Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society.

The ancient and wonderful art of direct stone sculpture is brought to life in this comprehensive new book by the noted sculptor, Milt Liebson. After a brief, informative historical overview of stone sculpture, he leads the reader through the hands-on experience of sculpting in stone. This is an invaluable book for artists and would-be artists in stone. The types of stone used in sculpture are covered, as well as the basic tools for hand sculpting and the techniques for their use. For the advanced sculptor there is detailed information on power tools and their use, the methods of lamination and repair, the business side of stone sculpture, and other helpful information gleaned from years of experience. Detailed photographs take readers from rough stone to the polished and mounted piece. Already a standard reference, **Direct Stone Sculpture now includes 47 new pictures, updated stone-working techniques, and a gallery of students' work.

In recent years the intersections between art history and archaeology have become the focus of critical analysis by both disciplines. Contemporary sculpture has played a key role in this dialogue. The essays in this volume, by art historians, archaeologists and artists, take the intersection between sculpture and archaeology as the prelude for analysis, examining the metaphorical and conceptual role of archaeology as subject matter for sculptors, and the significance of sculpture as a three-dimensional medium for exploring historical attitudes to archaeology.

Finally, a much-needed expansive photo reference guide to this popular manufacturer of fine bone china from Longton in the renowned Staffordshire potting district in England. A grand assortment of the prolific Shelley Pottery's products is illustrated, including works by their predecessor, Wileman & Co, a.k.a. The Foley China. Over 500 photos show more than 1,000 pieces, including dinnerware, tea and coffee sets, jelly molds, ashtrays and souvenir items, vases, pitchers, and the ever-popular miniatures in the chintz, landscapes, and bright floral patterns widely prized by today's collectors. A brief history of Shelley and its predecessor, spanning the years 1860-1966, is included. Plus there is a guide to back stamps; a buyer's guide to fakes, reproductions, and damaged items; a pattern index; and current market values, all making this an invaluable tool for collectors and dealers.

Porcelain dishes made in China for 18th- and 19th- century American families from Maine to South Carolina and west to Mississippi and California are presented with family crests, initials, names, and original decorations.

This "how to" book in woodcarving guides us through a hands on, educational journey of snowmen designs and cuttings, including "Igloo Snowman," and "Snowbank Snowman," both rich in color and full of life. Filled with numerous ideas and designs, it presents a fun and easy way to learn decorative woodcarving while perfecting your creative skills. The easy-to-follow instructions define the shape, style of arm you wish to use, traditional or elaborate face, and so on. The "saw out and glue up" technique is explained and displayed in step-by-step carving instructions. The painting techniques are fun and easy to follow and allow for imaginative designs. The finishing touches add details that you, too, will be able to make.

A leading female sculptor and figure in Chinese contemporary art, Yin Xiuzhen (b. 1963, Beijing, China) began her career in the early 1990s following her graduation from Capital Normal University in Beijing where she received a B.A. from the Fine Arts Department in 1989. Best known for her works that incorporate second-hand objects, Yin uses her artwork to explore modern issues of globalization and homogenization. By utilizing recycled materials such as sculptural documents of memory, she seeks to personalize objects and allude to the lives of specific individuals, which are often neglected in the drive toward excessive urbanization, rapid modern development and the growing global economy. The artist explains, "In a rapidly changing China, 'memory' seems to vanish more quickly than everything else. That's why preserving memory has become an alternative way of life."

The late Renaissance sculptor Leone Leoni (1509-1590) came from modest beginnings, but died as a nobleman and knight. His remarkable leap in status from his humble birth to a stonemason's family, to his time as a galley slave, to living as a nobleman and courtier in Milan provide a specific case study of an artist's struggle and triumph over existing social structures that marginalized the Renaissance artist. Based on a wealth of discoveries in archival documents, correspondence, and contemporary literature, the author examines the strategies Leoni employed to achieve his high social position, such as the friendships he formed, the type of education he sought out, the artistic imagery he employed, and the aristocratic trappings he donned. Leoni's multiple roles (imperial sculptor, aristocrat, man of erudition, and criminal), the visual manifestations of these roles in his house, collection, and tomb, the form and meaning of the artistic commissions he undertook, and the particular successes he enjoyed are here situated within the complex political, social and economic contexts of northern Italy and the Spanish court in the sixteenth century.

