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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms
Pioneering investigation of the popular "double tomb" effigies in the Middle Ages. 2022 Historians of British Art Book Award for Exemplary Scholarship on the Period before 1600 2021 International Center of Medieval Art Annual Book Prize Medieval tombs often depict husband and wife lying side-by-side, and hand in hand, immortalised in elegantly carved stone: what Philip Larkin's poem An Arundel Tomb later described as their "stone fidelity". This first full account of the "double tomb" places its rich tradition into dialogue with powerful discourses of gender, marriage, politics and emotion during the Middle Ages. As well as offering new interpretations of some of the most famous medieval tombs, such as those found in Westminster Abbey and Canterbury Cathedral, it draws attention to a host of lesser-known memorials from throughout Europe, providing an innovative vantage point from which to reconsider the material culture of medieval marriage. Setting these twin effigies alongside wedding rings and dresses as the agents of matrimonial ritual and embodied symbolism, the author presents the "double tomb" as far more than mere romantic sentiment. Rather, it reveals the careful artifice beneath their seductive emotional surfaces: the artistic, religious, political and legal agendas underlying the medieval rhetoric of married love. Published with the generous financial assistance of the Henry Moore Foundation.
This is a revealing consideration of ancient bronzes from their halcyon days in antiquity to their allure today. Ancient bronze statuary provides a sense of immediacy, a window directly back to the classical world. The wistful expression of a young Roman woman, the fixed jaw of a politician, and the tensed muscles of a Greek athlete appear startlingly lifelike, transfixing the viewer with their striking realism. Incredibly durable yet frequently destroyed for their valuable materials, ancient bronzes are comparatively rare discoveries. This book, richly illustrated with works from the J. Paul Getty Museum and other important collections, provides an engaging overview of classical bronzes. The exquisite volume considers bronze throughout its long history, exploring its enormous appeal from antiquity to the present day. The book discusses the many roles bronze objects played in ancient Greece and Rome and analyzes discoveries made at ancient foundries and by contemporary scientists. It also examines references to bronze in mythology, Pliny's histories, and other classical texts, as well as representations on vases and other artworks.
This definitive edition collects all of Kilian Eng's otherworldly landscapes and retro-futuristic illustrations in one massive volume, including previously unpublished works. Each dreamlike image immerses the viewer in a unique environment, full of engrossing detail and surreal beauty.
Surveying some 20 years of Swiss video art, this book includes works by Alexander Hahn, Klara Kuchta, Eric Lanz, Jean Otth, Pipilotti Rist, Alex Silber and Hannes Vogel, it reviews discussion surrounding the exhibiting of video art and the problems associated with long-term conservation.
Step-by-step instructions for diamond burr engraving, from making the first cut to displaying finished work. Includes four complete projects, plus expert advice on choosing glass, fashioning glass chunks into usable pieces for engraving, suggestions for arrangement and lighting of finished pieces, more. Over 100 helpful illustrations. Introduction. List of Supply Sources.
Create beautiful, lifelike wildfowl cane handles with power tools. Over 145 clear color photographs illustrate each step, from carving the blank and setting the eyes to texturing feathers and painting the completed handle. Every tool necessary is described and displayed in detail. Patterns are provided for fifteen cane handle projects: including the American Flamingo, Bald Eagle, Brown Pelican, Cardinal, Cooper's Hawk, Great Blue Heron, Horned Puffin, Leghorn, two Mallards, Red Breasted Merganser, Ring-Necked Pheasant, Sandhill Crane, Tundra Swan and the Wood Duck. Instructions appear for procuring, sizing, and fastening shafts to the finished handles. This book will be a challenge to the novice and a joy to the expert carver
Discover the thrill of working with hot metal and creating your own pieces. This book shows you how: with lavish photographs, it captures the excitement of working at the fire and explains the techniques to get you started. Drawing on traditional methods, it encourages you to develop your own style and to design your own tools and creations. Step-by-step instructions to shaping, bending, splitting and drawing down hot metal are given along with advice on traditional methods to fasten metal pieces together. Projects included in this new book are making a hanging basket bracket and a toasting fork.
