From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

If mediatization has surprisingly revealed the secret life of inert matter and the 'face of things', the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation. Within a contemporary imaginary pervaded by new forms of animism, the paradigm of death looms large in many areas of artistic experimentation, pushing the modern body towards mineral modes of being which revive ancient myths of flesh-made-stone and the issue of the monument. Scholars in media, visual culture and the arts propose studies of bodies of stone, from actors simulating statues to the transmutation of the filmic body into a fossil; from the real treatment of the cadaver as a mineral living object to the rediscovery of materials such as wax; from the quest for a 'thermal' equivalence between stone and flesh to the transformation of the biomedical body into a living monument.

This exciting new book from Angie Scarr presents a voyage of discovery and inspiration for all miniaturists to delve into. Here, Angie shares the secrets of her amazingly intricate work in a variety of exciting materials and invites us to join in with her passion for miniature food. The projects are more adventurous than ever before and created with extraordinary attention to detail.Follow this master class that is packed full of ideas, detailed information on techniques, tools, materials and is illustrated with easy-to-follow, step-by-step pictures throughout. Find out how to create liquid and translucent effects, glazes, moulding and veining all to mouth-watering effect. Just some of the projects included are: pastry cases, chocolate recipes, toffee apples, fruit tarts, strawberries, melons, cabbage and mushrooms.

Featuring decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met's compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900-700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323-31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Dialectical Materialism: Aspects of British Sculpture Since the 1960s charts a network of relations linking the work of six sculptors: Anthony Caro, Barry Flanagan, Richard Long, William Turnbull, Rachel Whiteread and Alison Wilding. Since the 1960s, successive artists and art-critical frameworks have sought to undermine or dispense with traditional media and the boundaries between painting and sculpture, the core disciplines of modern Western art. The artists studied here are united by their commitment to sculpture as a distinct practice, but also to broadening, challenging and redefining the basis of that practice. In his essay, art historian Jonathan Vernon argues that each of these sculptors has engaged in a realignment of sculptural and material space - in removing sculpture from the disembodied, 'disinterested' spaces of mid-century modernism and returning it to a shared world inhabited by other objects, ourselves and our material interests. From the conflicts that inhere in this space, we may discern the outlines of a new idea of British sculpture since the 1960s - an idea by turns narrative, dramatic and dysfunctional.

Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.

Make floating candles, herbal soaps, and even a home spa

Discover the secrets of color, shape, and scent the fun and easy way?

Whether you're a beginner or seasoned craftperson, this fun book offers everything you need to make beautiful, professional-looking candles and soaps at home. You get practical tips on dyeing and scenting wax, using unusual molds, adding embellishments to candles, working with soap ingredients, and even turning your hobby into a business!

Discover How To: Stock a safe & efficient work areaWork with all types of waxAdd color and scent to your projectsMake melt-and-pour soapsTurn a hobby into a business

Resin craft is a great way to make beautiful items for your home and gifts for yourself or others. Hazel Oliver is the name behind Badger & Birch, whose eco-friendly practices include using solvent free and non-toxic resin, and incorporating natural waste such as mussel and oyster shells from her local restaurant, as well as natural minerals, gemstones and crystals. In this her first book, Hazel shows you the basics of resin craft, including mixing and pouring, making moulds, and finishing your pieces. The 30 projects include vases, planters, candle holders and other items for the home, as well as moulded decorations in leaf shapes and other natural forms. The soft colours, natural elements and beautiful finish of Hazel's work will inspire you to take up this flourishing craft, or give you new ideas if you are already a keen resin crafter.

Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful object in its own right and as the author Simon Brett's work is highly collectible. It is a must have for all those who treasure his work and fine wood engraving in general.

Resin craft is an exciting way to make jewellery and other accessories. Learn how to create everything from earrings to key rings with this definitive guide to resin craft. This collection of techniques will get you started on your resin journey even if you've never tried it before and, if you do have some experience, there are 17 inspirational projects to make. Resin craft offers so many possibilities to create original jewellery and accessories that will amaze your family and friends, and it is easy to do at home with just a small number of tools and materials. This collection is packed full of step-by-step instructions for techniques such as mixing and pouring resin, creating your own moulds, and how to use pigments and inks. Author Mia Winston-Hart also explains how to use botanicals with resin, and she has advice for how to source and prepare your own botanicals for really bespoke pieces, with instructions for drying your own flowers and plants. There is comprehensive information about all the safety issues surrounding resin craft and the author explores the various different types of resin available including plant and vegetable-based resins, and how to choose and use them safely. There are also instructions on how to create your own moulds alongside the different resin techniques, as well as 17 eye-catching resin projects. All of the projects are accompanied by step-by-step photography so you can see exactly what to do at each stage. Choose your favourite from this collection which includes floral earrings; heat proof coasters, a beach scene tray, a galaxy themed table top, a shell comb, a flower and gold leaf keyring, glittery hair clips and a floral phone case. Some of the many techniques covered include: sanding, deep pouring, making your own moulds, how to avoid bubbles in your work, de-moulding, mixing and pouring, working with different layers, and drying and preserving botanicals. There are comprehensive step-by-step instructions for the projects including how to add jewellery findings, as well as working with different moulds and materials. There is even a trouble shooting section so you can iron out any problems once you start putting your newfound skills into practise.

