novice and a joy to the expert carver

Pioneering investigation of the popular "double tomb" effigies in the Middle Ages. 2022 Historians of British Art Book Award for Exemplary Scholarship on the Period before 1600 2021 International Center of Medieval Art Annual Book Prize Medieval tombs often depict husband and wife lying side-by-side, and hand in hand, immortalised in elegantly carved stone: what Philip Larkin's poem An Arundel Tomb later described as their "stone fidelity". This first full account of the "double tomb" places its rich tradition into dialogue with powerful discourses of gender, marriage, politics and emotion during the Middle Ages. As well as offering new interpretations of some of the most famous medieval tombs, such as those found in Westminster Abbey and Canterbury Cathedral, it draws attention to a host of lesser-known memorials from throughout Europe, providing an innovative vantage point from which to reconsider the material culture of medieval marriage. Setting these twin effigies alongside wedding rings and dresses as the agents of matrimonial ritual and embodied symbolism, the author presents the "double tomb" as far more than mere romantic sentiment. Rather, it reveals the careful artifice beneath their seductive emotional surfaces: the artistic, religious, political and legal agendas underlying the medieval rhetoric of married love. Published with the generous financial assistance of the Henry Moore Foundation.

Diamond jewelry has long been symbolic of political power and authority in Europe. This book focuses on the individuals who commissioned and wore extraordinarily precious diamond ornaments from the mid-14th century until the ‘democratization’ of diamonds that followed the opening of mines in South Africa in 1867. This enthralling story covers seven centuries of history, showing the way in which rulers such as Charles V of France, Queen Elizabeth I of Great Britain, Louis XIV of France and Catherine II of Russia used diamond jewelry to reinforce their power and authority. As works of art, these precious creations mirror the successive styles of each period – late Gothic naturalism, the culture of the Renaissance, Baroque splendour, Rococo elegance and the Imperial grandeur of the First and Second Napoleonic Empires. The recurring themes – religion, sentiment, heraldry, military glory, miniatures and cameo portraiture – are reinterpreted by each generation of jewelers. Like royal dress, diamond jewelry was worn to dazzle and impress – at weddings, coronations, christenings and state visits – and was presented as gifts reflecting princely generosity. Over the centuries, these displays proved remarkably successful as instruments of government, symbolizing the pride and glory of a nation. Arranged chronologically, Diamond Jewelry includes some legendary masterpieces of diamond jewelry. Written by an acknowledged expert, it offers an intriguing overview of one of the world’s most precious gems.

Examines the styles and contexts of portrait statues produced during one of the most dynamic eras of Western art, the early Hellenistic age. Often seen as the beginning of the Western tradition in portraiture, this historical period is here subjected to a rigorous interdisciplinary analysis. Using a variety of methodologies from a wide range of fields - anthropology, numismatics, epigraphy, archaeology, history, and literary criticism - an international team of experts investigates the problems of origins, patronage, setting, and meanings that have consistently marked this fascinating body of ancient material culture.

Caution: Mind boggling woodcarving projects!
If you thought carving the linked chain or the ball-in-cage was a challenge, get ready for Bjarne Jespersen and his mind-altering woodcarving projects! Bjarne is a master woodcarver from Denmark and has spent his life studying geometric form. In this book, he shares over 25 amazing designs and projects for woodcarving. From flat rings, to linked cages, to magic spheres and beyond--this is a book that will keep woodcarvers challenged for a long time! Each project includes detailed diagrams illustrating the carving process along with notes from the author about the composition and design. The book includes information about this tradition of woodcarving and a detailed appendix.

With a focus on natural ingredients, Natural Soap, Second Edition provides a wonderful range of recipes for bar and liquid soaps as well as creams, lotions and balms. The techniques section covers everything you need to learn about how to make soaps at home.All the equipment required is fully explained, so even a beginner could start making soap in no time. The recipes include fruit soaps, scrub bars, skin creams and flower waters, and there is a section on special effects for a really special treat.With such a wide choice of design, colour and scent, there is bound to be something here for everyone. The author also includes an invaluable section on running a soap making business, giving essential advice for anyone looking to profit from their newfound skills.

The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism.' Barlach did not passively accept the destruction of his sculptures, but protested the injustice, and continued his work. Peter Paret's discussion of Barlach's art and struggle over creative freedom, is joined to an analysis of Barlach's opponents. Hitler's rejection of modernism, often dismissed as absurd ranting, is instead interpreted as a internally consistent and politically effective critique of liberal Western culture. That some radical national socialists nevertheless advocated a 'nordic modernism' and tried to win Barlach over, indicates the cultural cross-currents running through the early years of the Third Reich. Paret's closely focused study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art. Peter Paret is Mellon Professor in the Humanities Emeritus of the Institute for Advanced Study in Princeton and Spruance Professor Emeritus at Stanford University. He is a member of the American Philosophical Society, which awarded him the Thomas Jefferson Medal and a Fellow of the American Academy of Arts and Sciences. The German government has awarded him the Officer's Cross of the Order of Merit. His other works include, German Encounters with Modernism, 1840-1945 (Cambridge, 2001), Imagined Battles: Reflections of War in European Art (Univ, of NC, 1997), The Berlin Secession: Modernism and its Enemies in Imperial Germany (Harvard, 1989), and Clausewitz and the State (Oxford, 1985).

The Lives of Chinese Objectsis a fascinating book. It is the result of excellent historical research as well as curatorial expertise. The reader is taken on an amazing journey starting with the startling discovery of the image of five Chinese bronzes on display as part of the Great Exhibition in 1851...The stories uncovered are riveting, a mix of curatorial detail and description, historical research and theoretical analysis. This book is beautifully written - clear, detailed and informative. The author is ever present in the text and the book is as much a story of her journey, as it is a story of the lives of the 'Putuo Five'. I just wanted to keep reading." . Suzanne MacLeod, University of Leicester

This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers' and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the 'Mongolian race' and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown.