Winner of the Holyer an Gof Award 2022 (Leisure and Lifestyle) An illustrated guide to one hundred of the finest early Cornish stone crosses, dating from around AD 900 to 1300. These characteristic features of the Cornish landscape are splendid examples of their type, exhibiting a wide geographical spread and a certain weather-beaten beauty. The medieval stone crosses of Cornwall have long been objects of curiosity both for residents and visitors. This is the first ever accessible volume on the subject, combining detailed description and discussion of the crosses with information on access, colour images and suggestions for further reading. An approachable but academically rigorous work, it includes analysis of the decorative designs and sculptural techniques, accompanied by high-quality photographs which illustrate the subtleties of each cross, often hard to discern in situ. Ancient and High Crosses of Cornwall offers an ideal introduction for the general reader but will also prove essential to local historians, landscape historians, archaeologists and anyone working in the area of Cornish studies or connected with the Cornish diaspora. DOI: https://doi.org/10.47788/NKIP4746
The Serpent Column, a bronze sculpture that has stood in Delphi and Constantinople, today Istanbul, is a Greek representation of the Near Eastern primordial combat myth: it is Typhon, a dragon defeated by Zeus, and also Python slain by Apollo. The column was created after the Battle of Plataia (479BC), where the sky was dominated by serpentine constellations and by the spiralling tails of the Milky Way. It was erected as a votive for Apollo and as a monument to the victory of the united Greek poleis over the Persians. It is as a victory monument that the column was transplanted to Constantinople and erected in the hippodrome. The column remained a monument to cosmic victory through centuries, but also took on other meanings. Through the Byzantine centuries these interpretation were fundamentally Christian, drawing upon serpentine imagery in Scripture, patristic and homiletic writings. When Byzantines saw the monument they reflected upon this multivalent serpentine symbolism, but also the fact that it was a bronze column. For these observers, it evoked the Temple's brazen pillars, Moses' brazen serpent, the serpentine tempter of Genesis (Satan), and the beast of Revelation. The column was inserted into Christian sacred history, symbolizing creation and the end times. The most enduring interpretation of the column, which is unrelated to religion, and therefore survived the Ottoman capture of the city, is as a talisman against snakes and snake-bites. It is this tale that was told by travellers to Constantinople throughout the Middle Ages, and it is this story that is told to tourists today who visit Istanbul. In this book, Paul Stephenson twists together multiple strands to relate the cultural biography of a unique monument.
The story of porcelain making and decorating in Limoges, France, is a tale of artists and potters; kings and an emperor; a revolution; and the emergence of a great industry. Limoges comes to life in over 1,100 photographs of porcelain and porcelain marks made over the past 100 plus years, concentrating on pieces dating from the 1860s to the present day. Along with a discussion of the manufacturing and decorating of both fine porcelain pieces and boxes, there is a full section dedicated to Limoges companies and their manufacturing and decorating marks. Captions include price guides. A fine index turns a lovely illustrated book into a valuable reference tool. All the photos of porcelain and boxes are in color.
***SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023*** 'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES 'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH 'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIES A heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill Nalder When Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get. But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat. In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon. 'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL 'An engaging, moving account' TIMES SATURDAY REVIEW 'Simultaneously devastating and uplifting' GRAZIA 'Engrossing, heart-breaking and inspiring' MATT CAIN
The Gayer-Anderson Cat has been one of the most admired objects at the British Museum since its arrival in 1947. This book presents a detailed description of the cat and a discussion of its possible meaning and role in ancient times. Surprising new finds from scientific analyses are presented for the first time, shedding light on the cats somewhat traumatic modern history, from its acquisition by the British Army major and avid antiquities collector John Gayer-Anderson to its donation to the British Museum. The fascinating narrative is complemented by outstanding new photography.
From crayons to cough drops, cookies to candles, Beehive Alchemy offers a comprehensive introduction to incorporating the miracle of bees into everyday life. Beehive Alchemy is a continuation of Petra Ahnert's best-selling Beeswax Alchemy. With this new book, beekeepers (and bee lovers) will learn about the benefits and attributes of beeswax, honey, propolis, and more alongside a full range of projects and techniques to process and harness the amazing gifts of bees. Inside, you'll find instructions to make Ahnert's award-winning hand-dipped birthday candles, the classic French dessert canele bordelais, and much more, including: Alchemy for the Body Liquid soap with honey Beard balm Olive and honey lotion Alchemy of Light Taper candles Tea lights Pillars Alchemy for the Home Furniture polish Waxed cotton food wraps Woodcutter incense Alchemy in the Studio Beeswax crayons Encaustic Batik Alchemy in the Kitchen Cookies and candies Beverages Fermentations Whether you keep bees or just love them, Beehive Alchemy will become your go-to comprehensive guide for hive-to-home creations.
