Influenced by Gaudi's Parc Guell in Barcelona, and the mannerist park of Bomarzo, Niki de Saint Phalle decided that she wanted to make something similar; a monumental sculpture park created by a woman. In 1974, she was donated some land in Garavicchio, Tuscany, about 100 km north-west of Rome along the coast. The garden, on which planning started in 1978, contains sculptures of the symbols found on Tarot cards. It opened in 1998, after more than 20 years of work. The garden was still incomplete when Niki de Saint Phalle died. With elaborate illustrations and sensitively written texts this book presents in detail the formation of the garden and the underlying ideas.

Accomplished carver Cleve Taylor brings the hard-working western cowboy to life in basswood. A combination of exacting detail and wry good humor make his carvings unique. Now Cleve shares his carving methods, combining hand and power tools, with you. Follow the detailed and lively instructions presented here to learn his techniques for creating western art. Each step is well illustrated with full color photographs. Once the piece has been carved, Cleve provides detailed instructions for painting and finishing the work. Patterns for four cowboys and a horse are provided. An additional pattern for a unique flexible wooden body pattern used to create a variety of realistic poses is included as well. The gallery provides perspectives of the cowboy carved and additional cowboys to fire the imagination and inspire the intermediate and advanced carver. The detailed instructions will make this book an enjoyable and educational challenge for the beginner as well.

For all those looking for this much sought-after handbook, the wait is over. Originally published in 1990 and out of print for almost 10 years, Swedish Carving Techniques by Wille Sundqvist has enjoyed cult status among carvers and craftsmen and is widely considered the bible of spoon carvers. Now a brand-new issue, just like the 1990 version, can be yours. In an honest, straightforward style, Wille Sundqvist shares his love for basic hand tools and the practical objects they can produce from branches, burls, and crooked pieces of wood. He brings this simple art to life by showing you carving techniques, tips for designing spoons for maximum strength, how to shape dough bowls, butter paddles and ladles, techniques for adding decorative detailing and safety tips for enjoying this age-old craft.

Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo's work, revealing the symbolic structures underlying the artist's highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo's most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo's rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers--or, as Steinberg put it, in Michelangelo's art, "anatomy becomes theology." Michelangelo's Sculpture is the first in a series of volumes of Steinberg's selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master's work, a lighthearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.

A reprint of the original 1886 catalog of bronzes from the House of Barbedienne is reproduced with original selling prices in French francs and dimensions plus the line drawings which depict many of these famous works. Barbedienne was one of the foremost French foundries for the production of bronze sculptures in the latter part of the Nineteenth Century.

This volume is a continuation of the first instalment of the editorial project Canova | In Four Tempos, ISBN 9788874399215, born in co-edition with the Pallavicino Foundation in Genoa with the goal of collecting in a refined publication the photographic research of Luigi Spina focused on the plaster models by Antonio Canova almost entirely preserved at the plaster cast gallery in Possagno. This project accompanying the four-year Canovian celebrations (2019-2022) is structured in four publications, each focused on a specific nucleus of plaster models. Its aim is to give new dignity to Antonio Canova's creative process while highlighting the fundamental role of the bronze nails (reperes) that made the metamorphoses from plaster model to marble sculpture possible. The first volume is devoted to the dialogue of Myth and Faith, illustrated by Spina with photographs of Cupid and Psyche, Paolina Borghese Bonaparte, Venus and Mars, the Lying Magdalen, Peace, and the Lamentation of Christ, while this, the second volume, revolves mainly around Myth. The sculptures on which the visual narrative focuses are: Dancer with Finger on Chin, Dedalus and Icarus, Theseus Defeats the Centaur, Naiad, Pius VII Praying, Venus and Adonis, and Sleeping Nymph.

Discover the thrill of working with hot metal and creating your own pieces. This book shows you how: with lavish photographs, it captures the excitement of working at the fire and explains the techniques to get you started. Drawing on traditional methods, it encourages you to develop your own style and to design your own tools and creations. Step-by-step instructions to shaping, bending, splitting and drawing down hot metal are given along with advice on traditional methods to fasten metal pieces together. Projects included in this new book are making a hanging basket bracket and a toasting fork.