As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.

Concrete is in. And no wonder: it's inexpensive, durable, and makes unique, stunning pieces with which to decorate your home. With just a bag of ready-mixed concrete, water and a few utensils and moulds you can find around the house, you can create beautiful, minimalist items in no time at all; from clocks, vases, lampshades and bowls through to jewellery, wine coolers and desk organisers. Each project is equipped with easy-to-follow, step-by-step instructions and tips, and all can be made with very little know-how - making it a perfect craft for beginner concrete artisans, as well as the more experienced mason. A perfect mix of power, presence and practicality, bring concrete into your home today and discover a new-found love for this often overlooked but remarkable building material.

The Co(s)mic Picture of Reality in the Art of Julia Curylo is both a collection of essays about the work of Julia Curylo and an album of works by the artist representing a generation of Central and Eastern European artists born in the 1980s. The central part of the book is an essay by Joanna Paneth, an art historian and graduate of Nicolaus Copernicus University in Torun. Paneth provides an in-depth analysis of Curylo's selected paintings from a series focusing on space and existential themes. The author discusses the artist's work in a broader cultural context, referring to the history of art, religion and philosophy and introduces the relatively new current reflected in the artist's work: space art. The author Joanna Paneth write: 'The entire book is a journey. Curylo takes us on an unforgettable adventure. We begin on Earth amid the surrounding reality, moving slowly towards the solar system, where planets and space probes and galaxies await us. We go deeper into space to end our adventure even further: among biblical figures and to learn the genesis of the Universe's creation. At each stage of our journey all the elements, people and space are interconnected and together form an uninterrupted narrative continued in the subsequent works of the artist.'

Elijah Pierce (1892-1984) was born the youngest son of a former slave on a Mississippi farm. He began carving at an early age when his father gave him his first pocketknife. Pierce became known for his wood carvings nationally and then internationally for the first time in the 1970s. Accompanying a major exhibition at the Barnes Foundation, Philadelphia, this publication seeks to revisit the art of Elijah Pierce and see it in its own right, not simply as 'naive'. Elijah Pierce made his living as a barber; he was also a qualified preacher. Just as his barber shop was a place for gossip and meeting, so his art reflects his own and his community's concerns, but also universal themes. Through his carvings Pierce told his own life story and chronicled the African-American experience. His subjects ranged from politics to religious stories but he seldom distinguished the race of his figures - he thought of them as everyman. His secular carvings show his love of baseball, boxing, comics and the movies, and also reflect his appreciation for American heroes who fought for justice and liberty. In 1932, Pierce completed 'the Book of Wood', which he considered his best work. Originally carved as individual scenes, the completed 'Book' tells the story of Jesus carved in bas-relief. He and his wife Cornelia held "sacred art demonstrations" to explain the meaning of the Book of Wood. Pierce's work was first appreciated in the art world thanks to a fellow sculptor, Boris Gruenwald, who saw the expressive power of his work. As a later critic wrote, "There are 500 woodcarvers working today in the United States who are technically as proficient as Pierce, but none can equal the power of Pierce's personal vision". Pierce became known primarily in circles promoting 'naive' art, winning first prize at the International Meeting of Naive Art in Zagreb, Yugoslavia, in 1973. The vast majority of his work is now held in Columbus, Ohio, which had become his home town. This book revisits Pierce's art seeking to see it in its own right, and not simply as 'naive'. Another critic wrote: "He reduces what he wants to say to the simplest forms and compositions. They are decorative, direct, bold and amusing. He uses glitter and all kinds of devices to make his message clear. It gives his work an immediacy that's very appealing" - an appeal arising from a sophisticated art with its own particular voice.

The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - Peopling Insular Art: Practice, Performance, Perception - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with 'engagement' covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers - the illuminators, pattern-makers, rubricators, carvers, and casters - to the fore.

This book demonstrates that copper-alloy casting was widespread in southern Nigeria and has been practiced for at least a millennium. Philip M. Peek's research provides a critical context for the better-known casting traditions of Igbo-Ukwu, Ife, and Benin. Both the necessary ores and casting skills were widely available, contrary to previous scholarly assumptions. The majority of the Lower Niger Bronzes, which we know number in the thousands, are of subjects not found elsewhere, such as leopard skull replicas, grotesque bell heads, ritual objects, and humanoid figures. Important puzzle pieces are now in place to permit a more complete reconstruction of southern Nigerian history. The book will be of interest to scholars working in art history, African studies, African history, and anthropology.

This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role - that is, whether he is a philosopher of an orator - from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture - a name - they are evidence of utmost importance for the history of Greek portraiture.

The Parthenon frieze, one of Western civilization's major monuments, has been the subject of intense study for over two hundred years. Most scholarship has sought an overall interpretation of the monument's iconography and therefore neglects the visual language of the sculpture, an essential tool for a full understanding of the narrative. Dr Jenifer Neils's study provides an in-depth examination of the frieze which decodes its visual language, but also analyzes its conception and design, style and content, and impact on the visual arts over time. Unique in its wide-ranging approach, The Parthenon Frieze also brings ethical reasoning to bear on the issue of repatriation as part of the ongoing debate on the Elgin Marbles.

Featuring the fine collection of 17th century to 19th century Spanish and Mexican maiolica at the Museum of International Folk Art in Santa Fe, this book explores and celebrates Spanish traditional ceramics of Old and New Spain. Renowned ceramic expert Florence C. Lister and archaeologist Robert H. Lister studies one hundred and forty-four examples of historical maiolica in what is the first study of its kind tracing the decorative styles, influences and innovations in a ceramic tradition that is almost a millennium old.