The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

The 607 paintings and one sculpture documented in Volume 4 of The Andy Warhol Catalogue Raisonne were produced during a period of less than three years, from late 1974 through early 1977. In September 1974, Warhol changed studios, moving across Union Square from the sixth floor of 33 Union Square West to the third floor of 860 West Broadway. Like Volumes 2 and 3, Volume 4 is identified with a new studio, where Warhol continued to work for a decade, until he moved into his last studio at 22 East 33rd Street on December 3, 1984. Volume 4 may be seen as the first in a series of books associated with one studio that will document an enormously productive ten-year period in Warhol's oeuvre from the mid seventies to the mid eighties.

The colorful and charming decorations on French Quimper pottery (pronounced Kem-pair) have made it a popular ware for over 300 years. Brightly clad men and women, many in the traditional clothing of Brittany, and other designs, reflect the Celtic heritage of Breton culture: its rolling green countryside, grazing animals, and small fishing villages. Over the years, a tremendous amount has been exported to North America and England. Quimper faience has been produced by three primary factories in the French town of Quimper, and this book explains, compares and contrasts the factories and their products. Today old Quimper ware is collected avidly here and abroad and the new ware is cherished. 290 clear color photographs, makers' marks, and the useful, newly updated price guide make this a necessary reference for all who are interested in ceramics.

This colorful text sheds new light on the beautiful majolica figures that have kept collectors entranced for years. Over 475 color photographs illustrate the full range of figures, including majolica animals, toby jugs, tobacco jars, strikers, and advertising memorabilia. The histories of all manufacturers of majolica figures are provided along with detailed ceramic and toby jug histories. Possible sources of inspiration for majolica figures are explored. Trademark qualities are contrasted between authentic figures and their more recent reproductions. Values for the illustrated majolica figures are provided in the captions and a comprehensive bibliography round out this fascinating study.

For hopelessly addicted Santa carvers, this wonderful book will spur them to new heights and depths. Here are 60 of Al Streetman's whimsical, humorous caricature patterns, bringing exciting new dimensions to Santa carving. Al takes the carver step-by-step through the carving of a Santa flying on a candy cane to deliver his goods. It is fun to carve and, from Al's experience, is a good seller at carving shows. It offers a slight but not difficult challenge, and can be executed by novices and pros alike. The book provides some tips and tricks for head and hand carving. All in all, the perfect fix for the Santa craving.

'David Esterly's handsome book on Gibbons has been republished by the V&A with sumptuous pictures' Laura Freeman, The Times, 14th August 2021 Reissued to mark 300 years since the death of Grinling Gibbons (1648-1721), this study views the work of the greatest of decorative woodcarvers from the perspective of a fellow carver, the late David Esterly. Grinling Gibbons is famous for giving wood "the loose and airy lightness of flowers." His flamboyant cascades of lifelike blossoms, fruits, foliage, birds and fish dominate English interiors of the late seventeenth century. They are among the glories of Windsor Castle, Hampton Court Palace, and St. Paul's Cathedral, as well as Badminton, Burghley, Petworth, and other great country houses. A contemporary of Christopher Wren and of the diarists Samuel Pepys and John Evelyn, Gibbons was part of the colourful world of Restoration England. His discovery by Evelyn in a tumble-down cottage near the River Thames was followed by a presentation to King Charles II, who rejected his early sculptural work. Gibbons responded by inventing his spectacular style of decorative carving. He was then rediscovered, reintroduced to the king, and launched into a triumphant career. After setting Gibbons in historical context, David Esterly's ground-breaking approach allows us to understand the process by which these exuberant carvings were created and how their forms reflect the organization of Gibbon's workshop. Esterly, a professional woodcarver who restored some of Gibbons' most important carvings, shares his unique knowledge of the layering process by which Gibbons built up such masterpieces as the Cosimo panel or the elaborate overmantels at Hampton Court Palace. Specially commissioned photographs show these carvings in a disassembled state, revealing the secrets of their construction. Esterly also discusses Gibbons' formidable carving techniques, and his tools, workshop practice, materials, and finishing are described in detail. This generously illustrated volume will have a special appeal for carvers as well as for those interested in seventeenth-century interiors and the decorative arts.