Become a pro at living and thriving off the land. Survival Skills of the Native Americans is a fascinating, practical guide to the techniques that have made the indigenous people of North America revered for their mastery of the wilderness. Readers can replicate outdoor living by trying a hand at making rafts and canoes, constructing tools, and living off the land. Learn key skills like: Building a strong campfire Learning to hunt and butcher your meats Creating a safe and solid shelter And much more! Whether you're an avid outdoorsman or a novice hiker, Survival Skills of the Native Americans is your handbook to not simply surviving the outdoors, but flourishing. The know-how of the Native Americans is unique and popular, admired by young people, historians, and those with a special interest in living off the land. Native Americans have lived outdoors for ages, and now you can be successful, too, with the skills, tips, and tricks included in this handy manual. Skyhorse Publishing is proud to publish a broad range of books for hunters and firearms enthusiasts. We publish books about shotguns, rifles, handguns, target shooting, gun collecting, self-defense, archery, ammunition, knives, gunsmithing, gun repair, and wilderness survival. We publish books on deer hunting, big game hunting, small game hunting, wing shooting, turkey hunting, deer stands, duck blinds, bowhunting, wing shooting, hunting dogs, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

For anyone who has ever been interested in trying their hand at the art of wood burning, this book is a delight. Accomplished artist Sue Waters guides the beginner through six beautiful wood burning projects. All of the tools, techniques and patterns necessary to create these works of art are provided within. Trouble-shooting tips help the novice avoid common mistakes from the outset. Color photographs and basic, straight-forward descriptions detail every step along the way. By the time these projects are finished, you will have mastered lettering techniques, created floral displays, mountain and lake-side scenes, and even rendered your first elk on wood. When you close the last page you will be left with the satisfaction only tangible evidence of your new-found skills may provide. You will also have the confidence and skill necessary to explore new creative possibilities on your own. Even the artist familiar with basic wood burning techniques will find new and useful information within these colorful pages.

The Avro Lancaster, such a stalwart of the skies during the Second World War, also enjoyed an interesting and surprisingly colourful post-war career. It is this era that the authors have chosen to focus on by profiling the type across its many variants. Split into three primary sections, this book offers a concise yet informative history of the Lancaster's post-war operational career (from 1945-1965) charting the course of the various alterations and improvements that occurred during this time and including a selection of contemporary photographs with detailed captions. A 16-page section features 32 colour illustrations (in profiles, 2-views and 4-views) specially prepared by Mark Gauntlett. The book's final section provides a list and box top illustrations of the plastic model kits produced of the Lancaster in all scales plus reviews and 'how to' construction notes on building a selection of kits in 1/144, 1/72 and 1/48 scales. As with the other books in the Flight Craft series, whilst published primarily with the scale aircraft modeller in mind, it is hoped that those readers who might perhaps describe themselves as 'occasional' modellers - if indeed they model at all - may also find that this colourful and informative work offers something to provoke their interests too.

This is a collection of 37 all-time favourite intarsia and segmentation projects from the archives of "Scroll Saw Woodworking & Crafts" magazine. It features unique designs and inspirational stories from renowned intarsia artists. It includes expert step-by-step instructions, with crisp photos, detailed patterns and tips and techniques. This is a collection of all-time favourite intarsia and segmentation projects from the archives of Scroll Saw Woodworking & Crafts magazine. Whether you are a beginner or have been scrolling for years, you'll be inspired by the unique designs and inspirational stories from renowned intarsia artists Kathy Wise, Judy Gale Roberts, Janette Square, Frank Droege, John Morgan and others. Plus, you will find expert step by step instructions along with all of the crisp photos, detailed patterns and tips and techniques that guarantee intarsia making success.

1961, three years after meeting Jeanne-Claude in Paris, Christo made a study of a mammoth project that would wrap one of the city's most emblematic monuments. 60 years, 25,000 square meters of recyclable fabric, and 3,000 meters of rope later, the artists' vision finally came true. Discover their posthumous installation with this book gathering photography, drawings, and a history of the project's making. Like most of Christo and Jeanne-Claude's work, L'Arc de Triomphe, Wrapped is temporary and runs for 16 days from Saturday, September 18 to Sunday, October 3, 2021. Carried out in close collaboration with the Centre des Monuments Nationaux, the historic structure is wrapped in recyclable polypropylene fabric in silvery blue and recyclable red rope. The project is the posthumous realisation of a long-held dream for Christo and Jeanne-Claude, who first drew up plans to wrap the Arc de Triomphe in 1961 while renting a small room near the monument. Published as a tribute to the late artists and their lifelong partnership, the book includes original sketches, technical data, and exclusive photography, creating a fascinating behind-the-scenes look at the genesis of this prodigious artwork.