The definitive biography of a fascinating and enigmatic figure 'Succeeds in every way as one of the most readable, fascinating and informative documents, not just on an artist, but on art and artists in general' WASHINGTON TIMES 'The most moving biography of a modern artist I've read' NEWSWEEK Alberto Giacometti is one of the best-known artists of the twentieth century. Born in a Swiss village, he moved to pre-war Paris and went on to play a leading role in the art world, alongside characters such as Picasso, Balthus, Samuel Beckett and Sartre. His passionate and strange life reflects the genius of his works - his gaunt and haunting sculptures and his unsettling paintings. As someone who was personally acquainted with Giacometti and his peers, and who has consolidated his personal knowledge with extensive research, James Lord is uniquely qualified to write Giacometti's biography.

Candlemaking is a traditional craft which can be converted into a modern small business with viable markets in most countries around the world. This book includes instructions on how to determine the feasibility of a candlemaking business, and advises on essential business planning. It gives detailed and specific guidance in the critical areas of pricing, marketing and selling. "Candlemaking for Profit" covers the various materials and methods used in candlemaking. It includes step-by-step illustrations to explain methods appropriate for small-scale production and advises on different wax types, wicks, dyes and scents and gives advice on dealing with material suppliers. The methods illustrated include dipping, molding, pouring and how to make container candles. Finding workshop space is also covered, with information about costs of premises, workshop layout, stock control and safety. The book explains how to keep ahead through design and innovation. It includes advice on how to generate creative ideas, respond to market trends and safeguard intellectual property. This is a simple and clear practical guide for those who are looking for a business start-up or who want to convert their candlemaking hobby into a profitable small business, whether living in an economically rich or developing country.

Colour is at the core of our perception, the very essence of how we see and understand the world, but the question to ask is: how does one interpret it? Six well-known British artists - David Batchelor, Ian Davenport, Lothar Goetz, Jim Lambie, Annie Morris, Fiona Rae - have interpreted in different ways, the relationship of colour within space. Colour is the main protagonist of their works: it can be found in Batchelor's sculptures assembled with found objects, in the coloured trails of Davenport's paintings, in Fiona Rae's delicate, floating marks on white surfaces, and in Annie Morris' sculptures that powerfully define the environment. Finally, the colour comes out of the paintings to invade the walls and the floor of the Gallery itself, with two site-specific creations: an entire wall painted by Lothar Goetz, and Zobop, the floor made of vinyl by Jim Lambie. Text in English and Italian.

This revelatory book concentrates on Scottish women painters and sculptors from 1885, when Fra Newbery became Director of the Glasgow School of Art, until 1965, the year of Anne Redpath's death. It explores the experience and context of the artists and their place in Scottish art history, in terms of training, professional opportunities and personal links within the Scottish art world. Celebrated painters including Joan Eardley, Margaret Macdonald Mackintosh and Phoebe Anna Traquair are examined alongside lesser-known figures such as Phyllis Bone, Dorothy Johnstone and Norah Neilson Gray, in order to look afresh at the achievements of Scottish women artists of the modern period. The book accompanies a show which will be held at the Scottish National Gallery of Modern Art Two in Edinburgh from 7 November 2015 to 26 June 2016.

Nearly 100 patterns (kingfishers, toucans, butterflies, etc.) add vibrancy to stained glass projects-lightcatchers, windows, mobiles, etc. Accessible to intermediate/advanced glassworkers, careful beginners. Original Dover (1984) publication. Publisher's Note with Sources of Supply. 94 designs.

This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: Collected Writings, Lectures, and Interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist.

The Italian Renaissance was a golden age for bronze sculpture, both on a grand scale-such as Ghiberti's Gates of Paradise, or Cellini's Perseus-and more intimate statuettes and small-scale functional objects. Bronze, being both costly and luxurious, embodied power, authority, and eternity and emulated the classical past. Yet it was one of the easiest materials to recycle, especially at a time when the need for artillery was ever-present. Drawing on the latest research, and including some 200 superb images, The Culture of Bronze explores the material and making of bronzes and the interrelationships and collaboration between sculptor, foundry, and owner. Encompassing works made for domestic, religious, and civic environments, the book studies the symbolism of bronze, and the bronzes themselves, within their broader societal context. Features works from sculptors including Pier Jacopo Alari Bonacoisi (Antico), Benvenuto Cellini, Donatello, Adriano Fiorentino, Lorenzo Ghiberti, Giambologna, Bertoldo di Giovanni, Leone Leoni, Barthelemy Prieur, Benedetto da Rovezzano, Adriaen de Vries and Agostino Zoppo

On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Miroslaw Balka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for 'archival' media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.