Lampworked and millifiori paperweights have become recognized as little works of art, because their intricate designs challenge the most accomplished glassblowers to be inventive and in full control of molten colored glass. Successful pieces are beautiful and intriguing, displaying the best skills in the glass field. Included are company histories and detailed descriptions of nearly 500 of these amazing paperweights produced over the last 150 years. Chinese copies from the 1930s and the latest fakes and copies are shown, which every collector should know about. The authoritative text includes new information that will fascinate collectors, and many rare and exceptional paperweights appear here that have never before been published. Pricing information and a detailed glossary are included. This important book belongs on the bookshelf of all paperweight enthusiasts, and will particularly appeal to all who are interested in glass production.

Chinese ceramics and their glazes have delighted and enthralled the world for centuries. In this book, Nigel Wood traces the development of Chinese glazes from the Bronze Age to the present day. He carefully describes how Chinese glazes were made, and how they evolved over some 3000 years of continuous production. He provides analyses and shows how their superb qualities can be reproduced with common Western raw materials. The book is lavishly illustrated with hundreds of colour plates of Chinese potters and Chinese kilns.

This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides - in deed and art - Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.

Meet the brightly colored pottery that set the trend for casual mix-and-match dinnerware years before Fiesta! This pictorial overview of the pottery produced from the 1920s through the 1950s by the J. A. Bauer Pottery Company is illustrated with over 450 vibrant color photographs. Items ranging from brilliantly glazed dinnerwares and garden pots to massive oil jars and hand thrown vases are all included. A number of rare pieces are depicted as well. A brief history of the company, several original company brochures, examples of the manufacturer's marks, a bibliography, and an index round out the presentation. Prices are provided in the captions for the items displayed.

This impressive, informative book portrays the progress of Haviland china in form and decoration from the formative years in the 1840s-1860s, through the development of porcelain manufacturing in the 1870s-1880s, and on into the twentieth century, which brought many changes to the Haviland companies. Over 570 beautiful color photographs show the progression of patterns and style. The early multifloral and botanical designs, the Japanese influence, the Impressionist, Art Nouveau, and Art Deco styles, and recent patterns and shapes all have made Haviland china a porcelain of importance today. To enable the reader to identify patterns, many are cataloged by Schleiger numbers, the form of pattern identification preferred by most Haviland matchers. Also included are sections on setting a proper table, pieces that made up a complete set, and interesting stories about famous and influential people who ate from Haviland china. A listing of back marks and current market prices is included.

Many wood carvers have attempted and failed in carving the nativity, thwarted by the myriad details of so many figures. Now, Lynn Diel brings a refreshing simplicity to the scene. He uses flat plane carving techniques on basswood to create a beautiful tableau that even a novice can successfully complete. Using over 250 color images, 4 patterns, and clear step-by-step instructions, the reader is taken through all the steps necessary to carve and finish each figure in the nativity: Mary, Joseph, Jesus and His creche, an angel, shepherd, the three kings, a camel, donkey, ox, and sheep. All of the easily obtained materials and tools needed for these projects are listed. Once the techniques are mastered, the reader will be able to create many nativity sets sure to be treasured by family and friends for years to come. This book will be inspiring for the novice and a joy for the experienced carver.

This delightful book examines the graphics found on all kinds of children's alphabet ware, along with fascinating histories of the firms that produced it. Primarily made in nineteenth century Britain, America, and Germany, these ceramic plates, metal table and flatware, glass dishes, and mugs are considered a reflection of the technologies, values, and styles of the Victorian era. Alphabetically arranged, the twenty-six lettered chapters each tell part of the story: A begins the tale with a bit of American history, B tells of the early bonfires and nineteenth century bottle ovens, C discusses commercialism, D displays deep dishes, E reviews the role of the ware in educating the young ... and so on, all the way to Z. The extensively researched text is accompanied by over 1000 stunning photographs of these historic pieces, with detailed captions providing measurements, information on manufacturers and marks, circa dates, and current values. A must for every enthusiast's library, this unique and comprehensive text guides readers through every aspect of collecting alphabet ware.

Carving Kitchen Tools is the beginning of your woodworking journey and is a practical guide to creating your own beautiful utensils. From the all-important wooden spoon to butter knives, salad servers and spatulas, Moa Brannstroem Ott shows you how to create kitchen implements that will bring individuality and personality to your home. As well as this, Carving Kitchen Tools explores the variety of different woods, their properties and the whittling techniques to which they are most suited. With step-by-steps to illustrate the correct grips for knife and wood, tips on how to source your wood and details on the tools you need, this book is the perfect guide to this surprisingly simple and mindful craft. Projects include: Butter knives Frying utensils Straight spoons Curved spoons Salad servers Kuksa cups