Julio Gonzalez moved in 1900 to Paris, where his contact with the most innovative and powerful modern art led, as one would expect, to a vitalization of his own artistic conceptions. He arrived at a style of his own through his attempts to incorporate space and time into his work, and in so doing he changed the meaning of iron, endowing it with new constructive and expressive values. His work made a definitive impact on the development of contemporary sculpture. Though his output was small, his influence on such master sculptors as David Smith - - a distant pupil - - is testimony to the eloquence of his art. This ambitious publishing project (for which seven volumes are planned) focuses on the artist's complete oeuvre and is the result of the initiative of Tomas Llorens, former director of the Reina Sofia Museum, the Thyssen-Bornemisza Museum both of which are in Madrid, and the IVAM in Valencia, which holds over 400 works by Julio Gonzalez in its collection. Published in collaboration with the IVAM and the Azcona Foundation in Madrid.

A genuine labor of love, Loy Harrell has recognized 61 individual decoy carvers, from past to present, located around Lake Champlain. Listed alphabetically, each carver is briefly discussed and examples of their work are illustrated in 263 beautiful color photographs and 52 black and white. There are 352 decoys featured in all. Dr. Harrell has brought his enthusiasm to the reader through personal interviews with many of these accomplished carvers and adeptly portrays the true personality of decoy enthusiasts of the Lake Champlain area. This book is the first of its kind for the Lake Champlain area and pays a long awaited tribute to its carvers and the decoys they have and still are creating.

This book is the perfect start for anyone interested in learning how to carve detailed faces. Mary Finn uses her practice stick method to show you how to carve each feature - eyes, nose, closed mouth, open mouth - with step by step directions that even beginners will find easy to follow. Then she shows you how to arrange all of these pieces into one wooden egg to make a convincing head! This method has helped hundreds of Mary's students, and is a sure-fire way to get started! Egg head projects included in this book are an old man, a pirate, and the Mad Hatter. Mary shows you how to adapt her carving techniques to flatter surfaces to make jewelry (like a bolo tie project) and how to paint your pieces for maximum impact. This book is terrific for beginners, and a great way for more advanced carvers to enlarge their skills.

World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities. Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.

This vibrantly colored and radiantly textured glass is captured in over 400 color photographs which show the history of yesteryear's spectacular crackle glass in detail. Collecting Crackle Glass is a book filled with valued information for collectors, dealers, and glassware lovers alike. The "manufacturer's identification" and "most collectible" guidelines make it easy to collect the most desirable pieces, and a there is value range for each piece of crackle glass photographed. Now you can have detailed information about the styles, shapes, colors, and crackling procedures needed to be able to pick up an unidentified piece of crackle glass and name its maker, know the approximate date of creation, and the fair market value. If you are a dealer, collector, or glassware lover, Collecting Crackle Glass is a book you will value and refer to time and time again.

Recent representations of the Holocaust have increasingly required us to think beyond rigid demarcations of nation and history, medium and genre. Holocaust Intersections sets out to investigate the many points of conjunction between these categories in recent images of genocide. The book examines transnational constellations in Holocaust cinema and television in Europe disclosing instances of border-crossing and boundary-troubling at levels of production, distribution and reception. It highlights intersections between film genres, through intertextuality and pastiche, and the deployment of audio-visual Holocaust memory and testimony. Finally, the volume addresses connections between the Holocaust and other histories of genocide in the visual culture of the new millennium, engaging with the questions of transhistoricity and intercultural perspective. Drawing on a wide variety of different media - from cinema and television to installation art and the internet - and on the most recent scholarship on responses to the Holocaust, the volume aims to update our understanding of how visual culture looks at the Holocaust and genocide today.

This is the first volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 1 includes 799 photographs of sculptures on 224 pages with essays on specific topics of identitication and caring for bronze. It incorporates lists of the sculptors whose work is shown, the founders represented, 24 different founders' seals and an index to this volume. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.

This book is the companion to Public Sculpture of Edinburgh, volume 1, 'The Old Town and South Edinburgh', extending the coverage to the First New Town and its environs, and beyond that to the former independent burgh of Leith. It provides a comprehensive and detailed account of the entire spectrum of public sculptures to be found in these parts of the city, including free-standing commemorative monuments, architectural carvings, and contemporary site-specific interventions. Based on extensive new research, the text is structured as a catalogue raisonne, with each entry comprising a detailed description of the work, an account of how it came to be commissioned, and an analysis of its cultural significance. There are also separate appendices dealing with important works that have been lost or destroyed, minor works and sculptural coats of arms. The study of public sculpture is now recognised as offering a range of new insights into the development of the urban realm. Those insights are brought together here to provide a comprehensive resource for historians, architects, urban planners and conservators, and a narrative history that will be of interest to all who care about Edinburgh, and wish to celebrate its status as a UNESCO World Heritage Site.

How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was-shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film-and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.

Follow along with master carver Jeffrey Moore to create a dramatic and lifelike representation of the striking blue wing teal drake. Jeff starts with a preshaped, duplicated wooden bird to simplify the rough carving process, then demonstrates the use of burning and high speed texturing equipment to achieve wonderful carving detail and realistic features. Once the carving is completed, the book takes the reader through each aspect of the airbrushing and brush painting steps needed to complete the teal's body, tail, head, and outstretched wing. In addition, Jeff demonstrates how to create realistic-looking sand and water for the accompanying habitat base. Throughout, detailed instructions accompany the full color photographs. This is a carving project you will treasure for many years to come.

Based on the strong response from carvers around the world, Al Streeman has drawn together a new book of Santa Claus patterns. 35 new patterns are presented along with helpful tips from Al's many years of carving experience. This book is written more for the carver who has some level of experience, but just needs some basic line drawings/patterns to get started. There are also general tips and recommendations as to wood selection, paint colors, and tools. Some of the patterns appear in their final, carved and painted form. so the reader will have 3-D references. The patterns are printed full-size. This is a valuable resource for carvers and a welcome addition to their library.

