A new and updated edition of the definitive monograph on the British artist Antony Gormley, now available in an affordably priced format This beautiful and comprehensive monograph, expanded and updated in a new affordably priced edition, examines the entirety of Gormley's career, from his earliest sketches to his best-known public installations. Martin Caiger-Smith's 'magnificent, magisterial overview' (The Independent) examines the relationship between Gormley's life and art and identi-fies the singular vision that ties together a vast canon of work in an extraordinary range of media and materials. Best known for the major public works that most visibly represent his innovative approach to sculpture, Gormley is a prolific artist who has renegotiated the tension between the individual and the universal. Drawing on images that range from childhood snap-shots to photographs of his most recent installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio, through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place. Illustrated with hundreds of images that explore the scale and impact of Gormley's work-including his acclaimed exhibition at the Royal Academy in 2019, as well as recent installations in Florence, Delos, and New York City-and 'dense with insight and deeply considered analysis from the author' (Financial Times), this book is the definitive survey of a monumental career.

The Japanese artist Koho Mori-Newton is a master when it comes to handling silk, which he places in an exciting dialogue with architecture. In this way he creates cult-like spaces which interact with light in a fasci nating way. In addition to the works in silk, this volume also shows various graphic work groups from the last 35 years as well as the Path of Silk, created especially for no intention. Koho Mori-Newton (*1951) is a master of intentional lack of intention. His works appear simple, but the aesthetic which lies behind them is complex. Time and again he investigates the basis of art itself, questions the concept of the originality of the artistic creative process and explores the boundaries of artworks. His oeuvre lures us into a world that exists beyond the obvious. Path of Silk, a labyrinthine installation of room-high panels of silk, worked in China ink by Mori-Newton, presents a fragile interplay of space and light, of heaviness and lightness. Further areas of focus in his creative work are repetition and copy, from which his graphic works derive their own special charm.

The publication The Architecture of Deception / Confinement / Transformation accompanies the eponymously titled exhibition trilogy at BNKR - current reflections on art and architecture in Munich and showcases 18 diverse artistic standpoints at the intersection of art and architecture. Each chapter directly corresponds to the evolving history of the exhibition space, which was originally constructed as a camouflaged air-raid bunker during the Second World War, then used as a postwar internment camp, and finally transformed into its current state as a mixed-use residential and office building. The Architecture of Deception explores notions of illusion and deception, the creation of new realities, truth versus fiction; Confinement explores notions of shelters and safety, captivity and freedom, 'outside' versus 'inside'; Transformation explores notions of gentrification, decay and definition of living spaces. With contributions by the editors, David Adjaye and Nikolaus Hirsch, Isabelle Doucet, and Madeleine Freund. Artists: The Architecture of Deception: Hans Op de Beeck, Emmanuelle Laine, Bettina Pousttchi, Gregor Sailer, Cortis & Sonderegger, The Swan Collective; The Architecture of Confinement: Ramzi Ben Sliman, Mona Hatoum, Nadia Kaabi-Linke, Annika Kahrs, OEzgur Kar, Joanna Piotrovska; The Architecture of Transformation: Dana Awartani, Olivier Goethals, Eva Nielsen, Jeremy Shaw, Hannah Weinberger, Andrea Zittel.

The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. Rob Krier is an exception. For years, he has seen his love of art as a vocation -- one which he nurtures parallel to his work in construction. Fine art should stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders, moving them to thoughtful reflection. In his contribution to the European Embankment project in St Petersburg, Krier recently demonstrated the power of architecture and fine art to cross-fertilise. The architects in charge of the urban development of this district are Sergei Tchoban and Evgeny Gerasimov. Krier designed the facade for a 132-metres long building on the Newa riverbank one that looks across the water onto the rear facade of the Hermitage. The vibrancy of the architecture is enhanced by its sculptural ornamentation based on the Balzac theme, 'The Human Comedy'. In this regard, Krier modelled over 50 figures in white clay, as well as around 65 linear metres of reliefs. The short poems that comment on the sculptures also centre on the theme of mankind and its interrelationships in society.