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo's work, revealing the symbolic structures underlying the artist's highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo's most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo's rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers--or, as Steinberg put it, in Michelangelo's art, "anatomy becomes theology." Michelangelo's Sculpture is the first in a series of volumes of Steinberg's selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master's work, a lighthearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
The first book-length examination of the clay models and creative process of the preeminent neoclassical sculptor Antonio Canova The most celebrated sculptor of the neoclassical age, Antonio Canova (1757–1822) established himself as the preeminent artist of his time with his funerary monuments and meticulously carved marbles on classical themes. Although his idealized and sensual sculptures are widely known, this is the first book devoted entirely to the brilliantly expressive clay models that he made in preparation for his marble sculptures. Only sixty-five of his terracotta models survive today. Extraordinarily modern in their boldness, the models retain the touch of the artist’s hand and yield a revelatory glimpse into Canova’s imaginative and technical process. The authors, with expertise in art history and conservation, examine Canova’s techniques for making terracotta models, including how he used clay to develop full-scale models that his assistants copied in marble, and his practice of gifting his models to friends. Distributed for the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington, DC (June 11–October 9, 2023) Art Institute of Chicago (November 19, 2023–March 18, 2024) Â
Christo (1935-2020) and Jeanne-Claude (1935-2009) created some of the most breathtaking artworks of the 20th and 21st centuries. Their projects radically questioned traditional conceptions of painting, sculpture, and architecture. This lavish photo book is the first comprehensive publication on the artists' oeuvre to be released after Christo's death in May 2020. It also serves as a curtain-raiser for Christo und Jeanne-Claude's last major project - the wrapping of the Arc de Triomphe in Paris, which will be carried out posthumously in the fall of 2021. Presenting a wealth of photographs and studio snapshots from 1949 to 2020, some of which are private, this book allows an intimate peek behind the scenes of Christo und Jeanne-Claude's monumental installations which fascinated the public for decades. In addition to pictures capturing the artists at work, it includes photos documenting all of their major projects. Matthias Koddenberg (b.1984), art historian and close friend of the artists, spent many years compiling the more than 300 images featured in this volume. Among them are pictures taken by companions and friends and hitherto unpublished photographs from the artists' estate. Together they tell the extraordinary story not only of the couple's artistic collaboration, but also of their five-decade-long partnership.
Meaning in the visual arts centers on how the physical work makes its content or presence visible. The art object is fundamental. Indeed, the different object forms of each visual medium allows our experience of space-time, and our relations to other people, to be aesthetically embodied in unique ways. Through these embodiments, visual art compensates for what is otherwise existentially lost, and becomes part of what makes life worth living. The present book shows this by discussing a range of visual art forms, namely pictorial representation, abstraction, sculpture and assemblage works, land art, architecture, photography, and varieties of digital art.
This UK author's designs are stylish & quirky & move beyond the traditional shapes in shops today. In this unique and comprehensive book, Chris West covers all aspects of turning these useful condiment holders and demonstrates how practical kitchen utensils can be transformed into beautiful, stylish and tactile additions to your home. 30 projects are rated in order of difficulty, from beginner, through to intermediate and advanced, the latter not solely based on the skills of the turner, but also on access to the materials or machinery required for the project. A basic level of turning is assumed, together with the availability of a chuck with compression jaws. Chris finds inspiration in many diverse objects, whether glass, metal or ceramics and creates unique and quirky designs, which move beyond the traditional shapes in retail shops today.
The female face and the female figure have been drawn, sculpted, carved and painted by artists and craftsmen from around the world for centuries. In this book and DVD, author and teacher Ian Norbury offers his expertise and experience to help carvers take on the challenge of presenting the female face and figure in wood. Inside, readers will find tips for creating patterns, in depth anatomical drawings for better understanding of the body's muscles, step-by-step projects with detailed photos and instructions and a photo gallery of finished projects to illuminate and inspire.
Czech action art - a medium similar to performance art that does not require an audience - emerged out of the political and social turmoil of the 1960s. This movement has received little critical attention, however, as the Iron Curtain prevented its dissemination to an international audience. Here theorist and art historian Pavlina Morganova gives this art scene its due, chronicling its inception and tracing its evolution through to the present. Morganova explains the various forms of action art, from the "actions" and "happenings" of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Knizak, Zorka Saglova, Ivan Kafka, Petr Stembera, Karel Miler, Jiri Kovanda, and Katerina Seda, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II. With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.