Taking its departure point from the 1933 surrealist photographs of 'involuntary sculptures' by Brassai and Dali, Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book's central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography's indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork's materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.

This book presents glass candle holders within a broad range of styles, prices, and eras--from the simplest votive to the most elegant candelabra, there is something for everyone! The candle holders are arranged alphabetically by manufacturer, and include representatives from Cambridge, Fostoria, Fry, Imperial, Lancaster, McKee, Tiffin, and more. Various examples from the Roaring '20s and Depression Era are included, with special etchings, cuttings, and treatments. In addition, candle holders from newer, smaller U.S. companies and numerous imports are identified. From Avon to Yugoslavia, over 520 color photographs showcase an array of tempting colors, styles, treatments, and sizes of candle holders. This is a must for beginners and experienced collectors alike. Price guide and extensive bibliography included.

This all-color illustrated book follows the art of California ceramicist Muriel Josef George from 1945 through the 1980s. Packed with hundreds of cheerful images, this book will be an invaluable aid in the dating and identification of her popular ceramic figurines of romantic young women in hundreds of different poses and costumes.

All of the techniques necessary for capturing the sleek beauty and strength of dolphins and whales in wood are presented here. In direct and basic language and color photographs Dale Power takes the carver through each step in the process of creating a dolphin from basswood with a combination of hand and power tools. Once the dolphin is carved, woodburning and painting techniques are explored in detail to add life to the work. Helpful hints for mounting the finished work are included as well. Patterns for three dolphins and two whales are provided as well as a color gallery showing a variety of dolphins and whales in groupings which are sure to inspire. With full color illustrations and explicit directions, this book is invaluable to both the novice and the experienced carver.

This is not just another book on ceramic head vases ... it's a fabulous volume featuring more than 600 photos representing the definitive works of the talented California ceramicist and artist, Betty Lou Nichols. Mention her name to head vase collectors and you will see their eyes light up -- that's because Nichols' finely decorated pieces from the 1940s and 1950s are considered the Rolls Royce of this collectible category. But many don't know that her talent and international fame also extended to a wide variety of figurines and an extensive line of Christmas accessories, as well as highly regarded portraits, still-lifes, and landscape paintings. Informative captions, up-to-date values, and wonderful historical ephemera chronicle Betty Lou Nichols' highly successful career, which lasted more than fifty years. Each color photo tells its own story, and many feature rare and never-before-seen examples by this multi-talented woman. Whether you collect head vases, California pottery, or any of the ceramics from the 1940s and 1950s, this book is a must for your collectible library!

Why do Japanese artists team up with engineers in order to create so-called "Device Art"? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on "art & science", interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.

Using over 220 beautiful color photographs and clear, concise instructions, Ron Ransom takes the reader through all the steps necessary to carve nine of his favorite "Old World" Santas from wood. Patterns are provided for Santas holding a variety of objects, ranging from angels and Christmas trees to a golf club, messages, fishing poles, and even political emblems! Along with the carving instructions (sprinkled with Ron's unique sense of humor), general tips for painting the completed Santas are provided, as well as answers to carvers most frequently asked questions Also, a gallery of finished Santas is presented for further inspiration. Whether the carver has been working with wood for fifteen years or fifteen minutes, this book will be a new treasure.

Mauzy's Comprehensive Handbook of Depression Glass Prices is truly the all-inclusive portable identification and price guide available for collectors and dealers. This expanded second edition features more patterns of Depression Glass, more Fire-King, and now the addition of color photos to assist in pattern identification. Accurate and authentic pricing information for all the pieces in all of the colors, the latest reproduction updates, and a user-friendly format makes this an indispensable tool for anyone buying or selling Depression Glass. This second edition features the popular quantity column to maintain personal inventories and the ruler for measuring items under consideration. Keep your hands free while you shop with the conveniently sized Mauzy's Comprehensive Handbook of Depression Glass Prices in your pocket or bag.

This book is for the beginning and advanced painter alike. Here is a wealth of painting knowledge and an introduction to the time-honored techniques of porcelain painting, the necessary tools and the designs. The central focus of the book is the classic flower painting, but it also presents modern Art Deco designs. Numerous step-by-step instructions and color photographs make this an ideal book for the amateur and professional painters. The patterns are easily transferred to the porcelain objects they wish to paint.

This faithful reproduction of the Mintons China Works' 1885 catalog contains hundreds of tile designs. The glory of these tiles is captured in beautiful color illustrations. The catalog opens with its original brief history of Mintons' unique patented enameling technique, known as the "Reynolds's process". This process' origins date back to 1848, when it was first used by Mr. Herbert Minton. Historians and collectors will find the beginning pages of the catalogue valuable for their dimensional and design information. This catalogue will be an important source of inspiration and information for those who appreciate the beauty of Minton tiles.

"Milk glass" today is considered neither white nor entirely opaque, as illustrated by more than 450 photos in this book. Drawn from the extensive collections of members of the National Milk Glass Collectors Society, most pieces pictured here have not appeared in any previous book. Even long-time collectors will be surprised to see items they have never encountered. American, English, French and other foreign manufacturers are represented. Some pieces are shown here in extremely rare colors. A special section shows items that have puzzled collectors or whose distinctive qualities merit special attention. Twenty-four pages from early catalogs of the French glasshouses Vallerysthal and Portieux are reprinted in color illustrating exquisite pieces. A checklist of major manufacturers, selected readings, index, and value guide are also provided. A must for lovers of milk glass, this book will appeal to all who appreciate finely-made glass.