Philip Rawson, a distinguished academic and author, practiced as a sculptor all of his life. Sculpture, his final book, completes the trilogy begun with his classic works, Drawing and Ceramics. As in those earlier volumes, Rawson provides a clear, factual description of the underlying principles and structural techniques of the art. Although Rawson discusses sculptures from many places and periods - including Africa, Asia, Greece, Medieval and Renaissance Europe, and twentieth-century Europe and America - Sculpture is not a history as such. Rather, it is an original analysis of sculpture as a fundamental and integral form of human language capable of conveying a variety of different insights, offering a wealth of cultural and symbolic meaning. In the course of this analysis, Sculpture explores the full range of expressive techniques available to the sculptor today. Rawson's intent is to reveal possible modes of sculptural thought for practitioners and to enable the nonexpert to better understand and appreciate the emotional and intellectual content of any work.

Phil Smith (Crabman/Mythogeography) and Tony Whitehead join forces with master photographer John Schott to lead readers on a `virtual’ journey to explore difference and change on their way to an unknown destination. “What is most real is what you have still to discover.” “Relax in your seat. Allow the train to take you along the water’s edge to the beginning point of your walking pilgrimage… When the train pulls into the platform, step off. Hidden behind the platform is a broken machine; a mechanised fortune teller – the `voice of truth’ – discarded from the nearby arcade of slot machines. Propped against the side of a building, its mouth is silent, its pronouncements have ceased; any truths you find today will be your own.” Pilgrimages – real and imagined - are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, Puri: a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. For Guidebook for an Armchair Pilgrimage, the authors followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. “We arrived again and again at what we assumed would be a final `shrine’, only to be drawn onwards and inwards towards another kind of finality… rather than reaching a destination, the pilgrimage was repeatedly reborn inside us, until its most recent rebirth in this book.” Over the course of the 19-day Armchair Pilgrimage, they invite us to experience the world around us just as they did as they walked. So, over the first three days, they suggest that we contemplate, among other things: • Our habit of generalising – acquired 40-50,000 years ago, when our `chapel’ mind of specialisms became a `cathedral’ mind • Our tendency to let one thing remind us of another thing • What it might be like to be an ocean where fish swim through us • How the world experiences us just as we experience it: `gently feel for the feelers feeling for you’ • A world where we tend to `add’ meaning and intensity • A world where we let go (without the aid of dementia) of memory, imagination, desire and wild fancy. And, as the pilgrimage concludes: “Returning is never going back to the same place.” “A brilliant idea, inviting us to `be present’ to a reality that is imagined and recorded, mediated by words and images. The feelings and emotions are no less `real’ than if we were actually standing in and experiencing that reality. I love the genius of words and images displayed here -- no less than the reality itself.” Carol Donelan, Professor of Cinema and Media Studies, Carleton College, Minnesota

The Shang dynasty of north-central China (c. 1500-1000 BCE) was a flourishing Bronze Age civilization that maintained control over much of north China for nearly six hundred years. It also produced spectacular bronze ritual vessels that are among the greatest cultural and technological achievements of any ancient civilization. Ancient Chinese Bronzes offers readers the unique opportunity to see Daniel Shapiro's astonishing collection of ancient Chinese Shang dynasty bronze ritual vessels. The mystery and beauty of these bronzes is captured in dramatic large-format illustrations both in color and in black and white.

Issue 9 of of Maurizio Cattelan and Pierpaolo Ferrari's accessible image-based artists' magazine that challenges the limits of the contemporary art economy Toilet Paper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Starting in the Victorian years of the 19th century, hearty oyster consumption made special, beautifully crafted "oyster plates" a necessity in fashionable homes and restaurants. This book is perfect for collectors, complete with a rarity guide and color photographs of almost 500 pieces of original dishware and unusual serving utensils. The text is filled with the history of oysters plate manufacturers from Limoges and Meissen to Wedgewood.

First opened in 1873, the Victoria and Albert Museum's Cast Courts were purpose built to house copies of architecture and sculpture from around the world. They contain some of the Museum's largest objects, including casts of Trajan's Column (shown in two halves) and the twelfth century Portico de la Gloria from the cathedral at Santiago de Compostela. Among the Museum's most popular galleries, the Cast Courts are an extraordinary expression of Victorian taste, ambition and public spirit. Published to celebrate the opening of the refurbished Cast Courts at the V&A, this book presents a fresh perspective on the Museum's diverse collection of reproductions including plaster casts, electrotypes and photographs.