Stretching across the historical region of Mesopotamia, the Akkadian dynasty (ca. 2334-2154 BCE) created a territorial state of unprecedented scale in the ancient Near East by uniting the city-states of Sumer and Akkad and parts of Syria and Iran. To establish and, later, cement their authority over disparate peoples and places, the kings used art and visual culture to extraordinary effect. Exemplars of Kingship conveys the astonishing life of the art of the Akkadian kings by assessing ancient and modern responses to its dynamic forms and transformative ideologies of kingship. For nearly two thousand years after their reign, the Akkadian kings were remembered as exemplary rulers. Modern assessments of ancient memories of Akkadian kingship have concentrated on textual attestations of the kings' place in cultural memory. This book considers the contributions of images to memories of Akkadian kingship. Through close readings of the visuals that remain, Melissa Eppihimer discusses how Akkadian steles, statues, and cylinder seals became models for later rulers in Mesopotamia and beyond who wished to emulate or critique the Akkadian kings-and how these rulers and their contemporaries were reminded of the Akkadian past when they looked at images. Exemplars of Kingship is, therefore, a book about Akkadian art and its reception in antiquity, but it is also concerned with the modern reception of Akkadian art and kingship. It argues that modern responses have constrained our understanding of ancient responses. Through a wide range of examples drawn from almost two millennia, the book highlights the individual decisions that prompted continuity and change during the long history of Mesopotamia and its artistic traditions.
A unique look at the visionary artist, educator and activist Ruth Asawa (1926-2013). 'I state, without hesitation or reserve, that I consider Ruth Asawa to be the most gifted, productive, and originally inspired artist that I have ever known personally' R. Buckminster Fuller, 1971 Although less known outside North America, Japanese-American artist Ruth Asawa is an artist of vital importance to modern art. Ruth Asawa: Citizen of the Universe, which accompanies the first exhibition of Asawa's work to be staged in public galleries in Europe, introduces European audiences to both Asawa's powerful art - including her signature hanging sculptures in looped and tied wire - and her pioneering education practice. It positions her expansive ethos - her self-identification as 'a citizen of the universe' and belief that art education can be life enriching for everyone - as a catalyst for creative forward-thinking in the 21st century. Focusing on a dynamic and formative period in her life from 1945 to 1980, this book gives readers a unique experience of the artist and her work, exploring her legacy from a European perspective and positioning her as an abstract sculptor crucial to American modernism. It is a wonderful celebration of her holistic integration of art, education and community engagement, through which she called for a revolutionary and inclusive vision of art's role in society.
The first publication on the Yoruba master sculptor Moshood Olusomo Bamigboye Bamigboye: A Master Sculptor of the Yoruba Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olusomo Bamigboye (ca. 1885-1975). One of the most important Yoruba sculptors of the twentieth century, Bamigboye is best known for the spectacular masks that he carved for religious festivals known locally as Epa. Weighing up to 80 pounds and measuring over 4 feet tall, with intricate superstructures that could feature dozens of finely carved individual figures, these masks represent some of the most complex and elaborate works of Yoruba art ever made. With 190 illustrations, this sumptuous volume presents masterpieces from Bamigboye's workshop now housed in collections in America, Europe, and Nigeria. Essays situate Bamigboye's work as part of Africa's oldest and most dynamic art traditions and consider his sculpture in relation to contemporary Yoruba art, culture, politics, and religion. With new and archival photographs and incorporating oral histories conducted with the artist's family and community, this catalogue fills a critical void in African art-historical scholarship. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (September 9, 2022-January 8, 2023)
This book covers the modelling and painting of US armed forces in the Pacific, on D-Day and during the liberation of Europe in 1/35, 1/56, 1/72 and 1/76 scales. Historical overviews set the scene followed by detailed step-by-step modelling and painting guides for the creation of accurate and realistic models, whether for display or wargaming. With over 250 colour photography, this book includes the following models for Personnel: infantryman, paratrooper, Ranger, Marine, airmen, combat engineers, tank crew and General George S. Patton. For Weapons: small arms and artillery. For Vehicles: tanks, half-tracks, tank destroyers, jeeps, armoured cars and many more. |
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