In the year 1260 Nicola Pisano, the sculptor who initiated the revival of classicizing ideals that would later form a major component of Italian Renaissance art, created a remarkable and unusual monument for the Baptistry of Pisa, a hexagonal pulpit supported by seven colorful columns and displaying on its parapet five visually compelling narrative reliefs; several years later he designed a second pulpit, this time for the cathedral of Siena. Toward the end of the century, his son Giovanni received a pulpit commission for the parish church of Sant'Andrea, Pistoia, to be followed a few years later (c. 1302) by another one for the cathedral of Pisa. These four extraordinary monuments, each building upon both older traditions and its own immediate predecessors, yet each a highly innovative and original solution, are the primary subject of this book.

For seven years, photographer and artist Lena Herzog followed the evolution of a new kinetic species. Intricate as insects but with bursts of equine energy, the "Strandbeests," or "beach creatures," are the creation of Dutch artist Theo Jansen, who has been working for nearly two decades to generate these new life-forms that move, and even survive, on their own. Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement. Coinciding with a traveling exhibition, Herzog's photographic tribute captures Jansen's menagerie in a meditative black and white, showcasing Jansen's imaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence.

An original and entertaining catalogue for a travelling exhibition that has already been much talked about. The expressive power of glass emerges from the pages of the Glasstrees catalogue, which travelled from the Venice Biennale to the Museum of Art and Design of New York in February 2012. The excellent colour photographs illustrate the glass sculptures and installations by internationally-acclaimed artists and designers, some of the most important on the international scene, who for the occasion tackled one of the arts to have made Venice famous throughout the world. This catalogue will become a "must" for collectors, designers, students and connoisseurs.

One guilty secret will tear her life apart...After a series of heart-breaking miscarriages, Kate's marriage is hanging by a thread. When her husband Michael tells her he has shocking news, at first, she thinks the worst - he's been having an affair. It would explain why he's been so distant. Instead, he reveals that the daughter he abandoned twenty years ago is coming to stay. Kate is blindsided by the sudden arrival of Imogen mere hours later. Her new stepdaughter is beautiful but troubled and seems wary of her own father. All the same, Kate is pleased to find herself connecting with Imogen, until one day, Imogen reveals a disturbing secret to her stepmother, making her swear never to tell a soul. With Kate already keeping secrets of her own, she worries her marriage will crumble under the weight of another. But perhaps it's not Imogen's intrusion Kate should be worried about. Perhaps it's Michael's past she should have been looking at all along... A completely addictive domestic suspense novel that will keep you guessing into the early hours of the morning. Perfect for fans of The Stepdaughter, Amanda Robson and Adele Parks. What readers are saying about The Stepmother:'This elegantly written suspense novel quickly drew me in and transported me into the lives of Kate and Michael and their dysfunctional marriage... Compels the reader to keep turning the pages... A very satisfying and well-written novel.' M. M. DeLuca 'Loved this one! So easy to read and lots of twists and turns along the way. Definitely a quick read and one I recommend.' NetGalley Reviewer 'I really enjoyed this book, I was hooked from the first chapter and couldn't put it down, loads of twists & turns to keep one guessing' NetGalley Reviewer 'A marriage in tatters and a shocking surprise. This thriller is just that, thrilling until the end. Definitely not for the faint-hearted.' NetGalley Reviewer 'I really enjoyed this story... It was well written and truly heartfelt... A great read that I would recommend.' NetGalley Reviewer 'An original domestic thriller telling the story of a stepmother caught between the rock and a hard place... Highly recommended!' NetGalley Reviewer 'I really enjoyed this book... A unique perspective on the step-parent spectrum. Carne really makes you think and question the secrets of her characters. The Stepmother is a great read.' NetGalley Reviewer 'This is a story of a marriage failing, death and life's drama. Well written and gripping. This is my first book by Ros Carne and look forward to her next book.' NetGalley Reviewer 'I really enjoyed it. There were enjoyable twists to keep me guessing and I'd definitely read more by this author in the future.' NetGalley Reviewer

This ultimate picture book packed with wonderful, quirky, amusing and delightful images from the British Museum. There is no text at all: the pictures, and combinations of pictures, speak for themselves. This makes the book accessible to all ages. Quite young children will enjoy examining and talking about the pictures; even adult visitors familiar with the museums galleries will find much to surprise and entertain them. Every reader is likely to be surprised at the breadth and variety of images, all of which come from the British Museum.